scholarly journals KRISTALISASI KONDISI SOSIAL, EKONOMI, DAN POLITIK DALAM NOVEL RASA MERDIKA

2016 ◽  
Vol 26 (1) ◽  
pp. 72
Author(s):  
Agus Sulthon
Keyword(s):  
Social Structure ◽  
Cultural Condition ◽  
The Novel ◽  
The Social ◽  
Political Conditions

<p>Rasa Merdika is a novel released in 1924. This novel narrates the people’s misery occured in Dutch- Indies era. The internationalism ideology becomes the alternate undderstanding for people by using poetry as a messenger. In this research, the social, economical and political conditions depicted in the novel will be correlated to the history when the novel is created. using Goldmann's theory, considered having homological relations  with the social structure. Umar Junus takes advantage of it as a story to depict the social-cultural condition of society.</p><p> </p><p>Rasa Merdika merupakan novel bacaan liar yang terbit tahun 1924. Novel ini membicarakan tentang penderitaan rakyat yang terjadi di Hindia Belanda. Ideologi internasionalisme menjadi alternatif pemahaman kepada rakyat dengan memanfaatkan sastra sebagai alat penyampai pesan. Dalam penelitian ini, kondisi sosial, ekonomi, dan politik novel akan korelasikan terhadap sejarah saat novel itu diciptakan kemudian menghubungkan konsep keduanya menggunakan teori Goldmann, dianggapnya memiliki keterkaitan homologis dengan struktur sosial (kondisi).</p><p> </p>

scholarly journals Isu Pertembungan Sosial dalam Novel Ke Hujung Usia Berdasarkan Teori Konflik Fungsional Coser

2020 ◽  
Vol 33 (2) ◽  
pp. 243-264
Author(s):  
Umairah Shafei ◽  
Keyword(s):  
Social Structure ◽  
Religious Education ◽  
Positive Impact ◽  
Positive Influence ◽  
Conflict Theory ◽  
The Novel ◽  
District Office ◽  
Chief Minister ◽  
The Social

This research intends to prove social conflict in the novel Ke Hujung Usia (2018) by A. Rahman C.M. based on Lewis A. Coser's Functional Conflict Theory, which places conflict as an indicator of a healthy relationship in the social structure. The conflicts presented between characters in the novel include clashes involving Tuk Aki, Tuan Guru Haji Munir, District Office officials, Rasol (the Political Secretary of the Chief Minister), and Umar, who represents the students at Pondok Haji Hamid, and others. The conflicts between the characters have a positive influence on the integration, consensus and strength of the in-group among the students, and on the position of Tuk Aki himself, as the administrator of the centre of religious education. Based on Coser's theory, conflict is not negative because the clashes of out-group are normal due to the positive impact on the strength of social structure. Thus, Coser rejected the argument that absence of conflict is an indicator of the strength and stability of a relationship. Based on the thought of Coser, the conflict between Tuk Aki and the out-group help to strengthen structural relations, in addition to enhancing the integration of the students who are led by Umar. The social group consensus exists because there is two-way communication in the conflict, and because Tuk Aki plays the role of the safety valve to control the conflict.

REPRESENTASI HEGEMONI KEKUASAAN PADA ZAMAN KOLONIAL DAN ORDE BARU DALAM NOVEL 'BALADA SUPRI'

2020 ◽  
Vol 5 (1) ◽  
pp. 65
Author(s):  
Syahrotul Latifah ◽  
Candra Rahma Wijaya Putra
Keyword(s):  
Social Structure ◽  
New Order ◽  
The Novel ◽  
Ordinary People ◽  
Colonial Era ◽  
Sociological Approach ◽  
The Social ◽  
Capital Owner ◽  
Native Resistance ◽  
People Group

The purpose of this research is to describe the social structures and the forms of power as well as their repetition from colonial era to New Order. This study used a sociological approach to literature with the theory of power hegemony proposed by Gramsci. This research was a type of descriptive-qualitative research. The data in this research are narratives, dialogues, and monologues quoted from the novel Balada Supri written by Mochamad Nasrullah. The results of this research showed that in the colonial era, th social structure consisted of colonizer and colonized group whereas in New Order era, there were government official group, which was supported by the capital owner group, and ordinary people group. In regard with the form of power, colonial era showed the dominance of violence and hegemony that was countered by native resistance through violence sas well. Meanwhile, in New Order era, there appeared to be violence and hegemony dominance with the resistance in the form of hegemony over intellectuals. On the other hand, the social structure and the form of power in the colonial era, particularly the dominance of violence, still continued in New Order era and was termed as neocolonialism.

‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848)

2019 ◽  
Vol 24 (4) ◽  
pp. 492-506
Author(s):  
Lindsey Stewart
Keyword(s):  
Working Class ◽  
Social Structure ◽  
Material Deprivation ◽  
Class Consciousness ◽  
The Novel ◽  
Fallen Woman ◽  
Steep Rise ◽  
The Social ◽  
The Press ◽  
Medical Vocabulary

Abstract This article examines Elizabeth Gaskell’s use of the early psychiatric idea of monomania in her novel Mary Barton (1848). Digital searches show a steep rise in the textual use of the word so that by the mid-1830s it might be described as popularly familiar, albeit still invested with the esotericism and prestige of medical vocabulary. The furore in the press circulating around monomaniacal assassins would not have escaped Gaskell’s notice as she began the novel, which was written intermittently between the years 1844 and 1847 and set in c. 1834 to 1840. John Barton, and his sister-in-law, fallen woman Esther, are gripped by obsessive, avenging missions fostered by the pathogenic environments they inhabit. Their trajectories are similar: the loss of a child, a recourse to opiates and alcohol to manage misery and hunger, and an expulsion from the normalizing world of domesticity. The narrative describes both as monomaniacs. I argue that these monomanias are equivalent to a tormenting class consciousness wherein their over-abundant imaginations refuse to accept their lot. A challenge to the notion that the working class were morally at fault, monomania is presented as a condition caused by an environment that can only foster despair. The text does not simply pathologize the characters, but presents the social structure itself as pathological. Gaskell uses a gothic formulation of the disease as ‘haunting’ and ‘incessant’. It is a novelistic version which is both proto-sensational in the projects its sufferers pursue (murder and detection) whilst also signifying a nervous collapse brought about by material deprivation. Gaskell’s monomaniacs come closest to replicating the aetiologies of their ‘real’ counterparts in County Asylums.

scholarly journals Strukturalisme Genetik Lucien Goldmann dalam Novel Orang-Orang Proyek Karya Ahmad Tohari

Humaniora ◽  
2015 ◽  
Vol 6 (1) ◽  
pp. 135
Author(s):  
Dewi Nurhasanah
Keyword(s):  
Social Class ◽  
Social Structure ◽  
Structure Function ◽  
The Novel ◽  
Research Results ◽  
Global View ◽  
Novel Structure ◽  
The Social ◽  
Method Analysis ◽  
Descriptive Method

Article clarified structure, global view of social class, and social structure function as the background of Orang-orang Proyek, a novel by Ahmad Tohari. Research applied analytic and dialectic descriptive method. Analysis was done by applying Genetic Structuralism theory by Lucien Goldmann to see the meaning of the novel by relating the structure of the novel with the human facts (social structure) as a background of the novel. The research results indicate that the novel structure described some oppositions, those are cultural, natural, social, and human oppositions; the novel’s structure expresses a global views, those are ideal-humanist and social-religious; when the novel was written, there were some corruption cases in the social structure in Indonesia that was adopted in the novel. Therefore, there seems a correlation between the novel structure and the social structure. 

scholarly journals ОНОВЛЕНА ПРОБЛЕМАТИКА ІСТОРИЧНИХ ПОВІСТЕЙ ПОЧАТКУ XXI СТОЛІТТЯ

2019 ◽  
pp. 7-14
Author(s):  
Верба Т. Ю.
Keyword(s):  
Social Structure ◽  
17Th Century ◽  
The Novel ◽  
Literary Critic ◽  
Ruin Time ◽  
The People ◽  
Parents And Children ◽  
The Social ◽  
Ukrainian Society ◽  
Direct Answer

