Transforming the Intangible into the Real

2020 ◽  
pp. 26-42
Author(s):  
Koji Yamamura
Keyword(s):  
Creative Process ◽  
The Unconscious ◽  
The Real ◽  
Spiritual World ◽  
Animated Films ◽  
Personal Experiences

Seven short animated films are examined by the auteur-animator as he self-reflects on their creations. Making animation is not only an extension of the pictorial and comic-like expression, but also the act of mystically creating movement to be perceived in the real. The artist shares his personal experiences during the animation making process including the unconscious imaginative realm that creeps into his creative thoughts. Technology may play an important part of the animation production but the author maintains that there is a deeper spiritual world where he is somehow drawn into when he is making animation. Spiritually, he feels the transcendence of the dualism of mind and matter during the creative process, and is able to unite the subconscious with reality. Citing motifs including natural, inorganic, or imaginative entities, the author demonstrates the influence of the psyche in his artistic expressions. To the artist, the spiritual assimilation aspects of his work are profound, complex, and illuminating.

Analyse des réseaux de personnages dans les textes de Leslie Kaplan : du postmodernisme à l’inconscient

2021 ◽  
pp. 095715582110024
Author(s):  
Murielle El Hajj
Keyword(s):  
Identity Crisis ◽  
The Unconscious ◽  
The Real ◽  
The World ◽  
Fictional Worlds ◽  
Shed Light

The texts of Leslie Kaplan question the irreducible opposition between the real and the non-real. Her characters and their intentional absence confuse the repository and fictional worlds, not only to point out the thin margin between reality and fiction, but to underline the impossible delimitation between the real and the fictional, or even between the text and the world. This article studies the characters of Kaplan and aims to demonstrate their identity crisis through the study of their literary onomastic and the use of the neutral pronoun ‘it’ and allegoric expressions. In addition, the objective of this article is to shed light on the Kaplanian characters as Kunderian models, while stressing the particularity of their physionomy, which consists to present ‘fuzzy’ characters that are present and absent at the same time, engaging the reader in the fictional process as a try to complete the missing details. This article concludes that the Kaplanian characters are not only the prototypes of the postmodern being, but they are also introverted, psychopaths and a demonstration of different facets of the unconscious.

scholarly journals Conceptuality in the modern design practice

2021 ◽  
pp. 70-74
Author(s):  
Galina N. Lola ◽  
Keyword(s):  
Creative Process ◽  
Digital Technology ◽  
Main Idea ◽  
Mental Process ◽  
Design Practice ◽  
Modern Design ◽  
The Real ◽  
Speculative Design ◽  
Scenario Methods

The main idea – concept is key point for creative process in design practice, which includes intuition, fantasy, spontaneous decisions. Digital technology leads to formalization of creative process, algorithms, so the real question concerns how the rational ideas and intuitions are harmonize in design. The method «creative navigation» maintains creative freedom of designer and at the same time streamlining of mental process. The method «creative navigation» considered in comparison with «scenario methods» and the theory of speculative design. This article explores semiotic aspects of the method. The author gives considerable attention to approbation of method «creative navigation» in real design practice.

Unlocking the value of HR to drive a change-ready culture

2017 ◽  
Vol 16 (4) ◽  
pp. 171-176
Author(s):  
Campbell Macpherson
Keyword(s):  
Real World ◽  
Culture Change ◽  
Design Methodology ◽  
Lessons Learned ◽  
World Culture ◽  
Content Type ◽  
Large Organization ◽  
The Real ◽  
Personal Experiences

Purpose This paper aims to present a case study focused on developing a change-ready culture within a large organization. Design/methodology/approach This paper is based on personal experiences gleaned while driving an organization-wide culture change program throughout a major financial advisory firm. Findings This paper details over a dozen key lessons learned while transforming the HR department from a fragmented, ineffective, reclusive and disrespected department into one that was competent, knowledgeable, enabling and a leader of change. Originality/value Drawing on the real-world culture change intervention detailed here, including results and lessons learned, other organizations can apply similar approaches in their own organizations – hopefully to similar effect.

scholarly journals Making connections while earning an MLIS

2016 ◽  
Vol 29 (3) ◽  
pp. 166-172
Author(s):  
Sarah Loor ◽  
Michael A. Crumpton
Keyword(s):  
North Carolina ◽  
School Students ◽  
Content Type ◽  
Non Profit ◽  
The Real ◽  
Library And Information Studies ◽  
Information Studies ◽  
Personal Experiences ◽  
The University ◽  
Learning Connections

Purpose This purpose of this paper is to discuss a collaboration with a non-profit organization conducted as part of the Real Learning Connections project at the University of North Carolina at Greensboro. The authors discuss their experiences working with a non-profit partner from outside the university and the benefits gained from collaboration. Design/methodology/approach This is a reflection based on the personal experiences of the authors as collaborators in the project. Findings Through their experience with the Real Learning Connections project, the authors found that collaborating with a non-profit organization provides a unique opportunity for library school students to learn practical skills while also providing value to the non-profit organization in the form of expertise in information services. Originality/value This piece discusses the benefits of collaboration from the perspective of both an Library and Information Studies (LIS) student and a professional librarian, as well as considering the experiences of an external non-profit organization.

scholarly journals Neurobiologia na tropach uniwersalizmu percepcji sztuki. Prawa estetyki V.S. Ramachandrana i W. Hirsteina w kontekście dzieła sztuki filmowej. Studium przypadku: Nadja Michaela Almereydy

