scholarly journals Análisis de la estética y la narrativa secuencial de la tira cómica el llanero solitario, publicada entre 1981 y 1984, e ilustrada por Russe

2016 ◽  
Vol 11 (18) ◽  
pp. 116 ◽  
Author(s):  
José Daniel Santibáñez Vásquez ◽  
Natalie Barragán ◽  
Natalie Barragán ◽  
Christopher Andrade ◽  
Christopher Andrade ◽  
...  
Keyword(s):  
American Culture ◽  
Visual Quality ◽  
Comic Strip ◽  
Sequential Art ◽  
The Public ◽  
Bande Dessinee ◽  
Television Film ◽  
The Aesthetic

RESUMEN El Llanero Solitario ha sido uno de los personajes más emblemáticos de la cultura estadounidense. Su paso por la radio, televisión, cine y cómics marcó toda una época en la que los vaqueros eran héroes nacionales. Uno de los medios que tuvo mayor aceptación por parte del público fue el de la tira cómica o comic strip, que se publicaba diariamente. Escrita por Cary Bates e ilustrado por Russ Heath, esta tira logró llevar a muchos lectores a acompañar al Llanero Solitario y a Tonto en sus aventuras. Se trata de una obra de gran calidad narrativa y visual, en la que Russ Heath expone su talento como dibujante y su capacidad para ordenar, de manera inteligente, cada elemento gráfico del cómic.PALABRAS CLAVES Arte secuencial, cómic, composición, Llanero Solitario, narrativa, Russ Heath.KAWASPA RURASPA PARLASPA IMASAMI RURANKUNA ATUN KAWACHI SAPALLA LLAGTAPI, KAWACHISPA KAI WATAKUNAPI 1981-1984 CHASALLATA RURASKA SUG RUSSEL HEATHSUGLLAPIKaipi kai runa Cary Bates i Russ Heath Parlame Kawachhikame imasami tukuikunata sumaska kai suti alpapi sapalla, llalischiskakuna rimaspa, kawaspa kawachispa tukuikunata kai rurai suti comic strip, kai iskai runakuna kai kilkapi parlanakumi iman paikuna uillankuna. Munankuna tukuinutata kawachinga kankuna ajai iachakuna. Allilla imapas rurangapa Kilkangapa tukuikunata kawachinkuna sumaglla apachikuna.IMA SUTI RIMAI SIMI:Rukaikuna, kunaurramanda, kawachii, alpapi sapalla, parlu, Russ Heath.ANALYSIS OF THE AESTHETIC AND SEQUENTIAL NARRATIVE IN THE LONE RANGER COMIC STRIP, PUBLISHED BETWEEN 1981 AND 1984 AND ILLUSTRATED BY RUSSEL HEATHABSTRACT The Lone Ranger has been one of the most iconic characters in American culture. Its passage through radio, television, film and comics marked an era in which cowboys were national heroes. One medium that was widely accepted by the public was the daily comic strip. Written by Cary Bates and illustrated by Russ Heath, this strip managed to make readers feel that they were joining the Lone Ranger and Tonto on their adventures. This is a unique work of great narrative and visual quality, in which Russ Heath shows his talent as an illustrator and his ability to sort intelligently each graphic element.KEYWORDS Sequential art, comic, layout, Lone Ranger, narrative, Russ Heath.ANALYSE DE L’ESTHETIQUE ET DE LA NARRATIVE SEQUENTIELLE DANS LE COMIC STRIP THE LONE RANGER, PUBLIE ENTRE 1981 ET 1984, ET ILLUSTRE PAR RUSSEL HEATHRÉSUMÉ The Lone Ranger a été l’un des personnages les plus emblématiques de la culture américaine. Son passage à travers la radio, la télévision, le cinéma et la bande dessinée a marqué une époque où les cow-boys étaient des héros nationaux. Un moyen qui a été largement accepté par le public était la bande dessinée quotidienne. Écrite par Cary Bates et illustrée par Russ Heath, cette bande a réussi à rendre les lecteurs les compagnons du Lone Ranger et Tonto dans leurs aventures. Ceci est une œuvre unique de grande qualité narrative et visuelle, dans laquelle Russ Heath montre son talent de dessinateur et sa capacité à trier intelligemment chaque élément graphique.MOTS-CLEFSArt séquentiel, bande dessinée, mise en page, Lone Ranger, narrative, Russ Heath.ANALISES DA ESTÉTICA E DA NARRATIVA SEQUENCIAL DAS TIRINHAS O CAVALHEIRO SOLITÁRIO, PUBLICADA ENTRE 1981 E 1984, E ILUSTRADA POR RUSSEL HEATH.RESUMO O Cavalheiro Solitário tem sido um dos personagens mais emblemáticos da cultura americana (E.U). Seu passo pela rádio, televisão, cinema e os quadrinhos marcou toda uma época na que os boiadeiros eram heróis nacionais. Um dos meios que teve maior aceitação pelo público foi o das tirinhas ou quadrinhos strip, que se publicava diariamente. Escrita por Cary Bates e ilustrado por Russ Heath, estas tirinhas conseguiu levar a muitos leitores acompanhar ao cavalheiro solitário e a Tonto em suas aventuras. Se trata de uma obra de grande qualidade narrativa e visual, na que Russ Heath expõe o seu talento como desenhista e sua capacidade para ordenar, de maneira inteligente, cada elemento gráfico do Gibi.PALAVRAS CHAVES Arte sequencial, tirinhas, composição, Cavalheiro Solitário, narrativa, Russ Heath. Recibido el 04 de julio de 2015 Aceptado el 22 de enero de 2016

