scholarly journals METAFICTIONAL STRATEGIES IN MODERN PROSE

2020 ◽  
Vol 12 (2) ◽  
pp. 130-138
Author(s):  
Maria A. Chernyak ◽  
◽  
Marine A. Sargsyan ◽  
Keyword(s):  
Russian Literature ◽  
Modern World ◽  
Point Of No Return ◽  
Mass Literature ◽  
History Of ◽  
New Type ◽  
Changing Role ◽  
Modern Russian

With the advent and development of the theory of metafiction, the range of works that can be referred to this phenomenon is constantly expanding, with the deepest origins of metafiction being found in the history of novel as a genre. Modern Russian metafiction, developing in the context of literary centrism rebooting and new practices being created, is widely represented in different strata of modern Russian literature: in elite literature (Pushkin House by A. Bitov, t by V. Pelevin, Blue Fat by V. Sorokin, etc.), in fiction (Happiness Is Possible by O. Zayonchkovsky, Quality of Life by A. Slapovsky, Medvedki by M. Galina, Self- Taught by A. Utkin, etc.), in mass literature (Stylist by A. Marinina, Boys and Girls by E. Kolina, Point of No Return by P. Dashkova, etc.). The article analyzes different metafictional strategies in modern prose. The process of creating literary text is found to be one of the crosscutting subjects of modern metafiction. This is primarily connected with the writers’ desire to capture and reflect the complex and contradictory strategies of writing in the 21st century. The article considers different manifestations of metafictional strategy, such as: ‘triple literary matryoshka’ (Literary Slave: Weekdays and Holidays by N. Sokolovskaya), the theme of translation and mystification (Interlinear Translation by E. Chizhov and Stylist by A. Marinina), the author’s reflection (Adaptor by A. Slapovsky), ‘novel about a writer’ (Happiness is Possible by O. Zayonchkovsky), text created in collaboration with the new type of the reader (Arbeit. The Wide Canvas by E. Popova). All the analyzed texts raise questions about the changing role of the writer and the reader in the modern world and about the new relations between the writer and the publisher.

scholarly journals THE ROLE OF ZAKHAR PRILEPIN IN MODERN RUSSIAN LITERATURE

2019 ◽  
pp. 234-244
Author(s):  
Madinabonu AHMEDOVA
Keyword(s):  
General Public ◽  
Russian Literature ◽  
First Century ◽  
Human Values ◽  
Modern World ◽  
New Realism ◽  
Essential Components ◽  
Literary Process ◽  
Modern Russian

