Herramientas digitales para recolección, procesamiento y presentación de datos de campo como instrumento para afrontar la contingencia COVID-19

2021 ◽  
Vol 5 ◽  
pp. 96-104
Author(s):  
Didier Haid Alvarado Acosta

In March of 2020, the COVID-19 outbreak forced people to lock themselves inside their homes and begin the process of transitioning from face-to-face activities at work, schools and universities to a 100 % virtual method. Even when Communication Technologies (ICT) and online platforms have seen growth over the past two decades, including various virtual libraries developed by database publishers or web-based training programs that appear to shorten the learning curve (Lee, Hong y Nian, 2002), many people were unprepared for this transition and all of them are now dedicated to entering the new reality. In this order of ideas, the activities that have traditionally required the assistance of the staff have had to adapt with the use of new tools, which meet daily needs. A clear example is the field work collection tasks. In this group, there are different types such as surveys, photographs, reviews or on-site inspections. The current work presents the use of tools for collecting, validating, analysing and presenting data remotely and in real time. All of them based on the ArcGIS Online platform.

Author(s):  
Vinesh Chandra ◽  
Darrell Fisher

The past decade has seen significant improvements in the design and development of information and communication technologies (ICT). The Internet, for instance, has become more efficient, more affordable and more accessible. While the availability of these technologies in classrooms has created new opportunities, it has at the same time presented new challenges for teachers. Teachers have to find innovative methods of implementing these technologies in lessons that are not only effective and efficient but also fair to both sexes.


2006 ◽  
Vol 2 (S240) ◽  
pp. 88-96
Author(s):  
Brian D. Mason

AbstractChanges in the double star database are highlighted, describing various methods of observation (both historically and those of the past few years) and their effectiveness in different regimes of separation space. The various niches for wide- and narrow-field work as they apply to double and multiple stars are examined and the different types of information which each can provide are described. Despite the significant growth of the double star database, much can still be done, such as finding lost pairs, filling in missing parameters so that observing programs can select all stars appropriate to their capabilities, or providing at least gross kinematic descriptions. After more than 20 years of successful work, speckle interferometry and conventional CCD astrometry have replaced filar micrometry and photography as preferred classical techniques. Indeed, most work in filar micrometry is now being done by amateurs. Work on pairs described as neglected in the last major WDS data release (2001) is given as a specific example. Finally, the continued need to publish data in classical double star parameters is also discussed.


2015 ◽  
Vol 6 (2) ◽  
Author(s):  
Elisabet Brynge ◽  
Holly Case ◽  
Ellen Forsyth ◽  
Gary Green ◽  
Ulf Hölke

As librarians involved with two online reading groups, Read Watch Play (a regular themed Twitter chat) and Read With Me (a live Web-based, face-to-face discussion using Adobe Connect), we consider how we present text in these specific online environments, and how this impacts the reader’s experience. Formats and interfaces used by both groups result in different types of reading experiences – including brief, mobile-based reads (Twitter chats) or more in-depth reads (blogs). Both groups recognize that reading is a critical skill required for discussions about books. We also recognize the value of face-to-face online discussions. This presents challenges for libraries in how they connect and interact with readers: encouraging reading discussions online, offering tools focused on reading, and connecting these with the full range of reading materials available in libraries, both online and off.


2021 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Richard Vokes ◽  
Gertrude Atukunda

We have been conducting collaborative ethnographic research together for over 20 years. Over the past 12 months, this collaboration has included face-to-face encounters, both in Kampala, Uganda, and in Perth, Australia. However, since the advent of COVID-19-related ‘lockdowns’ in our respective countries, our engagements have been conducted exclusively over online platforms, including WhatsApp, Facebook and – increasingly – Zoom. In this article, we reflect upon our shared experience of conducting ethnography through this platform as a tool for understanding the effects of the pandemic in Uganda. We argue that, despite all kinds of material constraints (at both ends), Zoom has much to off er the ethnographer particularly because it can generate an intimate understanding of experience and time. However, against this advantage, some aspects of social life remain beyond the range of its channels, for which an assemblage of additional methods are required. We finish by reflecting upon what these methods have contributed to our long-term study of emergent cultures of mobility in Uganda – a study which is now being conducted in an ostensible context of immobility.


Author(s):  
Artemisa R. Dores ◽  
Andreia Geraldo ◽  
Irene P. Carvalho ◽  
Fernando Barbosa

The use of digital information and communication technologies (ICTs) has enabled many professionals to continue to provide their services during the COVID-19 pandemic. However, little is known about the adoption of ICTs by psychologists and the impact of such technologies on their practice. This study aimed to explore psychologists’ practices related with the use of ICTs before and during the COVID-19 lockdown, to identify the main changes that the pandemic has brought and the impact that such changes have had on their practice with clients, and also identify the factors that potentially have affected such changes. The Portuguese Psychologists Association announced the study, and 108 psychologists responded to an online survey during the mandatory lockdown. The results showed that these professionals continued to provide their services due to having adopted ICTs. Comparing with face-to-face interventions, psychologists recognized that additional precautions/knowledge were needed to use such technologies. Despite the challenges identified, they described the experience with the use of ICTs as positive, meeting clients’ adherence, and yielding positive results. Psychologists with the most years of professional experience maintained their services the most, but those with average experience showed the most favorable attitudes toward the use of technologies and web-based interventions.


