scholarly journals Człowiek współczesny w obłędnym tańcu emocji życia codziennego („Dziewięć opowiadań z obłędem w tle”)

2021 ◽  
pp. 178-195
Author(s):  
Katarzyna Duda

This article focuses on the changes which occurred in modern Russian literature after the collapse of communism. There is no more Soviet censorship banning a lot of topics such as human beings, individual’s problems, life choices and decisions. The authors of the anthology titled Nine Stories with Madness in the Background write about individuality and difficulties connected with insecurity in the chaos of the modern world. Mental illness and disorders usually play the role of metaphors referring to the obstacles in understanding and behaviour in the new post-soviet space.

2021 ◽  
Vol 10 (1) ◽  
pp. 265-270
Author(s):  
Igor Olegovich Trubitszyn

The author made an attempt to study the role of the descendants of the nobility in the new socio-economic and political realities of Russia at the end of the XX - first decades of the XXI century. The author focuses on the processes of recreation and subsequent activities of noble societies. The basis of the source base was a series of interviews with the descendants of the nobility living in the territory of the Russian Federation and in the countries of the post-Soviet space. The research identified the stages of development of the noble organizations, the main aspects of their activities. A comparative analysis was carried out with the pre-revolutionary noble corporate organization, which made it possible to characterize the main ideals of this social group and to make a comparative analysis with the value system of the class of the pre-revolutionary period. The range of problems faced by noble societies in modern Russia is highlighted. The results of the study can be used to comprehensively characterize the activities of corporations of the nobility in Russia, as well as the activities of the descendants of the nobility in the modern world.


