scholarly journals Nilai-Nilai Profetik dalam Dua Lirik Lagu Karya Rhoma Irama Kajian terhadap Lirik Lagu “Akhlak” dan “Virus Corona”

2020 ◽  
Vol 15 (1) ◽  
pp. 13-22
Author(s):  
Moh Muzakka

The purpose of this study is to describe the prophetic values of the lyrics to the song "Akhlak" (2019) and "Virus Corona" (2020) by Rhoma Irama. To study the prophetic values in the two song lyrics, the sociology of literature approach is used, especially in the social aspects of literary works, because the prophetic values are one of the social aspects of literary works. The concept of prophetic values used to analyze the two lyrics of the song, refers to the concept of Kuntowijoyo, namely humanization, liberation, and transcendence. The results of the analysis of the lyrics to the song "Akhlak" and "Virus Corona" both clearly contain an invitation to do good (humanization) and prevent bad deeds (liberation). Although the lyrics of the song highlight the value of humanization and liberation, but both lead to human servitude to God (transcendence).Keywords: Prophetic values; song lyrics; social aspects; and transcendence. IntisariTujuan kajian ini adalah untuk mendeskripsikan nilai-nilai profetik lirik lagu “Akhlak” (2019) dan “Virus Corona” (2020) karya Rhoma Irama. Untuk mengkaji nilai-nilai profetik dalam kedua lirik lagu tersebut digunakan pendekatan sosiologi sastra, khususnya pada aspek-aspek sosial karya sastra, sebab nilai-nilai profetik itu merupakan salah satu aspek sosial karya sastra. Adapun konsep nilai-nilai profetik yang digunakan untuk menganalisis kedua lirik lagu tersebut, mengacu pada konsep Kuntowijoyo, yaitu humanisasi, liberasi, dan transendensi. Hasil analisis terhadap  lirik lagu “Akhlak” dan “Virus Corona” tampak jelas keduanya berisi ajakan untuk berbuat baik (humanisasi) dan mencegah perbuatan yang tidak baik (liberasi). Meskipun lirik lagu itu menonjolkan nilai humanisasi dan liberasi, tetapi keduanya bermuara pada penghambaan manusia pada Tuhan (transendensi).Kata kunci: Nilai profetik; lirik lagu; aspek social; dan transcendental.

2021 ◽  
Vol 74 (2) ◽  
pp. 167-172
Author(s):  
S.A. Askarova ◽  
◽  
А.А. Boltabekova ◽  

The science of society is commonly referred to as sociology. From a scientific standpoint, it investigates social institutions. Social institutions are also studied from a scientific standpoint in literature. As a result, it is regarded as a type of sociology. Sociologists use literature to investigate various elements of social life. The paper discusses broadly debated topics including such as sociology and the literature's deep interrelatedness. The sociology of literature is a subfield of sociology that studies the link between a work of literature and the social framework in which it is produced. Furthermore, the essay examines stylistic techniques and their influence on sociology via literature, providing instances of connections within sociology and literature.


Author(s):  
Intan Maulina ◽  
Bilferi Hutapea

This research is aimed at showing urban society fosucing on the social aspects taking place at Bantaran Kali. The social aspects cover economic, political, econimic, religious, criminal and cultural aspects prevailing in the urban society at Bantaran Kali reflected in Roanne Van Voorst’s novel, Tempat Terbaik di Dunia. This research was conducted by using the sociology of literature approach, and the data analysis technique used in this study was genetic structuralism methods. The research results shows that the economic aspects focusing on the conditions of the people who glorify those who have Portofon, and those of the poor at Bantaran Kali were clearly reflected in chapters 1 and 2. Then in chapters 2 and 3, the story of the government's ignorance of the Bantaran people was vividly exposed. In these chapters, the thick political aspects which  ultimately cause disasters and harm to other communities were illustrated in detail manners. In chapter 4, the economic aspects and poverty were again the most reflected aspects of the whole chapters, where the people of Bantaran Kali must accept the unfortunate fate that befalls them. Then, the religious aspect was described in chapter 5, and the criminal aspects taking place at Bantaran Kali were clearly reflected in chapter 6. The cultural aspect was illustrated in in chapter 7.