The article is devoted to the problem of the evolution of the literary hero and the types of heroes in modern Russian literature of the XXI century. The admiration of the person of the person being described and the desire to redirect this feeling to the reader make the style of the work of Zakhar Prilepin realistic through the prism of modernity (neorealism). The writer sets himself the task of telling about the fate of a modern person who faces many difficulties to squeeze in the modern world where human values have already changed, transformed beyond recognition than they were in the literature of the 19th and 20th centuries. Zakhar Prilepin is gradually moving to comprehending a more global problem: is it possible in the conditions where absolutely everyone is wearing a bit of hell in himself. The writer seeks to get an answer to this question on a truly epochal, historical scale.This article also discusses the role of Zakhar Prilepin in the context of modern Russian literature. He writes willingly and openly on topics of concern to the general public. One of the essential components of such statements is his reflections on classical and modern Russian literature, showing love or, on the contrary, dislike for the work of this or that author.The aim of the work is to determine the transformation of modern Russian prose on the example of the works of contemporary Russian writer Zakhar Prilepin. His views on the formation and development of the literary process in the twenty-first century, explores the peculiarities of the hero and the specifics of the writer's artistic world based on the work and literary analyzes. Types of heroes’ characteristic of the prose of this neorealist writer: the hero-provincial, the rebellious hero, the intellectual hero and others. The article attempts to analyze the main features of the imaginative system in the works of Z. Prilepin in the context of the traditions of the new realism (neorealism). Мақола адабий қаҳрамон эволюцияси муаммоси ва ХХI аср замонавий рус адабиётидаги қаҳрамонлар турларини ўрганишга бағишланган. Захар Прилепиндаги таърифлаётган шахснинг ҳайрати ва ички дунёсини ёритиб бериш истаги ва уни китобхонга етказиш учун қўллаган услуби асарларини замон (неореализм) призмаси орқали реализмга олиб ўтади. Ёзувчи ўз олдига ХIХ ва ХХ аср адабиётларидаги инсоният қадриятлари ХХI асрга келиб мутлақоўзгариб, таниб бўлмас даражага етганини замонавий одамнинг тақдири орқалий ёритиб бериш вазифасини қўяди. Захар Прилепин аста-секин янада глобал муаммони англашга интилмоқда: мутлақо ҳамма ўзини дўзах азобига солаётган шароитда бу мумкинми? Ёзувчи ушбу саволгзамон ва тарих миқёсида жавоб олишга интилади.Ушбу мақолада замонавий рус ёзувчиси Захар Прилепиннинг замонавий рус адабиётида тутган ўрни муҳокама қилинади. У кенг жамоатчиликни қизиқтирган мавзуларда очиқ ёзади. Бундай баёнотларнинг муҳим таркибий қисмлариданбири, бу –унинг классик ва замонавий рус адабиётига бўлган муҳаббатини акс эттириши ёки аксинча у ёки бу муаллифнинг ишини ёқтирмаслигидир.Ушбу мақоланинг мақсади замонавий рус ёзувчиси Захар Прилепиннинг ижоди мисолида замонавий рус насрнинг ўзгаришини аниқлашдир. Унинг ХХI аср адабий жараёнининг шаклланиши ва ривожланиши ҳақидаги фикрлари, қаҳрамонининг ўзига хос хусусиятлари ва ёзувчининг ижодий дунёсининг ўзига хос хусусиятларини кўрсатишдир. Бу неореализм оқимига мансуб ёзувчининг насрига хос қаҳрамонлар турлари: провинциал қаҳрамон (қишлоқ аҳолиси), исёнкор қаҳрамон, интеллектуал қаҳрамон ва бошқалар. Муаллиф З. Прилепин асарларидаги образлар тизимига хос хусусиятларни янги реализм (неореализм) анъаналари контекстида таҳлил қилган. Статья посвящена проблеме эволюции литературного героя и типов героев в современной русской литературе XXI века. Восхищение личностью описываемогочеловека и желание переадресовать это чувство читателю делают стилистику произведении Захара Прилепина реалистическими через призму современности (неореализма). Писатель ставит перед собой задачу рассказать о судьбе современной личности сталкивающегося с множеством затруднений чтобы выжать в современном мире где уже человеческие ценности изменились, трансформировались до неузнаваемости чем были в литературе XIXи ХХ веке. Захар Прилепин постепенно переходит к постижению более глобальной проблемы: возможно ли то же самое условиях, где частичку ада в себе носит абсолютно каждый. Ответ на этот вопрос писатель стремится получить в поистине эпохальном, историческом масштабе.А такжев данной статье рассматривается роль Захара Прилепина в контексте современной русской литературы. Он пишет охотно и открыто на темы, волнующие широкую общественность. Одной из существенных составляющих такого рода высказываний становятся его размышления о классической и современной русской литературе, проявляющие любовь или наоборот, неприязнь, к творчеству того или иного автора.Целью работы является определить трансформацию современной русской прозы на примере творчества современного писателя России – Захара Прилепина. Его взгляды на формирование и развитие литературного процесса вХХIвеке; исследуются особенности героя и специфика художественного мира писателяна основе произведении и литературных анализов. Типы героев; характерные для прозы этого писателя-нео реали зма : герой-провинциал; бунтующий герой; герой-интеллигент и другие.В статье осуществляется попытка анализа основных особенностей образной системы в творчестве З. Прилепинав контексте традиций нового реализма (неореализм).

