scholarly journals Digital Museumification As a Promising Mechanism for the Preservation and Presentation (Representation) of Historical and Cultural Heritage: Towards the Formulation of the Question

2021 ◽  
pp. 256-271
Author(s):  
Vladimir Zolotovskiy ◽  
Keyword(s):  
Cultural Heritage ◽  
Urban Space ◽  
Historical Memory ◽  
Theory And Practice ◽  
Cultural Environment ◽  
Natural Area ◽  
City System ◽  
Cultural Heritage Objects ◽  
Living Objects ◽  
Comprehensive Study

Introduction. During the 20th century the functions and essence of museums have undergone changes. One of the most relevant functions of modern museums is museumification. The purpose of the paper is to reveal the features of digital museumification as a promising direction and an actual form of museumification of material and non-material objects included in the socio-cultural environment. Discussion. The undertaken historiographical review allowed us to conclude that there is a sufficient methodological and factual basis for a comprehensive study of the essence of museumification. At the same time, many problems of the theory and practice of museumification have not even received a problematic definition. Analysis. Museumification is of particular importance in the activities of saving, preserving, and introducing cultural heritage objects into the modern socio-cultural environment. In modern domestic and foreign practice museumification develops in two main directions: removal from the natural area and museumification of cultural heritage monuments through actualization or introduction into the socio-cultural environment. The monument, which is a harmonious part of the socio-cultural environment, does not require artificial conservation of the habitat or the area of the monument. It is determined that for such objects of museumification it is reasonable to use the concept of “dynamic museumification”. The most adequate form of “dynamic museumification” should be considered digital museumification. Results. Digital museumification should be understood as an activity for the transformation of cultural heritage objects into living objects that develop together with their cultural space and socio-cultural environment. Digital museumification is presented as a combination of actions and means pointed at ensuring the implementation of preservation and popularizations tasks within the framework of the “smart city” system being formed. Digital museumification objectively makes it necessary to create open information bases for all interested persons. The detected connection between the space of a monument and the channels of forming the historical memory determines the need for organizing digital museumification in a digital creative urban space.

Interpretation of Material Cultural Heritage in the Context of Museum

2020 ◽  
Vol 12 (3-2) ◽  
pp. 337-351
Author(s):  
Sergey Pilyak ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Theory And Practice ◽  
Main Method ◽  
History Of ◽  
Ancient Times ◽  
The Subject ◽  
Cultural Heritage Objects ◽  
Creative Understanding ◽  
Cultural Heritage Preservation

Interpretation of cultural values and cultural heritage is one of the most common types of their development and creative understanding. However, the concept of ‘interpretation’ remains blurred among related processes, usually without getting much mention. In the field of cultural heritage preservation, interpretation is the main method of human development of cultural heritage objects. The process and results of interpretation, as shown by the long history of preservation of cultural heritage, also affect the preservation of cultural heritage. The proposed material is devoted to the consideration of a museum as an example of one of the most consistent built spaces and tools for the interpretation of cultural heritage. The subject of the research is the methods of museum work considered in the context of mechanisms of interpretation of material cultural heritage. Museum as an instrument of interpretation has been known since ancient times. Human interest in ancient artifacts that act as visible symbols of historical and cultural memory of the past, eventually led to the development of collecting, and then, with the publication of collections, to the emergence of museums. Museum and its activities occupy a special place in the methodology of interpretation. The museum space can set its own special rhythm of historical time and create conditions for comfortable perception of the presented artifacts. No other cultural institution has such a task, and if it is necessary to present an artifact, interested persons in one way or another turn to the method tested on museum sites. As a result of the research, the author identified five stages of museum activities, which are generally typical for the mechanism of interpretation of cultural heritage. Therefore, the main goal of museum activities should be recognized as an interpretation of cultural heritage. In accordance with this goal, the museum's tasks are also implemented, including the preservation, publication and promotion of the collection's artifacts. Thus, the role and place of the museum as a specific space created for the purpose of interpreting cultural heritage is proved. These provisions allow us to look at the theory and practice of museum activities in a different way, in the context of interpreting cultural identity.

scholarly journals Problems of restitution and preservation of historical and cultural values

2013 ◽  
pp. 124-127
Author(s):  
Anatolii M. Kolodnyi
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Religious Studies ◽  
Religious Communities ◽  
Cultural Environment ◽  
National Academy Of Sciences ◽  
Cultural Heritage Objects ◽  
Academy Of Sciences

The Department of Religious Studies of the National Academy of Sciences of Ukraine is among the institutions of the National Academy of Sciences of Ukraine, which must develop proposals aimed at preservation, reproduction and protection of the historical and cultural environment in Kyiv, in particular, measures to promote the preservation of cultural heritage objects, including and those who are in the possession or use of religious communities.

scholarly journals Appraisal of documentary heritage objects value in scientific library, archives, museum: topical problems of theory and practice

2021 ◽  
pp. 93-116
Author(s):  
I. Ya. Losiyevsky
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Modern Society ◽  
The State ◽  
Theory And Practice ◽  
Individual Concepts ◽  
Scientific Libraries ◽  
Cultural Heritage Objects ◽  
Local Significance

The article is devoted to the topical problems of theory and practice of appraisal of documentary heritage objects value in scientific libraries, archives, museums taking into consideration functional and stock specifics of these institutions. Its goals and tasks, principles and axiological criteria are described. It is shown that the main goal of such appraisal is determining the place of documentary heritage objects as the objects of the appraisal in the system of cultural values of modern society, establishing the belonging of these objects to cultural heritage objects of world, national, regional, local significance. Appraisal of documentary heritage objects is analyzed as one of important areas of scientific and administrative activities which to a large extent ensures the functioning, improvement of information potential and accordingly the image of the library, archives, museum. The Ukrainian experience of the recent decades is highlighted in many aspects, namely: regulation, organization and appraising documentary heritage objects at the state, interdepartmental and departmental levels, at the level of the profile institution fund-holder. The features of the appraisal, the objects of which are archival heritage objects and book heritage objects, are revealed. It is emphasized that the appraisal of value of the existing funds and collections of documentary heritage objects is the basis for the development and implementation of modern individual concepts and integrative projects for libraries, archives and museums, which provides for the coexistence and interrelation of material expositions and various forms of virtual information.

