“Quasi industre giardiniero”

2016 ◽  
Vol 33 (4) ◽  
pp. 522-568
Author(s):  
Cory M. Gavito
Keyword(s):  
Complex Nature ◽  
Editorial Process ◽  
Fluid Exchange ◽  
Oral Transmission ◽  
Musical Practices

Among the roughly 150 Italian songbooks published between 1610 and 1665 with the guitar tablature known as alfabeto, about thirteen are anthologies. These anthologies often advertise the role of a compiler who has gathered together music by diverse authors. The extent to which compilers also functioned as authors and editors is not well understood. This essay considers the case of Giovanni Stefani, a compiler who, in the preface to his Scherzi amorosi of 1622, describes the anthology as a collection of his choosing that contains “varie compositioni de Virtuosi della prima classe” (various compositions of first-class virtuosos). Intriguingly, none of the settings Stefani prints (in both this alfabeto anthology and two others) include attributions. Since the 1880s, scholars have been preoccupied with matters of transmission and attribution, unearthing a network of textual and musical concordances. This article expands the nexus of Stefani’s songs and their concordant sources, revealing an array of examples that range from identical copies to “partial” concordances that take over motives, phrases, refrains, or harmonic schemes. These examples indicate that in preparing his anthologies, Stefani mined a corpus of existing prints and manuscripts while also relying heavily on oral transmission. The complex nature of Stefani’s approach, taken together with his complete avoidance of composer attributions, points toward an editorial process shaped by a fluid exchange between oral and written musical practices.

Political Communication: Redefining Contemporary Political Management Practices

2019 ◽  
Vol 118 (11) ◽  
pp. 255-268
Author(s):  
Amit Kumar
Keyword(s):  
Social Media ◽  
Political Communication ◽  
Management Practices ◽  
Complex Nature ◽  
Political Event ◽  
Indian Politics ◽  
Modern Politics ◽  
Political Branding ◽  
General Elections

Modern politics, particularly prevalent in the Western Democracies, is replete with instances wherein communication has come to play a pivotal role in the formation or dislodging a government. This is not to say that in traditional political scenario, the role of communication was any lesser. Far from it, communication has always characterized the build-up of events in politics. However, the significance of the same has increased manifold thanks to the advent of social media and complex nature of modern politics as well as due to rise of such concepts as political branding which has gained traction in the wake of proliferation of technology. The same holds true in the Indian political scenario as well. The last few years have redefined the role of communication and its tools in Indian politics, especially during a mega-political event like election. The last two general elections were testimonies to the same. The might of social media has been realized by even its staunchest critics. Along with it, the popular concept of permanent campaign has also characterized the phenomenon of political communication. This paper goes on to explore the underlying concept of political communication and how the same has come to influence the turn of events as well as the final outcome of an election.

scholarly journals Tackling the challenges of nanomedicines: are we ready?

2021 ◽  
Author(s):  
John B Hertig ◽  
Vinod P Shah ◽  
Beat Flühmann ◽  
Stefan Mühlebach ◽  
Gunar Stemer ◽  
...  
Keyword(s):  
Complex Nature ◽  
Pharmaceutical Sciences ◽  
Patient Benefit ◽  
World Congress ◽  
Clinical Safety ◽  
Hospital Pharmacists ◽  
Drug Products ◽  
Regulatory Bodies ◽  
Regulatory Landscape

