scholarly journals Особенности образа современного русского интеллигента на примере романа Алексея Варламова Затонувший ковчег (1997)

2020 ◽  
Vol 45 (2) ◽  
Author(s):  
Natalia Królikiewicz
Keyword(s):  
Literary Work ◽  
Social Processes ◽  
The Novel ◽  
Crisis Period ◽  
Literary Research ◽  
Moral Perfection ◽  
The Social ◽  
Russian Intelligentsia ◽  
Reason And Faith ◽  
The Individual

The article focuses on the image of the modern Russian intellectual, depicted in the artistic text of Aleksey Varlamov, the Sunken Ark. Understanding the phenomenon of the Russian intelligentsia in the analysed literary work is associated with the problem of the opposition of reason and faith in the process of the personality formation of the modern intellectual. The analysis carried out in the text allows not only to trace and better understand the social processes of the crisis period in Russia, but also to notice their enormous impact on the consciousness of the main hero-intellectual Ilya Petrovich. The use of the methodology of historical and literary research in the work is adequate to the problems posed. The novel under analysis, as a kind of warning, has a deep philosophical undertone that touches upon the problems of faith, unbelief, freedom of the individual and the pursuit of moral perfection. Varlamov’s intellectual, as a typical “hero of our time”, regardless of his weakness, defenselessness and internal rupture, seems to be most needed in life.

scholarly journals THE WOMEN’S SUFFERING IN THE NOVEL THE HANDMAID’S TALE BY MARGARET ATWOOD

2020 ◽  
Vol 8 (2) ◽  
pp. 332-342
Author(s):  
Abbas Abbas
Keyword(s):  
Women Characters ◽  
Social Problem ◽  
Social Problems ◽  
Severe Depression ◽  
Literary Work ◽  
The Novel ◽  
Literary Research ◽  
The Social ◽  
The Republic ◽  
The Impact

The research discusses social problems experienced by women in a literary work entitled The Handmaid's by Magaret Atwood Magaret. The social problems in question are discussed the social problem of women that happened in the novel The Handmaid’s Tale and described the impact of social problem on women characters in the novel. The suffering that befell women handmaids such as Offred, Ofglen, Janine, and others occurs in a country called the Republic of Gilead. The research uses the Structuralism Approach, a literary research method that emphasizes structural aspects in the form of character, plot, setting, theme, and others. Gender study in literature becomes the perspective of this research which highlights social injustice towards female characters in the fictional story. The research data are then analyzed by using qualitative research methods and explained descriptively. The results of this study indicate that during the reign of the Gilead Republic, women experienced various social problems in the form of separation from family, not getting proper education, restrictions on freedom, forced childbirth for elite families, and the obligation to perform certain rituals. The social problems experienced by these women resulted in severe depression that almost claimed their lives.

These Newcomes: William Makepeace Thackeray and Novelistic Particularity

2021 ◽  
Vol 49 (3) ◽  
pp. 457-480
Author(s):  
Timothy Gao
Keyword(s):  
Social Network ◽  
Marriage Market ◽  
Literary Work ◽  
William Makepeace Thackeray ◽  
Close Reading ◽  
The Novel ◽  
Distant Reading ◽  
Reading Experience ◽  
The Social ◽  
The Individual

Through a sustained close reading of William Makepeace Thackeray's 1855 novel The Newcomes, this essay examines three analogous types of particularity in the novel: the particularity of loved ones in the social network, of fictional persons in the literary work, and of the individual text. Drawing on recent sociological and network readings of Victorian narrative, I argue that Thackeray's plot about relationships in the marriage market is reflected (on the level of form) by the structural relation between characters and text, and (on the level of the reading experience) by the affective engagement of the reader to the novel. As characters encounter problems in replacing old relations (former lovers, deceased spouses, estranged relatives) with new ones, the novel raises analogous questions about the replaceability of characters as textual constructs or fictional persons, and of the novel itself as one experience among multitudes on offer in the nineteenth-century market. A tension between the continual or particular experience of an individual novel and the felt historical pressure of novels en masse registers in the text itself as a formal and narrative problem, one that leads us suggestively toward recent methodological debates about intimate and distant reading.

