scholarly journals Major Cardoso e João Ternura: um encontro na alfaiataria

2020 ◽  
Vol 29 (1) ◽  
pp. 103
Author(s):  
Marcos Vinícius Teixeira
Keyword(s):  
Short Story ◽  
The Novel ◽  
Final Version ◽  
De Se ◽  
Long Time

Resumo: Apesar de se tratar de um texto não aproveitado na versão final do romance João Ternura, “O homem e seu capote”, de Aníbal Machado, pode ser lido e estudado de forma independente como um conto. O episódio protagonizado por João Ternura se assemelha a determinadas cenas que o major Cardoso vive na novela coletiva O capote do guarda, da qual participou o próprio Aníbal Machado no início dos anos 1920. No entanto, esta novela permaneceu inacessível aos leitores durante muito tempo, tendo sido reeditada somente nos anos de 2005 e 2006. É possível supor que esta obra tenha sido uma fonte motivadora para a realização de “O homem e seu capote”, o que ainda não foi investigado pela crítica literária. Nessa perspectiva, o objetivo deste artigo é estudar este conto em relação à referida novela, considerando-se o capote e as ocorrências ligadas a esse elemento nas duas narrativas. Espera-se contribuir para uma melhor compreensão do universo literário do escritor, especialmente em relação ao período que antecede a publicação de seu primeiro livro.Palavras-chave: Modernismo brasileiro; Aníbal Machado; Major Cardoso; João Ternura.Abstract: Despite being an unused text in the final version of the novel João Ternura, “O homem e seu capote”, from Aníbal Machado may be independently read - and studied - as a short story. The episode’s protagonist is João Ternura and the text is similar to certain scenes Major Cardoso lives in the collective novella O capote do guarda, with which Aníbal Machado himself contributed to in early 1920’s. However, this novella remained inaccessible to readers for a long time, being reedited only in 2005 and 2006. It is possible that this work was a source of motivation for writing “O homem e seu capote”, which still was not investigated by the literary critique. In this perspective, this article aims to study this short story in its relation to the novella mentioned above, considering the Capote (or the Overcoat) and the instances related to this element in both narratives, in the hope to contribute to better understanding the literary universe of this writer, particularly regarding the period before the publication of his first book.Keywords: Brazilian modernism; Aníbal Machado; Major Cardoso; João Ternura.

scholarly journals A relação entre texto literário e peritextos: uma análise do romance O meu amante de domingo, de Alexandra Lucas Coelho / The Relationship Between Literary Text and Peritexts: An Analysis of the Novel O meu amante de domingo, by Alexandra Lucas Coelho

2021 ◽  
Vol 41 (65) ◽  
pp. 83
Author(s):  
Thadyanara Wanessa Martinelli Oliveira
Keyword(s):  
Home Environment ◽  
Literary Text ◽  
Private Life ◽  
The Novel ◽  
Theoretical Contribution ◽  
Artistic Process ◽  
De Se ◽  
Long Time ◽  
Political Act ◽  
The Relationship

Resumo: Por muito tempo, o trabalho intelectual, público e artístico foi feito majoritariamente por homens. É sabido que, às mulheres, foi relegado o ambiente doméstico e a vida privada. No entanto, o mundo está em processo de mudança – ainda que lenta e gradual. Atualmente, não só a nossa sociedade, mas também os estudos literários estão atentos às produções de outras vozes que foram silenciadas durante grande parte da História e que agora se levantam com uma força arrebatadora e irrefreável: vozes de mulheres, negros, indígenas, homossexuais, transexuais, dentre outros corpos que foram alijados da possibilidade de se ins(es)creverem no processo histórico, político, social e artístico. Nessa esteira, contemporaneamente, é, sobretudo, um ato político estudar textos não só escritos, mas também protagonizados por sujeitos que foram historicamente subalternizados. Concebendo o trabalho acadêmico como uma prática política, este artigo tem como objetivo realizar uma análise de alguns elementos peritextuais presentes no livro O meu amante de domingo (2014), da portuguesa Alexandra Lucas Coelho, enfocando nas suas relações com o texto literário. Para isso, utilizaremos, principalmente, como aporte teórico, a obra Paratextos editoriais, de Genette (2009).Palavras-chave: Alexandra Lucas Coelho; O meu amante de domingo; paratexto; peritexto.Abstract: For a long time, intellectual, public and artistic work was done mostly by men. It is known that women have been left out of the home environment and private life. However, the world is in the process of changing – albeit slow and gradual. Nowadays, not only our society, but also literary studies, are attentive to the productions of other voices that have been silenced during much of History and that now arise with an overwhelming and unstoppable force: voices of women, blacks, indigenous people, homosexuals, transsexuals, among other bodies that were excluded from the possibility of write in the historical, political, social and artistic process. At the same time, it is, above all, a political act to study texts not only written, but also carried out by subjects who have historically been subordinated. Conceiving academic work also as a political practice, this article aims to carry out an analysis of some peritextual elements present in the book O meu amante de domingo (2014), by portuguese Alexandra Lucas Coelho, focusing on their relations with the literary text. For this, we will use, mainly, as a theoretical contribution, the work of Genette (2009).Keywords: Alexandra Lucas Coelho; O meu amante de domingo; paratext; peritext.

