scholarly journals A Visual Imprint of Moving Air:

2017 ◽  
Vol 76 (3) ◽  
pp. 326-348 ◽  
Author(s):  
Sabine von Fischer
Keyword(s):  
Social Function ◽  
Scientific Methods ◽  
Schlieren Technique ◽  
Scientific Authority ◽  
Architectural Acoustics ◽  
Aesthetic Appeal ◽  
Spatial Sound ◽  
The Social ◽  
The Aesthetic ◽  
Mechanical Objectivity

Prompted by an archival finding from the laboratory of Franz Max Osswald, Switzerland's first academic expert in applied acoustics, Sabine von Fischer explores the schlieren technique for photographing sound in sectional models. A Visual Imprint of Moving Air: Methods, Models, and Media in Architectural Sound Photography, ca. 1930 examines how images were used to communicate findings in the emerging discipline of architectural acoustics. In Osswald's persistent experiments in visualizing the invisible phenomena of sound, the social, the technical, and the aesthetic were inseparable. Using photography, Osswald adhered to the paradigm of mechanical objectivity, yet his visual experimenting with phenomena of spatial sound possibly demonstrates an awareness that the senses cannot be excluded from scientific methods. The shadows of moving air in the sound photographs make claims toward their scientific authority, their aesthetic appeal, and their social function as expert tools.

scholarly journals The Function Of Ngenteg Linggih Ceremony In Pejaten Tabanan

2021 ◽  
Vol 5 (2) ◽  
pp. 73-82
Author(s):  
Ida Ayu Tary Puspa ◽  
Ida Bagus Subrahmaniam Saitya
Keyword(s):  
Social Function ◽  
Religious Ethics ◽  
The Public ◽  
The People ◽  
The Social ◽  
The Aesthetic ◽  
The Universe

The Dewa Yajña Ceremony is a ceremony addressed to Ida Sang Hyang Widhi with all of His manifestations as a form of devotion because He has created the universe and everything in it. This gratitude was manifested by the people of Pejaten Village by holding a ceremony to instill the Creator to rest in the sacred temple building. The Ngenteg Linggih ceremony has functions such as religious, ethics, aesthetics, and social. Each of these functions is related to one another which of course will play a role in the ceremony. Such as a religious function in which the ceremony provides a basis for belief in the community through the rites and ritual equipment to convince the public that through the ceremony carried out, religious emotions will grow. The function of ethics is to provide guidance in living through the Ngenteg Linggih ceremony to always live life by thinking, saying, and doing good according to what you are doing in your ceremony. The aesthetic function provides beauty as well as truth and sanctity so that people feel the beauty in regulating life practices as outlined in the means and implementation of the ceremony. The social function is shown by the community who work together hand in hand to load the ceremony and carry it out with the concept of ngayah.

Estetica vieții cotidiene în filozofia RSR

Transilvania ◽  
2021 ◽  
pp. 1-11
Author(s):  
Christian Ferencz-Flatz
Keyword(s):  
Everyday Life ◽  
Social Function ◽  
Guiding Principle ◽  
The Social ◽  
The 1960S ◽  
The Aesthetic

The present paper analyses the emergence of a novel field of interest in the philosophical aesthetics of the 1960s in Romania: the aesthetics of everyday life. As such, it first starts by drawing out an overview of the aesthetic discussions in 1950s Romania by closely reading several articles from the main philosophical journal of the period: Cercetări filozofice. In this regard, I focus on two main aspects, namely the theory of reflection, which was the guiding principle of Marxist-Leninist aesthetics, and the theory of the social function of art. Further on I will sketch out how these two aspects defined the main traits of the local aesthetics of everyday life, a topic which took the center fold of aesthetic interest for almost a decade, and which has ever since the early 2000s found renewed interest.

scholarly journals Evaluation of the Aesthetic and Social Function of the Bendosari Park Salatiga City

2018 ◽  
Vol 1 (2) ◽  
pp. 87-92
Author(s):  
Roynaldo Kristi ◽  
Dr.Ir. Bistok Hasiholan Simanjuntak M.Si
Keyword(s):  
Performance Indicator ◽  
Social Function ◽  
Function Evaluation ◽  
Key Performance Indicator ◽  
Indicator Method ◽  
Landscape Characteristics ◽  
Central Java ◽  
The Social ◽  
The Aesthetic ◽  
Questionnaire Method

To function improve from the Bendosari park value, aesthetic and social function evaluation must be conducted. This study aims to evaluate the landscape characteristics of Bendosari Park based on aspects of the aesthetic and social function. The research was conducted in Bendosari Park on Ring Road of Salatiga City, Central Java Province, Indonesia from June until August 2017. Evaluation of the aesthetic and social function used close questionnaire method toward 30 respondents with respondents criteria of aged over 12 years and analyzed using KPI (Key Performance Indicator) method to find out how far the two aspects (the aesthetic and social) are reached. The study indicates that Bendosari Park has fulfilled the social and aesthetic functions of the park which indicated by the value of KPI analysis greater than 0.67.

