scholarly journals Flower and plant variants as abstraction in Javanese batik motifs from classical to contemporary era

2021 ◽  
Vol 905 (1) ◽  
pp. 012145
Author(s):  
S Budi ◽  
T Widiastuti ◽  
D T Ardianto ◽  
S Mataram
Keyword(s):  
Natural Environment ◽  
Aesthetic Value ◽  
The Public ◽  
Basic Substance ◽  
The Aesthetic

Abstract Batik is one of the artworks of old Javanese society which has continued to exist and develop until the present day. In the 18th century, batik was a special type of clothing worn by the nobility, and there were even prohibitions for using batik clothing with certain types of motifs. Its basic substance is the ornamental images made on the fabric. A piece of cloth can change its position and value only because of a difference in decoration. As a visual aesthetic, batik is the work of Javanese artists, created by abstracting the surrounding natural environment, especially various flora, and fauna. Up to 1912, there were more than 100 names of flowers, leaves, and plants that were abstracted to become classical motifs. In the contemporary era, where batik has become more acceptable as clothing for the public, flora-based motifs are no longer the result of abstraction of particular flowers or plants but are considered more for their ornamental aesthetic. The aesthetic value of contemporary batik motifs is no longer determined by the type of flowers or plants abstracted, but by how they are represented for the beauty of clothing.

scholarly journals ESTETIKA RESEPSI BAHASA SASAK PARA PEMBAYUN DALAM UPACARA ADAT SORONG SERAH MASYARAKAT SASAK DI PULAU LOMBOK

2018 ◽  
Vol 15 (2) ◽  
pp. 187-206
Author(s):  
Nana Rosana ◽  
Mahyuni Mahyuni ◽  
Burhanudin Burhanudin
Keyword(s):  
Content Analysis ◽  
Native Speakers ◽  
Moral Values ◽  
Aesthetic Value ◽  
The Public ◽  
The Aesthetic ◽  
Very High

 The research was inspired by the beauty of the language used by the speaker called pembayun in the traditional sorong serah ceremony, the bridal application of Sasak people in Lombok. The tradition does happen however, young generations would have neglected the meaning denoted in the languages of the ceremony that contains high values of culture, wisdom and religiously. This study used content analysis and ethnography. Data were collected using observation, interview, documentation, and records. Informants that were the native speakers of Sasak and Sumbawa and have the authority on the traditional ceremony were selected. The results show: (1) aesthetically, the form of language used in the reception is the highest form in the Sasak language, which not all Sasak people are able to understand and use; (2) the aesthetic function of the reception of the swinging language in the sorong serah event is a means to convey the message, religion, custom and morals; and (3) the aesthetic value contained in the pembayun language refer to very high moral values and needs to be known by the public at large.             

REVISUALISASI AKSARA KAGANGA SEBAGAI IDENTITAS LAMPUNG

2019 ◽  
Vol 2 (2) ◽  
pp. 118-125
Author(s):  
Arif Budiman ◽  
PG. Wisnu Wijaya ◽  
Muhammad Hajid An Nur ◽  
Maria Veronika Halawa ◽  
Susi Susyanti
Keyword(s):  
Creative Thinking ◽  
Process Approach ◽  
Aesthetic Value ◽  
Cultural Traditions ◽  
Original Script ◽  
The Public ◽  
Communication Problems ◽  
Thinking Process ◽  
The Aesthetic ◽  
Research And Design

The research and design of the Kaganga Script Revisualization as Lampung Identity or Had Lampung is an attempt to provide aesthetic value to the conventional letter system. The aesthetic aspects that were given derived from Lampung cultural traditions, icons, and other visual idioms, such as ornaments on tapis cloth, carvings, traditional clothing accessories, and the stylization of Lampung's unique flora and fauna. The research method of the Kaganga script re-visualization is using Creative Thinking Process approach of Bryan Lawson, who applies steps in solving visual communication problems through several stages; (1) initial understanding (2) preparation (3) incubation (4) information (5) verification. Data analysis is done by considering several aesthetics factors; legibility, readability and unity. From several design or prototype alternatives that have been tested, the new Kaganga script using the Jungian (ship) motif was selected. This design uses Lampung traditional idioms to stylize the original script, which are the stylization of the Jung / Ship motif and the motif of Gold Thread Embroidery. Furthermore, this design can be continued on to the public testing and introduce it to Lampung public after it has been digitized.

scholarly journals The aesthetic evaluation of forest landscape in four urban forest parks: A case study of Nanjing hilly areas, China

2021 ◽  
Author(s):  
Yang Yang ◽  
Xiaolan Tang
Keyword(s):  
Urban Forest ◽  
Principal Component ◽  
Forest Landscape ◽  
Aesthetic Value ◽  
Aesthetic Evaluation ◽  
The Sustainable Development ◽  
The Public ◽  
The Aesthetic ◽  
Forest Parks ◽  
Aesthetic Values

