scholarly journals TIPOLOGI DAN KONSEP TATA LETAK SANGGAH PADA KARANG UMAH DI DESA ADAT BAYUNG GEDE

2020 ◽  
Vol 3 (3) ◽  
pp. 161-169
Author(s):  
Anak Agung Ayu Sri Ratih Yulianasari ◽  
Frysa Wiriantari ◽  
Desak Made Sukma Widiyani ◽  
Arya Bagus Mahadwijati Wijaatmaja

Abstract: Sanggah is a shrine to worship the source of life, namely God Almighty for Balinese Hindu. In general, sanggah is positioned at sacred zone namely:hulu and/or Utama Mandala/Kaja Kangin. Unique layout of sanggah can be found at the settlement of Desa Adat (customary village) of Bayung Gede, one of Bali Aga (Ancient Bali) villages at Bangli Regency. This unique phenomenon raises questions about tipology of sanggah layout at Desa Adat Bayung Gede and the background concept of this phenomenon. The research had been done by field observation and interview with the locals and the elders of the community. Literature had been done as well as reference. The data was analyzed with descriptive-qualitative method. The conclusions of this research are: sanggah position in a house is influenced by the position of rurung (lane) as teben (profan) indicator in each housing unit. There are 3 (three) type of sanggah: (a) sanggah which is at east side of housing unit with rurung at west side of the housing unit; (b) sanggah which is at west side of housing unit with rurung at east side of the housng unit; and (c) sanggah which is at north side of the housing unit with rurung at south side of the housing unit.Keywords: the layout of sanggah, tradisional settlement, Architecture of Bali Aga. Abstrak: Sanggah merupakan tempat pemujaan kepada sumber kehidupan yaitu Tuhan Yang Maha Esa bagi umat Hindu Bali. Secara umum sanggah terletak pada zona sakral, yaitu: zona hulu dan/atau zona Utama Mandala/Kaja Kangin. Keunikan tata letak sanggah dapat ditemui pada permukiman Desa Adat Bayung Gede, salah satu desa Bali Aga (Bali Kuno) di Kabupaten Bangli. Fenomena ini menimbulkan pertanyaan bagaimana tipologi tata letak sanggah Desa Adat Bayung Gede dan konsep apa yang melatarbelakangi hal itu. Penelitian ini dilakukan dengan metode observasi ke lapangan dan interview dengan beberapa tokoh masyarakat serta penduduk setempat, serta review literatur sebagai referensi. Analisis data dilakukan dengan metode deskriptif kualitatif. Kesimpulan yang didapat adalah letak sanggah dalam pekarangan rumah Desa Adat Bayung Gede dipengaruhi oleh letak rurung (jalan perumahan) sebagai indikator teben (profan) dalam setiap pekarangan rumah. Terdapat tiga tipe sanggah: (a) Sanggah berada di sebelah timur dengan rurung berada di sebelah barat pekarangan rumah; (b) Sanggah berada di sebelah barat dengan rurung berada di sebelah timur; (c) Sanggah berada di sebelah utara dengan rurung berada di sebelah selatanKata Kunci: tata letak sanggah, permukiman tradisional, Arsitektur Bali Aga.

2019 ◽  
Vol 7 (1) ◽  
pp. 45
Author(s):  
Ilyya Muhsin ◽  
Nikmah Rochmawati ◽  
Muhammad Chairul Huda

<p>The Student Islamic proselytizing Organization (LDK) became a machine of cadre forming and expansion for Islamic political movements, <em>Ikhwanul Muslimim</em> (Muslim Brotherhood) and <em>Hizbut Tahrir </em>to achieve their ideological ambitions. These movements were believed to have harmful threat for Islamic moderate in Indonesia. Therefore, the adherents of Islamic moderate at IAIN were trying to take over LDK IAIN Salatiga from <em>Ikhwanul Muslimin</em>. This study aimed to describe and analyze revolutionary movement and its development in shaping moderate LDK networking. This study used descriptive qualitative method. The data were taken from the study of literature, interview and field observation. Research findings showed that taking over LDK IAIN Salatiga by moderate group was started with shaping LDK <em>Nusantara</em> as a means to form cadres. Having been successful in taking over LDK IAIN Salatiga, it then went out from the networking of LDK <em>Ikhwanul Muslimin</em> and planned to establish moderate LDK networking among universities which was called FKKDKN (Communication Forum for-in Campus Islamic proselytizing a whole Archipelago/<em>Nusantara</em>). This article is expected to inspire moderate movements on campuses believed to be machine to form cadres of Islamic political movement and radicalism.</p>