scholarly journals THE GENESIS OF THE SOCIAL FUNCTION OF TAXES

2021 ◽  
pp. 98-110
Author(s):  
Anna TIKHONOVA
Keyword(s):  
Social Policy ◽  
Social Impact ◽  
Graphical Method ◽  
Social Function ◽  
Scientific Methods ◽  
The Social ◽  
Definition Of

The article is devoted to the substantiation of the existence of the social function of taxes. The relevance of the study is based on the fact that taxes levied on individuals should be simultaneously elements of the tax and social policy. The social function is identified, as a rule, only with the redistribution of income between rich and poor citizens. The study reveals other aspects of the social impact of taxes. The author not only gives a definition of the social function of the tax, but also reveals the mechanism of its implementation in foreign practice. In the course of the research, general methods of cognition and private scientific methods of cognition (tabular and graphical method) were used.

Gender and Its Representation in Contemporary Arts

2017 ◽  
Vol 6 (2) ◽  
pp. 11 ◽  
Author(s):  
Nihan Akdemir
Keyword(s):  
20Th Century ◽  
Contemporary Art ◽  
Social Function ◽  
Conscious Awareness ◽  
Aesthetic Appreciation ◽  
Human Beings ◽  
The Social ◽  
Art Practices ◽  
Art Works ◽  
The Aesthetic

The concept of gender is an important issue that has been over-emphasized in recent years with an increasing rate of violence against human beings, is perhaps an important issue that needs to be addressed much more. The similarity of the terms, gender and sex, suggests that these two concepts are the same. The elimination of this mistake and the transformation of the position into a conscious awareness are carried out with the awareness of social responsibility with contributions in different disciplines. At this point, an evaluation can be made on art and the social function of art can be mentioned because the art is an important way of communicating collective messages through the artists by their works. In the 20th century, and especially since the second half of the century, the content of art is as important as the aesthetic appreciation and this point can be seen at the art practices which multidisciplinary approaches get to the forefront. In this paper, the way of expression of the concept of gender in contemporary art has been researched through the social function of art. The methods of this work depend on literature and artwork sample researches. And the concept of gender has been primarily addressed. This concept has been studied in terms of art works, disciplines, forms of expression, and works of artists who find meaning and overlap. And the results show that the concept of gender has found its place in contemporary arts.

ANALISIS FUNGSI MITOS KURI DAN PASAI BAGI MASYARAKAT ASLI TELUK WONDAMA

2018 ◽  
Vol 2 (1) ◽  
pp. 73
Author(s):  
Rinetha Stella Suabey
Keyword(s):  
Indigenous People ◽  
Social Function ◽  
Native People ◽  
Oral Literature ◽  
The People ◽  
The Social ◽  
The Aesthetic

This paper aims to describe the function of Kuri and Pasai myths for the native people of Wondama Bay. The mythical function itself as part of oral literature aims to enrich the understanding of the indigenous people of Wondama Bay about its oral literature. Myths Kuri and Pasai is the cultural result of the people of Wondama Bay which continues to be passed down from generation to generation. In the function of the Myth of Kuri and Pasai there are three functions, among others: 1) aesthetic function, in the aesthetic function there are two functions such as the function of the symbol and didactic function, 2) the function religiou, 3) the social function.

scholarly journals Aesthetical Appeal and Dissemination of Architectural Heritage Photographs in Instagram

Buildings ◽  
2020 ◽  
Vol 10 (12) ◽  
pp. 225
Author(s):  
Vicente López-Chao ◽  
Vicente Lopez-Pena
Keyword(s):  
Linear Perspective ◽  
Architectural Heritage ◽  
Residential Areas ◽  
Language Version ◽  
Aesthetic Appeal ◽  
Visual Component ◽  
The Social ◽  
Cross Tabulation ◽  
The Aesthetic ◽  
Source Of Information

Image-based social networks are environments where users share their photographs and involuntarily contribute to evolve and to spread the meaning of things. For this reason, it is essential to use this source of information to determine how people perceive cultural heritage, specifically building heritage. These interactive spaces have a visual component that is essential to understand users’ perception of heritage architecture and that may also influence the dissemination of images. This research aims to describe the social concept of architectural heritage on Instagram and to explore whether the aesthetic appeal resources influence its dissemination. Images indexed to the hashtag #patrimonioarquitectonico (Spanish language version of #architecturalheritage) were collected for the period of three months (n = 180 images). A graphical and observational analysis was performed on categories of four variables of aesthetical appeal: human dimension, color, linear perspective and aesthetical quality. Subsequently, descriptive, cross-tabulation and variance analyses were applied. The findings have proven that regular users share a fairly heterogeneous vision of building types concerning architectural heritage, and that there are stakeholder accounts that could be altering their meaning due to strategies to protect residential areas. The paper describes how the aesthetic appeal variables add meaning to the social perception of the building heritage and which ones statistically influence its dissemination in terms of likes and engagement on Instagram.

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