Abstract Purpose This review provides an overview of the proceedings of the symposium “Tackling the Challenges of Nanomedicines: Are We Ready?” organized by the International Pharmaceutical Federation (FIP) Hospital Pharmacy Section and Non-Biological Complex Drugs (NBCDs) Working Group at the 2019 FIP World Congress of Pharmacy and Pharmaceutical Sciences. Debate centered on reasons underlying the current complex regulatory landscape for nanomedicines and their follow-on products (referred to as nanosimilars) and the pivotal role of hospital pharmacists in selecting, handling, and guiding usage of nanomedicines and nanosimilars. Summary The evaluation and use of nanomedicines are recognized among scientific, pharmaceutical, and regulatory bodies as complex. Interchangeability and substitutability of nanomedicines and nanosimilars are confounded by a lack of pharmaceutical and pharmacological equivalence, reflecting the inherent complex nature of these drug products and manufacturing processes. Consequences include implications for clinical safety and efficacy and, ultimately, comparability. Local regulatory approvals of some nanomedicines have occurred, but there is no standard to ensure streamlined evaluation and use of consistent measures of therapeutic equivalence of reference products and their nanosimilars. Hospital pharmacists are expected to be experts in the selection, handling, and substitution of nanomedicines and familiarize themselves with the limitations of current methods of assessing pharmaceutical and clinical equivalence of nanosimilars in order to ensure informed formulary decision-making and eventual patient benefit. Conclusion Supportive guidance for pharmacists focusing on the substitutability and/or interchangeability of nanomedicines and their nanosimilars is needed. Current FIP guidance for pharmacists on therapeutic interchange and substitution should be extended to include nanomedicines and nanosimilars.

"THE SYNTHESIS OF WAR AND THEATRE": SOCIO-HUMANITARIAN DISCOURSE ON THE ESSENCE OF TERRORISM

2020 ◽  
pp. 10-23
Author(s):  
Irina V Malygina ◽  
◽  
Anna V Malygina ◽  
Keyword(s):  
International Terrorism ◽  
Complex Nature ◽  
Cultural Resources ◽  
Self Presentation ◽  
The Status ◽  
World Cultural Heritage ◽  
The One ◽  
Strategic Object ◽  
The Given

The article reveals the heuristic potential of social and humanitarian knowledge in understanding the complex nature of terrorism. The given research optics allows to expand traditional frameworks of considering terrorism as a phenomenon caused by political, ideological and economic factors; to reveal and substantiate deep cultural and mental reasons of the given phenomenon; make sense of terrorism as a destructive form of cultural identity. The cultural and historical origins of modern terrorism, which is closely connected with radical Islam, are analyzed in the civilizational system of coordinates “West–East”. The system of argumentation is based on scientific concepts and current artistic practices that interpret the causes of inter-civilizational tension resulting in international terrorism. The change of the status of the artist in the “epoch of terrorism” is analyzed; the theme of theatricalization and aestheticization of terrorist actions and the role of media in these processes are problematized. As a newest trend, which has not received any serious theoretical reflection, the text considers the phenomenon conditionally designated as “sublimation of terrorist activity into a symbolic sphere”, which is manifested in the destruction of monuments of world cultural heritage, in the orientation to culture as a new strategic object of terrorist attacks, on the one hand, and the use of cultural resources for self-presentation and promotion of their ideology by terrorist organizations, on the other

scholarly journals Absolute Pitch in Oral Transmission of Folk Tunes as Constrained Random Walks

2015 ◽  
Vol 10 (3) ◽  
pp. 178
Author(s):  
Klaus Frieler
Keyword(s):  
Random Walks ◽  
Empirical Research ◽  
Empirical Data ◽  
Absolute Pitch ◽  
Folk Songs ◽  
Pitch Class ◽  
Oral Transmission

In this commentary, I would like to add a few of our own, still unpublished, empirical observations concerning the possible role of absolute pitch memory (APM) in the oral transmission of folksongs. This empirical data poses some questions on the likelihood of the observed inter-recording tonic pitch consistency of Olthof, Janssen & Honing (2015) and how these could come about. Based on simulations of absolute pitch class of tonics during oral transmission of folk songs, I argue that the interplay of melodic range and vocal range might actually be the main reason for the observed non-uniformity, in contrast to the conclusions presented in Olthof et al. (2015). However, this does not invalidate the therein presented evidence, but makes the case more puzzling, consequently calling for more empirical research on the interaction of melodic and vocal range and latent APM as well as for more detailed modeling of oral transmission of folk songs.

