scholarly journals Revolution of Islamic Proselytizing Organization: From Islamism to Moderate

2019 ◽  
Vol 7 (1) ◽  
pp. 45
Author(s):  
Ilyya Muhsin ◽  
Nikmah Rochmawati ◽  
Muhammad Chairul Huda

<p>The Student Islamic proselytizing Organization (LDK) became a machine of cadre forming and expansion for Islamic political movements, <em>Ikhwanul Muslimim</em> (Muslim Brotherhood) and <em>Hizbut Tahrir </em>to achieve their ideological ambitions. These movements were believed to have harmful threat for Islamic moderate in Indonesia. Therefore, the adherents of Islamic moderate at IAIN were trying to take over LDK IAIN Salatiga from <em>Ikhwanul Muslimin</em>. This study aimed to describe and analyze revolutionary movement and its development in shaping moderate LDK networking. This study used descriptive qualitative method. The data were taken from the study of literature, interview and field observation. Research findings showed that taking over LDK IAIN Salatiga by moderate group was started with shaping LDK <em>Nusantara</em> as a means to form cadres. Having been successful in taking over LDK IAIN Salatiga, it then went out from the networking of LDK <em>Ikhwanul Muslimin</em> and planned to establish moderate LDK networking among universities which was called FKKDKN (Communication Forum for-in Campus Islamic proselytizing a whole Archipelago/<em>Nusantara</em>). This article is expected to inspire moderate movements on campuses believed to be machine to form cadres of Islamic political movement and radicalism.</p>

2020 ◽  
Vol 10 (2) ◽  
pp. 197-206
Author(s):  
Erman

The research aimed to reveal the history of the Raya Magazine and writing on political movements promoted by Islamic College students in Minangkabau. The research findings succeeded in revealing that Raya Magazine was present in the midst of strengthening colonial political pressure and the weakening of the national movement in the 1930s. The political movement was one of the themes of the national movement which was of special note and attention to the Islamic College Students Association. This theme was encountered in several articles during publication, mainly related to the weakening of non-cooperative parties in carrying out movements. The social situation that helped shape the theme of the political movement was the impact caused by the application of vergaderverbood in 1933 and arrested a number of non-cooperative parties leaders, especially Partindo, PNI Baru, and Permi.


JURNAL BASIS ◽  
2019 ◽  
Vol 6 (2) ◽  
pp. 185
Author(s):  
Marlina Agkris Tambunan

The purpose of this study is to describe the elements of lexical cohesion and grammatical cohesion elements in the poem discourse "Museum of Destruction of Documents" by Afrizal Malna. This research uses descriptive qualitative method by using library, reading, and note taking techniques. Data analysis was performed by data reduction, data presentation, then described and verified. Based on the research findings, it was concluded that the grammatical cohesion used in the collection of poetry "Museum Destroyer Documents" by Afrizal Malna found as many as 313 markers which include; 1) referencing 168 markers; 2) absorption of 2 markers; and 3) assembling 143 markers. Furthermore, the use of lexical cohesion used in the discourse on the poem "Document Shredder" by Afrizal Malna was found as many as 93 markers which included; 1) repetition of 39 markers; 2) synonym 11 markers; 3) antonimi 29 markers; 4) collocation of 9 markers; and 5) equivalence of 5 markers. When combined, the total usage of both is 406 markers.


2018 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Hasan Albar

<p>Mosque is the center of Muslim’s worshiping activities, existed from all capability had by its community, and it is also the representation of Muslim’s community that establishes and prospers it. Among the zakat institution that is quite dominant to be the reference of the community is the mosque itself. However, Muslim’s community participation in paying zakat, infaq, and sadaqat is still minimal compared to the amount of community in that region. Therefore, a mosque needs a good financial management and accurate financial information. By implementing accounting in a mosque, it can accelerate the planning and monitoring function in the decision making. Thus, in a good financial management of a mosque, it is important to note about how to manage a good finance and undertake financial information. The objective of this study is to know how mosque receiving officer (Amil Zakat) manages zakat, infaq, and sadaqat. With the aforementioned background, the researcher is interested in taking the title ““The Practice of Zakat, Infaq, and Sadaqat Management in Management in Masjid Muttaqin, Ternate CitysjidMuttaqin”. This research uses descriptive qualitative method. The subject of this research are five people. The method used is interview and the data gathered by the means of observation, interview and documentation. The research findings suggest that the accountability undertaken by the management because the management realizes that the gained ZIS funds is a trust from people that pray in Mosque, and the generous people so that it should be accounted for. The management executes transparency, which is the information delivered truthfully about the ZIS funds and its benefits so that there is participation from the people who pray in the mosque.</p>


