scholarly journals Präsentationen des Fremden in der tschechischen Musik zwischen Anziehung und Abstoßung. Eine Studie tschechischer Fremd- und Selbstbilder

2018 ◽  
Vol 59 (3-4) ◽  
pp. 439-452
Author(s):  
Lenka Křupková

Abstract The Czechs have limited personal experience with foreign non-European cultures, people of different appearances and other religions. Apart from the not always latent xenophobic attitude towards “other” cultures, Czechs are known to have an almost paranoid fear of the decisions of larger nations. These are two complementary factors that determine the cultural profile of the Czech nation. Czech history, rich in moments and periods of the nation's failure, its humiliation and frustration, provides numerous examples serving to explain this situation. Everything foreign, new and unknown attracts an audience and at the same time repels it. This study demonstrates, using several examples from Czech music, how ambivalent the perception of “the other” can be: as something that fascinates but at the same time evokes fear and a feeling of threat. This experience with the ambivalent meaning of “the other” is surely not only characteristic of Czechs. Other nations also view “the other” as a projection wall of their desires and fantasies as well as fears. One can find similar motifs in other art works of a different provenience. In the case of small nations, however, these themes can be accentuated by the influence of particular historical situations and viewed from the perspective of established interpretations.

2012 ◽  
Vol 5 (1) ◽  
pp. 39-49
Author(s):  
Tzu-Hui Chen

This narrative aims to explore the meaning and lived experiences of marriage that a unique immigrant population—“foreign brides” in Taiwan—possesses. This convergence narrative illustrates the dynamics and complexity of mail-order marriage and women's perseverance in a cross-cultural context. The relationship between marriage, race, and migration is analyzed. This narrative is comprised of and intertwined by two story lines. One is the story of two “foreign brides” in Taiwan. The other is my story about my cross-cultural relationship. All the dialogues are generated by 25 interviews of “foreign brides” in Taiwan and my personal experience.


1908 ◽  
Vol 54 (227) ◽  
pp. 704-718
Author(s):  
Lady Henry Somerset

I fully appreciate the very great honour which has been done to me this afternoon in asking me to speak of the experience which I have had in nearly twenty years of work amongst those who are suffering from alcoholism. Of courseyou will forgive me if I speak in an altogether unscientific way. I can only say exactly the experiences I have met with, and as I now live, summer and winter, in their midst, I can give you at any rate the result of my personal experience among such people. Thirteen years ago, when we first started the colony which we have for inebriate women at Duxhurst, the Amendment to the present Inebriate Act was not in existence, that is to say, there was no means of dealing with such people other than by sending them to prison. The physical side of drunkenness was then almost entirely overlooked, and the whole question was dealt with more or less as a moral evil. When the Amendment to the Act was passed it was recognised, at any rate, that prison had proved to be a failure for these cases, and this was quite obvious, because such women were consigned for short sentences to prison, and then turnedback on the world, at the end of six weeks or a month, as the case might be, probably at the time when the craving for drink was at its height, and therefore when they had every opportunity for satisfying it outside the prison gate they did so at once. It is nowonder therefore that women were committed again and again, even to hundreds of times. When I first realised this two cases came distinctly and prominently under my notice. One was that of a woman whose name has become almost notorious in England, Miss Jane Cakebread. She had been committed to prison over 300 times. I felt certain when I first saw her in gaol that she was not in the ordinary sense an inebriate; she was an insane woman who became violent after she had given way to inebriety. She spent three months with us, and I do not think that I ever passed a more unpleasant three months in my life, because when she was sober she was as difficult to deal with-although not so violent-aswhen she was drunk. I tried to represent this to the authorities at the time, but I wassupposed to know very little on the subject, and was told that I was very certainly mistaken. I let her go for the reasons, firstly that we could not benefit her, and secondly that I wanted to prove my point. At the end of two days she was again committed to prison, and after being in prison with abstention from alcohol, which had rendered her more dangerous (hear, hear), she kicked one of the officials, and was accordingly committed to a lunatic asylum. Thus the point had been proved that a woman had been kept in prison over 300 times at the public expense during the last twenty years before being committed to a lunatic asylum. The other case, which proved to me the variations there arein the classifications of those who are dubbed “inebriates,” was a woman named Annie Adams, who was sent to me by the authorities at Holloway, and I was told she enjoyed thename of “The Terror of Holloway.” She had been over 200 times in prison, but directly she was sober a more tractable person could not be imagined. She was quite sane, but she was a true inebriate. She had spent her life in drifting in and out of prison, from prison to the street, and from the street to the prison, but when she was under the bestconditions I do not think I ever came across a more amiable woman. About that time the Amendment to the Inebriates Act was passed, and there were provisions made by which such women could be consigned to homes instead of being sent to prison. The London County Council had not then opened homes, and they asked us to take charge of their first cases. They were sent to us haphazard, without classification. There were women who were habitual inebriates, there were those who were imbecile or insane; every conceivable woman was regarded as suitable, and all were sent together. At that time I saw clearly that there would be a great failure (as was afterwards proved) in the reformatory system in this country unless there were means of separating the women who came from the same localities. That point I would like to emphasise to-day. We hear a great deal nowadays about the failure of reformatories, but unless you classify this will continue to be so.