La trasmissione della conoscenza e la funzione della scrittura

GRUPPI ◽  
2009 ◽  
pp. 61-68
Author(s):  
Flavio Nosč ◽  
Silvia Anfilocchi
Keyword(s):  
Theoretical Basis ◽  
Oral Tradition ◽  
Oral Communication ◽  
Oral Transmission ◽  
Online Journals ◽  
Written Form ◽  
Broad Dimension ◽  
Historical Moment ◽  
Over Time

- After reflection upon the role of narcissism - of the pupil as well as of the teacher - as an obstacle to knowledge, we are now reflecting upon the function of writing and its relationship with the oral transmission of psychotherapeutic "knowledge", in that oral learning has always played an important role. It is observed that oral transmission is nurtured by a dialogic context made of emotional confirmation and disconfirmation and takes advantage of the richness of the context, while writing needs to build a sort of dialog with that which is absent. Furthermore, we are now living in a historical moment in which web communica- tion also exists, and although it is in written form, it may be that it has such peculiarities of simultaneity and such a broad dimension that it is closer to oral tradition, and online journals themselves undoubtedly play an important role. The group feels it needs to keep identity and possibility of change together, so as to create a strong theoretical basis, with elements of stability which can be passed on. This theoretical basis can be split up but should remain in contact with the transmission of experience. The group also feels that behind the apparent dichotomy between online writing and traditional writing there is the idea of a culture that is changing over time, and that through this change it is building a tradition in which the group can recognize itself. It is necessary to keep the space devoted to the COIRAG Journal, a space in which a more pondered and processed exchange can be fostered, where the understanding of-and not only the description of-events has its own room. What we need is a space that can collect the consolidated aspects and the strong theoretical core of our reality, and that can build the identity with which we present ourselves to the exterior. .Parole chiave: conoscenza, apprendimento, formazione, comunicazione orale, comunicazione scritta, rivista. .Key words: knowledge, learning, training, oral communication, written communication, magazine.

EXODUCTION

2018 ◽  
Vol 4 (1) ◽  
Author(s):  
Richard Schechner
Keyword(s):  
Twentieth Century ◽  
Oral Transmission ◽  
Transmission Of Knowledge ◽  
History Of ◽  
Late Twentieth ◽  
Late Twentieth Century

This essay by Richard Schechner dedicated to a mythical figure of the theater of the late twentieth century; a work of critical reconstruction that has contributed decisively to consolidating the legacy of Grotowski, just a few months after his death. In addition to fixing some essential terms of the vocabulary, together with the contents and the periodization of the Grotowskian work (aspects that Grotowski in life were entrusted exclusively to oral transmission), the essay retraces the formation of Grotowski, the aspects linked to his character, the specific forms of his research and his transmission of knowledge, the exercise of leadership, the role of his collaborators, the sources, the mystical side, his relationship with the spirit of time, the importance (and weakness) of his opera, in the history of twentieth century theater.

Men in Mixed-Orientation Marriages in Contemporary China: Unpacking the Role of Heteronormativity and Patriarchy

2021 ◽  
pp. 0192513X2110557
Author(s):  
Changhui Song ◽  
Joyee Shairee Chatterjee ◽  
Donna L. Doane ◽  
Philippe Doneys
Keyword(s):  
Qualitative Study ◽  
Filial Piety ◽  
Gender And Sexuality ◽  
Social Structures ◽  
Complex Nature ◽  
Contemporary China ◽  
Factors Influencing ◽  
The Social ◽  
Depth Interviews

This qualitative study based on 34 in-depth interviews (IDIs) with cis-gendered tongzhi (men who are attracted to men) critically explores the factors influencing their decisions to enter mixed-orientation marriages (MOMs) in China. Theoretically, the study weaves together insights from queer and feminist theorizing and analyzes the role of heteronormativity and patriarchy, especially in relation to hegemonic masculine ideals, in the context of marriage norms in contemporary China. Our examination showcases the contradictory role heteronormativity and patriarchy play in simultaneously marginalizing and privileging these groups of men along the axes of sexual, gender, and lineage (inter-generational) hierarchies. It also underscores the continued role of filial piety norms. Overall, the study contributes to deepening our understanding of the complex nature of MOMs and discussions of MOMs as marriage fraud. We argue that examining these non-normative marriages furthers explication of the social structures underpinning gender and sexuality in a context of patriarchal marriage-normative societies.

