scholarly journals The Aesthetics Effect of Surakarta-Style Pakeliran on East Javanese Pakeliran

2019 ◽  
Vol 18 (2) ◽  
pp. 153-161
Author(s):  
Sugeng Nugroho

This study intends to explore the aesthetics of East Javanese Shadow Puppet (Wayang Kulit Jawa Timuran) show as one of the people’s style puppet show model. The problems discussed are related to how East Javanese Shadow Puppeteers respond to the existence of The Surakarta-style shadow puppet shows that are not only flourished in the Central Java region but also in most parts of East Java. This study uses qualitative methods with descriptive analytical analysis. Research data are collected through literature studies, documentation studies, interviews, and field observations. The results of the study show that East Javanese shadow puppet show, both performance elements, the structure, and some elements of “garap pakeliran” have currently been colored by the idioms of Surakarta-style shadow puppet show.

2020 ◽  
Vol 20 (1) ◽  
pp. 1-9
Author(s):  
Joko Aswoyo ◽  
Sularso Sularso

This research is based on fieldwork at a Five Mountain Festival held in Magelang, Central Java, Indonesia. This festival presents performing arts in the regions of Mount Merapi, Merbabu, Andong, Menoreh, and Mount Sumbing. This study intends to explain the concept of panutan in festival governance. Modeling is a significant factor in keeping the Five Mountain Festival alive and sustainable. This study suspects that panutan are one of the guardians of the existence of the Five Mountain Festival. Issues discussed are related to how the panutan concept works, as well as knowing how the implications resulting from the use of the panutan concept in festival governance systems. This study uses qualitative methods with analytical descriptive analysis. Research data were collected through literature studies, documentation studies, interviews, and field observations. The results showed that panutan as organic intellectuals not only created new forms and processes of festival governance but also resulted in the achievement of the advancement of village culture.


2021 ◽  
Vol 12 (2) ◽  
pp. 221
Author(s):  
I Ketut Muada

<p>The ritual of ruwatan in Balinese Hindu society basically removes or cleanses oneself from dirt, which is practiced almost the same in general throughout Bali. In ruwatan using wayang kulit media, there are two types of performing arts which contain the function and meaning of ruwatan, such as; puppet show gedog (weak puppet) and puppet show Peteng. The source of the pangruwatan play presented by the puppeteers refers to the ruwatan standard although in practice it changes according to the situation and conditions of the performance itself. The play taken in the wayang gedog is Sudhamala, while in the shadow puppet show at night it is Sapuhleger. Ruwatan or in Java known as murwakala has a broad meaning not only a literary work and pakeliran but its function and philosophy, it turns out that it refers to the micro and macro essence of humans as being creative, intellect and intention. This research specifically reveals problems regarding; the form of the play, the function and meaning of spiritual philosophy, as well as the role of government in relation to ritual rituals. In revealing this, the researchers used qualitative methods, as well as several theories that complement this research.</p><p> </p><p>Ritual<em> ruwatan</em> pada masyarakat Hindu Bali pada dasarnya membuang atau pembersihan diri dari kotoran, yang pelaksanaannya hampir sama pada umumnya diseluruh Bali. Dalam <em>ruwatan</em> dengan media wayang kulit, ada dua jenis seni pertunjukan yang mengandung fungsi dan makna ruwatan seperti; pertunjukan wayang <em>gedog</em> (wayang lemah) dan pertunjukan wayang <em>Peteng.</em>  Sumber lakon <em>pangruwatan</em> yang disajikan oleh para dalang mengacu pada pakem <em>ruwatan</em> walaupun dalam pelaksanaannya berubah menurut situasi dan kondisi pertunjukan itu sendiri. Lakon yang diambil dalam wayang <em>gedog</em> adalah <em>Sudhamala</em> sedangkan, dalam pertunjukan wayang kulit pada malam hari adalah <em>Sapuhleger</em>. <em>Ruwatan</em> atau di Jawa dikenal dengan <em>murwakala </em>mempunyai makna yang luas tidak hanya sebuah karya sastra dan pakeliran akan tetapi fungsi dan filosofinya, ternyata mengacu pada esensi mikro dan makro manusia sebagai insan yang berdaya <em>cipta, budi </em>dan <em>karsa</em>. Penelitian ini khusus mengungkap permasalahan tentang; bentuk lakon, fungsi dan makna filosopi ruatan, serta peranan pemerintah terkait ritual ruatan. Dalam mengungkap hal tersebut peneliti memakai metode kualitatif, serta beberapa teori-teori yang melengkapi penelitian ini.</p>