Trust and economic growth: Is there a relation?

2020 ◽  
pp. 68-82
Author(s):  
E. I. Borisova ◽  
V. A. Bryzgalin ◽  
I. A. Levina
Keyword(s):  
Economic Growth ◽  
Institutional Quality ◽  
Modern World ◽  
World Values Survey ◽  
Positive Relation ◽  
European Values ◽  
History Of ◽  
European Values Study ◽  
Changing Role

We study the relation between trust and economic growth. We explore the history of the topic and conduct empirical analysis using all the available data from the World Values Survey and the European Values Study, including data for the recent years. We show that results of the classic models that establish positive relation between trust and economic growth do not replicate on the most recent data. Moreover, neither use of alternative indicators of trust, nor dividing the countries into the groups depending on institutional quality yields to the appearance of relation. We discuss possible reasons for the absence of relation between trust and economic growth in the recent years, in particular, the changing role of trust in the modern world, and point to the importance of more detailed exploration of the mechanisms of relation between trust and economic growth.

scholarly journals Człowiek współczesny w obłędnym tańcu emocji życia codziennego („Dziewięć opowiadań z obłędem w tle”)

2021 ◽  
pp. 178-195
Author(s):  
Katarzyna Duda
Keyword(s):  
Mental Illness ◽  
Russian Literature ◽  
Modern World ◽  
Human Beings ◽  
Life Choices ◽  
Soviet Space ◽  
Collapse Of Communism ◽  
Post Soviet Space ◽  
Modern Russian

This article focuses on the changes which occurred in modern Russian literature after the collapse of communism. There is no more Soviet censorship banning a lot of topics such as human beings, individual’s problems, life choices and decisions. The authors of the anthology titled Nine Stories with Madness in the Background write about individuality and difficulties connected with insecurity in the chaos of the modern world. Mental illness and disorders usually play the role of metaphors referring to the obstacles in understanding and behaviour in the new post-soviet space.

РАССКАЗЫ В.ШУКШИНА И ПРОБЛЕМЫ ПЕРЕВОДА ИХ НА КЫРГЫЗСКИЙ ЯЗЫК

2020 ◽  
pp. 77-81
Author(s):  
Джээнбүбү Бегеева
Keyword(s):  
Key Words ◽  
Russian Literature ◽  
Main Task ◽  
Stylistic Variation ◽  
Psychological Feature ◽  
Translation Analysis ◽  
History Of ◽  
The Creation ◽  
Problems Of Translation

