Nosthetics: Instagram poetry and the convergence of digital media and literature

2020 ◽  
Vol 9 (2) ◽  
pp. 145-163
Author(s):  
Tanja Grubnic

This article considers the proliferation of nostalgic aesthetics in Instagram poetry (‘instapoetry’). Though often overlooked, the relationship between the platform and the poetry itself is a vibrant entry point into debates about the handwritten, analogue and vintage styles of instapoetry. Connecting modernist and postmodernist arguments about nostalgia, this article provides a critical and conceptual lens with which to analyse the visual aspects of nostalgic aesthetics – referred to as ‘nosthetics’ – characteristic of instapoetry, investigating how and why the genre impersonates the pre-digital, analogue past. Combining scholarship on platforms, nostalgia and instapoetry shows how the concept of nosthetics can be used as a framework for literary and visual analysis of instapoetry. The theoretical framework proposed recommends three developments for those researching nostalgic aesthetics in instapoetry. First, greater attention should be paid to the platform. Second, engagement with scholarship on popular culture and nostalgia is needed. Finally, it is insightful to return to the notion of space at the heart of Johannes Hofer's original definition of nostalgia.

Author(s):  
Cas Mudde ◽  
Cristóbal Rovira Kaltwasser

The relationship between populism and democracy has always been a topic of intense debate. Depending on its electoral power and the context in which it arises, populism can work as either a threat to or a corrective for democracy. To better understand this complex relationship, “Populism and democracy” presents a clear definition of (liberal) democracy, which helps to clarify how the latter is positively and negatively affected by populist forces. It then presents an original theoretical framework of the impact of populism on different political regimes, which allows us to distinguish the main effects of populism on the different stages of the process of both democratization and de-democratization.


Author(s):  
Pau Conde Arroyo

Este artículo trata de problematizar la definición taxonómica de Testo yonqui desde una óptica literaria que atiende a su faceta narrativa para dilucidar los cauces por los que se manifiesta en tanto que ensayo queer. Dicha problematización es abordada desde dos lugares: por un lado, desde la propia obra, atendiendo a las autodefiniciones presentes en el texto, que son examinadas a partir del marco teórico de la autobiografía; y, por otro lado, desde la recepción crítica de Testo yonqui. En último lugar, a la luz de lo anterior, se exponen una serie de tensiones relativas a la relación entre narración, referente y representación en la propuesta experimental del principio autocobaya.   This article aims to question the taxonomical definition of Testo Junkie from a literary perspective that considers its narrative aspect in order to elucidate the ways in which it can be regarded as a queer essay. Such questioning is approached from two angles: on the one hand, from the work itself, examining the self-definitions found in the text, which are studied on the basis of the theoretical framework of autobiography; and, on the other hand, from Testo Junkie’s critic reception. Lastly, the principle of the auto-guinea pig is also explored, in reference to the series of tensions arising from the relationship between narration, referent and representation.


2020 ◽  
pp. 297-313
Author(s):  
André Cavalcante

By reflecting upon the discourse production conditions, the imagination of/on trans individuals and the temporal landmark of the 2018 elections in Brazil, I aim to analyze the relationship between silencing and resistance of/to the trans body in the virtual space. To this end, I selected two pieces of news posted on digital media, one about the play O Evangelho Segundo Jesus, Rainha do Céu[free translation: The Gospel According to Jesus, Queen of Heaven], which was interdicted in the Winter Festival of Garanhuns, State of Pernambuco, and the other about a ‘travesti’ murder in Sao Paulo. I analyzed these pieces to understand the dispute of meanings involving the trans corporeality based on the theoretical framework provided by the Materialist Discourse Analysis. Complementarily, I analyzed the comments on the news, as this is a space where the individuals, under the illusion that everything can be said, produce discourses in tune with the trans cause or hate discourses that delegitimize, make silent and displace meanings about such bodies.


2019 ◽  
pp. 229-238
Author(s):  
Carole M. Cusack ◽  
Massimo Leone ◽  
Jeffrey Sconce

In this afterword, three leading scholars, whose work explores the intersections of media, communication, and religion from different viewpoints, enter in dialog on the subject. Carole Cusack is a historian of religion and the author of groundbreaking works about the relationship between religion, imagination, and popular culture. Massimo Leone is a semiologist whose work has stretched the boundaries between the study of religion and the study of signs, both linguistic and nonlinguistic. Jeffrey Sconce is a scholar in film and media studies whose pioneering monograph, Haunted Media (2000), placed the theme of the supernatural at the forefront of studies in media and communication. Their responses provide a map of potential trajectories to further explore the connections between digital media and the supernatural.


2021 ◽  
Vol 20 (04) ◽  
Author(s):  
Carlos Francisco Bitencourt Jorge ◽  
Marta Lígia Pomim Valentim ◽  
Michael J. D. Sutton ◽  
José Osvaldo de Sordi

The study sought to understand the relationship among organisations, knowledge and complexity so that managers could develop more effective strategies when working with organisational knowledge and complexity. The theoretical framework of the theme was elaborated from Web of Science and then an analysis of identified approximations, relations and boundaries was carried out. Aiming at greater consistency regarding the approximations and boundaries among the studied themes, we sought complex organisations that contemplated knowledge as a resource. The initial search retrieved 95 articles, and after content analysis was performed, we identified 25 articles considering complex organisations as social organisms and knowledge as a resource. In this sense, difficulties were observed regarding the definition of the concept of complex organisation, as well as regarding the understanding of knowledge as a resource. After the analysis of the 25 articles, eight pointed to some characteristic of complex organisations, and this corpus does now allow to relate and identify the impact of knowledge on complexity, or complexity on knowledge. From these considerations, we discuss ways to manage complexity and knowledge as elements inserted in the organisational context.