The article analyzes the actualization of a problem of renewed interpretation of the centuries-old Ukrainian-Polish confrontation, in particular, in the Liberation War of Ukrainian people in the mid-17th century. The researcher goes deep into the vision and interpretation of those events as excessive apologetization of the Polish knights "without fear and reproach" in Polish historiography and in the novel by G. Sienkiewicz "Fire and Sword". There is reminded a sharply negative remark was made by the Ukrainian historian V. Antonovich about work of G. Senkevich, and supported by historian-local historian Ya. Novitsky. Oppositionally critical opinion about G. Sienkiewicz's dominates in the novel by O. Sokolovsky "Bohun" – works is a multi-faceted, shows how the labor masses, Ukrainian peasants without rights, "claps" became the decisive force in gaining liberation. However, there is seen the ideological class approach on the direction of artistic modeling against the Cossack elders. The story of Y. Kachur "Ivan Bogun" was seen by literary critic T. Syrotyuk as a polemical answer to O.Sokolovsky's novel. For the sake of the then goverment M. Sirotiuk emphasized that P. Panch in his novel "Rustling Ukraine" was able to clearly outline the social structure of the contemporary Ukrainian society, to convincingly show relations between its class parts, their place and role in the war. In analyzing of N. Rybak's novel "The Pereiaslav Council," the critic dared to criticize the tangible author's tendency to adorn Russian-Ukrainian relations of that time, the ideology of Tsar Alexei Mikhailovich, his ambassadors and voivods. The Critic V.Belyaev responded to the thrillion of Ivan Le "Khmelnytsky", joining the Soviet official vision: Hetman raised the people to fight for reunification with brotherly Russia.Particular feature of the historical story of Raisa Ivanchenko "Spilled steep banks" is a problematic field of reproduction of real, not fantasized events and phenomena, the accent on a very active participation in the peasantry's liberation war, the proof of the problem of "cruelty generates double cruelty". In the artistic modeling of the Pereyaslav Council, R. Ivanchenko, in contrast to N. Rybak, details the hetman's desire to make the tsar-autocrat to swear allegiance to Ukrainians as well as the boyars evasion from a direct answer. It was a significant writer's interest in the dramatic fate of Ukraine during the Ruin Time (60-70s of the 17th century). New aspects of the struggle of Voivodes groups for the Hetman's mace, the brutal interference of neighboring powerful powers in Ukrainian affairs, and the trial of man by the authorities included in the story of Yu.Mushketka "Getman, the son of Hetman" compared to the novels of P. Kulish "Black Council" and O. Pakhuchy “Yurys Khmelnychenko”. Good focused the problem of parents and children, the relationships of children 10-14 years in the story of Maria Morozenko "Ivan Sirko, a great magician."

scholarly journals Initiated into Subordination. On Joyce Carol Oates’s I’ll Take You There

2016 ◽  
Vol 6 (1) ◽  
pp. 223-260
Author(s):  
Anna Zawadzka
Keyword(s):  
United States ◽  
Social Structure ◽  
Social Reproduction ◽  
The Novel ◽  
Social Mechanisms ◽  
Joyce Carol Oates ◽  
Academic World ◽  
Anti Semitism ◽  
The Social ◽  
Academic Novel

Abstract The article proposes a sociological reading of the novel I’ll Take You There by Joyce Carol Oates. Though the book can be classified as an initiation novel, it also constitutes an accusation of the very procedure of initiation as forcing individuals to agree and adapt to unfair social mechanisms. The context of the protagonist’s struggles is provided by the social structure of the early-1960s United States, with its inherent misogyny, anti-Semitism, racism and classism. All these factors shape her destiny in accordance with the logic of social reproduction. A destiny of overwhelming power of allocation, which the heroine is trying to resist. As an academic novel, I’ll Take You There is also an insightful deconstruction of the universalism preached within the Western academic world, and especially philosophy.

Relationships Between Social Structure and Response To Novelty in Captive Jackdaws, Corvus Monedula L., I. Response To Novel Space

Behaviour ◽  
1982 ◽  
Vol 81 (2-4) ◽  
pp. 231-263 ◽  
Author(s):  
Gadi Katzir
Keyword(s):  
Social Structure ◽  
Entire Group ◽  
The Novel ◽  
High Ranking ◽  
The Social ◽  
Early Exploration ◽  
The Individual ◽  
Duration Measure ◽  
Corvus Monedula ◽  
Initial Delay

AbstractThe response of six groups of captive, handreared jackdaws, Corvus monedula L. (Aves), to a novel space was tested. Birds were tested in groups and were free to make contact with the novelty or remain in a familiar area. The individual manner of response was related to the social position of the individual. i) Exploratory behaviour occurred in bouts. Familiarization with the novelty was mostly gradual, but in some groups after an initial delay, the entire group began to explore and then to enter the novel space very rapidly ("avalanche"). ii) In each group one or two birds performed most of the early exploration, and termed "initiators". iii) The initiator in each group was distinguished from all others by duration and by frequency measures. Both for approach and for entering of the novel space (a) birds that scored high on the frequency measure, scored high also on the duration measure, (b) birds that scored high on either measure, for the approach, were the most likely to score high on that measure for the entering. iv) In all six groups the "initiators" were sociall mid or low ranking birds. v) Top ranking birds were distinguished from all others by the combination of two features; (a) they did not act as initiators, and (b) they were not the last to peak in their duration inside the novel space. It is argued that top ranking birds are more conservative, and that it benefits them as they have relatively more to lose and less to gain by being exploratory. The converse is true for mid or low ranking birds, which may benefit by exploiting resources outside the reach of the high ranking birds.