2021 ◽  
Vol 11 (2) ◽  
pp. 275
Author(s):  
Seprianus Ensen

Abstract Socio-cultural Reflection in Faisal Oddang’s Novel Puya ke Puya. This study describes the individual and socio-cultural aspects of the Toraja tribe, as reflected in the novel Puya ke Puya. This is qualitative research using the approach of the sociology of literature. This research's object is a novel entitled "Puya ke Puya," written by Faisal Odang. The focus of this research is the socio-cultural aspects of the Toraja tribe. This research's data are in the form of words, sentences, and discourses in the novel. This research combines the sociology of literature and anthropology of literature. Through these two approaches, the researcher describes the socio-cultural aspects of the community of Toraja. Data that have been collected were analyzed using a data analysis technique model developed by Talcott Parson.The social aspects of the Toraja tribe in the novel include economic systems such as livelihoods, government systems, and social community systems such as social strata. Meanwhile, the cultural aspects of the Toraja culture include belief systems, myths, and culture. Then the individual aspect consists of the individual aspect by reviewing the characters in the novel. The results of data analysis show that the social and cultural aspects of Toraja in Puya ke Puya related to the dominant livelihood system are agriculture and livestock; The two sectors have a major influence on the social and cultural life of the Toraja people. Then in terms of governance, the Toraja community has a customary community led by Pennuluan; and the last is the caste system in Toraja, which is composed of four castes, which are the basis of all the implementation of cultural life in Toraja. The next portrait concerning cultural aspects is a belief system called Aluk Todolo. The Aluk Tadolo belief system is the foundation of Toraja's culture, such as the two major rituals, namely the Rambu Tuka "or happiness ceremony and the Rambu Solo" as a mourning ceremony. The last one is that the novel shows the individual aspects of Toraja's community, which are generally still bound by culture and society. Key words: social aspects, cultural aspects, Toraja tribe, novels Abstrak Refleksi Sosial Budaya Suku Toraja dalam Novel Puya ke Puya Karya Faisal Oddang. Penelitian ini akan dipaparkan mengenai aspek sosial, aspek budaya dan aspek individu suku Toraja yang terdapat dalam novel Puya ke Puya. Penelitian ini berupa penelitian kualitatif dengan menggunakan pendekatan sosiologi sastra, adapun objek penelitian ini adalah novel yang berjudul “Puya ke Puya” karya Faisal Odang dengan fokus penelitian ini adalah aspek sosial budaya suku Toraja. Data dan sumber data yang dijadikan sebagai Jurnal Bahasa, Sastra dan Pembelajarannya Vol 11, No 2, Oktober 2021 ISSN 2089-0117 (Print) Page 275 – 285 ISSN 2580-5932 (Online) 276 ǀ Jurnal Bahasa, Sastra dan Pembelajarannya objek penelitian ini adalah data yang berupa kata, kalimat, dan wacana yang ada di dalam novel Puya ke Puya karya Faisal Oddang. Penelitian ini memadukan telaah sosiologi sastra dan antropologi sastra. Dengan penggabungan pendekatan tersebut diperoleh deskripsi data aspek sosial budaya masyarakat Toraja. Data-data yang diperoleh dianilisis dengan menggunkan model teknik analisis data yang dikembangkan oleh Tallcot Parson. Aspek sosial suku Toraja yang terdapat dalam novel Puya ke Puya karya Faisal Oddang meliputi sistem ekonomi seperti mata pencarian, sistem pemerintahan dan sistem komunitas kemasyarakatan seperti strata sosial. sementara itu untuk Aspek budaya budaya suku Toraja meliputi sistem kepercayaan, mitos, kebudayaan. Kemudian aspek individu menguraikan aspek individu dengan meninjau tokoh dalam novel. Dari hasil analisis data, diperoleh hasil bahwa dalam aspek sosial budaya di Toraja dalam novel Puya ke Puya menunjukkan bahwa sistem mata pencarian yang dominan adalah dari sektor pertanian dan peternakan, sebab kedua sektor tersebut berpengaruh besar dalam kehidupan sosial dan budaya masyarakat Toraja, kemudian dari segi pemerintahan masyarkat Toraja mempunyai komunitas adat yang dipimpin oleh Pennuluan, dan yang terakhir adalah sistem kasta di Toraja tersusun atas empat kasta yang menjadi dasar dari segala pelaksanaan kehidupan berbudaya di Toraja. Gambaran selajutnya adalah dari segi aspek budaya yang menunjukkan bahwa di Toraja terdapat sistem kepercayaan yang disebut Aluk Todolo yang merupakan landasan dari kebudayaan yang ada di Toraja, seperti dua ritual besar yakni Rambu Tuka’ atau upacara kegembiraan dan Rambu solo’ sebagai upacara duka cita. Dan yang terakhir bahwa dalam novel tersebut menujukkan mengenai aspek individu masyarakat suku Toraja yang pada umumnya masih terikat oleh budaya dan sosial. Kata-kata kunci: aspek sosial, aspek budaya, suku Toraja, novel