Author(s):  
Hernovianti Puspa Sari ◽  
Neng Rini Dartini ◽  
Euis Rina Mulyani

Songs are one of media in language to communicate or deliver a message which created by a songs’ writer through a singer to listeners. Songs is very effective as a media in analyzing systemic functional linguistic, because in song contained two text at once, those are when a singers sing, the song is the spoken text, and the song lyric is the written text. The objective of this study is to describe the aspects of Interpersonal Meaning in the lyric of Adele’s Album 21. The design of the research was descriptive qualitative method. The writers analyzed the a song entitled ”Don’t You Remember” based on the Subject, Finite, Predicator, Complement and Adjunct that describe in the table. The writers classified them based on Mood-Residue elements and made the conclusion based on the research findings. The results of the data analysis shows that the interpersonal meaning in the lyric Don’t You Remember of Adele’s album “21”, there are only 4 clauses which do not have aspects of interpersonal meaning from 28 clauses which be analyzed because the clauses only have one element, it is residue. Thus, the conclusion is  85.7 % of the data can be analyzed to find out mood and residue  as the aspects of interpersonal meaning.Keywords: Interpersonal meaning, Song lyric


2021 ◽  
Vol 20 (2) ◽  
pp. 159
Author(s):  
Kisno Hadi ◽  
May Linda Sari

<em>This article describes on radical fundamentalism group named Hizbut Tahrir Indonesia (HTI). Fundamentalism is a concept, an idea that lives in political thought and religious political movement which is  recognized blooming out in Indonesia as a side product of reformation era in 1998. Because of its ideology was consider as an opposite to Indonesian ideology and law, HTI  then disbandment by  Indonesian government. This  article is a library research that uses a descriptive qualitative method. There are three Research results i.e., firstly, radical fundamentalism is a thought and a religious-political movement of a group that strictly carries  out religious teachings. And these concepts exist in all religions. Secondly, although activities and political movements of HTI were stopped by government, its concept and movement are still running by many other religious group. And thirdly, the thought and political movement of HTI and other religious fundamentalist groups needs to be criticized to add insight into ideology.</em><br /><br /><strong>Key words:</strong> Radical Fundamentalism, Hizbut Tahrir Indonesia, Religious Thought and Political Movement.<br /><br />


2019 ◽  
Vol 11 (3) ◽  
pp. 449
Author(s):  
La Ode Dinda ◽  
Aman Aman ◽  
Johan Setiawan

Tujuan penelitian ini adalah: menjelaskan asal-usul pakaian Adat Muna, menggambarkan proses pembuatan pakaian Adat Muna, menjelaskan fungsi pakaian Adat Muna, menjelaskan makna simbolik pakaian Adat Muna. Metode yang digunakan dalam penelitian ini adalah metode kualitatif deskriptif dengan pendekatan sejarah. Teknik pengumpulan data melalui observasi, wawancara, dan studi dokumen. Sumber yang digunakan merupakan data lapangan melalui participant observation sebagai data primer, dan sumber kepustakaan sebagai data sekunder. Hasil penelitian menunjukkan bahwa: (1) Asal-usul pakaian Adat Muna sudah lama dikenal oleh masyarakat Muna dan kerajinan ini merupakan salah satu kreativitas mereka yang digunakan dalam acara-acara tertentu, (2) Proses pembuatan pakaian Adat Muna terdiri dari proses menghani/kasoro dan Proses menenun, (3) Pakaian Adat Muna memiliki fungsi etik, estetik, religius, sosial, dan (4) Makna simbolik pakaian Adat Muna yaitu: (a) Mahkota yang berwarna putih dan merah mengandung arti sebagai simbol kesucian dan keberanian (b) Warna sarung yang berwarna biru mengandung arti kepatuhan.The objectives of this study are: to describe the origin of Muna traditional clothes, to describe the process of making Muna traditional clothes, to explain the functions of Muna traditional clothes, to explain the symbolic meaning of Muna traditional clothes in people's lives. The method used in this researchis descriptive qualitative method with a historical approach. Data collection techniques are carried out through field observation and interviews as primary source and document study as secondary source. The results of the study show that: (1) The origins of Muna traditional clothes have long been known by the Muna community and that this craft is one of their creative manifestations used in certain events, (2) The process of making Muna traditional clothes consists of the process of  menghani/kasoro and the process of weaving, (3) The functions of Muna traditional clothes have ethical, aesthetic, religious, social dimension, and (4) Symbolic meaning of Muna Traditional namely: (a) White and red crowns  mean as a symbol of chastity and wealth, (b) Blue sarong means obedience.


