scholarly journals Gdje je granica između profita i slobode produkcije?

Liburna ◽  
2017 ◽  
Vol 2 (1) ◽  
Author(s):  
Nikolina Miletić

Communication represents the basis of human interaction. Human relations are based on linguistic communication, which is always accompanied by nonverbal communication. It is an inevitable basic element that accompanies verbal communication, although it sometimes reveals more than spoken words. This paper examines nonverbal communication with special regard to its impact on cultural production, particularly in the field of puppetry. The cultural production refl ects the achievements of various art works of all kinds. The communication between the author/performers and the audience plays an important role in the process of realization of a cultural product. Since the effect of the message is in most cases achieved by a nonverbal content, the channels of nonverbal communication have a special role in creating, transfer and perception of cultural products. In this way the phenomenology of nonverbal communication serves as a help to cultural production.

Urban History ◽  
2010 ◽  
Vol 37 (3) ◽  
pp. 474-482
Author(s):  
THOMAS V. COHEN ◽  
ELIZABETH S. COHEN

In 1860, Jacob Burckhardt published his view, still influential today, of an artful, urban Italian Renaissance that launched Europe on its passage to modernity. A lively revisionary scholarship has challenged Burckhardt on many points, but his famous formulae still resonate: the state as work of art; the development of the individual; the discovery of the world and of man. Although we now know that Italy did not alone invent the new age, it was for many years a trendsetter, especially in the domains of cultural production at the centre of this collection of essays. Republican and princely polities alike framed these developments, but, whoever ruled, Italy's unusually intense urbanization (paired with that in another well-spring of culture in the Low Countries) fostered innovation. In Renaissance cities, people and groups invested heavily in special actions, objects and places – charismatic cultural products empowered by holiness, beauty, fame and ingenuity – that fortified solidarity and resilience in uncertain times. This essay collection addresses a conjunction of urban culture and society distinctive to Renaissance Italy: an array of encounters of artifacts with ways of living in community.


Res Rhetorica ◽  
2021 ◽  
Vol 8 (3) ◽  
pp. 111-124
Author(s):  
Marie Gelang

This article explores timing, kairos, in human interaction by analyzing nonverbal communication. The skill of timing, being able to do “the right thing at the right time,” is important for rhetorical agency. What are the silent processes in human interaction, and how do they influence the possibility for a kairotic moment to occur? Empirical material consisting of theater rehearsals has been analyzed. The findings show that the actio qualities: tempo and energy, as well as phronesis, are important factors for the appearance of a kairotic moment.


Author(s):  
LUIZA MARABYAN

LUIZA MARABYAN - GENDER FEATURES OF NON-VERBAL COMMUNICATION IN TELEVISED POLITICAL DEBATES The paper examines gender characteristics in nonverbal communication during televised political debates. Nonverbal communication plays an important role in the process of human interaction. Means of nonverbal communication as a kind of language of feelings are the same product of social development as the language of words. Among such means are facial expressions, views, postures, gestures, touches, behavior in the surrounding space. All these types of nonverbal messages interact, sometimes complementing each other, sometimes contradicting each other.


Media expansion into the digital realm and the continuing segregation of users into niches has led to a proliferation of cultural products targeted to and consumed by women. Though often dismissed as frivolous or excessively emotional, feminized culture in reality offers compelling insights into the American experience of the early twenty-first century. This book brings together writings from feminist critics that chart the current terrain of feminized pop cultural production. Analyzing everything from Fifty Shades of Grey to Pinterest to pregnancy apps, contributors examine the economic, technological, representational, and experiential dimensions of products and phenomena that speak to, and about, the feminine. As these chapters show, the imperative of productivity currently permeating feminized pop culture has created a generation of texts that speak as much to women's roles as public and private workers as to an impulse for fantasy or escape. The book sheds new light on contemporary women's engagement with an array of media forms in the context of postfeminist culture and neoliberalism.


1957 ◽  
Vol 57 (1) ◽  
pp. 30
Author(s):  
Frances Pride ◽  
Jurgen Ruesch ◽  
Weldon Kees

2011 ◽  
Vol 7 (1 (8)) ◽  
pp. 128-133
Author(s):  
Astghik Chubaryan ◽  
Lilit Sargsyan

Linguistic communication is one of the underlying ways of human interaction. Every day we carry out numerous speech acts trying to interpret others’ speech acts in an attempt to find out whether they suggest, advise, warn or threaten something. Things get more complicated when we deal with people representing other cultures. Particularly in the 21st century when we witness and participate in expansion of intercultural relations in the process of globalization, the role of intercultural pragmatics gets more important. Thus, our investigation is another attempt to compare directive speech acts in the context of the norms of Anglo-Saxon and Armenian cultures. The results of our research give us a chance to claim that the differences of the aforementioned speech acts in Armenian and English are conditioned by different attitudes towards the cultural values rooted deep in the given linguoculture.


Author(s):  
Muhammad Aminullah

These studies are important to understand the process of interaction in human relations with the creator and also relationships with fellow creatures. The research method used is a qualitative research based on content analysis approach, with the aim to be able to explore the theory of alamin used in this study. The results found that interaction was formed by the existence of one of the most basic objectives in communication, namely necessity. This concept can be understood that everything needed by humans, then must have a process of relationships in the form of interaction to be able to achieve whatever objects are needed. But the interaction process is different. Therefore human interactions have two goals. First, human interaction with the creator called the relationship X with Y. This interaction is carried out by X to Y in the form of a relationship as creator to X, provider of living facilities to X, trustee Y, and X servant Y. Second is human interaction with the universe this is called the relationship X with Z. This interaction is carried out by X to Z in the form of a Z relationship as a reference for X, a provider of mass space for X, a power provider for X, and a proof of space for the implementation of the X assignment.


2019 ◽  
Author(s):  
Jacob Derechin

We analyze One Hit Wonders on the Billboard Hot 100 from perspective of both cultural production and optimal differentiation to try and understand how One Hit Wonders emerge. One Hit Wonders as a category do not cleanly fit into either the cultural production or optimal differentiation framework, and as in intermediate case illustrates the interplay between both consumer taste and institutional power in markets for cultural products.


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