Author(s):  
Gabriella Giannachi

This book traces the evolution of the archive across the centuries by looking at primitive, Medieval, Renaissance, Victorian and contemporary archives. Crucially, the book evidences the fluidity and potential inter-changeability between libraries, archives and museums. A number of case studies offer an insight into the operation of a variety of different types of archives, including cabinets of curiosity, archival artforms, architectures, performances, road-shows, time capsules, social media documentation practices, databases, and a variety of museological web-based heritage platforms. The archive is shown to play a crucial role in how individuals and social groups administer themselves through and within a burgeoning social memory apparatus. This is why at the heart of every industrial revolution thus far, the archive continues to contribute to the way we store, preserve and generate knowledge through an accumulation of documents, artifacts, objects, as well as ephemera and even debris. The archive has always been strategic for different types of economies, including the digital economy and the internet of things. Shown here to increasingly affect to the way we map, produce, and share knowledge, the apparatus of the archive, which allows us to continuously renew who we are in relation to the past, so that new futures may become possible, now effectively pervades almost every aspect of our lives.


Author(s):  
Cecily Morrison ◽  
Graham Walker ◽  
Kai Ruggeri ◽  
Jamie Hacker Hughes

AbstractWeb-based interventions for depression have burgeoned over the past 10 years as researchers and health professionals aim to harness the reach and cost-effectiveness that the internet promises. Despite strong clinical evidence of their effectiveness and policy support, web-based interventions have not become widely used in practice. We explored this translation gap by conducting an implementation pilot of MindBalance, a web-based intervention for depression built on the SilverCloud platform, in three IAPT services. We posed three questions: (1) Who chooses to use MindBalance? (2) Is MindBalance effective for these clients? (3) How do clients use MindBalance? Our results for questions (1) and (2) are commensurate with the positive findings in the literature on patient acceptability and clinical effectiveness for such interventions. Client usage, captured in adherence data as well as usage case-studies, was diverse and differed markedly from face-to-face sessions. The most surprising result, however, concerned the small number of people who were offered the intervention. We reflect upon why this was and discuss implementation issues that primary mental health services should consider when adding a web-based intervention to their services.


2015 ◽  
Vol 47 (2) ◽  
pp. 80-84 ◽  
Author(s):  
Efrosini Protopapa

In the past decade, a growing discourse has developed among choreographers, dance artists, and their collaborators, who are eager to articulate their processes, practices, and working methods through different types of writing and publication. Artists’ books, objects, and online platforms—from Thomas Lehmen's Schreibstück (2002) and FUNKTIONEN tool box (2004), to BADco's Whatever Dance Toolbox (2011) in collaboration with Daniel Turing, and the Forsythe Company's project Motionbank (2010–2013)—have contributed to what we may describe today as the “publishing of choreographic ideas,” as proposed by Scott deLahunta (2015). Jeroen Peeters, editor of Are We Here Yet? (2010), which focuses on the work of Meg Stuart, emphasizes the discourse intrinsic to dance making, while Mårten Spångberg invites artists to “write their own history,” with projects such as The Swedish Dance History (2009–today), to give but one example. Alongside these developments, practice-as-research, which involves dance making and writing, is becoming more established within university settings; and presentations of/on artistic research are now common in conferences, symposia, and other sites of knowledge exchange. We could argue then that the development of an artist's theory of knowledge, which scholars such as Susan Melrose (2007) have been encouraging since the early 2000s, is now well under way both within and without the academy.


Author(s):  
Harsh Shastri ◽  
Bhavesh Maheshwari ◽  
Gajendra Ojha ◽  
Bhakti Padhiyar ◽  
Pratiksha Raval ◽  
...  

Booking an appointment online has grown in popularity over the past few years. Many different types of business use some type of web based online appointment management system help make the appointment setting process more streamlined. An online appointment management system allows player to register and book appointments with their advisers. Web applications have helped in streamlining many of the tasks we perform on a daily basis, and have made our lives easier. These applications are widely used to assist players and sport complex management. In the past, these appointment processes were done manually and, because of this, there were many instances of overbooking or forgetting to cancel an appointment, which could free up the space to schedule another in its place. To eliminate human error due to setting appointments manually, a web/mobile application will be developed to make the scheduling process easier. In addition, it will give verification based on unique QR code generates at the time of booking.


2017 ◽  
Author(s):  
Sivananda Rajananda ◽  
Hakwan Lau ◽  
Brian Odegaard

AbstractWeb-­based experiments using visual stimuli have become increasingly common in recent years, but many frequently-used stimuli in vision research have yet to be developed for online platforms. Here, we introduce the first open access random-dot kinematogram (RDK) for use in web browsers. This fully customizable RDK offers options to implement several different types of noise (random position, random walk, random direction) and parameters to control aperture shape, coherence level, the number of dots, and other features. We include links to commented JavaScript code for easy implementation in web-based experiments, as well as an example of how this stimulus can be integrated as a plugin with a JavaScript library for online studies (jsPsych).


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