Аннотация. В статье анализируется качество переводов рассказов В.Шукшина, осуществленных в середине 70-х годов С. Наматбаевым. Переводоведческий анализ вывил многочисленные стилевые расхождения между оригиналом и переводом. При переводе одного из лучших рассказов Шукшина «Чудик» искажения стиля не передали психологические тонкости рассказа. При переводе рассказа «Дядя Ермолай» философский аспект рассказа выпал, так как переводчик исказил жанровую специфику. Перевод рассказа «Два письма» оказался более качественным по сравнению с предыдущими. Переводчик рассказа «Два письма» сумел приблизиться к оригиналу, расшифровать его основную тональность, воспроизвести атмосферу напряженных поисков истины героем рассказа Николаем Иванычем. Этот перевод оказался более качественно выполненным по сравнению с предыдущим рассказом «Дядя Ермолай». Причину переводческого успеха можно объяснить, прежде всего, доступностью содержания рассказа, да и сам герой не столь сложная и глубокая личность, как повествователь в рассказе о дяде Ермолае. В целом, переводы С.Наматбаева являются своеобраз- ным этапом в переводческом деле. В настоящее время необходимо более полное и глубокое восприятие творчества В.Шукшина и создания новых адекватных переводов. Ключевые слова: качество переводов, стилевые расхождения, психологические тонкости, философский аспект, этапом. Аннотация. Макалада В.Шукшиндин аңгемелеринин кыргыз тилине которуудагы сапаты каралат, котормолор 1970-жылдары котормочу С.Наматбаев аркылуу жаралган. Котормонун сапатына талдоо жүргүзгөндө көпчүлүк каталар табылган, алардын эң олуттуусу стилдердин айырмасы, негизги чыгарма менен котормонун ортосунда. Мисалы, “Чудик” деген аңгеменин психологиялык мүнөздөмөсү жоголуп кеткен. “Ермолай байке” деген аңгемеде жанрдын туура эмес берилишинен жазуучунун негизги ою жоголуп кеткен. “Эки кат” деген аңгеме беркилерге караганда сапаттуу которулган. Котормочу " Эки кат" деген аңгемени оригиналга жакындатып которгон. Башкы каарман Николай Иванычтын изденүүлөрүн, ойлорун, чындыкты табууга аракеттерин Шукшинден кем эмес окуучуларга жеткирген. Котормочунун жетишкендиги аңгеменин түшүнүктүү мазмуну менен түшүндүрсө болот, жана Николай Ивановичтин жөнөкөйлүгү менен. С.Наматбаевдын котормолору каталарына карабастан котормочулук иште алдыга жылуу болгон. Бирок, азыркы заманда сапаттуу котормо жаратууда мезгил келди. Түйүндүү сөздөр: которуудагы сапаты, стилдердин айырмасы, психологиялык мүнөздөмөсү, негизги ою жоголуп. Annotation. The quality of translation of the Shukshins stories is analyzed in the Middle 70- years. By S.Namatbaev. The translation analysis had idenh hed numerous style discrepancies between the original and the translation. The psychological feature of the compasihion were not be hansfered by the translation one the bestand famous story by. V.Shukshin due to distorhion of the style. By the translation of the story “The uncle Ermolai” had full a phisichal aspect of the story, because the translator had distorted the genre specifics. The translation of the stories “Two letters” was wade more qualitative comparated with another stories. Generally, the Namatbaevs translation are a sui generis stage in the translatiobs. We need currently more total and profound perception of the creation by V.Shukshin. The create of the new adeavate translation is the main task. The head of the theory and history of Russian literature department. V. Shukshin’s stories and problems of translation them into Kyrgyz language. This article is analysed the quality of translation of V. Shukshin’s stories, which were written in 70 th with S. Namatbaev. Translation analyse deduced many stylistic variations between translated version and original. There is a misrepresentation, was not transmitted psychological subtleties of the story in translation of one of the best V. Shuk- shin’s story “Wierdo”. Metaphysical dimension is disappeared in translation of the story “Uncle Ermolai”, since translator destort the genre specificity. The translation of the story “Two letters” has been more qualitative in comparison with previous translations. In common, S. Namatbaev’s translation is a genius stage in translation. It needs more full and deep comprehension of S. Shukshin’s work and to establish new suitable translation. Key words: Quality of translation, stylistic variation, psychological subtleties, metaphysical dimension, stage.

The Entrepreneurial University: Evidence of the Changing Role of Universities in Modern Russia

2014 ◽  
Vol 28 (4) ◽  
pp. 271-280 ◽  
Author(s):  
Dina Williams ◽  
Alexey Kluev
Keyword(s):  
Entrepreneurial University ◽  
Primary Data ◽  
Strategy Development ◽  
Infrastructure Development ◽  
Innovation Development ◽  
Policy Makers ◽  
Managerial Competencies ◽  
New Type ◽  
Changing Role

This paper examines the evolution of the entrepreneurial function of Russia's leading universities: the study is based on a conceptualization of a university's entrepreneurial development pathway developed by the OECD in 2009. The data on entrepreneurship development were collected in 2012 through a survey of technology transfer and innovation development managers of 18 National Research Universities. The primary data were complemented by desktop analysis of the strategy development documents of the universities surveyed. The results suggest that in the period studied, 2008–2012, a new type of university, the entrepreneurial university, has emerged in Russia. However, these entrepreneurial universities are facing serious challenges in the implementation of an entrepreneurial, innovation-oriented mission due to the lack of managerial competencies and inadequate infrastructure development. The paper has significant theoretical and practical implications in shedding light on the development of the entrepreneurial university in Russia, where the process is still in its infancy. The authors depict a trajectory of entrepreneurial transformation in and barriers to this process that, it is argued, university executives and policy makers should take into consideration.