1979 ◽  
Vol 29 ◽  
pp. 97-102 ◽  
Author(s):  
William A. P. Childs
Keyword(s):  

The Inscribed Pillar of Xanthos is the most elaborate example of the Lycian pillar tombs. It is important for its reliefs preserved in London and Istanbul but particularly for the long historical inscription in Lycian which covers the south, east, and half of the north side of the pillar shaft. This is followed on the north side by a Greek epigram and a moderately long inscription on the remainder of the north and the whole west side in Lycian B or Milyan. The date of the pillar is generally placed around 400 B.C. This is based on the style of the reliefs of the upper burial chamber and on the analysis of the historical inscription.The name of the author of the pillar appeared three times in the inscriptions – twice in the Lycian historical inscription (south side or a lines 1 and 29/30) and once in the Greek epigram (north side or c line 24, epigram line 5). Yet in the Lycian the name is missing entirely in both cases and in the Greek only the last two letters are preserved: [ … ]ις. The fact that he is called in the Lycian and Greek the son of Harpagos does not help identify him because this Harpagos is otherwise known only from two inscriptions, one still unpublished. Recently it has been argued by Laroche that the author of the inscription cannot be the formerly favoured Kherẽi (χerẽi) because the space for the name must have contained six letters. Bousquet has also shown that a plausible restoration of the name of the author of the inscription in the Greek epigram is [Gerg]is, the Greek equivalent of Kheriga (χeriga).


Author(s):  
Richard Stillwell

This chapter looks at the stained-glass windows of the crossing and the choir clerestory of the Princeton University Chapel. On the east side of the two transepts and in the choir above the organ cases are four windows which together illustrate aspects of the great themes in the Book of the Psalms. The windows are composed of numerous little scenes that are literal illustrations of verses from the Psalms, or are scenes from the life of Christ suggested by the verses. The four lancets in each window are to be read from left to right, and the three panels in each lancet from top to bottom. The north transept features Psalms 147, 148 and 150, while the south transept shows Psalm 107. In the north side of the choir are Psalms 22 and 23, and in the south side is Psalm 91.


2019 ◽  
Vol 11 (3) ◽  
pp. 449
Author(s):  
La Ode Dinda ◽  
Aman Aman ◽  
Johan Setiawan

Tujuan penelitian ini adalah: menjelaskan asal-usul pakaian Adat Muna, menggambarkan proses pembuatan pakaian Adat Muna, menjelaskan fungsi pakaian Adat Muna, menjelaskan makna simbolik pakaian Adat Muna. Metode yang digunakan dalam penelitian ini adalah metode kualitatif deskriptif dengan pendekatan sejarah. Teknik pengumpulan data melalui observasi, wawancara, dan studi dokumen. Sumber yang digunakan merupakan data lapangan melalui participant observation sebagai data primer, dan sumber kepustakaan sebagai data sekunder. Hasil penelitian menunjukkan bahwa: (1) Asal-usul pakaian Adat Muna sudah lama dikenal oleh masyarakat Muna dan kerajinan ini merupakan salah satu kreativitas mereka yang digunakan dalam acara-acara tertentu, (2) Proses pembuatan pakaian Adat Muna terdiri dari proses menghani/kasoro dan Proses menenun, (3) Pakaian Adat Muna memiliki fungsi etik, estetik, religius, sosial, dan (4) Makna simbolik pakaian Adat Muna yaitu: (a) Mahkota yang berwarna putih dan merah mengandung arti sebagai simbol kesucian dan keberanian (b) Warna sarung yang berwarna biru mengandung arti kepatuhan.The objectives of this study are: to describe the origin of Muna traditional clothes, to describe the process of making Muna traditional clothes, to explain the functions of Muna traditional clothes, to explain the symbolic meaning of Muna traditional clothes in people's lives. The method used in this researchis descriptive qualitative method with a historical approach. Data collection techniques are carried out through field observation and interviews as primary source and document study as secondary source. The results of the study show that: (1) The origins of Muna traditional clothes have long been known by the Muna community and that this craft is one of their creative manifestations used in certain events, (2) The process of making Muna traditional clothes consists of the process of  menghani/kasoro and the process of weaving, (3) The functions of Muna traditional clothes have ethical, aesthetic, religious, social dimension, and (4) Symbolic meaning of Muna Traditional namely: (a) White and red crowns  mean as a symbol of chastity and wealth, (b) Blue sarong means obedience.


