scholarly journals ARCHITECTURE OF THE HISTORICAL BUILDINGS OF THE CONSULATES IN SHENYANG, CHINA

2020 ◽  
Vol 10 (3) ◽  
pp. 86-92
Author(s):  
Tatyana A. SMOLIANINOVA

The article is devoted to the architecture of the preserved historical buildings of the consular offi ces of Shenyang City in Liaoning Province during the fi rst half of the 20th century. During the period under review, consulates of countries such as Britain, France, Japan, Germany, Italy, America and Russia were opened. In the process of research, four surviving objects were identifi ed, in which Japan, Germany and France were located. Their compositional and stylistic analysis with a brief historical description is carried out. In particular, it was determined that mainly buildings selected as consular offi ces or built directly for them were located in the central administrative region. Currently, the preserved objects are included in the list of monuments of the architectural heritage of Shenyang. The reported study was funded by RFBR, project number № 20-012-00316

2020 ◽  
Vol 81 (3) ◽  
pp. 63-69
Author(s):  
E. A. Frolova

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.


2021 ◽  
Vol 11 (4) ◽  
pp. 1855
Author(s):  
Franco Guzzetti ◽  
Karen Lara Ngozi Anyabolu ◽  
Francesca Biolo ◽  
Lara D’Ambrosio

In the construction field, the Building Information Modeling (BIM) methodology is becoming increasingly predominant and the standardization of its use is now an essential operation. This method has become widespread in recent years, thanks to the advantages provided in the framework of project management and interoperability. Hoping for its complete dissemination, it is unthinkable to use it only for new construction interventions. Many are experiencing what happens with the so-called Heritage Building Information Modeling (HBIM); that is, how BIM interfaces with Architectural Heritage or simply with historical buildings. This article aims to deal with the principles and working methodologies behind BIM/HBIM and modeling. The aim is to outline the themes on which to base a new approach to the instrument. In this way, it can be adapted to the needs and characteristics of each type of building. Going into the detail of standards, the text also contains a first study regarding the classification of moldable elements. This proposal is based on current regulations and it can provide flexible, expandable, and unambiguous language. Therefore, the content of the article focuses on a revision of the thinking underlying the process, also providing a more practical track on communication and interoperability.


2021 ◽  
Vol 10 (2) ◽  
pp. 85
Author(s):  
Juan Reinoso-Gordo ◽  
Antonio Gámiz-Gordo ◽  
Pedro Barrero-Ortega

Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of deformed ceilings have been presented. This study starts by providing data on the palace history concerning the design of geometric interlacing patterns in carpentry according to the 1633 book by López de Arenas, and on the ceiling consolidation in the 20th century. Images were then obtained using two complementary procedures: from a 3D laser scanner, which offers metric data on deformations; and from photogrammetry, which facilitates the visualisation of details. In this way, this type of heritage is documented in an innovative graphic approach, which is essential for its conservation and/or restoration with scientific foundations and also to disseminate a reliable digital image of the most beautiful ceiling of this Renaissance palace in southern Europe.


2014 ◽  
Vol 12 (1) ◽  
pp. 97-112 ◽  
Author(s):  
Marko Nikolic ◽  
Nadja Kurtovic-Folic ◽  
Aleksandar Milojkovic

At the time of changing economic circumstances, adaptation and conversion of historic structures is an increasingly popular approach. Some historical buildings are very suitable for the revitalization into the modern hotels. The paper analyzes the relationship of the hotel, the city and its architectural heritage, as well as some of the factors that led to the eruption of alternative models of hotels, shown through a series of successful solutions. Many challenges of hotel design in historic buildings are listed and corresponding solutions are offered. Some methodological directions are indicated, and certain guidelines and principles for further activities in this field are formulated. In conclusion their applicability in practice is discussed, and certain disadvantages and limitations are listed.


Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 673-690
Author(s):  
Giorgio Gasco

The beginning of restoration works on a scientific base in Turkey dates back on 1933 when a specific committee for the protection of monuments (Anıtları Koruma Komisyonu) was officially appointed by the Ministry of Education. The preliminary working phase, carried on under the direction of this committee, was soon distinguished by the clear attempt to visualize the results in order to cast the monuments as national icons. The present paper's aim is to discuss this process of visualization focusing on the case study of a series of works realized in Edime from 1933 to 1944. Apart from the historical value of monuments included in the protection program, the study explores the ideological side of these works stressing their value as a pioneering enterprise of a modem nation that celebrated its emerging culture in the protection and preservation of monuments as a sign of progress and civilization. Edirne's restoration works in fact arouse a great deal of interest in the national press, becoming the best show-case for the effort of the Ministry. By this point of view the study focuses on the key-role played by the Turkish Historical Society in the construction of a visual narrative in the attempt to disseminate the result of these works. In particular the efforts of the Turkish Historical Society in advertising the scheduled interventions found their outlet in the editing of a set of postcards displaying Edirne's historical buildings. The result is a series of powerful images in which a number of buildings are re-casted as the first cultural-historical assets of the Turkish nation. The construction of this visual material was set according to a powerful aesthetic format, clear and instantly recognizable, in order to assure an immediate public reception of the historical heritage of the country. The collection of these images stands as a prime contribution in the construction of the national identity of the country thanks to the production of a collective visual heritage, that, on the ground of an effective popular aesthetics, was able to feature the idea of nation as a landscape of monuments.


Author(s):  
Caterina Morganti ◽  
Cristiana Bartolomei

This project's principal intention is developing a structure from a motion thematic applied to an architecture field in both medium and large scale, in order to generate a cloud of points. These are obtained thanks to photographic footage, which can later be used during the H-BIM process. The matter of 3D digitalization is a very current issue for many countries including Cuba. The growth of such a technological application for tridimensional restitution of historical buildings is treated by giving special attention to those belonging to Havana's architectural and cultural heritage.


3D Printing ◽  
2017 ◽  
pp. 333-360 ◽  
Author(s):  
Stefano Brusaporci

The chapter presents a reflection on the concept of transparency in digital modeling and visualization of Architectural Heritage. Moving from topics of transparency and from the experiences in using paradata in different fields to state model's source, the degree of reliability of virtual re-constructions, and to made the digital model testable by other professionals, transparency and paradata are studied and declined for a dedicated application to historical buildings. In fact paradata is useful for model's design, use, management, diffusion, archiving, and interoperability. This according to an aim of model's intellectual transparency, and scientific computing and visualization of historic buildings. Follows issues about: the relationship between physical and digital heritage, the design of the digital 3D model and the database, the communication of transparency through spatial visualizations and multiple windowed representations, the transparency as possible methodological workflow for scientific analysis.


2013 ◽  
Vol 368-370 ◽  
pp. 45-48
Author(s):  
Xiao Yu Wang ◽  
Rui Wang ◽  
Xiao Hang Wang ◽  
Jun Jiang

This paper introduces the general situation of Pre-Qing architectural cultural heritage research work in Liaoning Province. It analyses the situation about the 30 heritage of historic buildings and the surrounding environment in Liaoning Province, gives the basic description on the research content and the methods of research. And, it Analyses the current situation of the architectural heritage of Liaoning and points out the problem that we meet, at the same time, provides the suggestions for protection. To protect the architectural cultural heritage resources in Pre-Qing Dynasty, in Liaoning Province, in whole, it can reference the model of heritage area to make an exploration of scientific research and make the protection planning of overall area.


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