scholarly journals Socially engaged architecture of the 1950s and its transformations

2019 ◽  
Vol 49 (42) ◽  
pp. 194-222
Author(s):  
Jasna Galjer ◽  
Sanja Lončar
Keyword(s):  
Public Space ◽  
Architectural Design ◽  
The Political ◽  
The Public ◽  
Social Purpose ◽  
Time Periods ◽  
The 1950S ◽  
Work Education ◽  
Political Economic ◽  
The City

This paper investigates the links between architecture and its social purpose and focuses specifically on the building and institution known today as the Public Open University Zagreb (Pučko otvoreno učilište Zagreb – POUZ), which was previously called Moša Pijade Workers' (and People's) University (Radničko (i narodno) sveučilište "Moša Pijade" – RANS). The paper examines the innovative and experimental nature of the architectural concept of socially engaged architecture as part of the societal modernisation of the 1950s and 1960s, as well as changes to its function up to the present post-socialist condition. The authors discuss the complex relationship between employees, beneficiaries, programmes and the architectural design and the political, economic and social context. The aim is to explore sociocultural categories and how culture, work, education and the city interacted with one another during different time periods. By using theoretical and methodological insights gleaned from cultural anthropological approaches to space and architecture, the paper demonstrates how the identity, significance and values ascribed to the production of public space were shaped, medialized and modified through time.

scholarly journals DO SUBÚRBIO A PASSARELA: AS DISPUTAS PELO ESPAÇO PÚBLICO DA FESTA DE MOMO NO RECIFE (1950-1960) * FROM THE SUBURB TO THE CATWALK: THE DISPUTES FOR THE PUBLIC SPACE OF MOMO PARTY IN RECIFE (1950 – 1960)

2019 ◽  
Vol 8 (1) ◽  
pp. 27
Author(s):  
Rosana Maria Dos Santos
Keyword(s):  
Public Space ◽  
Public Policies ◽  
The Political ◽  
The Public ◽  
City Hall ◽  
The 1950S ◽  
The City ◽  
Political Priority

O presente artigo tem como objetivo analisar e problematizar a importância dos subúrbios do Recife para a consolidação do reinado de Momo Recife, nas décadas de 1950 - 1960. Nessa época, organizar o reinado de Momo tornou-se uma prioridade política, pois os administradores julgavam necessário criar políticas públicas capazes de solucionar uma questão que há décadas era destaque nos periódicos da cidade: salvar o Carnaval do Recife da “decadência”. Logo após o fim dos festejos momescos de 1955, a Prefeitura da cidade, através do projeto de lei de autoria do Vereador Antônio Batista de Sousa, tenta tomar para si a organização da festa. Segundo alguns periódicos, a medida surge na tentativa de “salvar o reinado de Momo”, que segundo os mesmos, estava “morrendo aos poucos. Nesta pesquisa analisamos as disputas políticas, sociais e geográficas do Carnaval do Recife.*This paper aims to analyze and problematize the importance of the suburbs in Recife to consolidate the reign of Momo Recife in the 1950s - 1960s. At that time, organizing Momo’s reign became a political priority; since the administrators judged it was necessary to create public policies that could solve an issue that had been for decades highlighted in the city’s periodicals: saving the Carnival of Recife from "decadence". Shortly after the end Momo party in 1955, the City Hall, through the bill authored by the Councilor Alderman Antônio Batista de Sousa, tries to take to itself the organization of the party. According to some periodicals, the measure appears in the attempt to "save Momo’s reign", which according to the same ones, it was "dying slowly”. In this research, we analyze the political, social and geographical disputes of the Carnival in Recife.

The Society of the Digital Swarm

2019 ◽  
pp. 95-110
Author(s):  
Daniel Toscano López
Keyword(s):  
Public Space ◽  
Arab Spring ◽  
Digital Communication ◽  
The Political ◽  
Political Regimes ◽  
The Public ◽  
Political Economic ◽  
The Arab Spring ◽  
Reality Principle ◽  
The Way

This chapter seeks to show how the society of the digital swarm we live in has changed the way individuals behave to the point that we have become Homo digitalis. These changes occur with information privatization, meaning that not only are we passive consumers, but we are also producers and issuers of digital communication. The overarching argument of this reflection is the disappearance of the “reality principle” in the political, economic, and social spheres. This text highlights that the loss of the reality principle is the effect of microblogging as a digital practice, the uses of which can either impoverish the space of people's experience to undermine the public space or achieve the mobilization of citizens against of the censorship of the traditional means of communication by authoritarian political regimes, such as the case of the Arab Spring in 2011.

scholarly journals Karakteristik Elemen Pembentuk Fisik Kota pada Ruang Terbuka Publik di Alun-alun Cicendo Bandung

