Católico a mi manera

Author(s):  
Matthew Pettway

This chapter discusses Manzano’s early identity formation from a religious and racial standpoint prior to his 1836 manumission.Instead of reading Manzano’s Catholicism as imperfect mimicry–as Homi Bhabha might suggest–this chapter explores the mulatto-Catholic identity as a persona that garnered social capital and as a political statement that rendered Manzano inoffensive when questioned by the Military Commission under suspicion of conspiracy.The racial self-image that Manzano created in his slave narrative, poetry, and letters to his patron Domingo Del Monte manifest double-consciousness because the poet reads himself through the prism of the white gaze.But unlike in previous studies, Pettway demonstrates that Manzano’s Autobiografíaand poetry demonstrate that the Catholic redemption narrative was insufficient to emancipate the enslaved person.

2019 ◽  
Vol 37 (1) ◽  
pp. 18-34
Author(s):  
Edward C. Warburton

This essay considers metonymy in dance from the perspective of cognitive science. My goal is to unpack the roles of metaphor and metonymy in dance thought and action: how do they arise, how are they understood, how are they to be explained, and in what ways do they determine a person's doing of dance? The premise of this essay is that language matters at the cultural level and can be determinative at the individual level. I contend that some figures of speech, especially metonymic labels like ‘bunhead’, can not only discourage but dehumanize young dancers, treating them not as subjects who dance but as objects to be danced. The use of metonymy to sort young dancers may undermine the development of healthy self-image, impede strong identity formation, and retard creative-artistic development. The paper concludes with a discussion of the influence of metonymy in dance and implications for dance educators.


2000 ◽  
Vol 17 (2) ◽  
pp. 1-28
Author(s):  
Sherman A. Jackson

Native born African-American Muslims and the Immigrant Muslimcommunity foxms two important groups within the American Muslimcommunity. Whereas the sociopolitical reality is objectively the samefor both groups, their subjective responses are quite different. Both arevulnerable to a “double Consciousness,” i.e., an independently subjectiveconsciousness, as well as seeing oneself through the eyes of theother, thus reducing one’s self-image to an object of other’s contempt.Between the confines of culture, politics, and law on the one hand andthe “Islam as a way of life” on the other, Muslims must express theircultural genius and consciously discover linkages within the diverseMuslim community to avoid the threat of double consciousness.


Author(s):  
Helena Carreiras

Military institutions have been considered “gendered organizations” because gender is persistently related therein to the production and allocation of material and symbolic resources. Western states’ militaries consistently, even if unevenly, display three basic traits through which gendering occurs: the existence of structural divisions of labor and power along gender lines, organizational culture and ideology based on a distinction between masculinity and femininity, and patterns of interaction and identity formation that reflect these structural and ideological constraints. Although women’s representation has been growing, and women have been accessing new roles, positions, and occupations in unprecedented numbers, their participation is statistically limited and substantially uneven. Notable differences between countries also exist. At a macro-sociological level, factors that explain these differences relate to the degree of convergence between armed forces and society, external political pressures, military organizational format, and the level of gender equality in society at large. From a micro-sociological perspective, research shows that, because of their minority situation and less valued status in an organization normatively defined as masculine, women still have to face the negative consequences of tokenism: performance pressures, social isolation, and role encapsulation. However, this research also highlights two important conclusions. The first is that there is significant variation in individual and organizational responses depending on context; the second, that conditions for successful gender integration depend on specific combinations of structural, cultural, and policy dimensions: the existence or absence of institutional support, changes in the composition of groups, increase in the number of women, type of work, occupational status, level of shared experience, changing values of younger cohorts, and quality of leadership. The Women, Peace and Security agenda, evolving from the approval of United Nations Security Council Resolution 1325 in 2000, has become the major reference framework to evaluate progress in this respect at both domestic and international levels. Despite the existence of an extremely robust set of norms, policies, and instruments, and the recognition of their transformative potential, results have been considered to lag behind expectations. Improving implementation and enhancing gender integration in the military will require context-sensitive and knowledge-driven policies, the reframing of an essentialist discourse linking women’s participation in international missions to female stereotypical characteristics, and greater congruence between national policies and the international agenda.


2017 ◽  
Vol 44 (2) ◽  
pp. 97
Author(s):  
Subandi

One of the tasks of human development is to discover its identity. There are many ways a person can find that identity. One of them is through the identification of the idol figure. This study aims to understand the process of identity formation through the identification of shadow puppet figures in the context of Javanese culture. A qualitative phenomenological approach was used to understand the process retrospectively. Three main participants were involved in the study. The process of collecting data was done through in-depth interview methods to both the main participants and their significant others. FGD (focused group discussion) is also conducted to explore participants' understanding of their process of identity formation. Data analysis was done by phenomenological method. This study found three main themes, namely interested in shadow puppet figures, matching self-image with puppet characters, and the use of feeling as a bridge between self and the puppet. This study concluded that shadow puppets can be used as a means to find identity among their fans.