Relationships Between Social Structure and Response To Novelty in Captive Jackdaws, Corvus Monedula L. Ii. Response To Novel Palatable Food

Behaviour ◽  
1983 ◽  
Vol 87 (3-4) ◽  
pp. 183-208 ◽  
Author(s):  
Gadi Katzir
Keyword(s):  
Social Structure ◽  
Periplaneta Americana ◽  
Social Rank ◽  
Individual Response ◽  
The Novel ◽  
Palatable Food ◽  
Novel Food ◽  
The Social ◽  
Corvus Monedula ◽  
At Will

AbstractThe response of captive handreared jackdaws, Corvus monedula, in six groups, to novel palatable food was tested. i) Each group was tested as a whole. ii) Novel food (cockroaches, Periplaneta americana) was provided in a dish in a test room which the birds could enter from their home aviary at will. Ordinary food was simultaneously provided ad lib. iii) In each group one or two birds were most active in the approach and the feeding on the novel food, as measured by frequency of initiation of bouts of approach and feed and/or duration of feeding. iv) Birds that initiated most feeding bouts were the most likely to spend longest durations of feeding on the novel food. v) In all six groups the "initiators" were of mid of low social rank. vi) Socially top ranking birds were distinguished from all others by the combination of two features; (a) they did not act as initiators, and (b) they were not the last to peak in their duration of feeding on the novel food. These results are similar to those obtained for the response of the jackdaws to novel space. It gives further support to the idea that individual response to novelty is related to the social structure. Mid or low ranking individuals may benefit from being more exploratory, while top ranking birds may benefit more by being more conservative.

scholarly journals Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō

2019 ◽  
Author(s):  
Caterina Mazza
Keyword(s):  
Social Structure ◽  
Social Status ◽  
Status Quo ◽  
The Novel ◽  
Critical Function ◽  
The Social ◽  
Political Activist ◽  
The Sixties ◽  
The Web

This paper seeks to show how Takahashi Gen’ichirō exploits parody to show the critical function of self-reflexive literature in the novel Koisuru genpatsu. Coherently with his experience as a political activist in the sixties, Takahashi interprets literature as a revolutionary act of resistance; it can be argued that he broadly embraces the conception of art – ideally inherited by Marcuse’s aesthetic – as a space for thought and action that makes resistance to the social status quo possible. Through the analysis of significant elements of the novel’s peritexts and epitexts, this article tries to reconstruct the web of signifiers that constructs the novel, in order to show how – in Takahashi’s concept of literature - every act of speech needs to be placed in a social structure, where the agency of discursive subjects always modifies the signifying process.

scholarly journals The Progressive Face of Contemporary Pakistani English Novel: A Study of Ali’s Night of the Golden Butterfly (2010)

2021 ◽  
Vol 18 (II) ◽  
pp. 73-90
Author(s):  
Kalsoom Khan
Keyword(s):  
Literary Criticism ◽  
Religious Identity ◽  
Social Order ◽  
The Novel ◽  
English Novel ◽  
The Social ◽  
Political Conditions ◽  
Identity Crises ◽  
Progressive Strain ◽  
Radical Transformation

The present study is based in a departure from the currently abounding academic researches into contemporary Pakistani English novel exploring the cultural and religious identity crises of the local and diasporic Pakistani characters in the wake of 9/11 which constitute a single, superstructure-related segment of the aggregate social reality. The present research aims to bring to the fore a holistic and progressive strain within this corpus. Formulating a theoretical paradigm out of Marxist literary criticism as expounded in the seminal works of Leon Trotsky and K. Damodaran, the study thematically scrutinizes the narrative of Night of the Golden Butterfly (2010) by Tariq Ali for a realistic depiction of the socio-economic and political conditions of present-day Pakistan, and the delineation of the multiple spheres of life such as the economic, political, institutional, moral and intellectual as interconnected components of the composite unit of society. The study also appraises the novel for the representation of a vision for better collective future and suggestiveness in relation to the means and modes for a radical transformation of the social order.

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