The Living Protection of Original Ecological Environment ― Display of Intangible Cultural Landscape Based on the Concept of Eco-Museum

2014 ◽  
Vol 1030-1032 ◽  
pp. 2420-2425
Author(s):  
Jia Yi Liu
Keyword(s):  
Cultural Heritage ◽  
Cultural Landscape ◽  
Landscape Heterogeneity ◽  
Rapid Development ◽  
Historical Memory ◽  
Theory And Practice ◽  
Intangible Cultural Heritage ◽  
Human Environment ◽  
Landscape Degradation ◽  
Man And Nature

Abstract. The rapid development of industrialization and urbanization brought about changes in the economic structure, forms of production and lifestyle, resulting in deterioration of the natural and human environment, as well as many intangible cultural landscape degradation. To display intangible cultural heritage landscape in the form of eco-museum aims to achieve harmony between man and nature and human environment. Eco-museum with community residents’ participation in live state display is the way to retain the cultural heritage, is a means of protecting intangible cultural heritage and tradition. In this paper, based on the concept of ecological museum theory and practice, the author makes an overview of the history of establishment of eco-museums in accordance with our national conditions, to avoid the homogenization of intangible cultural heritage display modes,and to improve the cultural landscape heterogeneity and retain historical memory of diverse cultures, to protect natural and cultural environment of the country.

Chernivtsi’s Squares and Monuments in the Context of Distinctive Buko- vinian Identity, Cultural Heritages and Urban Historical Memory

2020 ◽  
Vol 24 (1) ◽  
pp. 45-77
Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk
Keyword(s):  
Cultural Heritage ◽  
Urban Space ◽  
Urban Landscape ◽  
Historical Memory ◽  
Interdisciplinary Approach ◽  
The European Union ◽  
Politics Of Memory ◽  
Central Eastern Europe ◽  
Interdisciplinary Field ◽  
The City

Since the twentieth century, the interdisciplinary field of ‘memory studies’ has become especially topical and drawn upon a variety of theoretical perspectives, while offering a plethora of empirical case studies exploring the politics of memory and urban space, cultural heritage and cultural identity that mould a space’s distinctiveness. This study draws on a comparative analysis to theoretically prove and develop a multifaceted memory of Chernivtsi’s significantly transformed and enriched urban landscape through an interdisciplinary approach involving various methods and instruments for handling the essential societal resources of history, memory and identity. The city of Chernivtsi and the region of Bukovina, historically part of Central Eastern Europe and geo-strategically the heart of Europe, has recently strengthened its voice in becoming culturally and economically bound to the European Union. As a well-preserved city ruled, at different times, by the Habsburg Empire (1900-1918), Romania (1918-1939) and the USSR (1940/41-1991), Chernivtsi (Czernowitz, Cernăuţi, Chernovtsy) serves as a case study for exploring the human fingerprints of every epoch. The city’s architectural diversity offers testimony as to how Chernivtsi’s urban society preserved its unique landscape of identity, embodied in a patchwork of ethnic, linguistic and confessional affiliations, while integrating representational claims and moderating its space. This study analyses the policies and practices of these three epochs in Chernivtsi’s history, in terms of how the city attempted to promote, develop and preserve its cultural heritage, while preserving the collective memory and shaping supranational identity.

PROBLEMS OF CLASSIFICATION OF CULTURAL HERITAGE OBJECTS

2020 ◽  
Vol 10 (2) ◽  
pp. 158-168
Author(s):  
SVETLANA IVANOVA ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Research Work ◽  
Cultural Property ◽  
Cultural Inheritance ◽  
Federal Laws ◽  
Cultural Heritage Objects ◽  
Cultural Monuments

The purpose of the research work is to analyze the norms of Federal laws, as well as the laws of the Russian Federation's constituent entities, devoted to the definitions and classification of the concepts “cultural heritage”, “historical and cultural monuments”, “cultural values”. Conclusions obtained in the course of the research: based on the study of current legislation, it is concluded that the definitions of “cultural values”, “cultural property”, “objects of cultural inheritance” contained in various normative legal acts differ in content. Based on the research, the author proposes the concept of “cultural values”.

ON THE NEED TO COLLECT, PRESERVE AND STUDY DISAPPEARED NAMES OF SETTLEMENTS

2020 ◽  
pp. 187-192
Author(s):  
S.A. Popov
Keyword(s):  
Cultural Heritage ◽  
Russian Federation ◽  
Historical Memory ◽  
Comprehensive Analysis ◽  
Local History ◽  
The Past ◽  
Cultural Systems ◽  
The Russian Federation ◽  
Time Periods ◽  
The Disappeared

The article deals with the problem of collecting, preserving and researching the disappeared names of localities in the subjects of the Russian Federation, which for centuries have become an integral part of the historical and cultural heritage of the peoples of our country. The author believes that only a comprehensive analysis of the past oikonyms in nominational, lexical-semantic, historical-cultural, historical-ethnographic, local history aspects will restore the linguistic and cultural systems of different time periods in different microareals of the Russian Federation. The author comes to the conclusion that in order to preserve the historical memory of the disappeared names of geographical objects, local researchers need the support of regional state authorities and local self-government.

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