The Changing Role of the International Court

1985 ◽  
Vol 20 (2-3) ◽  
pp. 182-205 ◽  
Author(s):  
Shabtai Rosenne
Keyword(s):  
Western Europe ◽  
League Of Nations ◽  
International Justice ◽  
Russian Revolution ◽  
International Court Of Justice ◽  
Court Of Justice ◽  
International Court ◽  
History Of ◽  
Changing Role

En s'efforçant, au lendemain de la guerre [1914 – 1918], de poser les bases d'une société de peuples régie par le droit, les fondateurs de cette communauté internationale nouvelle se rendaient pleinement compte qu'il ne saurait y avoir une société organisée sans un pouvoir judiciaire chargé de veiller, en dehors de toute préoccupation de politique et de force, à la stricte observation du droit. C'est dans cette conviction qu'ils ont prévu, dès l'origine, la création de la Cour permanente de Justice internationale.Feinberg in 1931Reviewing the history of the Permanent Court of International Justice and of the International Court of Justice from 1922—the World Court, a convenient but possibly misleading expression which embraces both the Permanent Court from 1922 to 1945 and the present International Court of Justice established as an integral part of the United Nations since—four clearly separated periods can be discerned. They run from 1922 to 1931, 1932 to 1940, 1946 to 1966, and from 1967 onwards.The establishment of the League of Nations and the Permanent Court after a cataclysmic war in Europe and the awe-inspiring Russian Revolution released a wave of euphoria upon the exhausted and war-weary peoples of what is now known as Western Europe, and they placed great hopes in the new League and Court.

scholarly journals Authorial Self and Modernity as Reflected in Diaries and Memoirs. Three 19th-Century Hungarian Case Studies

2019 ◽  
Vol 9 (1) ◽  
pp. 85-97
Author(s):  
Béla Mester
Keyword(s):  
Intellectual History ◽  
Social Role ◽  
Public Intellectual ◽  
Self Reflection ◽  
Individual Character ◽  
History Of ◽  
New Type ◽  
The Moment ◽  
The One

Abstract The role of the diaries and memoirs in the process of the conscious self-reflection and their contribution to the emergence of modern individual personalities are well-known facts of the intellectual history. The present paper intends to analyze a special form of the creation of modern individual character; it is the self-creation of the writer as a conscious personality, often with a clearly formulated opinion about her/his own social role. There will be offered several examples from the 19th-century history of the Hungarian intelligentsia. This period is more or less identical with the modernization of the “cultural industry” in Hungary, dominated by the periodicals with their deadlines, fixed lengths of the articles, and professional editing houses on the one hand and the cultural nation building on the other. Concerning the possible social and cultural role of the intelligentsia, it is the moment of the birth of a new type, so-called public intellectual. I will focus on three written sources, a diary of a Calvinist student of theology, Péter (Litkei) Tóth, the memoirs of an influential public intellectual, Gusztáv Szontagh, and a belletristic printed diary of a young intellectual, János Asbóth.

scholarly journals The First Production of The Brothers Karamazov on the Russian stage in the Mirror of the Press (Based on the Collections of the Vladimir Dahl State Museum of the History of Russian Literature)

2020 ◽  
pp. 219-241
Author(s):  
Pavel E. Fokin ◽  
Ilya O. Boretsky
Keyword(s):  
Russian Literature ◽  
The Novel ◽  
Theatrical Production ◽  
Distinctive Features ◽  
The Brothers Karamazov ◽  
The Press ◽  
State Museum ◽  
History Of ◽  
Brothers Karamazov