1966 ◽  
Vol 61 ◽  
pp. 207-215
Author(s):  
H. Plummer ◽  
F. Salviat

The triglyph altar to the east of the sixth-century temple of Hera Akraia was only cursorily published in the first volume of Perachora (pp. 89–91; pls. 6 and 130). No real discussion was offered of the columns, apparently Ionic, placed carefully around it, which R. Martin considers, not unreasonably, evidence for a sort of baldacchino, surely one of the earliest known (see note below). I was lately asked to study altar and columns in more detail, and visited Perachora in March 1965 for the purpose. I concluded that the altar had no ritual connexion with the stoa to the east of it, but was a typical archaic temple-altar, its length (pace Perachora i. 89, which makes it but 5 metres long) originally comparable to the width of the temple. So it could be restored as about 8 metres long, or, including the columnar surround, about 10 metres. The pair of columns on its north side are nearly aligned with the temple's north wall, and it is possible, with four columns spaced at comparable intervals on the west side, to obtain an alignment nearly as close between its south side and the temple's south wall.


2017 ◽  
Vol 1 (04) ◽  
pp. 413-426
Author(s):  
Meidy Charista Cahyawan; Yuswadi Saliya

Abstract- In addition to Hinduism, Balinese people are familiar with Buddhism that entered the region at almost the same time as Hinduism during Dharmaudayana’s reign. Unfortunately, due to the large number of sects and religions developed at that time, there was religious simplification by Mpu Kuturan. Syncretism occurred between Shivaism, Buddhism (Mahayana), as well as original Balinese local religion merging into Shiva-Buddhism that developed into Balinese Hinduism that has been prominent until the present. After independence, the school of Buddhism that had not been influenced by the conditions and local denominations was resurrected and had Vihara temples built. Hence, the existence of Buddhist buildings of worship on the island of Bali from the IX-XI century called Candi (Vihara). Based on this phenomenon, the need arose for identifying similarities (in terms of continuity) and differences (discontinuity) of spatial and formal patterns in the Buddhist buildings of worship in Bali within the typo-morphological context, namely Goa Gajah (Elephant Cave), Candi Pegulingan (Pegulingan Temple), Candi Kalibukbuk (Kalibukbuk Temple), Brahma Vihara Arama (Brahma Arama Temple), and Vihara Buddha Sakyamuni(Buddha Sakyamuni Temple). The descriptive qualitative method was used through field observation of individual research objects which was subsequently identified and analyzed to discover the similarities and differences as well as mutual relations in accordance with variables determined by theoretical analysis concerning typo-morphology and Buddhist buildings of worship. There are similarities and differences in each research object. The similarities and differences exist due to the strong beliefs and closely guarded simbols of Buddhism although there is also the influence of local and traditional elements on the Balinese order of life. These, in turn caused the existence of numerous patterns of each object. The new patterns are the reflection of the various forms of assimilation that occur on Bali. Keywords: Buildings of Worship, Candi, Vihara, Bali, Typo-morphology


2019 ◽  
Vol 3 (2) ◽  
pp. 77-88
Author(s):  
Sri Harto ◽  
Sri Handayani

This research applied a descriptive qualitative method to identify the major problems encountered by students in analyzing transitivity. It also aims to find out some of the alternative solutions to the students