KOMUNITAS ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 140-148
Author(s):  
Abdul Najib

Current model of dakwah has to deal with complexity of challenges. In tacking such complexity, relevant and contextual approaches are necessarily needed. One of them is social capital based approach. This approach highlights aspects of trust and honesty, norm and values, networking, solidarity, responsibility, local wisdom, local culture, harmony and quality of life. The use of this approach has already been able to answer the challenge of current Dakwah. From the perspective of social capital, the use of basic values from it contributes to the dai’s credibility building. This credibility results in sustainable activities of dakwah and therefore, creates more effective results. The effectiveness of sustainable dakwah emphasizes on efforts to set up good self-image for the da’i and improved relevant relational patterns with the mad’u.


2002 ◽  
Vol 48 ◽  
pp. 102-122 ◽  
Author(s):  
Polly Low

In 395 BC, after just under a decade of (nominal) peace between Athens and Sparta, the Corinthian War broke out, and, for the first time since the end of the Peloponnesian War, forces of Athenian cavalry were despatched to fight on behalf of their own city. The surviving historical narratives of the events at Haliartus in that year, and at Corinth and Coronea the next, are often incomplete, inconsistent, or both; the detail of what contribution – if any – was made by the cavalry to the campaign is no exception to that pattern. My aim in what follows, however, is not to attempt to reach the truth of what really happened in those engagements, but rather to look at a small group of material produced by and about members of the cavalry forces involved in the campaign, and to explore some of the ways in which the military exploits of this stereotypically rich and élite section of Athenian society are represented in the city – especially in contexts with particularly democratic associations. In doing so, I want to investigate the idea that Athenian attitudes to the cavalry undergo a significant, and hostile, shift at the end of the Peloponnesian War: the claim, that is, that the cavalry had always been a distinct group in Athens, but, in the 390s, that distinction comes in the form of infamy rather than fame. But I also hope to demonstrate the necessity of adopting a more nuanced approach to the study of the formation of these (positive or negative) attitudes: the image of the cavalry is shaped by the views of those outside that class, but also by the cavalry themselves; moreover, the cavalry are not necessarily simply reactive in their self-presentation, but can be allowed a more proactive role in the shaping of their own self-image.


Author(s):  
Martin Bayer

For centuries, military uniforms had been colourful to differentiate friend from foe on the battlefield, but also as a distinguishing feature towards civil society. With technological progress and the advent of both aviation and improved photography a century ago, camouflage became a necessity. Artists and zoologists played a huge role in developing camouflage patterns. Today, most nations have a distinct national camouflage, and often, specific services or special forces have their very own uniforms as a sign of distinction. Nevertheless, many patterns can be traced back to the 1930s and 1940s. While fooling an observer is at the heart of military camouflage, it remains to be ambivalent, with its roles ranging from a desired cloak of invisibility to an indicator of power and prowess. In the past decades, camouflage has become synonymous with the military, and simultaneously, a global icon on its own, a political statement and an aspect of fashion.


2018 ◽  
Vol 9 (4) ◽  
pp. 75
Author(s):  
Shadi S. Neimneh ◽  
Abdullah B. Al-Sheik Hasan ◽  
Abdullah F. Al-Badarneh ◽  
Asma H. Badran

Within a postcolonial theoretical framework, this article highlights the political struggles and cultural displacement of Palestinians using a recent novel published in 2013 and entitled   (Oh, Allah, I Delivered a Female Child) by  (Nerdeen Abu-Nab’ah). It investigates the meaning of living in the borderlands and the effects of double consciousness on the main characters/narrators: Abbas, his brother Abu-Raja, and his daughter, Miriam, who visits Gaza strip in Palestine for the first time in her life. The analysis shows that Abu-Nab’ah strongly believes in such idea as the borderlands being the place most Palestinians inhabit physically and symbolically inside and outside their homeland because of the oppression and discrimination they face. The article examines the complicated interrelationships among ideas of dislocation/exile, the (in)visible borderlands, and double consciousness by applying the theories of Gloria Anzaldúa, W.E.B. Du Bois, and Homi Bhabha. Moreover, it interrogates the role of memory in reconstructing a national story about resistance and exile while simultaneously endorsing the role of women in documenting national loss and revolution. The result is a tale of cultural resistance against dislocation and exile and an articulation of the predicament of being a stranger within one’s country and abroad.


Sign in / Sign up

Export Citation Format

Share Document