2019 ◽  
pp. 234-244
Author(s):  
Madinabonu AHMEDOVA

The article is devoted to the problem of the evolution of the literary hero and the types of heroes in modern Russian literature of the XXI century. The admiration of the person of the person being described and the desire to redirect this feeling to the reader make the style of the work of Zakhar Prilepin realistic through the prism of modernity (neorealism). The writer sets himself the task of telling about the fate of a modern person who faces many difficulties to squeeze in the modern world where human values have already changed, transformed beyond recognition than they were in the literature of the 19th and 20th centuries. Zakhar Prilepin is gradually moving to comprehending a more global problem: is it possible in the conditions where absolutely everyone is wearing a bit of hell in himself. The writer seeks to get an answer to this question on a truly epochal, historical scale.This article also discusses the role of Zakhar Prilepin in the context of modern Russian literature. He writes willingly and openly on topics of concern to the general public. One of the essential components of such statements is his reflections on classical and modern Russian literature, showing love or, on the contrary, dislike for the work of this or that author.The aim of the work is to determine the transformation of modern Russian prose on the example of the works of contemporary Russian writer Zakhar Prilepin. His views on the formation and development of the literary process in the twenty-first century, explores the peculiarities of the hero and the specifics of the writer's artistic world based on the work and literary analyzes. Types of heroes’ characteristic of the prose of this neorealist writer: the hero-provincial, the rebellious hero, the intellectual hero and others. The article attempts to analyze the main features of the imaginative system in the works of Z. Prilepin in the context of the traditions of the new realism (neorealism). Мақола адабий қаҳрамон эволюцияси муаммоси ва ХХI аср замонавий рус адабиётидаги қаҳрамонлар турларини ўрганишга бағишланган. Захар Прилепиндаги таърифлаётган шахснинг ҳайрати ва ички дунёсини ёритиб бериш истаги ва уни китобхонга етказиш учун қўллаган услуби асарларини замон (неореализм) призмаси орқали реализмга олиб ўтади. Ёзувчи ўз олдига ХIХ ва ХХ аср адабиётларидаги инсоният қадриятлари ХХI асрга келиб мутлақоўзгариб, таниб бўлмас даражага етганини замонавий одамнинг тақдири орқалий ёритиб бериш вазифасини қўяди. Захар Прилепин аста-секин янада глобал муаммони англашга интилмоқда: мутлақо ҳамма ўзини дўзах азобига солаётган шароитда бу мумкинми? Ёзувчи ушбу саволгзамон ва тарих миқёсида жавоб олишга интилади.Ушбу мақолада замонавий рус ёзувчиси Захар Прилепиннинг замонавий рус адабиётида тутган ўрни муҳокама қилинади. У кенг жамоатчиликни қизиқтирган мавзуларда очиқ ёзади. Бундай баёнотларнинг муҳим таркибий қисмлариданбири, бу –унинг классик ва замонавий рус адабиётига бўлган муҳаббатини акс эттириши ёки аксинча у ёки бу муаллифнинг ишини ёқтирмаслигидир.Ушбу мақоланинг мақсади замонавий рус ёзувчиси Захар Прилепиннинг ижоди мисолида замонавий рус насрнинг ўзгаришини аниқлашдир. Унинг ХХI аср адабий жараёнининг шаклланиши ва ривожланиши ҳақидаги фикрлари, қаҳрамонининг ўзига хос хусусиятлари ва ёзувчининг ижодий дунёсининг ўзига хос хусусиятларини кўрсатишдир. Бу неореализм оқимига мансуб ёзувчининг насрига хос қаҳрамонлар турлари: провинциал қаҳрамон (қишлоқ аҳолиси), исёнкор қаҳрамон, интеллектуал қаҳрамон ва бошқалар. Муаллиф З. Прилепин асарларидаги образлар тизимига хос хусусиятларни янги реализм (неореализм) анъаналари контекстида таҳлил қилган. Статья посвящена проблеме эволюции литературного героя и типов героев в современной русской литературе XXI века. Восхищение личностью описываемогочеловека и желание переадресовать это чувство читателю делают стилистику произведении Захара Прилепина реалистическими через призму современности (неореализма). Писатель ставит перед собой задачу рассказать о судьбе современной личности сталкивающегося с множеством затруднений чтобы выжать в современном мире где уже человеческие ценности изменились, трансформировались до неузнаваемости чем были в литературе XIXи ХХ веке. Захар Прилепин постепенно переходит к постижению более глобальной проблемы: возможно ли то же самое условиях, где частичку ада в себе носит абсолютно каждый. Ответ на этот вопрос писатель стремится получить в поистине эпохальном, историческом масштабе.А такжев данной статье рассматривается роль Захара Прилепина в контексте современной русской литературы. Он пишет охотно и открыто на темы, волнующие широкую общественность. Одной из существенных составляющих такого рода высказываний становятся его размышления о классической и современной русской литературе, проявляющие любовь или наоборот, неприязнь, к творчеству того или иного автора.Целью работы является определить трансформацию современной русской прозы на примере творчества современного писателя России – Захара Прилепина. Его взгляды на формирование и развитие литературного процесса вХХIвеке; исследуются особенности героя и специфика художественного мира писателяна основе произведении и литературных анализов. Типы героев; характерные для прозы этого писателя-нео реали зма : герой-провинциал; бунтующий герой; герой-интеллигент и другие.В статье осуществляется попытка анализа основных особенностей образной системы в творчестве З. Прилепинав контексте традиций нового реализма (неореализм).