2020 ◽  
Vol 1 (1) ◽  
Author(s):  
Erwin Yuniar Rahadian ◽  
Alisha Nuur Salamah ◽  
Verina Dyah Kania ◽  
Vigia Tri Lestari
Keyword(s):  
Public Space ◽  
Architectural Design ◽  
Open Space ◽  
Social Activity ◽  
Life Quality ◽  
City Image ◽  
City Life ◽  
The Public ◽  
Planning And Design ◽  
The City

ABSTRAK Ruang terbuka publik pada dasarnya merupakan suatu wadah yang dapat menampung aktivitas tertentu dari masyarakatnya. Ruang terbuka Publik juga merupakan salah satu identitas citra kota atau kawasan dan indikator kualitas hidup kawasan perkotaan. Mengingat pentingnya peranan keberadaan ruang terbuka publik di dalam suatu kawasan perkotaan, maka sebuah ruang terbuka publik harus memiliki perencanaan dan perancangan sesuai dengan kelengkapan elemen pembentuk fisik kota. Kelengkapan elemen pembentuk kota tersebut juga terkait dengan desain arsitektural agar berfungsi sebagaimana mestinya ruang terbuka publik. Salah satu ruang terbuka publik di Bandung yaitu Alun-alun Cicendo Bandung yang didesain secara arsitektural dan menjadi icon kawasan Cicendo, berfungsi sebagai wadah untuk menampung aktivitas sosial masyarakat di kawasan Cicendo. Penelitian ini bertujuan untuk mengkaji karakretistik ruang terbuka publik berdasarkan elemen-elemen pembentuk fisik kota yang berada di kawasan Alun-alun Cicendo Bandung dengan menggunakan metode kualitatif deskriptif. Hasil pembahasan dapat menggambarkan bahwa kawasan Alun alun Cicendo Bandung memenuhi elemen-elemen pembentuk fisik kota dengan desain yang baik. Kata kunci : Ruang Tebuka Publik, Alun-alun, Elemen Pembentuk Fisik Kota. ABSTRACT Open Space basically is a space that can accommodate people’s activity. Open space is one of the city image and a city life quality indicator. The existence of open space in a city has an important role in an urban area so a public space needs proper planning and design with completeness an image of the city elements. The completeness image of the city elements is related to an architectural design so the public space can operate properly. Alun alun Cicendo is one of open space in Bandung that designed architecturally and become an icon of Cicendo, functions as a place to accommodate a social activity. This research aims to review the characteristics of a public space based on the image of the city elements around Alun alun Cicendo Bandung with the descriptive qualitative method. The result can describe that Alun alun Cicendo Bandung complies image of the city elements with a good design. Keywords: Open Space, Square, Image of the City Elements

The Literary Depiction of the “Public Space”: Chen Zhongshi’s White Deer Plain Revisited

Rural China ◽  
2020 ◽  
Vol 17 (1) ◽  
pp. 151-171
Author(s):  
Zhi Gao
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Cultural Dimensions ◽  
The Political ◽  
The Novel ◽  
The Public ◽  
The Social ◽  
Political Economic

Chen Zhongshi’s novel, White Deer Plain, is a complex text revealing the social, political, economic, and cultural dimensions of a community in transformation in which multiple public spaces coexist and struggle to survive. As a reinterpretation of the novel, this article examines three types of public spaces: the popular, the political, and the cultural-educational, respectively. Focusing on the forms of depiction, the inner workings of the public spaces, the overlapping between different spaces and their expansion, this article aims to delineate the trajectories of the rise and fall of such public spaces and explore their entangling and association with modernity.

Conclusion

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Health ◽  
Public Space ◽  
Social Conflict ◽  
Musical Performance ◽  
The Public ◽  
Political Interests ◽  
Musical Practices ◽  
The Media ◽  
The City

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.

Conquering the Public Space

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Space ◽  
Social Services ◽  
Social Groups ◽  
Public Image ◽  
Working Classes ◽  
The Public ◽  
San Bernardino ◽  
The City

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.

scholarly journals Activating Data through Eco-Didactic Design in the Public Realm: Enabling Sustainable Development in Cities

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Knowledge Exchange ◽  
Public Spaces ◽  
Public Realm ◽  
Design Data ◽  
Art And Design ◽  
The Public ◽  
Community Based Design ◽  
The City

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.

Mocking Parades and the Place of Pagan Statuary in Late Antique Alexandria

2020 ◽  
Vol 24 (2) ◽  
pp. 270-288
Author(s):  
Jonathan Stutz
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Religious Communities ◽  
Late Antique ◽  
Mob Violence ◽  
Visual Contact ◽  
The Public ◽  
Sacred Objects ◽  
The One ◽  
The City

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.

Reconceptualizing the Public Spaces of New Urban Areas in Hanoi: The End or the New of Public-Making?

2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  
Keyword(s):  
Public Space ◽  
Urban Areas ◽  
Public Spaces ◽  
The Public ◽  
Doi Moi ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
The City ◽  
Neighborhood Level

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.

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