scholarly journals Two English Chemists/Authors/Teachers: John Read and James Riddick Partington

2018 ◽  
Vol 23 (1-2) ◽  
pp. 47-69
Author(s):  
Zbigniew A. Szydło
Keyword(s):  
Cultural Context ◽  
Historical Context ◽  
Educational Programs ◽  
Chemistry Teaching ◽  
Historical Material ◽  
Reading Material ◽  
The Subject ◽  
The Times ◽  
Teaching Programs ◽  
Literary Output

AbstractJohn Read and James Partington were both prominent and highly respected academics, chemists, authors and teachers during the middle decades of the 20th century. Their books were widely read throughout this period and played a major role in educating and raising the awareness of chemistry among young people and adults. Today their names are forgotten. The aim of the present article is to re-establish these two remarkable men and to bring them to the forefront of educational programs. An outline is given of their careers as chemists, set against the background of the times they lived in, giving an emphasis to their formidable literary output. Although they had widely contrasting personalities, and were specialists in three different fields of chemistry, Read: organic, Partington: physical and inorganic, they both recognized the great importance of setting chemistry in an historical context. Accordingly, they both wrote many works on the origins and development of chemistry and included much historical material in their textbooks. This added not only a great interest to the subject, but also set it in a broader cultural context, which is so clearly lacking in today’s chemistry teaching programs. A chronological list of their books is given and short contrasting fragments from four of them are analysed. Not only are these books of great interest, but they serve as an outstanding foundation for teaching the principles of chemistry today. A recommendation is made to incorporate one work of each author as compulsory reading material for students today, and in future years.

Stylistics and the cultural context in literary translation

Babel ◽  
2016 ◽  
Vol 62 (4) ◽  
pp. 623-634
Author(s):  
Miodrag M. Vukčević
Keyword(s):  
Cultural Context ◽  
German Literature ◽  
Historical Context ◽  
Point Of View ◽  
Literary Translation ◽  
German Language ◽  
Poetic Tradition ◽  
The Subject ◽  
Carry Over ◽  
German Reader

Considering the example of the translation of Njegoš’s The Mountain Wreath into the German language, the paper analyses the translational solutions that are dictated by the principles of the subject. The translator Alois Schmaus chose to take this step in order to bring home to the modern reader a world which appears to be archaic. He made this decision for two reasons. First, the German reader is unfamiliar with the historical context that is the subject of this poem; secondly the rules of prosody in Serbian and German do not match. By choosing to carry over the Serbian epic decasyllable, Schmaus favours the Serbian poetic tradition. From the historical point of view German verse, constructed as an Alexandrine, is burdened with the context of courtly poetics. The hexameter, meanwhile, which was introduced into German literature by Klopstock and later popularised by Voss and Goethe, appears in the context of the rise of the bourgeoisie. Both verses require changes while being translated, which affect the poem’s characteristics. In order to maintain authenticity, Schmaus pleads for the “Serbian trochee”: iamb and dactyl, metrical feet that are closer to the German language, would have impeded the setting the diaeresis and affected the syntax. Because of this, Schmaus places a spondee at the end of every verse and sets the historical context in the tradition of martyrdom.

scholarly journals W poczuciu niezasłużonej infamii – wstępne wyniki projektu dotyczącego żołnierzy ludowego Wojska Polskiego

2015 ◽  
Vol 5 ◽  
pp. 77-90
Author(s):  
Jarosław Pałka ◽  
Karolina Żłobecka
Keyword(s):  
Oral History ◽  
Personal Narrative ◽  
Historical Memory ◽  
Historical Context ◽  
Common Elements ◽  
Short Account ◽  
Eastern Front ◽  
Audio Recordings ◽  
The Subject ◽  
The Times

This article presents preliminary findings of the oral history project on the subject of the soldiers of the People’s Troops of Poland. Testimonies of ca. 40 “People’s Poland” veterans were recorded (giving more than 2000 hours of audio recordings). These soldiers fought on the Eastern Front, participating in, among others, the battles of Lenino, Budziszyn, and Berlin. The article describes the interviewed group and defines the method applied when conducting the interviews. It also gives a short account of how the interviewed were conscripted into the People’s army. The main part of the article is devoted to pointing to the similarities in the veterans’ accounts. These common elements include interspersing a personal narrative with a broad historical context, underlining that in their individual actions during the war and after it they encountered situations from which there was no escape, using the propaganda expressions dating back to the times of the Polish People’s Republic, and the feeling of being omitted (as a whole group of veterans of the People’s Troops) from the sphere of historical memory after 1989. In the last part of the article, plans for a monograph based on the project are presented.