2018 ◽  
Vol 214 (1) ◽  
pp. 47-74
Author(s):  
M . Raad Abdul Jabbar Jawad

     To start with, a definition of the term 'color' in Arabic language is presented.  Then, a study of colors implications in Al-Jahili poetry is proceeded; the poet's creativity in using color terms and incorporating these terms in Jahili poems explicitly or implicitly in forming up the topics of their poetry, then outlined. Color figures and images are dominant in Al-Jahili poetry to its extreme so as to propagate an oasis of environmental emulations, on one hand, and an outlet for personal experience on the other. In his poetry, Antara followed his ancestors' poetic traditions and closely textualized their inspirations and fantasies in his versification.  Partly, his poetic diction was personalized; whereas, the semantic contents tackled by ancestors were mediated and de toured astray in some instanses.  Reviewing his poetry collection one can infer his typical attitudes of using colors: the black, the white, the red, the green, the blue, and the yellow. Excessive use of these colors can be cited along with multiplicity of presentation in creating a quantum of color implications especially those of the white and the black, he used a decorated mosaic of colors in forming his poetic image; whereas he incorporated a corona of colors in restoring his poeticity.  Color contrasts are foregrounded in building up perceptible imagesof his poems. Colorful images, he used, asa loverand as a knight are merged with his passion and bravery; though gloomy in his macabre. The paper concludes that Antara used an excessive influx of colors terminology and semantic sheds in entailing his topics, focusing on the red, black and white.  The black was his favorite; whereas the red and the black are used excessively in his expressions.  Explicit reference to the red and black was the highest in number in the selected poems.  Essentially, some node that the notability of the black was a symptom of suffering and degrading he suffered as a black.


Author(s):  
Alireza Doostdar

This chapter examines how the hagiographies of friends of God enable manifold readings that enable different forms of attachment to Islamic discourses of ethical self-care and spiritual wayfaring. On the one hand, these readings fully inhabit a mystically inclined Shiʻi tradition featuring proponents and detractors that are both powerful and influential. On the other hand, reading becomes an exercise in a kind of unspoken eclecticism that brings Islamic mysticism under the sign of a universal spirituality through the mediation of the imported sciences of metaphysics. The notion that the marvels of God's friends may be acquired through something other than pious discipline both depends on the Islamic mystical tradition and exceeds it. The chapter compares the search for technical formulas for securing pious self-certainty with other forms of metaphysical experimentation, namely, those that emphasize personal experience, empiricist methods, and scientific models.


Author(s):  
Katarina Horst ◽  
Aida Pagliacci Pizzardi

A Museum is not a temple but a place giving an ethical, moral framework to the meeting of people and cultural assets. Museum's outfitting must be able to make visitors understand, without any further mediation. Two aspects are shown: the need to be suitable for early childhood and the capacity of being a reference of citizenship. For centuries, some Museums and Collectors have used illegal digs as a source to acquire antique objects, with the result that most Museums and Collections possess a large amount of objects with no trace of their provenance. The countries of origin, on the other hand, feel deprived of their past. There is a change necessary: a change in how to deal with ancient objects, which should be presented because of their historical evidence. A new way of dealing with objects is possible: examples of new collaborations between the officials of the Countries of origin and the Museums are given. In the new ways of working in the culture sector the public will be the profiteer, beginning with everyone's own personal experience.