EDUKASI ◽  
2016 ◽  
Vol 14 (2) ◽  
Author(s):  
Arif Yakub ◽  
Rafik M. Abasa

This research is making use of descriptive qualitative method. The data are collected with the method of Sudaryanto (1993) that is listening and interviewing method, make use the technique of free listening and interviewing with a list of questionaire. This research makes use the theory of Burning (1970) and Koentjaraningrat (1980) to answer the first problem, and of Spradley (1979) and Casson (1981) to the second one. The result of this research shows that the consanguinal kinship terms are Baba (father), Tou (grandfather), Wos (ego’s father), Galawewe (father of ego’s grandfather), Karekare ( grandfather of Ego’s grandfather), Baay (ego’s mother), Nene (mother’s mother), Nenewos (mother of nene), Nenegalawewe (mother of nenewos), Nenekarekare (mother nenegalawewe). Nikmapin (wife of masculine ego), Nikmon (husband of feminine ego), Tamno (ego’s elder brother),  Thano (ego’s younger brother), Damo 1 (ego’s sister), Damo 2 (ego’s brother), Mtu (ego’s child), Bbu (ego’s grandchild), Bbuwos (child of ego’s grandchild), Bbugalawewe (grandchild of ego’s grandchild), Bbukarekare (buyut dari ego). Afinal kinship terms: Nikmon (husband), Nikmapin (wife), Tafu (brother in-law), Hono (sister in-law), Iho (in-laws), Akmomon (wife’s father), Akmomapin (wife’s mother), Haliha (mother/father in-laws), Kanglolo (elder brother of father or mother), Kangkutu (younger brother of father or mother), Baaylolo (mother’s elder sister), Jojo (mother’s younger sister). Other kinship terms include: Jau (Allah), Kakang (guru ngaji), Engku (masculine teacher), Encik (feminine teacher). Keywords: kindship terms of East Makian language


Author(s):  
Tegar Aprilio Armanda

Tegar Aprilio Armanda, NPM: 1532010014. “Student Communication Anxiety During Thesis Guidance (Analysis of Communication Anxiety To Alumni of Students of the Communication Studies Program Merdeka Madiun University Class of 2015). Communication Studies Program, Merdeka Madiun University, Supervisor : Maria Madgalena W., S.Sos, M.Si, Supervisor 2: Zulin Nurchayati, S.Psi, M.Si. Year 2020. The purpose of this study was to determine the cause and effect of communication anxiety between students of the Merdeka Madiun University Class of 2015 with the supervisor when conducting thesis guidance, forms of communication anxiety itself that have been experienced by students of Communication Studies Merdeka Madiun University Class of 2015, anticipatory steps taken by the Communication Sciences Merdeka Madiun University Class of 2015 students, how important is the handling of communication anxiety, data related to communication anxiety among final year students. This research uses descriptive qualitative method. Research data obtained through observation techniques, literature studies, interviews, and documentation. The informants came from the 2015 Communication Merdeka Madiun University alumni students. The results of this study are modeling and skill acquisition factors causing the emergence of communication anxiety, the type of communication anxiety perceived by informants is generalized context communication apprehension and situational communication apprehension, the form of communication anxiety perceived by informants is state anxiety, the most anticipatory step recommended by informants is to better understand the thesis material before the guidance and remain calm during the guidance.Keyword: Anxiety, Communication anxiety, Students of the Communication Studies Program Merdeka Madiun University Class of 2015,Thesis Guidance. 


Author(s):  
Zimmatul Liviana

The research grammatical interference in a collection ofshort stories Biarkan Aku Memula iwork Nurul F. Hudaisa collection ofshort storiesset in the back that Is start work Let Nurul F. Huda contains many grammatical interference.The problem of this   study were(1)how   the various morphologi calinterference containedin   a   collection of short stories Biarkan Aku Memulai work Nurul F. Huda. (2)how the various syntactic interference contained in a collection of short stories Biarkan Aku Memulai work Nurul F. Huda. The purposeof this studyis to describe the morphological and         Syntactic interference contained in a collection of short stories Biarkan Aku Memulai work Nurul F. Huda. Sociolinguistics is the study of language variation and use in society. Interference is the event of the use of language elements of one into the other language elements that occur in the speakers themselves. This research uses descriptive qualitative method because to describe the actual realityin order to obtainan accurateand objective. Qualitative descriptive methods were used to analyzethe elements ofa word orphrase that incorporated elements of other languages with the analysis and description of the formulation of the problem is the answer. Data collection techniques using observation techniques, the determination ofthe object of research, the selection of short stories.Based on the analysis of the data in this study can be found that there are six forms of interference morphology, namely (1) the prefix nasal N-sound, (2) the addition of the suffix, (3) the exchange prefix, (4) exchange suffixes, (5) exchange konfiks, (6) removal affixes. While the syntactic interference only on the words and phrases in a sentence. The results of the study it can be concluded that the interference morphology more common than syntactic interference.


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