Music, Borders and Nationhood in Algeria

Algeria ◽  
2017 ◽  
Author(s):  
Tony Langlois
Keyword(s):  
Music Industry ◽  
Regional Identity ◽  
Local Form ◽  
Pop Music ◽  
The Core ◽  
Musical Practices ◽  
Western Algeria ◽  
Eastern Morocco ◽  
Musical Genres

This chapter looks at the role of musical genres in the borderland between Oran in Western Algeria and Oujda in Eastern Morocco – in many ways a single cultural and economic zone that is distinct from the core of each of their respective nations. Once this had been the boundary of the Ottoman Empire, but at other times a refuge for political dissidents from either side in their many anti-colonial struggles. Today the cities are economically linked by smuggling and culturally by language, common tradition and strong musical connections – the raï pop music industry is strong on both sides of the border, but as important is the local form of ‘classical’ Andalous music tarab el gharnati and Berber ‘folk’ genres. Music itself marks boundaries of taste, heritage and allegiance, and these often have a tangential relationship to those demarcated by nationalist discourses. The chapter considers the ways in which musical practices preserve a sense of regional identity and allegiance despite the formal closure of the border in 1994. It looks at the economic and cultural consequences of this relationship and at the efforts of the Algerian government to maintain formal boundaries and address the broader context of cross-border cultural flow, not only with Morocco, but, increasingly, the wider mediated world.

The Nohkan and Oral Transmission

2020 ◽  
pp. 47-72
Author(s):  
Mariko Anno
Keyword(s):  
Western Music ◽  
Universal Method ◽  
Oral Transmission ◽  
History Of ◽  
Japanese Music ◽  
Comprehensive Study

This chapter discusses the three primary functions of the nohkan in a Noh play and focuses on comprehending the role of shōga and the importance and history of oral transmission. It offers an analysis of Issō Yukihiro singing the shōga of the ryo-chū-kan keishiki of the [Chū no Mai] using Western staff notation, followed by his performance of the ryo-chū-kan keishiki. It also talks about Issō Yukihiro as a professional nohgaku-shi and a nohkan performer, who has been actively promoting the nohkan by collaborating with musicians that play Western music and Japanese music. The chapter analyses how the nohkan failed to reach a level of popularity within or outside Japan due to the lack of comprehensive study on the nohkan and the challenges of oral transmission using shōga. It includes transcriptions of nohkan melodies in Western staff notation, which has become a universal method of notating music.

scholarly journals Co-Produced Care in Veterinary Services: A Qualitative Study of UK Stakeholders’ Perspectives

2020 ◽  
Vol 7 (4) ◽  
pp. 149
Author(s):  
Alison Z. Pyatt ◽  
Keith Walley ◽  
Gillian H. Wright ◽  
Emma C. L. Bleach
Keyword(s):  
Service Provision ◽  
Animal Health ◽  
Complex Nature ◽  
Veterinary Services ◽  
Structured Interviews ◽  
Health Service Provision ◽  
Services Sector ◽  
Health Practitioners ◽  
Prior Experiences

Changes in client behaviour and expectations, and a dynamic business landscape, amplify the already complex nature of veterinary and animal health service provision. Drawing on prior experiences, veterinary clients increasingly pursue enhanced involvement in services and have expectations of relationship-centred care. Co-production as a conceptualisation of reciprocity in service provision is a fundamental offering in the services sector, including human medicine, yet the role of co-production in veterinary services has been minimally explored. Utilising a service satisfaction framework, semi-structured interviews (n = 13) were completed with three veterinary stakeholder groups, veterinarians, allied animal health practitioners, and veterinary clients. Interview transcript data were subject to the qualitative data analysis techniques, thematic analysis and grounded theory, to explore relationship-centred care and subsequently conceptualise co-production service for the sector. Six latent dimensions of service were emergent, defined as: empathy, bespoke care, professional integrity, value for money, confident relationships, and accessibility. The dimensions strongly advocate wider sector adoption of a co-produced service, and a contextualised co-production framework is presented. Pragmatic challenges associated with integration of active veterinary clients in a practitioner–client partnership are evident. However, adopting a people-centric approach to veterinary services and partnerships with clients can confer the advantages of improved client satisfaction, enhanced treatment adherence and outcomes, and business sustainability.

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