Author(s):  
Ana Bracic

Chapter 6, the third and final empirical chapter, explores Roma engagement in survival strategies, focusing on three factors that might affect it: deprivation, personal experience of discrimination, and perceptions of stereotype intractability. The chapter links Roma game behaviors to their answers to an extensive survey and finds that neither deprivation nor perceptions of stereotype intractability are linked to engagement in survival strategies. However, Roma who report personally experiencing discrimination are more likely to resort to survival strategies. By asking Roma about their experiences of discrimination, this chapter provides independent corroboration of the experimental findings presented in Chapters 4 and 5, which directly captured non-Roma discriminatory behaviors.


2019 ◽  
Vol 12 (1) ◽  
pp. 27-35
Author(s):  
Lorena Georgiadou

In this article, I use my personal experience of being a UK-based EU national and researcher during ‘Brexit’ as a vehicle to explore how the ‘rise of the right’ may be affecting qualitative researchers, their practice, and the context in which their inquiry takes place. In particular, I explore the shift in my sense of belonging as a result of the Brexit vote and the impact that this has on my willingness to remain in Britain and on my research practice. I conceptualise ‘belonging’ as fluid and relational, and I highlight the central role that ‘welcoming the other’ can play in facilitating such processes. This then forms the foundation of my exploration of what I think we, as qualitative researchers, can do for our communities as a response to the recent political developments discussed in this special issue.


1997 ◽  
Vol 87 ◽  
pp. 170-202 ◽  
Author(s):  
R. R. R. Smith

Ancient history, it could be said, is composed of long and broad bands of unchanging social and political culture, punctuated in the upper levels by periods of upheaval and re-orientation. Ancient art works document and make visible both aspects: numbing continuity and static production on the one hand and sudden shifts and sharp turns in representation on the other. This paper takes as an example one of those periods of highly-charged visual re-orientation, the early fourth century A.D., and is intended as an alternative to the discussion and explanation of ancient images in this period in terms of artistic and formal processes. It aims to set an unusual and fat-faced late antique portrait (Pl. I) in its proper context alongside the thin-faced portraits of a better known figure (Pl. XII), and looks at the wider implications of this for the interpretation of imperial portrait sculpture as a significant expression of political ideology. The leanfaced man is Constantine, the other it will be argued is Licinius.


2010 ◽  
Vol 36 (3) ◽  
pp. 779-798 ◽  
Author(s):  
MORGAN BRIGG ◽  
ROLAND BLEIKER

AbstractResearch is all about a person's engagement with an issue. But most approaches to International Relations actively discourage personal involvement by the researcher. We question the adequacy of this norm and the related scholarly conventions. Instead, we explore how the personal experience of the researcher can be used as a legitimate and potentially important source of insight into politics. But we also note that simply telling the story of the researcher is inadequate. We engage the ensuing dilemmas by discussing how to both appreciate and evaluate autoethnographic insights. Rather than relying on pre-determined criteria, we argue that methodological uses of the self should be judged within knowledge communities and according to their ability to open up new perspectives on political dilemmas. We then advance two related suggestions: one advocates conceptualising research around puzzles; the other explores the methodological implications of recognising that producing knowledge is an inherently relational activity.


2002 ◽  
Vol 35 (1) ◽  
pp. 135-151 ◽  
Author(s):  
Anita Bracey

The author recounts elements in her stay at a Therapeutic Community that enabled her as a mental health nursing student, to overcome resistance to acknowledging her own vulnerabilities. Reflecting on that experience, she identifies the qualities that professionals who experience `life on the other side' may emerge with, and the resultant benefits. The author focuses, finally, on her struggle to integrate the experience of having been labelled with severe psychopathology into her sense of self as she moves along a career path through the role of Nurse Therapist and on to group-analytic training, addressing the need for a more inclusive approach to validating such personal experience as something that might valuably inform clinical practice.


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