2020 ◽  
Vol 3 (3) ◽  
pp. 161-169
Author(s):  
Anak Agung Ayu Sri Ratih Yulianasari ◽  
Frysa Wiriantari ◽  
Desak Made Sukma Widiyani ◽  
Arya Bagus Mahadwijati Wijaatmaja

Abstract: Sanggah is a shrine to worship the source of life, namely God Almighty for Balinese Hindu. In general, sanggah is positioned at sacred zone namely:hulu and/or Utama Mandala/Kaja Kangin. Unique layout of sanggah can be found at the settlement of Desa Adat (customary village) of Bayung Gede, one of Bali Aga (Ancient Bali) villages at Bangli Regency. This unique phenomenon raises questions about tipology of sanggah layout at Desa Adat Bayung Gede and the background concept of this phenomenon. The research had been done by field observation and interview with the locals and the elders of the community. Literature had been done as well as reference. The data was analyzed with descriptive-qualitative method. The conclusions of this research are: sanggah position in a house is influenced by the position of rurung (lane) as teben (profan) indicator in each housing unit. There are 3 (three) type of sanggah: (a) sanggah which is at east side of housing unit with rurung at west side of the housing unit; (b) sanggah which is at west side of housing unit with rurung at east side of the housng unit; and (c) sanggah which is at north side of the housing unit with rurung at south side of the housing unit.Keywords: the layout of sanggah, tradisional settlement, Architecture of Bali Aga. Abstrak: Sanggah merupakan tempat pemujaan kepada sumber kehidupan yaitu Tuhan Yang Maha Esa bagi umat Hindu Bali. Secara umum sanggah terletak pada zona sakral, yaitu: zona hulu dan/atau zona Utama Mandala/Kaja Kangin. Keunikan tata letak sanggah dapat ditemui pada permukiman Desa Adat Bayung Gede, salah satu desa Bali Aga (Bali Kuno) di Kabupaten Bangli. Fenomena ini menimbulkan pertanyaan bagaimana tipologi tata letak sanggah Desa Adat Bayung Gede dan konsep apa yang melatarbelakangi hal itu. Penelitian ini dilakukan dengan metode observasi ke lapangan dan interview dengan beberapa tokoh masyarakat serta penduduk setempat, serta review literatur sebagai referensi. Analisis data dilakukan dengan metode deskriptif kualitatif. Kesimpulan yang didapat adalah letak sanggah dalam pekarangan rumah Desa Adat Bayung Gede dipengaruhi oleh letak rurung (jalan perumahan) sebagai indikator teben (profan) dalam setiap pekarangan rumah. Terdapat tiga tipe sanggah: (a) Sanggah berada di sebelah timur dengan rurung berada di sebelah barat pekarangan rumah; (b) Sanggah berada di sebelah barat dengan rurung berada di sebelah timur; (c) Sanggah berada di sebelah utara dengan rurung berada di sebelah selatanKata Kunci: tata letak sanggah, permukiman tradisional, Arsitektur Bali Aga.