Cristóbal Balenciaga. Explorations in Traditional Spanish Aesthetics

Costume ◽  
2019 ◽  
Vol 53 (2) ◽  
pp. 161-185
Author(s):  
Ana Balda Arana
Keyword(s):  
Creative Process ◽  
Cultural Context ◽  
Country Of Origin ◽  
Anglo Saxon ◽  
Doctoral Thesis ◽  
The Subject ◽  
The 1950S ◽  
Religious Iconography

This article investigates how the traditional attire and religious iconography of Cristóbal Balenciaga's (1895–1972) country of origin inspired his designs. The arguments presented here build on what has already been established on the subject, provide new data regarding the cultural context that informed the couturier's creative process (with which the Anglo-Saxon world is less familiar) and conclude by investigating the reasons and timing of his exploration of these fields. They suggest why this Spanish influence is present in his innovations in the 1950s and 1960s and go beyond clichéd interpretations of the ruffles of flamenco dress and bullfighters’ jackets. The findings derive from research for the author's doctoral thesis and her curatorial contribution to the exhibition Coal and Velvet. Balenciaga and Ortiz Echagüe. Views on the Popular Costume (Balenciaga Museum, Getaria, Spain, 7 October 2016–7 May 2017).

A.I. Solzhenitsyn Apropos of Russia’s Future: Specific Outlook Features Depending on Different Historical Context

2019 ◽  
Vol 66 ◽  
pp. 327-334
Author(s):  
Inga V. Zheltikova ◽  
Elena I. Khokhlova
Keyword(s):  
Cultural Context ◽  
Historical Context ◽  
The Political ◽  
Social Stability ◽  
Political Situation ◽  
The Future ◽  
Pessimistic Attitude ◽  
Personal Qualities ◽  
Images Of The Future ◽  
The Church

The article considers the dependence of the images of future on the socio-cultural context of their formation. Comparison of the images of the future found in A.I. Solzhenitsyn’s works of various years reveals his generally pessimistic attitude to the future in the situation of social stability and moderate optimism in times of society destabilization. At the same time, the author's images of the future both in the seventies and the nineties of the last century demonstrate the mismatch of social expectations and reality that was generally typical for the images of the future. According to the authors of the present article, Solzhenitsyn’s ideas that the revival of spirituality could serve as the basis for the development of economy, that the influence of the Church on the process of socio-economic development would grow, and that the political situation strongly depends on the personal qualities of the leader, are unjustified. Nevertheless, such ideas are still present in many images of the future of Russia, including contemporary ones.

STRATEGI PRODUK BORDIR DI KAPALO KOTO, KOTO TANGAH SIMALANGGANG, KOTA PAYAKUMBUH (Studi Kasus di Usaha Bordir Limpapeh”s Kebaya)

2019 ◽  
Vol 8 (1) ◽  
pp. 111
Author(s):  
Riris Susiani ◽  
Ernawati Ernawati
Keyword(s):  
Rapid Development ◽  
Secondary Data ◽  
Export Market ◽  
Product Strategy ◽  
Analysis Techniques ◽  
Product Service ◽  
Qualitative Descriptive ◽  
The Subject ◽  
The Times ◽  
Descriptive Method