2017 ◽  
Vol 12 (2) ◽  
pp. 100
Author(s):  
Fajrul Falah

This research is based on thought that the novel is an imitation or reflection of society (mimetis). There are motives, purpose, and messages the author wishes to convey through his opus. The object of this research is the novel Matinya Sang Penguasa (MSP) by Nawal el Sadawi. In the MSP, there is a social gap between the rich and the poor, and between the ruler and the people. Class gap and this social class contradiction enter domain sociology of literature, especially Marxist literature. This research aims to answer the problem how social aspects, Like the social class structure, the novel relationship with society, and the author's position or ideology that exists in the novel MSP. The results show that there is a social class contrast in the novel MSP. The upper social class is represented by the ruler (Walidesa), while the lower social class is represented by the people (Zakeya). The author's position and ideology appears in the lower classes, which seeks to fight for its rights and against the arbitrariness of the (authoritarian) authorities. This authoritarian ruler then elicits resistance from the people. The fight between the ruler and the people was won by the people.


2017 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Marlina Marlina

Reading short stories “Suku Pompong” (Pompong Tribe) and “Rumah di Ujung Kampung” (House at the End of the Village) is like reading a historical reality that is happening on the ground of Riau Malay. The exploitation of forest resources on a large scale in recent decades in Riau Province has changed the land use of the area of intact forest into plantation area. The exploitation process causes friction in the community. The friction is eventually lead to conflict between communities and plantation companies. Their struggle to resolve conflicts and maintain their ancestral land, the strength of the company that has the license to the land and sadness when the public finally has always been on the losing side. This study objected to describe the objective reality of the Malay community in terms of land conversion, the communal land into plantations and reality of imaginative literature contained in the short stories “Suku Pompong” dan “Rumah di Ujung Kampung”. This study applied the sociology of literature approach, while the sociological approach to literature is a literary approach that specializes in reviewing literature by considering the social aspects. Based on these approaches, it can be concluded that short stories Suku Pompong and Rumah di Ujung Jalan are short stories that raised the reality of the Malay community.AbstrakMembaca cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung” seperti membaca sebuah realita sejarah yang terjadi di tanah Melayu Riau. Ekploitasi sumber daya hutan secara besar-besaran pada beberapa dekade terakhir di Provinsi Riau telah mengubah tata guna lahan dari kawasan hutan yang utuh menjadi kawasan perkebunan. Proses eksploitasi tersebut menimbulkan gesekan-gesekan dalam masyarakat. Gesekan-gesekan inilah yang akhirnya menimbulkan konflik antara masyarakat dengan pihak perusahaan perkebunan. Perjuangan masyarakat dalam menyelesaikan konflik dan mempertahankan tanah leluhur mereka, kekuatan pihak perusahaan yang memiliki surat izin atas tanah tersebut, dan kesedihan ketika masyarakat akhirnya selalu berada di pihak yang kalah. Penelitian ini bertujuan untuk mendeskripsikan realitas objektif masyarakat Melayu Riau dalam hal alih fungsi lahan, dari lahan tanah ulayat menjadi lahan perkebunan, dan realititas imajinatif sastra yang terdapat dalam cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung”. Penelitian ini menggunakan pendekatan sosiologi sastra, yaitu suatu pendekatan sastra yang mengkhususkan diri dalam menelaah karya sastra dengan mempertimbangkan segi-segi sosial kemasyarakatan. Dari pendekatan tersebut dapat diambil kesimpulan bahwa cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung” memang merupakan cerpen yang mengangkat realitas masyarakat Melayu Riau.