Epilogue

2018 ◽  
Author(s):  
Jason Phillips
Keyword(s):  
Twentieth Century ◽  
Civil War ◽  
Golden Age ◽  
American Culture ◽  
Postwar Period ◽  
The Public ◽  
Antebellum Era ◽  
Narrative Device ◽  
The Future

This conclusion explains how American temporalities changed after the war and sketches how expectations and anticipations of the future have alternated as the dominant view in American culture through the twentieth century to today. This chapter also shows how the short war myth, the story that Civil War Americans expected a short, glorious war at the outset, gained currency with the public and consensus among scholars during the postwar period. It contrasts the wartime expectations of individuals with their postwar memories of the war’s beginning to show how the short war myth worked as a tool for sectional reconciliation and a narrative device that dramatized the war by creating an innocent antebellum era or golden age before the cataclysm. It considers why historians still accept the myth and showcases three postwar voices that challenged it.

Genetic manipulation on human beings

2010 ◽  
pp. 52-72
Author(s):  
Serena Zacchigna ◽  
Mauro Giacca
Keyword(s):  
Gene Therapy ◽  
Genetic Manipulation ◽  
Human Beings ◽  
Ethical Challenges ◽  
Genetic Characteristics ◽  
Safety Issues ◽  
The Public ◽  
Aesthetic Appearance ◽  
The Aesthetic ◽  
Definition Of

Since the early days of gene therapy, both the scientific community and the public have perceived the ethical challenges intrinsic to this discipline. First, the technology exploited by gene therapy is still experimental and burdened by important safety issues. Second, in several instances gene therapy aims at stably modifying the genetic characteristics of individuals. Third, the same modifications could in principle be applied also to embryos, foetuses or germ cells. Finally, while gene therapy applications are generally accepted for therapeutic purposes, the same gene transfer technologies could also be exploited to improve the aesthetic appearance, or the physical and intellectual performance of people. The definition of suitable guidelines for a controlled, ethically accepted translation of gene therapy to the clinics remains a major challenge for the near future.

It’s Not Just Academic—Writing Public Scholarship in Middle Eastern and Islamic Studies

2011 ◽  
Vol 45 (2) ◽  
pp. 164-171
Author(s):  
Carl W. Ernst
Keyword(s):  
Academic Success ◽  
Academic Writing ◽  
American Culture ◽  
Middle Eastern ◽  
Sources Of Information ◽  
The Real ◽  
The Public ◽  
Islamic Studies ◽  
Public Scholarship ◽  
Middle Eastern Studies

Everyone knows that the work of scholars in America is often considered to be irrelevant to the real issues of life. According to the mild anti-intellectualism that seems to be an endemic feature of American culture, anything that is “academic” is automatically impractical, complex, and impenetrable—in short, it is bad. This is a little hard for professors to live with; no one likes being called a pointy-headed intellectual or an egghead. The very skills and specializations that are the keys to academic success can be seen by the public as defects that remove scholars from the sphere of ordinary existence and disqualify their pronouncements. Here I would like to argue that the gap between academics and an unappreciative public is in good part a function of the language and style of communication that scholars commonly practice in all fields. But if in fact there are large segments of the public who are keenly interested in issues relating to subjects like Middle Eastern studies, or the study of Islam, it should be possible for academics to communicate the results of their labor in clear and meaningful ways. If qualified scholars do not respond to the demands of the public, we know what the alternative is: the public will remain content with the standard media sources of information and disinformation.

scholarly journals Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role

Muzikologija ◽  
2008 ◽  
pp. 185-202
Author(s):  
Aleksandar Vasic
Keyword(s):  
Twentieth Century ◽  
Negative Attitude ◽  
Music Criticism ◽  
Educational Mission ◽  
Violin Concerto ◽  
The Public ◽  
Educational Role ◽  
And Performance ◽  
The Aesthetic ◽  
Professional Critics

Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine (1901- 1914, 1920-1941), the forum of the Serbian modernist writers in the early 1900s, had a crucial role in shaping the Serbian music criticism and essayistics of the modern era. The Serbian elite musicians wrote for the SLM and therefore it reflects the most important issues of the early twentieth century Serbian music. The SLM undertook the mission of educating its readers. The music culture of the Serbian public was only recently developed. The public needed an introduction into the most important features of the European music, as well as developing its own taste in music. This paper deals with two aspects of the music criticism in the SLM, in view of its educational role: the problem of virtuosity and the method used by music critics in this magazine. The aesthetic canon of the SLM was marked by decisively negative attitude towards the virtuosity. Mainly concerned by educating the Serbian music public in the spirit of the highest music achievements in Europe, the music writers of the SLM criticized both domestic and foreign performers who favoured virtuosity over the 'essence' of music. Therefore, Niccol? Paganini, Franz Liszt, and even Peter Tchaikowsky with his Violin concerto became the subject of the magazine's criticism. However their attitude towards the interpreters with both musicality and virtuoso technique was always positive. That was evident in the writings on Jan Kubel?k. This educational mission also had its effect on the structure of critique writings in the SLM. In their wish to inform the Serbian public on the European music (which they did very professionally), the critics gave much more information on biographies, bibliographies and style of the European composers, than they valued the interpretation itself. That was by far the weakest aspect of music criticism in the SLM. Although the music criticism in the SLM was professional and analytic one, it often used the literary style and sometimes even profane expressions in describing the artistic value and performance, more than it was necessary for the genre of music criticism. The music critics of the SLM set high aesthetic standards before the Serbian music public, and therefore the virtuosity was rejected by them. At the same time, these highly professional critics did not possess a certain level of introspection that would allow them to abstain from using sometimes empty and unconvincing phrases instead of exact formulations suitable for the professional music criticism. In that respect, music critics in the SLM did not match the standards they themselves set before both the performers and the public in Serbia.

scholarly journals DEVELOPMENT OF VISUAL QUALITY EVALUATIVE ASSESSMENT METHOD IN CAMPUS LANDSCAPE

2017 ◽  
Vol 19 (4) ◽  
pp. 256
Author(s):  
Firmansyah Firmansyah ◽  
Iwan Sudradjat ◽  
Widjaja Martokusumo ◽  
Budi Faisal
Keyword(s):  
Visual Quality ◽  
Assessment Method ◽  
Visual Response ◽  
Campus Environment ◽  
The Public ◽  
Descriptive Assessment ◽  
Processing Theory ◽  
Response Information ◽  
Spirit Of Place ◽  
Community Preferences

The design of campus landscape is expected to reflect the institution values, provide the character and the spirit of place to campus environment. It is highly influenced by visual experience and impression of campus environment. There are two methods in landscape visual quality assessment: descriptive assessment method and evaluative assessment method. Both assessment methods cannot be done simultaneously, but as a sequence phase. Descriptive assessment method should be done first to obtain a reference for evaluative assessment method. Landscape visual quality evaluative assessment method is used to measure the level of public assessment about visual quality and visual response. Information Processing Theory is used to develop the visual quality evaluative assessment method and to obtain unified integration between descriptive assessment and evaluative assessment. The development of evaluative assessment method includes the process of comparing, averaging, or determine the ranking of each environmental hue or landscape areas in campus, based on the public or college user community preferences.

scholarly journals Flower and plant variants as abstraction in Javanese batik motifs from classical to contemporary era

2021 ◽  
Vol 905 (1) ◽  
pp. 012145
Author(s):  
S Budi ◽  
T Widiastuti ◽  
D T Ardianto ◽  
S Mataram
Keyword(s):  
Natural Environment ◽  
Aesthetic Value ◽  
The Public ◽  
Basic Substance ◽  
The Aesthetic

Abstract Batik is one of the artworks of old Javanese society which has continued to exist and develop until the present day. In the 18th century, batik was a special type of clothing worn by the nobility, and there were even prohibitions for using batik clothing with certain types of motifs. Its basic substance is the ornamental images made on the fabric. A piece of cloth can change its position and value only because of a difference in decoration. As a visual aesthetic, batik is the work of Javanese artists, created by abstracting the surrounding natural environment, especially various flora, and fauna. Up to 1912, there were more than 100 names of flowers, leaves, and plants that were abstracted to become classical motifs. In the contemporary era, where batik has become more acceptable as clothing for the public, flora-based motifs are no longer the result of abstraction of particular flowers or plants but are considered more for their ornamental aesthetic. The aesthetic value of contemporary batik motifs is no longer determined by the type of flowers or plants abstracted, but by how they are represented for the beauty of clothing.

scholarly journals Capturing the many faces of an exploded star: communicating complex and evolving astronomical data

