Chigirin Freethinkers in Search of the Peasant Truth
This article examines one of the most important events in the lives of S. Shutenko and F. Chepurnoy, two ordinary peasants of Chigirin uyezd, Kiev province, in the nineteenth century. The Chigirin freethinkers’ drama was connected with peasant unrest in left-bank Ukraine between the 1870s and 1880s. A number of comprehensive works have turned to their biographies (B. G. Litval and D. P. Poida). In this article, the peasants’ views are analysed through the prism of their tragic lives and dreams about the peasant truth, which resulted in their exile to Siberia. They served their first exile together in Yenisei province from 1882 to 1887. Chepurny served another exile in Irkutsk province from 1895 to 1900. There is little information about Shutenko’s later life. The research refers to unpublished archival documents from the funds of the State Archive of the Russian Federation and the state archives of Irkutsk, Tomsk and Krasnoyarsk. The author mostly focuses on judicial and investigation materials, as well as official correspondence between different state bodies. Also, the author refers to the memoirs of such revolutionaries as L. G. Deutsch and V. D. Debogory-Mokriyevich, both of whom were involved in peasant unrest in Chigirin. The reason for peasant unrest was discontent with the agrarian reforms in former state properties in right-bank Ukraine. Peasants perceived the agrarian reforms through the prism of their traditional worldview. They did not doubt the good intentions of the tsar, who granted the true peasant will. They treated the content of the agrarian reforms as treason on the part of officials and landowners, who they blamed for distorting the tsar’s will. The intentions themselves seemed to comply with peasants’ interests. As a result of peasant unrest, the religious teaching of Stundism gained in popularity. The article demonstrates how Stundism significantly influenced peasant estimation of agrarian changes on state properties in the southwestern part of the Russian Empire. The author concludes that Shutenko and Chepurnoy’s tragic destinies may be viewed as a result of peasant unrest in the post-reform Ukrainian village.