Göçmen edebiyatında din ve kimlik yansımaları -Fakir Baykurt’un Yarım Ekmek Romanında Din ve Gelenek-

2015 ◽  
Vol 2 (1) ◽  
pp. 117-145
Author(s):  
İsmail Güllü
Keyword(s):  
The Political ◽  
The Novel ◽  
Cultural Shock ◽  
Turkish Literature ◽  
Socialist Realist ◽  
Long Time ◽  
Societal Structure ◽  
Immigrant Religion ◽  
Turks In Germany ◽  
The City

Yarım aşırı aşan bir geçmişe sahip Almanya’ya göç olgusu beraberinde önemli bir edebi birikimi (Migrantenliteratur) de getirmiştir. Farklı adlandırmalar ile anılan bu edebi birikim, kendi içinde de farklı renkleri de barındıran bir özelliğe sahiptir. Edebi yazını besleyen en önemli kaynaklardan biri toplumdur. Yazarın içinde yaşadığı toplumsal yapı ve problemler üstü kapalı veya açık bir şekilde onun yazılarına yansımaktadır. Bu bağlamda araştırma, 50’li yaşlarında Almanya’ya giden ve ömrünün sonuna kadar orada yaşayan, birçok edebi ve düşünsel çalışması ile Türk edebiyatında önemli bir isim olan Fakir Baykurt’un “Koca Ren” ve Yüksek Fırınlar” adlı romanları ile birlikte Duisburg Üçlemesi’nin son kitabı olan “Yarım Ekmek” romanında ele aldığı konu ve roman kahramanları üzerinden din ve gelenek olgusu sosyolojik bir yaklaşımla ele alınmaktadır. Toplumcu-gerçekçi çizgide yer alan yazarın, uzun yıllar yaşadığı Türkiye’deki siyasi ve ideolojik geçmişi bu romanda kullandığı dil ve kurguladığı kahramanlarda kendini göstermektedir. Romanda Almanya’nın Duisburg şehrinde yaşayan Türklerin yeni kültürel ortamda yaşadıkları çatışma, kültürel şok, arada kalmışlık, iki kültürlülük temaları ön plandadır. Yazar romanda sadece Almanya’daki Türkleri ele almamakta, aynı zamanda Türkiye ile hatta başka ülkeler ile de ilişkilendirmeler yaparak bireysel ve toplumsal konuları ele almaktadır. Araştırmada, romanda yer alan dini ve geleneksel unsurlar sosyolojik olarak analiz edilmiştir. Genel anlamda bir göç romanı olma özelliği yanında Yarım Ekmek romanında dini, siyasi ve ideolojik birçok yorum ve tartışma söz konusudur. Romandaki bu veriler, inanç, ritüel, siyaset ve toplumsal boyutlarda kategorize edilerek ele alınmıştır.  ENGLISH ABSTRACTReligion and identity reflections in literature of immigrant: Religion and Tradition in Fakir Baykurt’s novel Yarım EkmekThe immigration fact which has nearly half century in Germany have brought a significant literal accumulation (Migrantenliteratur) in its wake. This literal accumulation, which is named as several denominations, has a feature including different colours in itself. One of the most important source snourishing literature is society. Societal structure and problems that the writer lives inside, directly or indirectly reflect on his/her compositions. In this context, the matter of religion and tradition by way of the issue and fictious characters in the novel of Fakir Baykurt who went to Germany in her 50’s and lived in there till his death and who is a considerable name in Turkish literature with his several literal and intellectual workings; “Yarım Ekmek” which is the third novel of Duisburg Trilogy with “Koca Ren” and “Yüksek Fırınlar” are discussed sociologically in the study. The political and ideological past of the socialist realist lined writer in Turkey where he spent his life for a long time, manifest itself on the speech and fictious characters of novel. In the novel, themes of new Turks’ conflict, cultural shock, being in the middle, bi culturalism in their new cultural nature in Duisburg which is the city they live in. The writer not only deals with Turks in Germany but also personal and social subjects via comparing them to Turkey and even other countries. In the study, religious and traditional elements analyzed sociologically. Besides the speciality of being a migration novel in general, there are a lot of religious, political and ideological interpretations and discussions in the novel. These datum in the novel are examinated in the context of belief, ritual, politics and social categorisation. 