scholarly journals Translating Tenor: With Reference to the English Versions of Hong Lou Meng

2008 ◽  
Vol 53 (3) ◽  
pp. 528-548 ◽  
Author(s):  
Zequan Liu
Keyword(s):  
Special Reference ◽  
Social Distance ◽  
Literary Work ◽  
The Novel ◽  
The Social ◽  
Hong Lou Meng ◽  
The Relationship ◽  
Cultural Features

Abstract The objective of this paper is to see how the Chinese tenor as exhibited by the use of titles and honorifics in the classic novel Hong Lou Meng is translated in its five English versions. I shall compare the translations of several dialogues from the novel with special reference to the tenor-markers. By adopting House’s interpersonal equivalence as a criterion to measure the social distance and power between the dyads as shown by the tenor in both the SL conversations and their respective TL versions, I shall investigate the relationship between the interpersonal equivalence that is acquired in the TT and the strategies that are adopted to translate the dialogues. The argument put forward here is that in order to produce a translation that not only reads fluently but also retains the linguistic and cultural features of a foreign literary work, foreignising should be adopted as a mainstream rather than exclusive strategy, with assistance drawn from domesticating solutions.

scholarly journals Translating Semiotic “Polyphony” of Texts as a Culture-Formative Creation

Tertium ◽  
2021 ◽  
Vol 6 (2) ◽  
pp. 158-169
Author(s):  
Caterina Squillace
Keyword(s):  
Social Life ◽  
Western Europe ◽  
Meaning Making ◽  
Literary Work ◽  
The Novel ◽  
Literary Genres ◽  
Melting Pot ◽  
The Social ◽  
Roman Jakobson ◽  
The Master And Margarita

“The Master and Margarita” is generally considered Mikhail Bulgakov’s literary masterpiece. It is a “melting pot” of literary genres, motives, themes, imagery and intertextual references. All these elements cooperate in creating a “polyphonic” novel, in Bakhtin’s sense of the word, not only when it comes to the different nature and “voice” of single characters but also with reference to the “poly-structured” construction of the text itself. The paper will illustrate the peculiarity of Bulgakov’s novel and the semiotic and semiosic character of his creation. The adjective “semiosic” derives from “semiosis” as defined, among others, by C.S. Peirce, who stresses the meaning-making “power” of some semiotic processes. The paper aims also at answering the question why this novel has been translated several times into Polish and Italian since 1967 (when the first edition of the novel was published in Western Europe). Due to the very specific construction of the plot and of the formal aspects of the novel, translators had to deal with a significant number of problems of “untranslatability” that they could solve only by using their creative potential. It was Roman Jakobson who through his linguistic analysis reached the conclusion that for the untranslatable—poetry for example—“Only creative transposition is possible”. Using creativity translators were also able to discover further interpretations of Bulgakov’s literary work and to perform a culture-formative act as their efforts offer new points of view on reality and its perception, wider knowledge of the social life not only in Soviet times but in a more universal perspective as well as new models of text and literariness. That’s why a novel like Bulgakov’s masterpiece has been translated so many times and it is still translated in the two languages selected for the purposes of this research and all over the world. And this is also the reason why it can be considered a meaning-generative and culture-formative text even if its first edition appeared in 1940.  

scholarly journals Marital Failure As a Social Reality in Sidney Sheldon’s Novel The Other Side of Midnight

2019 ◽  
Author(s):  
Hidayati . ◽  
Zuindra . ◽  
Arifuddin . ◽  
Aflina . ◽  
Zainab MZ
Keyword(s):  
Field Research ◽  
Literary Work ◽  
The Other ◽  
The Novel ◽  
Causal Factors ◽  
Qualitative And Quantitative ◽  
The Social ◽  
Main Factors ◽  
Strongly Agree ◽  
Strong Agreement