2017 ◽  
Vol 7 (2) ◽  
pp. 177
Author(s):  
Yeni Maulina

Imagery is an important element in a poem. An idea that is originally abstract can be conceived and expressed through imagery. Imagery is generated through expression of words so that readers can easily imagine it. This study aims to determine types of imagery contained in the Orgasmaya anthology of Hasan Aspahani’s work. The method used in this research is the descriptive qualitative method. The research findings reveal that of the 74 poems that were analyzed, there are 74 data fragments of the poems containing imagery. There are 11 fragments of the poems containing visual imagery, 22 fragments containing auditory imagery, 4 fragments containing olfactory imagery, 5 fragments containing feeling imagery, 7 fragments containing palpation imagery, and 25 fragments containing motion imagery. Based on the analysis of imagery on the Orgasmaya poem anthology of Hasan Aspahani’s work, the most appeared imagery in the poems is motion imagery. It is due to the fact that the poets are able to visualize motions to readers which described through the proper choices of diction to see the beauty and natural phenomena, daily life, and social conflict as the building of imagery in his poems. Abstrak Citraan merupakan sebuah unsur yang penting dalam sebuah sajak. Melalui citraan, sebuah ide yang semula abstrak dapat dibayangkan dan diekspresikan. Citraan merupakan gambaran yang dibangkitkan lewat sebuah kata sehingga pembaca dengan mudah dapat mengimajinasikannya. Penelitian ini bertujuan untuk mengetahui jenis citraan apa saja yang terdapat pada kumpulan sajak Orgasmaya karya Hasan Aspahani. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Hasil penelitian menunjukan bahwa dari 74 sajak yang dianalisis terdapat 74 data penggalan sajak yang mengandung citraan. Terdapat 11 penggalan sajak yang mengandung citraan penglihatan, 22 penggalan sajak yang mengandung citraan pendengaran, 4 penggalan sajak yang mengandung citraan penciuman, 5 penggalan sajak yang mengandung citraan rasaan, 7 penggalan sajak yang mengandung citraan rabaan, dan 25 penggalan sajak yang mengandung citraan gerak. Berdasarkan analisis citraan kumpulan sajak tersebut terlihat yang paling banyak muncul adalah citraan gerak. Hal ini disebabkan oleh penyair yang mampu memanfaatkan pembaca agar dapat membayangkan gerakan yang digambarkan oleh penyair melalui diksi yang tepat untuk melihat keindahan dan fenomena alam, kehidupan sehari-hari, serta konflik sosial sebagai bangunan citra dalam sajak-sajaknya.


2015 ◽  
Vol 8 (1) ◽  
Author(s):  
Nur Vita Handayani

This study aims to describe kinds and forms of expressive speech act in Hannah Montana Session 1. It belongs to descriptive qualitative method. The research object was expressive speech act. The data source was utterances which contain expressive speech acts in the film Hannah Montana Session 1. The researcher used observation method and noting technique in collecting the data. In analyzing the data, descriptive qualitative method was used. The research findings show that there are ten kinds of expressive speech act found in Hannah Montana Session 1, namely expressing apology, expressing thanks, expressing sympathy, expressing attitudes, expressing greeting, expressing wishes, expressing joy, expressing pain, expressing likes, and expressing dislikes. The forms of expressive speech act are direct literal expressive speech act, direct non-literal expressive speech act, indirect literal expressive speech act, and indirect non-literal expressive speech act.


2021 ◽  
Vol 4 (1) ◽  
pp. 19-22
Author(s):  
Atika Kurniafita

This research aims are: 1. To identify, classify and describe the type of grammatical error on the first grade of Olympiad student’s descriptive text at SMP ISLAM 02 Pujon based on Surface Strategy Taxonomy Theory by Dulay, 2. To find the causes of error made by the students in writing descriptive text using H.Douglas Brown’s Theory of possible source of error. The research was conducted by using descriptive qualitative method. The researcher used the instruction as the instrument to guide the student to write descriptive text, and the student’s descriptive text is considered as the data source. Based on research findings, the researcher found all error types and all source types with omission as the most type of error found, while intralingual is the most factor causing the student’s error on writing descriptive text.Keywords:


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