Abstract In recent years, the construction of urban forest parks has run into the fast lane in China. As an indispensable natural landscape resource for urban forest parks, forest landscape has been paid increasing attentions by the public, in contrast, less effort has been made in the field of aesthetic evaluation of forest landscape. Based on the theories of landscape esthetics and psychology, this paper aims to present methods for the aesthetic evaluation, and understand citizen’s aesthetic perceptions of forest landscape using Semantic Differential (SD) and Principal Component Analysis (PCA) methods. Moreover, further suggestions will be put forward for a better development of the forest landscape, thereby giving full play to their landscape and recreation functions. As per the findings of this paper, the vegetation element diversity (PC 1 ), the magnificent feel (PC 2 ), the nature-pastoral feel (PC 3 ) and the sense of space (PC 4 ) present the critical comprehensive indexes affecting the aesthetic values of the forest landscape. The relationship between the comprehensive indexes and the landscape aesthetic value is revealed by multiple regression analyses. PC 3 and PC 4 are found to be less influencing on aesthetic values than PC 1 and PC 2 . At last, three suggestions for the construction and protection of forest landscape are put forward. The results of this study will contribute to the preservation of the forest landscape aesthetic, and the integration of these conclusions into the sustainable development strategies of urban forest parks.

Environmental Art and the Interaction of Ethical and Aesthetic Value

2020 ◽  
pp. 127-150
Author(s):  
Ted Nannicelli
Keyword(s):  
Natural Environment ◽  
Environmental Art ◽  
Ethical Criticism ◽  
Aesthetic Value ◽  
Art Forms ◽  
The Creation ◽  
The Aesthetic ◽  
In Virtue Of ◽  
Oriented Approach

This chapter argues that (1) in contrast to the art forms already discussed, the ethical criticism of which sometimes invites the perspectivist approach and sometimes demands the production-oriented approach, the proper ethical criticism of environmental art requires the production-oriented approach; (2) the production-oriented approach to the ethical criticism of environmental artworks lends support to the moderate moralist’s claim about the interaction of ethical and aesthetic value: the presences of ethical defects in environmental artworks sometimes diminishes their aesthetic value; (3) because environmental artworks appropriate part of the natural environment as an aspect of their identity, an aesthetic flaw in an environmental artwork necessarily also creates aesthetic disvalue in the natural environment—disvalue that exists in virtue of the creation of the artwork. Insofar as the diminishment of the aesthetic value of the natural environment is ethically wrong, the aesthetic flaws of an environmental artwork necessarily constitute ethical flaws.

Environmental Aesthetics

2009 ◽  
Author(s):  
John A. Fisher
Keyword(s):  
Twentieth Century ◽  
Natural Environment ◽  
Rapid Growth ◽  
Environmental Concerns ◽  
Environmental Aesthetics ◽  
Aesthetic Value ◽  
The Status ◽  
Value Of Nature ◽  
The Aesthetic ◽  
In Virtue Of

The rapid growth of concern for the natural environment over the last third of the twentieth century has brought the welcome reintroduction of nature as a significant topic in aesthetics. In virtue of transforming previous attitudes towards nature, environmentalist thinking has posed questions about how we conceptualize our aesthetic interactions with nature, the aesthetic value of nature, and the status of art about nature. Although environmental concerns have undoubtedly motivated the new aesthetic interest in nature, the term ‘environmental aesthetics’ connotes two overlapping but distinct themes, one emphasizing the aesthetics of nature as understood by environmentalism, the second focusing on the notion of environments of all sorts as objects of appreciation.

scholarly journals AESTHETIC VALUE IN TITLE IN “HUJAN BULAN JUNI” BY SAPARDI DJOKO DAMONO AND “MALAIKAT JUGA TAHU” BY DEWI LESTARI

Multilingual ◽  
2020 ◽  
Vol 19 (2) ◽  
pp. 174-182
Author(s):  
Hendrike Priventa
Keyword(s):  
Literary Genre ◽  
Aesthetic Value ◽  
Literary Works ◽  
The Public ◽  
The Aesthetic ◽  
Aesthetic Values

Poetry is a form of literary genre that is full of aesthetic values. The aesthetic value is wrapped in the elements that make up the poetry. This article discusses a comparison of the aesthetic value of the poem “Hujan Bulan Juni” by Sapardi Djoko Damono and “Angels Also Know” by Dewi Lestari. Intertext studies can be used as a medium to find aesthetic values and determine whether literary works are aesthetic or not. The aesthetic value in the poetry "Rain in June" and "Angels Also Know" are shown in several aspects, namely the elements of sound, diction, and image. The linkage of authorship is also shown through the expansion of the use of elements of the poetry structure. The aesthetic value in both poems influences the process of forming new vehicles such as songs and films which are now more popular with the public.