This research deals with literary works as a medium for conveying reality of social problems through Sydney Sheldon’s novel The Other Side of Midnight. One of the issues depicted in the novel is marital failure. The husband, as one of the characters in the novel, has a prestigious job, a pilot; and with an appealing appearance, he easily gets beautiful women around him. There are some various causal factors as the triggers of marital failure such as infidelity, career, selfishness, social welfare, age education, and financial problems; however in this research, the causal factors of marital failure discussed are triggered by infidelity, career, and selfishness. The method used is mixed, qualitative and quantitative. The combination of both designs provides a more detailed description, information and understanding of the object of study. Quantitative method is related to numerical variables which are further described through qualitative design. The number of respondents is 40 and selected randomly in Medan city. The social and cultural background is adapted to the object of research. The results show that there are three main factors causing marital failure in the novel: infidelity, career and selfishness. The findings of the research are in line with the field research. 97.5% of respondents agree that literary work is a medium for disclosing social problems; 2.5% express support. In the case of marital failure as a social problem, 97.5 respondents state a strong agreement and 2.5% express support. In things related to the trigger of marital failure: infidelity, career and selfishness, 100% of respondents strongly agree.

scholarly journals ANALISIS ASPEK KEJIWAAN TOKOH UTAMA NOVEL HATI SUHITA KARYA KHILMA ANIS (TINJAUAN PSIKOLOGI SASTRA

2021 ◽  
Vol 1 (02) ◽  
pp. 197
Author(s):  
Nanda Maulana Hasmi
Keyword(s):  
Human Life ◽  
Literary Work ◽  
The Novel ◽  
Main Character ◽  
Literary Research ◽  
Qualitative Descriptive ◽  
Psychological Conflict ◽  
The Subject ◽  
Implicit And Explicit ◽  
Relationship Of

Literary work tries to describe human life, not only in relation to other humans, but also in relation to itself through the relationship of inner events. One form of literary work is novel. The birth of the novel is the creative result of the author in processing a story about life complete with various conflicts in it. Because this research is intended as a study of literary psychology to achieve the psychological aspects of the main character in the novel Hati Suhita by Khilma Anis, what will be put forward is the structure of the story which is closely related to the psychological exposure of the main character. The story structure is the characters and characterizations. As well as the story setting. Qualitative method. Namely, research procedures that produce qualitative descriptive data in the form of written or spoken words from people and observed behavior. How as much data as possible will be able to become the subject of research depends on the use of research techniques. While the approach is a literary assessment perspective. The approach is the scope of literary research. The form, content, and nature of literature as the subject of study. Until now, it seems that in literary research there is often confusion between the use of the terms method, technique and approach. As a result, there are overlapping areas of literary research. The method should involve the operational means of research. The method requires research steps that are worth following. The research results found by the researcher were in the form of the character of the main character and psychological conflicts in Khilma Anis' novel Hati Suhita. Suhita's character is good, tawadhu, smart. Al Birruni is firm, easy to change. Rengganis beautiful, smart. Aruna is good, cheerful. Kang Dharma is calm, mature. And the psychological conflict of Suhita's character is sad. Al Birruni didn't have the heart, Rengganis knew himself, Aruna was sad, and Kang Dharma was calm. In connection with conducting the research, the writer suggests that: first, literary reviewers are advised to examine more deeply the implicit and explicit values in Khilma Anis' novel Hati Suhita, because then we as readers can understand the author's message and his work in totality.

scholarly journals Film jako instalacja. Przestrzeń, narracja i afekt w ekspozycji Mieke Bal „Madame B".

2020 ◽  
Vol 31 (1) ◽  
pp. 39-66
Author(s):  
Agnieszka Rejniak-Majewska
Keyword(s):  
Spatial Arrangement ◽  
Literary Work ◽  
The Novel ◽  
Video Installation ◽  
Continuous Version ◽  
Feature Film ◽  
Time Flow ◽  
The Social ◽  
Specific Position ◽  
The 19Th Century