Crumbling into Dust

2017 ◽  
Author(s):  
John Levi Barnard
Keyword(s):  
Short Story ◽  
Literary History ◽  
Richard Wright ◽  
The Novel ◽  
Unfinished Business ◽  
Black Newspapers ◽  
American Literary History ◽  
Antebellum Period ◽  
David Walker ◽  
Historical Times

This chapter situates Chesnutt’s writing within a tradition of black classicism as political engagement and historical critique extending from the antebellum period to the twentieth century and beyond. Reading Chesnutt as a figure at the crossroads of multiple historical times and cultural forms, the chapter examines his manipulation of multiple mythic traditions into a cohesive and unsettling vision of history as unfinished business. In the novel The Marrow of Tradition and the late short story “The Marked Tree,” Chesnutt echoes a nineteenth-century tradition that included David Walker, Henry Highland Garnet, and writers and editors for antebellum black newspapers, while at the same time anticipating a later anti-imperial discourse generated by writers such as Richard Wright and Toni Morrison. Chesnutt provides a fulcrum for a collective African American literary history that has emerged as a prophetic counterpoint to the prevailing historical consciousness in America.

scholarly journals Plant-Based Alternatives to Yogurt: State-of-the-Art and Perspectives of New Biotechnological Challenges

Foods ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 316
Author(s):  
Marco Montemurro ◽  
Erica Pontonio ◽  
Rossana Coda ◽  
Carlo Giuseppe Rizzello
Keyword(s):  
Lactic Acid ◽  
Lactic Acid Bacteria ◽  
State Of The Art ◽  
Protein Digestibility ◽  
The Novel ◽  
Sensory Features ◽  
Long Time ◽  
Biotechnological Processes ◽  
Nutritional Compounds ◽  
Increasing Demand

Due to the increasing demand for milk alternatives, related to both health and ethical needs, plant-based yogurt-like products have been widely explored in recent years. With the main goal to obtain snacks similar to the conventional yogurt in terms of textural and sensory properties and ability to host viable lactic acid bacteria for a long-time storage, several plant-derived ingredients (e.g., cereals, pseudocereals, legumes, and fruits) as well as technological solutions (e.g., enzymatic and thermal treatments) have been investigated. The central role of fermentation in yogurt-like production led to specific selections of lactic acid bacteria strains to be used as starters to guarantee optimal textural (e.g., through the synthesis of exo-polysaccharydes), nutritional (high protein digestibility and low content of anti-nutritional compounds), and functional (synthesis of bioactive compounds) features of the products. This review provides an overview of the novel insights on fermented yogurt-like products. The state-of-the-art on the use of unconventional ingredients, traditional and innovative biotechnological processes, and the effects of fermentation on the textural, nutritional, functional, and sensory features, and the shelf life are described. The supplementation of prebiotics and probiotics and the related health effects are also reviewed.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

Iraq

2017 ◽  
Author(s):  
Haytham Bahoora
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Social Issues ◽  
Social Realism ◽  
Self Awareness ◽  
Historical Novels ◽  
The Novel ◽  
War In Iraq ◽  
Critical Social

This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi fiction, especially the novella; works that continued the expression of a critical social realism in the Iraqi novelistic tradition and the appearance of modernist aesthetics; and narratives that addressed dictatorship and war in Iraq. The chapter concludes with an overview of the novel genre in Iraq after 2003.