Author(s):  
Maria A. Chernyak ◽  
◽  
Marine A. Sargsyan ◽  

With the advent and development of the theory of metafiction, the range of works that can be referred to this phenomenon is constantly expanding, with the deepest origins of metafiction being found in the history of novel as a genre. Modern Russian metafiction, developing in the context of literary centrism rebooting and new practices being created, is widely represented in different strata of modern Russian literature: in elite literature (Pushkin House by A. Bitov, t by V. Pelevin, Blue Fat by V. Sorokin, etc.), in fiction (Happiness Is Possible by O. Zayonchkovsky, Quality of Life by A. Slapovsky, Medvedki by M. Galina, Self- Taught by A. Utkin, etc.), in mass literature (Stylist by A. Marinina, Boys and Girls by E. Kolina, Point of No Return by P. Dashkova, etc.). The article analyzes different metafictional strategies in modern prose. The process of creating literary text is found to be one of the crosscutting subjects of modern metafiction. This is primarily connected with the writers’ desire to capture and reflect the complex and contradictory strategies of writing in the 21st century. The article considers different manifestations of metafictional strategy, such as: ‘triple literary matryoshka’ (Literary Slave: Weekdays and Holidays by N. Sokolovskaya), the theme of translation and mystification (Interlinear Translation by E. Chizhov and Stylist by A. Marinina), the author’s reflection (Adaptor by A. Slapovsky), ‘novel about a writer’ (Happiness is Possible by O. Zayonchkovsky), text created in collaboration with the new type of the reader (Arbeit. The Wide Canvas by E. Popova). All the analyzed texts raise questions about the changing role of the writer and the reader in the modern world and about the new relations between the writer and the publisher.


Istoriya ◽  
2021 ◽  
Vol 12 (11 (109)) ◽  
pp. 0
Author(s):  
Efim Pivovar

The paper is devoted to the latest Russian historiography of migration processes in the post-Soviet space. The author considers the most important research projects of academic institutions and universities of Russia in the field of history and modern dynamics of post-Soviet migrations, covers key trends and results of the development of migration issues in the framework of various areas of Russian science. The author comes to the conclusion about the need for further in-depth development of the recent history and modern trends in the migration policy of the CIS countries, the role of migration in the dialogue of cultures and civilizations in the post-Soviet space, including within the framework of international cooperation of Eurasian scientists.


Author(s):  
Tatiana Nikolayevna Samsonova ◽  
Diana Nikolayevna Tsygankova

The authors of the paper analyze the main directions of the consolidation of modern Russian society, as well as the problems that hinder the implementation of this process. The main factors explaining the fea-tures of the processes of consolidation of Russian society in the XXI century are considered. The col-lapse of the USSR, the resulting crises, the specifics of socio-political processes in the post-Soviet space, the formation of a national idea to a large extent affect the level of cohesion of the country's citizens. It is concluded that for the effective imple-mentation of the process of consolidation of society in modern Russia, it is necessary to overcome a number of problems. In this regard, it is of supreme importance to eliminate socio-economic inequality, corruption in all spheres of life, and optimize the activities of government bodies. The authors em-phasize that the consolidation of modern Russian society is the most important task of the ongoing national policy and requires targeted efforts on the part of both the state and civil society. The im-portance of further sociological studies of the con-solidation processes of Russian society is noted.


Author(s):  
Konstantin E. Meshcheryakov ◽  

The article investigates the evolution of the Russian-Uzbekistani relations in the last years of the presidency of Islam Karimov (2012–2016). Based on a wide range of official sources and periodicals, it identifies the main trends, achievements and issues of bilateral cooperation in the political, trade, economic and humanitarian spheres. It determines the factors that influenced the interaction between Moscow and Tashkent, and pays a particular attention to the role of the presidents of the two states in the development and strength- ening of their cooperation. The author concludes that throughout the period under review the Rus- sian-Uzbekistani relations faced serious challenges. They were remarkably conflicting, unpredictable, inconsistent, and quite turbulent, what provoked the discussions about the correspondence of their real political condition to their high legal status (in 2004, Russia and Uzbekistan became strategic part- ners, and in 2005, allied states). Nevertheless, the two countries overcame most of their differences and took a course towards the further expansion and deep- ening, as well as modernization of their relations. As a result, at present Uzbeki- stan remains one of the most important Russia’s partners not only in Central Asia, but throughout the post-Soviet space, as well as within the framework of the leading international organizations.