2021 ◽  
pp. 1-21
Author(s):  
Chunyan Ling ◽  
Zhenzhou Lu

To measure the effects of the fuzzy inputs on structural safety degree, this paper establishes the failure credibility-based global sensitivity by the fuzzy expected value of the absolute difference between the unconditional failure credibility and conditional one. To establish the failure credibility-based global sensitivity, the conditional failure credibility is firstly defined according to the original definition of conditional event and the relationship among the possibility, necessity and credibility, in which no extra assumption is introduced. After that, the equivalent expression of the failure credibility is deduced, on which the Bayesian transformation of the conditional failure credibility is obtained in this paper. Then, a single-loop method based on the sequential quadratic programming is applied to efficiently estimate the defined failure credibility-based global sensitivity. According to the result of the constructed failure credibility-based global sensitivity, designers can pay more attentions to the more important fuzzy inputs to have a better control of the structural safety degree. The presented examples demonstrate the feasibility of the constructed failure credibility-based global sensitivity and the efficiency of the proposed solution.


1989 ◽  
Vol 19 (2) ◽  
pp. 91-100 ◽  
Author(s):  
Andrew Gilbert

It is argued that a number of discontinuities occur when psychology is practised in an environment different from that out of which it emerged – when it moves from the First World into the Third. In the words of Achebe ‘Things fall apart.’ These dislocations stem from the frequent failure to articulate the relationship between individual and social change. Two causes for this failure are explored: the absence of constructs in most models of psychology for dealing with the process of change, and difficulties in defining the construct of culture. An adequate psychological theory of behaviour in the context of social change must explicate the relationship between the individual and society in terms of social action. A theoretical framework that specifies this relationship, and which provides a context for understanding behaviour in the context of rapid social change is proposed. It is based on a conception of humans as self-reflexive beings and a definition of culture as a set of control mechanisms. It also draws on the advances made by the Soviet socio-historical school of psychology. The analysis is concluded with an interpretation of Achebe's novel, based upon the proposed theoretical framework.


2019 ◽  
Vol 9 (3) ◽  
pp. 25
Author(s):  
Ivan Ivić

 This paper aims to sketch a framework for comparing the efficiency of printed and digital textbooks. Considering the fact that digital textbooks are a relatively new phenomenon, they lack both practical experiences with their use, and research on their efficiency - which is why all results will only be of a preliminary nature. This is also why our paper will focus on an initial definition of not only the theoretical framework for analysing the nature of digital media, but also for analysing printed and digital textbooks. The broadest theoretical framework consists of Lev Vygotsky’s theory on the character of culturally-psychological tools and their influence on the functional organisation of the brain and of Marshall McLuhan’s theory of media, concerning the general fact of the medium (and not its content). The theoretical analysis shows that media (printed and digital) have significant impacts on the functional organisation of the brain, which is based on the brain’s neuroplasticity. The analysis of digital media shows that they possess a set of specific features that, despite all the advantages they have, carry important risks for the organisation and functioning of the brain and for the process of learning. The production of digital textbooks also faces a significant number of challenges that the current production has not yet solved. Empirical research on the process of digital reading and understanding what has been read, indicate all the problems that still exist in digital textbook creation.  


2020 ◽  
Vol 46 ◽  
pp. 8-28
Author(s):  
Ceren Çetinkaya

This article contributes to the study of the relationship between popular culture and politics by analysing the reversal of Turkey’s Europeanization process after 2010. It explores how domestic dynamics can change social perceptions into foreign policy positions. Therefore, this article examines domestic dimensions and the current Turkish government’s identity reconstruction process by considering popular culture as an important dynamic in the relations between the EU and Turkey. The current reconstruction process from a European to a neo-Ottoman identity of Turkey is analysed via Gramsci’s cultural hegemony concept to understand the changes in Turkish politicians’ discourses and popular culture products more efficiently. Two famous Ottoman-themed soap operas are compared in terms of their content and government’s attitudes towards them. Moreover, discourse analysis and critical visual analysis are used to examine the representations of Turkish and European identities in the soap operas.


2017 ◽  
Vol 21 (1) ◽  
pp. 90-104 ◽  
Author(s):  
Donatella Della Ratta

This article focuses on the relationship between violence and visibility as redefined by the combined action of warfare and networked communications technologies. Drawing on an ethnography of Syrian popular culture conducted at the theme park the Damascene Village, it proposes the concept of ‘expanded places’ to reflect on sites that have been physically violated, while at the same time they have been granted a new online life as a result of the manipulation and redistribution of their images on Web 2.0. The article investigates the dynamic of expansion by relating it to key practices that define internet participatory cultures, such as remixing; and to the theoretical framework of remediation, proposing to repurpose the latter in a networked media context. It discusses expansion in relation to the performance of violence, and reflects on the implications of involving the participatory dimension of Web 2.0 in replicating the latter.


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