Rethinking the Print Object: Goethe and the Book of Everything

PMLA ◽  
2006 ◽  
Vol 121 (1) ◽  
pp. 124-138 ◽  
Author(s):  
Andrew Piper
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Print Media ◽  
Book History ◽  
Literary Work ◽  
The Novel ◽  
Technological Capabilities ◽  
Final Version ◽  
Publishing Strategy ◽  
Opening Up

This essay combines a consideration of the two-decades-long publishing strategy of Goethe's last major prose work, Wilhelm Meisters Wanderjahre (1808–29), with a reading of specific formal features unique to the final version of the novel. In doing so, it argues that Goethe's use of print and narrative work in concert to form what we might call a particular media imaginary–to reimagine the printed book not according to emerging nineteenth-century criteria of sovereignty, nationality, and permanence but instead according to values more in keeping with the technological capabilities of print media, such as transformation, diffusion, and connectivity. In his vigorous engagement with the material manifestations of his work as a key site of literary work, Goethe offers us an ideal place to explore the productive intersections that the disciplines of book history and literary history are opening up today. (AP)

Yemen

2017 ◽  
Author(s):  
Mark Wagner
Keyword(s):  
Cultural Pluralism ◽  
Historical Novels ◽  
The Novel ◽  
Long Time ◽  
Novelistic Form ◽  
The Revolution

This chapter focuses on the development of the novel genre in Yemen. The novelistic form has taken a relatively long time to emerge in Yemen, but since 1992 Yemeni writers have produced a number of remarkable novels and the pace of publishing has increased. In addition, scholarly criticism of Yemeni fiction as a distinctive regional tradition has gotten well underway within the last decade. This chapter begins with an overview of the beginnings of the Yemeni novel before turning to works published from the revolution to unification (1962–1990), including historical novels. It also considers novels published from unification to the present, noting that Yemeni authors through the years have tackled a range of themes, including emigration, exile, racism, Muslim-Jewish relations, and cultural pluralism.

scholarly journals Seksualitetens uddrivelse

2016 ◽  
Vol 44 (121) ◽  
pp. 205-220
Author(s):  
Nils Gunder Hansen
Keyword(s):  
Rural Community ◽  
Short Story ◽  
Consumer Society ◽  
The Novel ◽  
Pure Material ◽  
Modern Period ◽  
Welfare Society ◽  
Big City ◽  
Life Trajectory ◽  
Late Modern

The article investigates a historical development in the concepts of happiness and love and the norms of sexual behavior from a rural community over the upcoming welfare society in the suburbs to the late modern period in the big city. The changes are observed through three Danish literary texts from 1960, 1965 and 2011, first the novel I heltespor (“In the footsteps of heroes”) by Erik Aalbæk Jensen, then the short story Julestue (“The Christmas Gathering”) by Anders Bodelsen and finally the novel Se på mig (“Look at me”) by Kirsten Hammann. In the rural community happiness is knowing your right place and mastering the challenges of seduction and sexual temptation without the complete surrender to an inauthentic life of pure conventionalism. In the suburbs and early welfare society controlled infidelity with the exchange of partners represents a promise of happiness, something “more” and meaningful transcending the pure material satisfaction of the new and well managed consumer society. In the late modern period the importance of sexuality and love is downgraded in a remarkable manner: The search for happiness is extremely individualized and conceived as a kind of portal you have to enter at the precise right moment of your life trajectory. Sexuality and love seem to have lost their transcendent and integrational power in the game of happiness.

scholarly journals TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE

2020 ◽  
Vol 12 (2) ◽  
pp. 110-119
Author(s):  
Maria S. Sloistova ◽  
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Reception Theory ◽  
Ivory Tower ◽  
The Novel ◽  
Literary Works

The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.

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