AbstrakMasalah dalam penelitian ini yaitu pentingnya strategi produk dalam menjalankan sebuah usaha agar mampu bertahan dan bersaing  dengan perusahaan lain yang sejenis dalam kondisi persaingan yang ketat dan perkembangan zaman yang sangat cepat. Strategi produk sangat diperlukan dalam mememenuhi tuntutan konsumen seperti meningkatkan kualitas, menciptakan merek, pelayanan serta jaminan terhadap produk yang ditawarkan agar usaha mampu berkembang. Limpapeh”s Kebaya adalah usaha yang sedang berkembang dan telah mampu memasarkan produk bordirnya hingga menembus pasar ekspor. Penelitian ini bertujuan untuk mendeskripsikan strategi produk bordir di Limpapeh”s Kebaya, Kapalo Koto, Koto Tangah Simalanggang, Kota Payakumbuh. Metode penelitian menggunakan metode deskriftif kualitatif, jenis data berupa data primer dan  sekunder. Teknik pengumpulan data melalui observasi, wawancara dan dokumentasi. Teknik analisis data dilakukan dengan teknik analisa model interaktif yang berkaitan dengan pokok permasalahan yaitu dengan model reduksi data, penyajian data dan pengambilan kesimpulan. Hasil penelitian yaitu strategi produk yang dilakukan di Limpapeh”s Kebaya adalah dimulai dari menciptakan produk bordir yang berkualitas, desain motif bordir yang up to date dan kreatif, menyediakan ukuran yang special, memberi merek pada produk bordir, memberi kemasan yang menarik (paperbag) dan serbaguna, pelayanan yang cepat, tepat dan ramah serta pemberian jaminan terhadap produk border.Kata Kunci: strategi produk, pelayanan, bordir. AbstractThe problem in this study is the importance of product strategy in running a business in order to be able to survive and compete with other similar companies in conditions of intense competition and very rapid development of the times. Product strategy is very necessary in fulfilling consumer demands such as improving quality, creating brands, services and guarantees for products offered so that businesses are able to grow. Limpapeh's Kebaya is a growing business and has been able to market its embroidery products to penetrate the export market. This study aims to describe the strategy of embroidery products in Limpapeh's Kebaya, Kapalo Koto, Koto Tangah Simalanggang, Payakumbuh City. The research method uses qualitative descriptive method, the type of data in the form of primary and secondary data. The technique of collecting data through observation, interviews and documentation. Data analysis techniques are carried out with interactive model analysis techniques that are related to the subject matter, namely with a model of data reduction, data presentation and conclusion. The results of the research, namely the product strategy carried out at Limpapeh's Kebaya, are started from creating quality embroidery products, up-to-date and creative embroidery motifs, providing special sizes, giving brands to embroidery products, giving attractive packaging (paperbag) and versatile, fast, precise and friendly service and guarantee of embroidery products. Keywords: product, service, embroidery strategy.

التغير المناخي واثره في المقنن المائي لمحصول العنب في محافظة ديالى

2019 ◽  
Vol 1 (34) ◽  
pp. 391-422
Author(s):  
اشواق حسن حميد صالح
Keyword(s):  
Climate Change ◽  
Statistical Analysis ◽  
Wind Speed ◽  
Extreme Temperature ◽  
Solar Brightness ◽  
The Subject ◽  
Climate Station ◽  
The Times ◽  
High Level ◽  
Very High

Climate change and its impact on water resources is the problem of the times. Therefore, this study is concerned with the subject of climate change and its impact on the water ration of the grape harvest in Diyala Governorate. The study was based on the data of the Khanaqin climate station for the period 1973-2017, (1986-2017) due to lack of data at governorate level. The general trend of the elements of the climate and its effect on the water formula was extracted. The equation of change was extracted for the duration of the study. The statistical analysis was also used between the elements of the climate (actual brightness, normal temperature, micro and maximum degrees Celsius, wind speed m / s, relative humidity% The results of the statistical analysis confirm that the water ration for the study area is based mainly on the X7 evaporation / netting variable, which is affected by a set of independent variables X1 Solar Brightness X4 X5 Extreme Temperature Wind Speed ​​3X Minimal Temperature and Very High Level .

scholarly journals Engaging the “Animal Question” in International Relations

2020 ◽  
Author(s):  
Tore Fougner
Keyword(s):  
International Relations ◽  
Subject Matter ◽  
Cultural Context ◽  
The Subject ◽  
Human Animal ◽  
Animal Question

Abstract By raising the “animal question” in International Relations (IR), this essay seeks to contribute not only to put animals and human–animal relations on the IR agenda, but also to move the field in a less anthropocentric and non-speciesist direction. More specifically, the essay does three things: First, it makes animals visible within some of the main empirical realms conventionally treated as the subject matter of IR. Second, it reflects on IR's neglect of animals and human–animal relations in relation to both how IR has been constituted as a field and the broader socio-cultural context in which it is embedded. Third, it explores various ways in which IR scholars can start incorporating and take animals and human–animal relations seriously in studies on international relations.