The article discusses the construction of space and the position of the viewer in the video installation Madame B. Explorations in Emotional Capitalism, presented at the turn of 2013 at the Museum of Art in Łódź. Directed and designed by Mieke Bal and Michelle Williams Gamaker, the installation was produced in parallel with a full feature film of the same title. Both the installation and the film constitute an intersemiotic translation of a literary work – Gustave Flaubert’sMadame Bovary. Part of the inspiration for this experiment was the proto-cinematic quality of Flaubert’s style (narrative simultaneity resembling parallel editing, the suppression of drama, dissolution of the time-flow). The museum installation, with its use of dark exhibition space and multiscreen projection, provided an innovative interpretation of the novel by bringing to the fore its acute audio-visuality: the non-verbal level of meaning found in the presentation of material surroundings, fashion, gesture, facial expressions, sound, tone, and tempo of action. In this respect, the exhibition had an advantage over the continuous version of the feature film, which tends to focus the viewer’s attention more directly on the plot. In the case of the museum installation, the narrative continuity was disregarded in favor of the affective resonance of selected scenes from Emma’s life. Walking through a series of episodes split across nineteen screens, the viewer had to choose his or her own way through a complex narrative (the whole comprised 450 min. of filmic material), so in a sense it was the viewer who “performed the piece”. The narrative of Madame B. partly diverged from Flaubert’s story to bring it closer to our times. The anachronistic intermingling of the 19th century and contemporary realities set it away from the conventions of costume movies and suggested the actuality of Emma’s story – its relevance for contemporary questions of “emotional capitalism”. These anachronisms and the spatialization of the narrative occasioned a specific position for the viewer, who, despite the immersive effect of the images, remained conscious of his or her participatory presence here and now. Thus, while attending to the scenes of Emma’s life, the viewer might also reflect on the emotional effects they raised in him/herself. This analytic outlook did not necessarily inhibit the viewer’s sympathetic engagement with the protagonists’ emotions and experiences, but gave it a more informed character. The spatial arrangement of images, as well as the situations performed in several episodes, also invited reflections on the social function of looking and being seen. In this sense, the installation may be counted as a part of Mieke Bal’s practice of visual culture analysis.

scholarly journals BODY IDENTITY IN BOHUMIL HRABAL’S NOVEL “I SERVED THE KING OF ENGLAND”

2019 ◽  
Author(s):  
Bokshan Halyna
Keyword(s):  
Literary Work ◽  
Scientific Paper ◽  
The Body ◽  
Mirror Reflection ◽  
The Novel ◽  
Binary Opposition ◽  
History Of The Body ◽  
The Social ◽  
History Of ◽  
The Aesthetic

The purpose of the paper is to examine the specificity of the modeling of the character-narrator’s body identity in B. Hrabal’s novel “I Served the King of England”. Firstly it stresses on the body-centered nature of the narration in this literary work, in which the evolution of personality is represented as “a history of the body”. The study focuses on the techniques of restructurizing “the body scheme” and the manifestation of psychophysiological transgression caused by the existing “archetypal canons”. It traces the correlation of the semantics of the body identity with the aesthetic categories of the beautiful and the ugly and with gender differentiation. The paper also considers gastronomy as one of the aspects of bodiliness in B. Hrabal’s novel. It details the poetics of grotesque which manifests itself in the descriptions of the body emphasizing its objectiveness. The study looks at the Rabelaisian traditions followed by the writer in the depiction of the scenes connected with eating both everyday food and exotic dishes. The research underlines that the body in B. Hrabal’s novel is displayed as a genetic data medium, visualized through physical characteristics, that highlights the social arrangement of the body identity problems. It pays attention to the social function of a human face in archaic societies originally interpreted in the novel. The research determines the peculiarities of the space marking of the body in the literary work and its correlation with the binary opposition “top–bottom”. It looks at the formation of the body identity by means of a mirror reflection and the image of the double. The conclusions of the research emphasize the specificity of the modeling of the body identity in the novel of the Czech writer. The results of this scientific paper can be used in further research on B. Hrabal literary prose and in comparative studie

scholarly journals "Let Fair Weather Bring Me Home: A Maltese Story" // "Deja que el buen tiempo me traiga a casa: una historia de Malta"

2013 ◽  
Vol 4 (2) ◽  
pp. 227-243
Author(s):  
Oliver Friggieri
Keyword(s):  
Personal Relationship ◽  
Social Aspects ◽  
Southern Europe ◽  
The Novel ◽  
Way Of Life ◽  
Fair Weather ◽  
The Past ◽  
The Social ◽  
The Individual ◽  
Descriptive Element