2020 ◽  
Vol 3 (6) ◽  
pp. 127-134
Author(s):  
Titis Bayu Widagdo ◽  
Djatmika Amos ◽  
Henry Yustanto

Wayang purwa is a noble culture of Javanese people which is the pride of the Indonesian people and is recognized internationally as a masterpiece. The nobleness of the puppet culture is inseparable from the strong characterization of each character in the puppet. One of the strongest characters in wayang purwa is Werkudara. This research focused on the analysis of Werkudara politeness strategies in wayang purwa in order to explore the characterizations played by Werkudara characters. This research used the politeness theory of Brown & Levinson to deepen the results of the politeness strategy analysis. This study also used descriptive qualitative methods to explain the phenomenon of speech acts of Werkudara in explaining the politeness strategies used. This research data was Werkudara's speech taken from the data source, namely the recording of Ki Nartosabdo's purwa puppet show with Dewa Ruci's play. The results of this study concluded that Werkudara was more dominant in using negative politeness in speaking. The negative politeness strategies used include giving deference; being pessimistic, and using indirect expressions. Furthermore, positive politeness strategies are used by Werkudara, including the use of group identity markers; avoiding disagreement; offering promises, and exaggeration.


Author(s):  
Nurul Rofiqo ◽  
Agus Perdana Windarto ◽  
Dedy Hartama

This study aims to utilize Clushtering Algorithm in grouping the number of people who have health complaints with the K-means algorithm in Indonesia. The source of this research data was collected based on the documents of the provincial population which had health complaints produced by the National Statistics Agency. The data used in this study are data from 2013-2017 consisting of 34 provinces. The method used in this research is K-means Algorithm. Data will be processed by clushtering in 3 clushter, namely clusther high health complaints, clusther moderate and low health complaints. Centroid data for high population level clusters 37.48, Centroid data for moderate population level clusters 27.08, and Centroid data for low population level clusters 14.89. So that obtained an assessment based on the population index that has health complaints with 7 provinces of high health complaints, namely Central Java, Yogyakarta, Bali, West Nusa Tenggara, East Nusa Tenggara, South Kalimantan, Gorontalo, 18 provinces of moderate health complaints, and 9 other provinces including low health complaints. This can be an input to the government to give more attention to residents in each region who have high health complaints through improving public health services so that the Indonesian population becomes healthier without health complaints.Keywords: data mining, health complaints, clustering, K-means, Indonesian residents


2021 ◽  
Vol 786 (1) ◽  
pp. 012010
Author(s):  
A M Kumratova ◽  
E V Popova ◽  
L O Velikanova ◽  
I I Vasilenko ◽  
M I Popova

Author(s):  
Dodik Ari Cahyono ◽  
IB Raka Suardana

Text This study aims to determine the organizational management strategy with all the capabilities and limitations of organizational resources in going beyond the twists and turns, sacrifices, obstacles and challenges in realizing the development of the integrity zone by implementing effective management and empowering potential employees. as human capital. To serve as a reference as a pilot office in realizing good governance. Qualitative methods with triangulation techniques, namely interviews, field observations and document studies, with the research setting at the Office of Supervision and Service of Customs and Excise Type Madya Pabean Ngurah Rai. The data were analyzed against the interviewee's answers with secondary / supporting data obtained and verification of the validity / validity of the data was carried out with no difference between what the researcher reported and what actually happened to the object under study. In this study, it was found the intricacies of organizational efforts in implementing management in the form of work programs / strategies, innovation, empowerment of employees as human capital and the results of developing the integrity zone.