The first Russian theatrical production of Dostoevsky's novel The Brothers Karamazov premiered on the eve of Dostoevsky’s 20th death anniversary on January 26 (February 7) 1901 at the Theater of the Literary and Artistic Society (Maly Theater) in St. Petersburg as a benefit for Nikolay Seversky. The novel was adapted for the stage by K. Dmitriev (Konstantin Nabokov). The role of Dmitry Karamazov was performed by the famous dramatic actor Pavel Orlenev, who had received recognition for playing the role of Raskolnikov. The play, the staging, the actors’ interpretation of their roles became the subject of detailed reviews of the St. Petersburg theater critics and provoked controversial assessments and again raised the question about the peculiarities of Dostoevsky’s prose and the possibility of its presentation on stage. The production of The Brothers Karamazov at the Maly Theater in St. Petersburg and the controversy about it became an important stage in the development of Russian realistic theater and a reflection of the ideas of Dostoevsky’s younger contemporaries about the distinctive features and contents of his art. The manuscript holdings of the Vladimir Dahl State Museum of the History of Russian Literature includes Anna Dostoevskaya’s collection containing a set of documentary materials (the playbill, newspaper advertisements, reviews, feuilletons), which makes it possible to form a complete picture of the play and Russian viewers’ reaction to it. The article provides a description of the performance, and voluminous excerpts from the most informative press reviews. The published materials have not previously attracted special attention of researchers.

scholarly journals The Role Of Education Reform In Uzbekistan In Reducing Youth Delinquency

2020 ◽  
Vol 02 (11) ◽  
pp. 73-78
Author(s):  
Tojibayev Bakhromjon Turabayevich ◽  
◽  
Azimov Ashirali Mexmonboevich ◽  
◽  
◽  
...  
Keyword(s):  
Human Capital ◽  
Young People ◽  
Education Reform ◽  
Social Institution ◽  
Modern World ◽  
Education Reforms ◽  
Youth Delinquency

The article assesses the importance of education in the modern world and its role in reducing youth deviation as a social institution. Education reforms in Uzbekistan emphasize the quality of reducing the deviation of young people by increasing the efficiency of "human capital".

scholarly journals HENRI LÉVY-BRUHL’S DOCTRINE ON LAW AND ON THE FORMATION OF LEGAL SCIENCE OF A NEW TYPE

2017 ◽  
Vol 3 (4) ◽  
pp. 58-66
Author(s):  
Владимир Пужаев ◽  
Vladimir Puzhaev
Keyword(s):  
Scientific Discipline ◽  
Sociology Of Law ◽  
Legal Anthropology ◽  
Legal Doctrine ◽  
Judicial Practice ◽  
True Source ◽  
History Of ◽  
New Type ◽  
History Of Law

The article is devoted to the investigation of legal ideas of Henri Lévy-Bruhl, a French lawyer and sociologist of the XX century, who is considered to be one of the founders of contemporary sociology of law, legal ethnography and legal anthropology. The author of the article analyzes the late articles of Henri Lévy-Bruhl. The author of the article examines the notion “juristique”, introduced by the French professor, and investigates its methodological and substantial peculiarities. As a scientific discipline, “juristique” was supposed to be shaped through the integration of sociology of law, history of law and comparative law into a body. The author also pays special attention to H. Lévy-Bruhl’s theoretical views on the question of law and mechanisms of its formation, on subjects of law-making and sources of law. In particular, the author considers Lévy-Bruhl’s views of collective opinion as the only true source of law, customs’ priority over legislation among all forms of law, judicial practice as the modality of a custom. The key role of Durkheim’s sociology in the shaping of Henri Lévy-Bruhl’s legal views is also highlighted. Henri Lévy-Bruhl’s particular ideas are compared with the doctrine of historical school of law. The final part of the article is devoted to formulating a series of theses which reflect the peculiarities of Henri Lévy-Bruhl’s legal views and his role in contemporary legal doctrine.

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