Let Fair Weather Bring Me Home: A Maltese Story (Excerpt from unpublished novel)Life in itself largely depends on one’s personal relationship with nature. Humankind develops as it discovers new modes of relating more efficiently with whatever surrounds it. Thus both the individual and the social aspects of such a condition greatly  depend on each other. Let Fair Weather Bring Me Home is a Maltese novel which strives to portray such a bond in terms of what it entails to live in a traditional village far removed from the center of the country where nature had to succumb to a great extent to the dictates of culture, and mainly to technology. The descriptive element of the novel, as evinced in this excerpt, is meant not only to construct a context within which the villagers live, but also to suggest a sharp contrast with the modern city, impersonal, overcrowded, noisy and inevitably distant from spaces which are considered to be still undeveloped, namely still left in their primeval state. The depiction of such a way of life in such a village, inspired by an environment typical of Southern Europe, may seem to be simply an evocation of the past, as it originally is, but it also recognizes the fact that such a relationship with nature still survives in various parts of various countries. The essential message of the excerpt is that modern ecological considerations are necessarily the expression of  humanity’s need to rediscover nature and to return to where it once belonged.                   

scholarly journals Interactions of narrative version and multiple forms of memory In narrations of Zahra Ramij. The narrative group "Anin almaa" is a model. تفاعلات الصيغ السردية وتعدد أشكال اشتغال الذاكرة في سرود الزهرة رميج. المجموعة القصصية _أنين الماء_ أنموذجا

2019 ◽  
Author(s):  
TAOUFIK تــوفــيــق STITI الــســتــيــتــي
Keyword(s):  
Collective Memory ◽  
Narrative Discourse ◽  
The Novel ◽  
Multiple Forms ◽  
The Social ◽  
Individual Memory ◽  
Narrative Patterns ◽  
The Individual ◽  
Aesthetic Characteristics ◽  
Narrative Forms

تُعتبر الصيغة السردية إحدى أهم المقولات المشكلة للخطاب السردي عموما، حيث تنتظم السرود وفق نمط حكائي معين يعكس الأسلوب المتفرد والمتميز لكل كاتب على حدة. وتُشَكِّلُ المجموعة القصصية "أنين الماء" للقاصة والروائية والشاعرة المغربية الزهرة رميج، بتعدّد صيغ خطابها وتنوع أشكال اشتغال الذاكرة فيها، كونا مُكثّفا وبالغ التعقيد. حيث تُزاوج القاصّة، في تشكيلٍ إبداعي قشيب، بين المحكي والمعروض تارة، أو تُعَضِّضهُما بالخطاب المُحوّل تارة أخرى، كما تُدمِجُ في صَوْغِ سرودها الذاكرة الفردية والذاكرة الجماعية، وتمزج الذاكرة الاجتماعية بالذاكرةِ الثقافيةِ والسياسيةِ. وسنحاول في هذه الورقةِ تقديم قراءةٍ مُركّزةٍ ومُختصرةٍ، في المجموعة القصصية "أنين الماء" للقاصة والروائية الزهرة رميج، لاستجلاء بعض الخصائص الفنية والجمالية التي تُميِّزُ سرود الكاتبة، مع التركيز بشكل خاص على أنماط الحكي والصِّيَغ السردية وتعدد أشكال اشتغال الذاكرة.The narrative version is one of the most important arguments for the narrative discourse, the narratives are organized according to a specific style of reflection. The novel "Anin almaa" by the Moroccan novelist Zahra Ramej, with its varied forms of speech and the diversity of its forms of memory, is an intensive and highly complex universe. Where the mating is intertwined in a creative form, between the narrator and the viewer, or alternating with the converted discourse. It also integrates the individual memory and the collective memory into its narratives, and mixes the social memory with the cultural and political memory. In this paper, we will attempt to present a concise reading of the novel "Anin Almaa" by Zahra Ramej, to explore some of the artistic and aesthetic characteristics that characterize the writer's narratives, with particular emphasis on narrative patterns, narrative forms and multiple forms of memory.

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