Conclusion
The book closes with reflections on the concept of style. Piracy is disparaged as the mere reproduction of something that has already been done, but the ethnography of knock-off fashion in Guatemala demonstrates that copying is part of the dialectical movement of style out of which something “new” is created. The chapter discuss the temporality of style and its relationship to race and indigeneity, tradition and modernity in Guatemala, taking a cue from Edward Said’s writings on “late style” (a concept that Said borrowed from Theodor Adorno). Maya participation in the fashion system is a dynamic engagement with globalized material culture, and this reality challenges the notion that indigenous people are defined by the past. That the criminalized, moralized, and politicized category of “pirate” gets attached to their regional industry (and to the production and consumption activities of many other groups around the world) reflects historically rooted power structures and a gap between international development frameworks that promote indigenous and ethnic entrepreneurship and legal regimes that criminalize actual forms of enterprise, innovation, and business. Apprehending this contradiction and understanding its foundations are central to ongoing debates over law, fashion, and the place of diverse populations in the global economy.