2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Endah Budiarti

The purpose of this study was to find the structure janturan of the Yogyakarta shadow puppet. A further goal of this research is to find a method for learning puppetry language, especially janturan language. To achieve the above objectives, the researchers will first identify and categorize the structure of janturan carried out by Ki Hadi Sugito, Ki Timbul Hadiprayitno, Ki Suparman, and Mudjanattistomo. Second, the grammatical structure of the Yogyakarta senior puppeteers’ puppets wasthen reduced to the grammatical structure of the Yogyakarta shadow puppet show. To find the structure janturan of Yogyakarta Purwa shadow puppet, this study will apply structural analysis. The concept of tatas in chess aesthetics is the version of Soetarno et al. (2007) and the grammatical structure of the Sasangka version (1989) were used as analysis blades in this study. Janturan is the ukara-ukara (‘sentences’) kenès which are arranged in a complete, sequential, and not overlapping manner. As a ukara certainly has a grammatical structure. To be able to find the grammatical structure of scattering, the tatas concept and the grammatical theory of Javanese language are used. From the results of the study of the (grammatical) structure of the Yogyakarta senior mastermind’s succession, the following pattern is obtained: The first part is a section that contains worship. The second part of the janturan contains the greatness of the kingdom which is the center of storytelling. The third part of janturan contains the great king in the great kingdom who is the center of storytelling. The fourth part of the janturan is about the preparation of the trial and those present at the hearing. It is expected that the results of this study can improve teaching materials in thesubject of Bahasa Pedalangan, Pedalangan Rhetoric, and Basics of Pakeliran in the Pedalangan Department.Tujuan penelitian ini adalah menemukan struktur janturan wayang kulit purwa Yogyakarta. Tujuan lebih jauh dari penelitian ini ialah menemukan satu metode belajar bahasa pedalangan khususnya bahasa janturan. Untuk mencapai tujuan di atas, pertama-tama peneliti akan mengidentifikasi dan mengkategorikan struktur janturan yang dibawakan oleh Ki Hadi Sugito, Ki Timbul Hadiprayitno, Ki Suparman, dan Mudjanattistomo. Kedua, struktur gramatikal janturan dalang-dalangsenior Yogyakarta tersebut kemudian direduksi menjadi struktur gramatikal janturan wayang kulit purwa Yogyakarta. Untuk menemukan struktur janturan wayang kulit purwa Yogyakarta penelitian ini akan menerapkan analisis struktural. Konsep tatas dalam estetika catur versi Soetarno dkk. (2007) dan struktur gramatikal ukara versi Sasangka (1989) digunakan sebagai pisau analisis dalam penelitian ini. Janturanmerupakan ukara-ukara (‘kalimat-kalimat’) kenès yang disusun secara lengkap, urut, dan tidak tumpang tindih. Sebagai sebuah ukara tentu memiliki struktur gramatikal. Untuk dapat menemukan struktur gramatikal janturan digunakan konsep tatas dan teori struktur gramatikal bahasa Jawa. Dari hasil pelacakan terhadap struktur (gramatikal) janturan para dalang senior Yogyakarta, diperoleh pola sebagai berikut: Bagian pertama merupakan satu bagian yang berisi tentang doa pemujaan.  Bagian kedua dari janturan berisi tentang kebesaran kerajaan yang menjadi pusat penceritaan. Bagian ketiga dari janturan berisi tentang raja agung di kerajaan besar yang menjadi pusat penceritaan. Bagian keempat dari janturan berisi tentang persiapan sidang dan yang hadir di dalam sidang. Diharapkan hasil penelitian ini dapat menyempurnakanbahan ajar mata kuliah Bahasa Pedalangan, Retorika Pedalangan, dan Dasar-dasar Pakeliran di Jurusan Pedalangan.