2017 ◽  
Vol 16 (05) ◽  
pp. A02
Author(s):  
Lisa Smith ◽  
Kimberly Arcand ◽  
Randall Smith ◽  
Jay Bookbinder ◽  
Jeffrey Smith
Keyword(s):  
Science Communication ◽  
Online Survey ◽  
Object A ◽  
Cassiopeia A ◽  
The Public ◽  
Use Of Technology ◽  
The Face ◽  
Final Item ◽  
The Aesthetic ◽  
The Many

This study explored how different presentations of an object in deep space affect understanding, engagement, and aesthetic appreciation. A total of n = 2,502 respondents to an online survey were randomly assigned to one of 11 versions of Cassiopeia A, comprising 6 images and 5 videos ranging from 3s to approximately 1min. Participants responded to intial items regarding what the image looked like, the aesthetic appeal of the image, perceptions of understanding, and how much the participant wanted to learn more. After the image was identified, participants indicated the extent to which the label increased understanding and how well the image represented the object. A final item asked for questions about the image for an atronomer. Results suggest that alternative types of images can and should be used, provided they are accompanied by explanations. Qualitative data indicated that explanations should include information about colors used, size, scale, and location of the object. The results are discussed in terms of science communication to the public in the face of increasing use of technology.

The Spanish Tebeo

2009 ◽  
Vol 2 (2) ◽  
pp. 253-276 ◽  
Author(s):  
Viviane Alary
Keyword(s):  
Civil War ◽  
Mass Medium ◽  
Special Kind ◽  
Comic Strip ◽  
Spanish Translation ◽  
Spanish Society ◽  
Cultural Phenomenon ◽  
Bande Dessinee ◽  
Cultural Legitimacy ◽  
Comic Art

It seems difficult to speak about comic art in Spain without considering what tebeos mean to Spaniards. This term is not simply a Spanish translation of bande dessinée. It refers to a special kind of comic strip aimed at children, which appeared in the late 1920s. Tebeos were the only available mass medium in Spain after the Civil War (1936-1939). In this contribution we want to analyse tebeos as an editorial, social and cultural phenomenon, with the aim of demonstrating that 'tebeo-culture' survived even after the collapse of the 'tebeo-industry' in the 1970s and 1980s. In addition, we will examine the question of the cultural legitimacy of comic art in Spanish society.

Visual impact assessment of the Istanbul Land-wall

2019 ◽  
Vol 29 (10) ◽  
pp. 1359-1373 ◽  
Author(s):  
Hüseyin Ögçe ◽  
Haldun Müderrisoğlu ◽  
Serir Uzun
Keyword(s):  
Impact Assessment ◽  
Visual Quality ◽  
The Other ◽  
Sample Group ◽  
The Public ◽  
Future Design ◽  
Public Survey ◽  
Visual Impact ◽  
One Way Anova ◽  
Visual Impact Assessment

Visual impact assessment studies are reasonably substantial to understand an environment which has different features. The aim of this study is to evaluate the visual impact of the Istanbul Land-wall and contribute to future design/planning stages. For this purpose, the study area was separated into four different spatial usages which are recreational, transportation, agricultural and neglected places. Twenty-four different photographs were taken and a survey was conducted upon an expert and a public sample group. The public survey included four parameters: well-kept, exciting, safety and beautiful scenery. The expert survey also involved four parameters which were coherence, imageability, stewardship and historicity. One-way ANOVA test was conducted to reveal sample groups’ effect on the preferences. The results showed that the average scores of photographs evaluated by public and experts were 11.07 and 9.80 scores respectively. In the public survey, the photograph, has the lowest scores for all parameters, was Photo-11 (P11). Experts’ result shows particularly that historicity is lower than the others although the area is a historical region. Specifically, neglected places obtained lower scores than the other spatial types. Consequently, the Istanbul Land-wall does not have adequate visual quality regarding the selected parameters.

“I Still Don’t Understand Award Shows”

2018 ◽  
Author(s):  
Tara Colley
Keyword(s):  
Subject Matter ◽  
Hip Hop ◽  
American Culture ◽  
Reality Television ◽  
Racial Microaggressions ◽  
The Public ◽  
Fashion Designer ◽  
Changing Role

This chapter examines the evolution of the rapper, producer, fashion designer, and reluctant reality television personality Kanye West. An artist whose subject matter addresses personal anxieties and self-doubt in ways seldom seen in mainstream rap, West engages fame and celebrity in conflicting and often incongruous ways. Through the amateur creation and distribution of memes, gifs, hashtags, and other “viral” cultural articles, the public plays an unprecedented role in the construction—and destruction—of celebrity. Exploitation of this process, in which West consciously engages, constitutes a unique enactment of celebrity work. West’s interaction with the notion of celebrity—as an antihero, an activist, and an icon—speaks both to the changing role of hip hop in mainstream American culture and to the ongoing racial microaggressions of “post-race” America toward influential black celebrity.

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