Author(s):  
Svetlana Morozova ◽  
Dmitrij Zhatkin

The article is devoted to the perception of K.I. Chukovsky’s works by a famous English writer G.K. Chesterton. K.I. Chukovsky was one of the first to point out the ambiguity of the literary works by the English writer and called his journalistic activity more convincing. Describing G.K. Chesterton’s essays, K.I. Chukovsky believed that the writer is second to none in this genre. He praised G.K. Chesterton’s journalistic talent in responding to all the phenomena of contemporary social life. K.I. Chukovsky considered it obligatory for the Russian readers to familiarize themselves with the critical works of the English author. In the essay «Gilbert Chesterton. Manalive» (1924) K.I. Chukovsky substantiated why, for all the variety of genre forms that G.K. Chesterton used, Russian readers were familiar with only a few of his works. K.I. Chukovsky’s critical attitude to the novel «Manalive» is explained by his rejection of G.K. Chesterton’s utopian attitude to the social situation in England at the turn of the XIX–XX centuries. In G.K. Chesterton’s works K.I. Chukovsky saw a simulation of revolutionary pathos that did not solve pressing issues of social disorder.


Author(s):  
Patrick M. Morgan

This chapter focuses on the social aspects of strategy, arguing for the importance of relationships in strategy and, in particular, in understanding of deterrence. Deterrence, in its essence, is predicated upon a social relationship – the one deterring and the one to be deterred. Alliance and cooperation are important in generating the means for actively managing international security. Following Freedman’s work on deterrence in the post-Cold War context, ever greater interaction and interdependence might instill a stronger sense of international community, in which more traditional and ‘relatively primitive’ notions of deterrence can be developed. However, this strategic aspiration relies on international, especially transatlantic, social cohesion, a property that weakened in the twenty-first century, triggering new threats from new kinds of opponent. The need for a sophisticated and social strategy for managing international security is made all the more necessary.


Author(s):  
Ketil Slagstad

AbstractThis article analyzes how trans health was negotiated on the margins of psychiatry from the late 1970s and early 1980s. In this period, a new model of medical transition was established for trans people in Norway. Psychiatrists and other medical doctors as well as psychologists and social workers with a special interest and training in social medicine created a new diagnostic and therapeutic regime in which the social aspects of transitioning took center stage. The article situates this regime in a long Norwegian tradition of social medicine, including the important political role of social medicine in the creation of the postwar welfare state and its scope of addressing and changing the societal structures involved in disease. By using archival material, medical records and oral history interviews with former patients and health professionals, I demonstrate how social aspects not only underpinned diagnostic evaluations but were an integral component of the entire therapeutic regime. Sex reassignment became an integrative way of imagining and practicing psychiatry as social medicine. The article specifically unpacks the social element of these diagnostic and therapeutic approaches in trans medicine. Because the locus of intervention and treatment remained the individual, an approach with subversive potential ended up reproducing the norms that caused illness in the first place: “the social” became a conformist tool to help the patient integrate, adjust to and transform the pathology-producing forces of society.


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