The pragmatics of humor reception: Young people's responses to a newspaper cartoon

2011 ◽  
Vol 24 (1) ◽  
Author(s):  
Elisabeth El Refaie
Keyword(s):  
Cultural Context ◽  
Background Knowledge ◽  
Gay Marriage ◽  
Daily Mail ◽  
Humor Appreciation ◽  
The Subject ◽  
Sense Of Identity ◽  
The Individual

AbstractThis paper uses the example of 25 young people's responses to a Daily Mail cartoon on the subject of gay marriage in order to explore the pragmatics of humor reception. The results indicate that the enjoyment of a multimodal joke depends to a large extent on the background knowledge, values and attitudes of the individual. If, for instance, a cartoon is too threatening to someone's core sense of identity, it is likely to create anger and alienation rather than amusement. Humor appreciation is also shown to depend on the broader socio-cultural context in which the cartoon is encountered.

Ruth

1975 ◽  
Author(s):  
Edward F. Campbell , Jr.
Keyword(s):  
Generation Gap ◽  
Sensitive Analysis ◽  
King David ◽  
Moving Force ◽  
The Bible ◽  
The Subject ◽  
The Times ◽  
The City ◽  
And Linguistics

Ruth, a tale of human kindness and just dealing far beyond the norm, contains elements that for centuries have been the subject of debate. With a sprightly translation and a commentary rich in informed speculation, Professor Campbell considers the questions of layman and scholar alike. Finding no overt mighty acts, the layman asks, “Why was Ruth included in the Bible at all? Where is God?” Professor Campbell shows that God is not only present throughout but is indeed the moving force behind all the developments of the story. Naomi, Ruth, and Boaz each act as God to each other, by taking extraordinary responsibility and performing extraordinary acts of kindness. And it is God who is responsible for the series of coincidences on which the plot hinges. The scholar’s questions deal with such matters as purpose, date, and genre. Professor Campbell’s research into ancient customs and linguistics suggests to him that Ruth is a historical novelette, entertaining and instructive, composed not long after the reign of King David, during the time of Solomon or within the subsequent century. Professor Campbell demonstrates the storyteller’s skill with sensitive analysis of form, pacing, and wordplay. By delving into word origins and nuances he shows how convincingly the characters are developed. One instance: Naomi and Boaz use obsolescent language, emphasizing the generation gap between them and Ruth. In addition, the illustrations help the reader understand unfamiliar elements of the story—the setting, the agricultural seasons and harvesting, the clothing of the times, the city gate where elders and interested villagers gather to make sure that all is done in a just and godly way.

Життєтворчість Іллі Саца у вітчизняному культурному просторі початку ХХ століття

2019 ◽  
Vol 4 (36) ◽  
Author(s):  
O. Badalov
Keyword(s):  
Twentieth Century ◽  
Cultural Context ◽  
Creative Activity ◽  
Analysis Method ◽  
Music Criticism ◽  
Comprehensive Understanding ◽  
Musical Life ◽  
Humanitarian Space ◽  
The Subject ◽  
Creative Life

The subject of the study is comprehensive understanding of the life and creativity by I. Sats – a significant figure in the national musical life of the early twentieth century.The purpose of the article is exploring the circumstances of I. Sats’ activity in the socio-cultural context of the era.The methodology of the article includes: historical and chronological method – for studying the events of the artist’s biography; source method – for research of archival materials, correspondence, reconstruction of composer’s creative life; hermeneutical analysis method – for interpretation of literary inheritance (libretto, music criticism) by I. Sats in the context of the early twentieth century; logic-generalization method – to summarize the results of the study.As a result of the research, a complex view on the multivectoral creative activity by I. Sats was formed, his significant role in the formation of new genres of musical and theatrical creativity, development of the humanitarian space of Chernihiv, Irkutsk, and Moscow was proved. The application of the results of the research in scientific, music-pedagogical and educational activities will significantly expand the established ideas about the development of the national musical culture.Key words: music for theater, Moscow Art Theater, satirical opera, I. Sats, Chernihiv region, Irkutsk music classes.

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