Lighting of Engineering Structures and Industrial Facilities New Aspects of the Topic

2018 ◽  
pp. 29-36
Author(s):  
Nikolai I. Shepetkov ◽  
George N. Cherkasov ◽  
Vladimir A. Novikov
Keyword(s):  
Fundamental Problem ◽  
Lighting Design ◽  
Aesthetic Value ◽  
Engineering Structures ◽  
Industrial Facilities ◽  
Artificial Lighting ◽  
Industrial Structures ◽  
Design Solutions ◽  
Architectural Lighting ◽  
The Aesthetic

This paper considers the fundamental problem of artificial lighting in various types and scales of industrial facilities, focusing on exterior lighting design solutions. There is a lack of interest from investors, customers and society in high­quality lighting design for industrial facilities in Russia, which in many cities are very imaginative structures, practically unused in the evening. Architectural lighting of various types of installations is illustrated with photographs. The purpose of the article is to draw attention to the aesthetic value of industrial structures, provided not only by the architectural, but also by a welldesigned lighting solution.

What's the Message of Architecture?

2014 ◽  
pp. 126-136
Author(s):  
Аndrey G. Velikanov
Keyword(s):  
Separate Entity ◽  
Aesthetic Value ◽  
Current State ◽  
Entire Complex ◽  
History Of ◽  
The Aesthetic

Considers the aspects of architecture as a language able to express the current state and to prophetically indicate the upcoming changes. The aesthetic value of a construction cannot be perceived just as a separate entity, but it can be cognized in the context and not only a visual one, in space. It is necessary to see the entire complex of the accompanying phenomena, all the flow of the unfolding metaphors and values. In the model in view the figure of the author-creator must be reconsidered as no longer conforming to today's reality. The development of the Stalinist Empire style, as well as its transformations, is considered as one of the specific phenomena in the history of well-known constructions

Semi Automatic T-Shirt Folding Machine Berbasis PID (Proportional Integral Derivative)

2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Muhammad Apriliyanto ◽  
Miftachul Ulum ◽  
Koko Joni
Keyword(s):  
Ultrasonic Sensor ◽  
Proportional Integral Derivative ◽  
Servo Motor ◽  
Aesthetic Value ◽  
Proportional Integral ◽  
Door Opening ◽  
Dc Motors ◽  
The Aesthetic ◽  
The Right

<em>The process of folding clothes is one of the activities carried out in the laundry business or household. The activity is fairly easy but many people are still lazy to do it. As a result, clothes that have been washed will fall apart in certain rooms, thereby reducing the aesthetic value of a home. Semi Automatic T-Shirt Folding Machine is the right solution to make folding clothes easier and more time efficient. This tool is equipped with a servo motor that moves the folding board that has been designed in such a way that the user only needs to manghandle the shirt just once and simply push one button then the shirt will fold itself and will be neatly arranged through the clothes stacker board. The PID method is applied to DC motors that move under the clothes folder so that the buildup of clothes underneath will not be pressured upward when the clothes are piled up when they are folded. Ultrasonic sensor will measure the right height between the clothes with the door opening the stacking clothes with kp = 1, ki = 0.1, kd = 0.5 for thin clothes and kp = 5, ki = 1, kd = 2.5 for thick clothes so that the movement of the motor can adjust its speed . This tool can fold one shirt in 16.83 seconds 11 seconds faster than folding clothes manually</em>

STUDY OF DECORATIVE VARIETY IN GORONTALO KARAWO FABRIC IN AESTHETIC AND SYMBOLIC ELEMENTS

ARTic ◽  
2019 ◽  
Vol 3 ◽  
pp. 121-134
Author(s):  
Apsari Dj Hasan
Keyword(s):  
Manufacturing Process ◽  
The Philippines ◽  
Aesthetic Theory ◽  
Cultural Meanings ◽  
Aesthetic Value ◽  
Aesthetic Form ◽  
Decorative Motifs ◽  
Symbolic Meanings ◽  
The Aesthetic

This study aims to examine the decorative types of Gorontalo karawo fabrics in aesthetic and symbolic elements. Researchers want to know as made in the research design, aspects that are present in the decoration of fabrics in aesthetic and symbolic elements. This study uses a number of related theories to get results, and as a determinant, the authors use aesthetic theory, as well as historical approaches. With this theoretical basis, the author seeks to describe the aesthetic aspects and symbolic meanings that exist in Gorontalo karawo fabric. Through the data collection of the chosen motif and provide a classification of motives, the part is used as a reference for research material. The results showed that Gorontalo filigree had an aesthetic value consisting of unity formed from the overall decorative motifs displayed, complexity formed by complexity in the manufacturing process, and intensity of seriousness in the manufacturing process or the impression displayed on the filigree motif. The aesthetic form also reflects the diversity of meanings for communication, such as the symbol of a leader with his noble instincts, a symbol of cultural cooperation, which is worth maintaining, and ideas about nature conservation. This research proves that the decoration in Gorontalo filigree cloth (karawo) does not only act as a visual value, but also as a communication of cultural meanings and social status. Of all these distinctive motifs show a relationship between humans and humans and humans with nature. The influence of culture from the Philippines is also known to have a strong influence on the emergence of the Gorontalo filigree namely manila filigree.

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