2020 ◽  
Vol 15 (3) ◽  
pp. 307-327
Author(s):  
Virsaviya Viver ◽  

The article discusses modern Eurasian integration - regional processes of unification in the post-Soviet space, in which Russia plays a guiding role. Despite the declaration by the American establishment of the importance of the Eurasian macro region and the deep involvement of the United States in the region’s affairs, the American foreign policy discourse clearly shows a lack of interest on the part of the expert community in integration in the post-Soviet space against the backdrop of Washington’s assistance in integration processes in other regions of the world. In this regard, the purpose of the article is to analyze the current practice of coverage in the American scientific and academic discourse of Eurasian integration processes with the active role of Russia. Based on the opinion of American experts from centrist, liberal and conservative think tanks, it is planned to determine the place of Eurasian integration issues in the American foreign policy discourse, to determine the dynamics of changes in the process of coverage of Eurasian integration by the American expert community, and to outline the nature of the assessments of American experts on Eurasian integration projects.


2018 ◽  
Vol 5 (2) ◽  
pp. 191-202
Author(s):  
M. M. Nurtazin

In the process of researching the geopolitical transformation of the post-Soviet space as a «Eurasian project», the author uses the method of comparative analysis of the official foreign policy documents of the founding States of the Eurasian economic union. The author, highlighting Kazakhstan, Russia and Belarus as subjects of the «integration core» in the post-Soviet space, reinforces the integration aspirations of these countries with economic data indicating their growing interdependence during the decade preceding the creation of the Union in may 2014.It is shown that the sanctions regime imposed by the Western countries on Russia and their negative impact on the economy of the EEU did not reduce the political will of the leaders of the «Troika» to continue further integration.A detailed research of the policy statements (publications) of the political leaders of the EEU «integration core» allows to determine the special role of Kazakhstan and its President N. Nazarbayev in the implementation of this large-scale geopolitical project.The author in considering programmatic foreign policy documents of Kazakhstan, Belarus and Russia offers to focus attention on the peculiarities of the positioning of the Eurasian economic union as integration entity. As a result, according to the author, the membership of Belarus in the «Eurasian project» was the result of a hard compromise for the Belarusian people. The Russian example shows that Moscow’s foreign policy vector was initially perceived by the EEU as a global project connecting Europe with the Asia-Pacific region. Now, however, Russia has positioned the EEU as a regional site. The author regards this as a decrease in the status of Eurasian integration and believes that this thesis looks very controversial. Kazakhstan, in turn, sees the «Eurasian project» as an opportunity to join the global economic chains. Thus, Astana attaches to the EEU exclusively global significance.The position of the Kazakh leader in the course of meetings with Western leaders is emphasized. The leader of Kazakhstan traditionally positions the EEU as an adequate and successful economic integration entity with which it is necessary to establish cooperation in all spheres. This allows him to be assigned the status of «advocate» of the «Eurasian project». At the same time, the article notes the support of the Eurasian views of N. Nazarbayev on the ideas of classical Eurasians P. Savitsky, G. Florovsky, N. Trubetskoy, G. Vernadsky, S. Solovyov, L. Gumilev.It is concluded that in the conditions of the remaining anti-Russian sanctions regime Kazakhstan’s participation in the EEU is one of the main factors of the legitimization of integration education at the regional and global levels. 


Author(s):  
I. I. Kalitko

The article is devoted to the study of the potential of mass-cultural factors of “soft power” of modern Russian pop music in the post-Soviet countries. After the collapse of the USSR, Russia’s key goals were to restore and strengthen its political influence in the post-Soviet space, as well as to preserve the socio-cultural space of the “Russian world”. Soft power policies, especially their cultural aspects, are a useful tool for achieving these goals. Today, the sphere of show business and the musical stage are becoming the most accessible and practical tools for promoting the Russian policy of “soft power”. The article examines the prospects of Russian foreign policy influence and the role of the Russian musical variety “soft power”, using the analysis of the popularity of Russian performers in the post-Soviet countries, on the example of Belarus and Kazakhstan.


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