2019 ◽  
Vol 3 (2) ◽  
pp. 261
Author(s):  
Ilfan Askul Pehala

This study aims to determine, analyze, and describe the person deixis and the polarity of the use of the deixis, based on the Yule deixis theory. The deixis analysis in this study is not only looking for the existing deixis persona but also looking at the correlation in the grammatical deixis category in lingual units. The analysis is then connected with the concepts of competence and performance in the linguisic deixis unit to see the concepts of language and thinking of the writers in this novel. It is all the basis of the novelty of this study. This study uses a qualitative descriptive design that is consistent with linguisic research. Data collection techniques were carried out through qualitative methods, that is, the method of distribution using the BUL technique or direct division of data into the lingual unit and the analysis of the Spradely ethnic method to determine the domain, taxonomy, and componential person deixis. The data in this research include the written lingual unit whose marker of reference and types indicates or is recorded as deixis. The main data source is a series of stories from Sir Arthur Conan Doyle’s Sherlock Holmes, particularly A Scandal in Bohemia which consists of three parts. The results of the analysis show that the persona in speech has other functions: as nominating, objective, and genitive markers. The polarity of the person deixis indirectly determines the concept of the author's competence and performance which unconsciously shapes the dominance and strength of the character that determines the centrality of the character and then also the storyline.


EDU-KATA ◽  
2019 ◽  
Vol 5 (2) ◽  
pp. 129-138
Author(s):  
Suskandiati Suskandiati

The purpose of this study was to describe (1) the diction, (2) prosody, and (3) the use of stylistic collection of poems "Mixed roar of Dust" by Chairil this Anwar.Penelitian using qualitative methods that are deskriptif.Objek this study were 1) structure, diction, figure of speech, prosody, stylistics and 2) the meaning or message contained in the poetry of Chairil Anwar. This research data is lines and verses that contain 1) the structure, diction, figure of speech, prosody, and style, as well as 2) the meaning and the message or thought that would be submitted by the poet. Data collection techniques are engineering documentation. Techniques and procedures analysis using three grooves: data reduction, data presentation, and drawing conclusions. The results showed that one characteristic of poetry Chairil Anwar is the powers that be in the choice of words. Every word he created capable of causing a strong imagination, and evoke a different impression, able to liven up the atmosphere, with vivid, so it emits a deep compassion for peniklmatnya. In addition, the strength in diction, characteristic lies in the poetry and literary.


2021 ◽  
Vol 19 (1) ◽  
pp. 47-58
Author(s):  
Abednego Andhana Prakosajaya ◽  
Hot Marangkup Tumpal Sianipar ◽  
Rizal Hendra Pratama

Terdapat beberapa petirtaan di Jawa Tengah yang merupakan bagian integral dari sebuah candi. Fenomena ini dapat dilihat pada tata ruang Candi Ngempon yang terletak tidak jauh dari Petirtaan Derekan. Penelitian ini bertujuan untuk menganalisis penerapan kitab Manasara-Silpasastra yang memengaruhi tata letak petirtaan dengan suatu candi sebagai satu bagian integral. Penelitian ini dilakukan dengan analisis data sekunder yang diperoleh dari studi pustaka dan wawancara. Data sekunder tersebut kemudian menjadi dasar dilakukannya crosscheck dengan melakukan pengamatan lapangan. Dari metode tersebut diperoleh kesimpulan bahwa tata ruang Pechaka dalam Manasara[1]Silpasastra diduga menjadi dasar pemilihan letak Candi Ngempon yang berada di sisi timur laut Petirtaan Derekan sehingga menunjukan adanya penerapan kitab Manasara-Silpasastra dalam kasus ini   There are several petirtaans or bathing structures in Central Java that become an integral part of a temple complex. Such a phenomenon can be seen in the layout of Ngempon Temple and Petirtaan Derekan which are located close to each other. This research aims to analyze the implementation of the book of Manasara-Silpasastra in the layout of Petirtaan Derekan and Ngempon Temple as an integrated whole. The research was carried out by analyzing secondary data obtained from a literature review and interviews. The secondary data were corroborated with data obtained from field observations. Results of the analysis indicate that the layout of Pechaka in Manasara-Silpasastra might become the basis for the positioning of Ngempon Temple at the northeast of Petirtaan Derekan. This shows that the book of Manasara-Silpasastra might be implemented in the layout of the complex of Ngempon temple.


Sign in / Sign up

Export Citation Format

Share Document