2020 ◽  
Vol 27 (36) ◽  
Author(s):  
Hanna Przybysz
Keyword(s):  
Visual Arts ◽  
Real World ◽  
Creative Process ◽  
Aesthetic Experience ◽  
Natural Sciences ◽  
Strong Reaction ◽  
Aesthetic Experiences ◽  
The Real ◽  
Characteristic Features

Vilayanur S. Ramachandran and William Hirstein are the authors of the concept of a work of art understood as an exaggerated stimulus in the creative process. The aim of art, according to them, is (a) to show the essence of something in a perceptually accessible way, and (b) to evoke a strong reaction from the recipient. Scientists say that the aim of art is not to perfectly reproduce reality, but to present the very essence of an object, scene or event by exaggerating its most characteristic features, while ignoring non-essential features. The effect of this treatment is a super stimulus, which is a supernatural stimulus that does not exist in the real world. Researchers have proposed seven universal – evolutionarily and culturally – neurological laws of aesthetic experience in relation to the visual arts (painting and sculpture). I propose to extend the tool apparatus of neuroaesthetics from the area of unimodal arts to a work of film art. It is an interesting tool for research into film aesthetics and masterpieces. In this paper, I will discuss these laws and make a representative analysis of them in a visual case study of Michael Almereyda’s film Nadja (1994). The main goal of my work is to show the stricto naturalistic position. Man is not aware that the first stages of cognitive perception have a significant impact on his interest in art, what he pays attention to, and on aesthetic experiences on a sensual, unconscious level. It is an interdisciplinary attempt to provide consistency of research approaches in the humanities with the naturalistic one in the area of natural sciences, which shows that on some levels we are very similar to each other and only in the process of ontogenesis do we acquire individuality – that we are governed by universal laws, not only those related to ourindividual interests and tastes.

scholarly journals FORMATION OF MENTALITY IN SHAMANISTIC SOCIETIES OF THE NANAI PEOPLE

2021 ◽  
pp. 70-77
Author(s):  
TATIANA D. BULGAKOVA ◽  
Keyword(s):  
Goal Setting ◽  
Physical World ◽  
The Other ◽  
The Real ◽  
Spiritual World ◽  
Other Hand ◽  
The One ◽  
Cultural Reality

The generalization of the field material collected by the author allowed to identify two groups of interrelated factors that form the mentality of those Nanai people who practice shamanism. There were two principles identified, the goal-setting and detecting the resources required to achieve the desired results. On the one hand, an irrational worldview, the idea of the accessibility of the space of the spiritual world and the characters inhabiting it (spirits), is specific to the mentality of shamanists. On the other hand, the basis of the mentality of shamanists is the priority of the principle of pragmatism (utility), that is, the desire to consider the spiritual invisible reality as a resource available for solving those problems that arise in the real physical world. The mentality formed at the intersection of the principles of irrationality and utility has a significant sociogenetic potential, its effect extends to those aspects of the socio-cultural reality that are outside of the actual shamanic practice...

scholarly journals Umanizzazione delle cure: curare con l'arte

2020 ◽  
Vol 32 (1) ◽  
pp. 92-95
Author(s):  
Francesco Burrai ◽  
Giovanni Salis
Keyword(s):  
Personal Identity ◽  
Real World ◽  
Daily Life ◽  
Real Life ◽  
Well Being ◽  
The Unconscious ◽  
The Real

Art can be a way, together with Nature, to intercept that landscape and inner climate characterized by the rhythm of silence. That dimension of iridescent calm imbued with creative and vital energy, which pushes towards a universal, seductive, profound sphere. Man can, with courage, abandon himself in this harmony and melody of thoughts that suggest a vast and visionary possibility. Each person has the inner possibility to be Art, to get out of the continuous distortions of daily life, to produce a metamorphosis of one’s life. Art triggers the unconscious side of seeing, a rhythmic, dynamic principle, on which every gesture of maximum spontaneity depends, not touched by the artificial, by masks of fugacity and by false personalities. Without Art, it seems that part of real life is missing. The deep artistic power is fluid, without space or time, pulsating with new forms and substance and creating a new personal identity, contiguous to the real world, which inspires new desires. Many diseases of today and yesterday are produced by the lack of expressiveness or by the repression of personal creativity. Art produces well-being because it is the transformation of unconscious expressive energies, so life for our health.

Living in a Virtual Reality

2018 ◽  
pp. 244-253 ◽  
Author(s):  
Chengyan Zeng
Keyword(s):  
Virtual Reality ◽  
Real World ◽  
Comic Books ◽  
Market Size ◽  
The Real ◽  
Animated Films ◽  
The World ◽  
The Many

Anime (animated films) and manga (comic books), fans are easily misunderstood and can even face prejudice. In fact, they are usually not as people see them. As one of the many anime and manga fans, I would like to show people what the real world of the anime and manga fan is like. As the fan population grows, the market increases, so this chapter will also act as a guide for those who are interested in this market. This chapter aims to introduce readers to the world of anime and manga fandom and to its fans, in particular. It will present and explain specific terms such as weeaboo, otaku, waifu, husbando, fujoshi, and critic. This chapter will also describe the different characters of anime and manga fans and explain how these characters can affect marketing. Finally, this chapter will look at the current market size of anime and manga fandom and explore how the culture is used in marketing.

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