scholarly journals PERANCANGAN FILM DOKUMENTER BATIK DRUJU SEBAGAI MEDIA PENGENALAN BATIK KHAS MALANG

2019 ◽  
Vol 4 (2) ◽  
pp. 66
Author(s):  
Hindam Basith Rafiqi
Keyword(s):  
Documentary Film ◽  
Traditional Culture ◽  
The Other ◽  
Drawing Process ◽  
Silk Fabric ◽  
Symmetrical Design ◽  
Effective Media ◽  
The World ◽  
The Hill ◽  
Black Color

PERANCANGAN FILM DOKUMENTER BATIK DRUJUSEBAGAI MEDIA PENGENALAN BATIK KHAS MALANG Hindam Basith Rafiqi1721073411Penciptaan Fotografi Pascasarjana ISI YogyakartaEmail : [email protected] ABSTRAK Batik Druju berasal dari Desa Druju Kecamatan Sumbermanjing Wetan Kabupaten Malang. Batik Druju berlokasi di dusun terpencil bernama Wonorejo, di bawah perbukitan gunung kapur Malang Selatan yang membujur hingga pantai selatan Jawa. Suasana alam yang eksotis, mendorong karya batik Druju menjadi masterpiece di dunia. Ditemukan beragam motif flora, motif fauna, motif sinar matahari dan pemandangan alam yang terinspirasi dari alam sekitar desa Druju. Ciri khas warna batik Druju cenderung mengkombinasikan warna-warna kontras, banyak menggunakan unsur garis dan simetris, dan identik dengan warna hitam pekat. Proses penciptaan desain batik menggunakan bahan utama sutera dan dikerjakan dengan teknik tulis dan cap. Ciri khas batik Druju juga terlihat dari corak-corak batik yang menyambung dari bagian depan ke bagian belakang. Motif batik Druju menyambung karena ditorehkan setelah kain dijahit menjadi pakaian. Dan batik Druju juga tidak akan membuka di tempat lain dikarenakan ingin membesarkan sendiri desa mereka.Keberadaan batik Druju masih kurang populer di masyarakat khususnya Malang, hal ini menggugah penulis untuk merancang sebuah film dokumenter yang menjelaskan tentang asal usul, ciri khas motif hingga keunikan yang ada pada batik Druju.Perancangan ini dirancang dengan tujuan untuk mengenalkan asal usul batik Druju, ciri khas motif dan keunikan batik Druju, serta fungsi sosialnya kepada masyarakat sekitar yang belum banyak mengenal batik Druju. Perancangan ini menggunakan rancangan prosedural dengan menggariskan langkah-langkah yang harus diikuti dalam menghasilkan sebuah produk. Berdasarkan pengertian model diatas yaitu model yang dirancang harus dibuat dengan langkah-langkah dan bertahap. Tahapan tersebut terdiri dari tiga bagian yang lazim yaitu pra-produksi, produksi, dan pasca produksi.Perancangan ini menghasilkan film dokumenter yang merupakan salah satu media efektif untuk mengenalkan batik Druju kepada masyarakat. Diharapkan dengan adanya perancangan ini, masyarakat Indonesia bisa lebih menghargai dan ikut serta dalam melestarikan kesenian tradisional yang ada di Indonesia. Kata Kunci: Perancangan, Film dokumenter, Batik DrujuABSTRACT                   Batik druju originates from Druju Village, District of Sumbermanjing Wetan, Malang. Located in small village named Wonorejo, around the hill side of chalk-cliff in South Malang area that extending up till South Java beach. An exotic nature ambience, encouraging Batik Druju design to being the masterpiece in the world. We can find so many flora pattern, fauna pattern, sunshine pattern and a scenery pattern that inspired by the scenery around Druju village. The uniqueness of batik Druju can be found from their color, they usually use a contrast color with a line, symmetrical design and identic with solid black color. The process of creating batik design uses a drawing and stamp technique on a silk fabric. The other uniqueness that can be found on batik Druju was on their batik pattern that extend from the front area to back area. Batik Druju pattern connected because the drawing process was doing after the fabric was made into a clothes. Batik Druju also not open any branch out the area of Druju village, because they want to developing their village.            The existence of Batik Druju was not really popular in the society, especially in Malang city, this reason encourage the author to design a documentary film that can explain about the origin, the pattern and the uniqueness which can be found in batik Druju.            This design was made to introduce about the origin of batik Druju, the pattern of batik Druju and it’s social function to the society that lives around the area who didn’t know about batik Druju. This design use a procedural design with aligning the steps that have to follow for producing the product. Based on the model’s explanation, the model that was designed should divide into 3 common parts which is pre-production, production, and post-production.            This design will produce a documentary film which can be an effective media to introduce about batik Druju to the society. Hopefully, with this design, the society can appreciate and accompany to preserving Indonesian traditional culture. Keywords: Designing, Documentary film, Batik Druju

scholarly journals Traditional family rites of the Ukrainians of Podolia: archaic elements of а cultural text

2021 ◽  
Vol 29 ◽  
pp. 78-86
Author(s):  
Inna Gorofyanyuk ◽  
Keyword(s):  
Material Culture ◽  
Traditional Culture ◽  
The Other ◽  
Family Rituals ◽  
Folk Culture ◽  
Traditional Family ◽  
The Family ◽  
The World ◽  
Verbal Component ◽  
The One

Podolia is an ethnographic region of Ukraine, which is known for active interethnic contacts for many centuries, which, on the one hand, have systematically enriched the Podolsk spiritual and material culture, and on the other hand, in various spheres of the traditional culture of the Podolians, there is a preservation of many Slavic archaic elements. The article presents the archaic elements of the traditional culture of the Ukrainians of Podolia in traditional family rituals – birthlore, wedding and funeral on the material of the verbal component of the cultural text. Field records of dialectal texts, made by the author in 2006–2014 in more than 100 villages of Vinnitsa region served as empirical basis of the study. The family rites texts attest the realization of the main semantic oppositions of the Slavic picture of the world: "top" – "bottom", "full" – "empty", "own" – "alien". The motives of the cult of ancestors, deception of death, syncretism of agrarian and family rituals are elements of the archaic, which constitute an essential part of the folk consciousness and beliefs of the Podolians. Several fragments of the folk culture of the Ukrainians of Podolia presented in the article through the prism of the comparative typological analysis, with the involvement of data from other Slavic traditions, signal the preservation of the general archaic fund of the spiritual culture of the Slavs

scholarly journals REVERSING THE LENS, WACANA PERLAWANAN SEJARAH 1965 DALAM FILM THE ACT OF KILLING

2018 ◽  
Vol 2 (1) ◽  
pp. 1
Author(s):  
Witriani Witriani
Keyword(s):  
Human Rights ◽  
Communist Party ◽  
Documentary Film ◽  
Political Representation ◽  
Point Of View ◽  
The Other ◽  
Historical Events ◽  
Film Genre ◽  
The World ◽  
World Opinion

As a study, documentary film is often used as a reference because of its historical, social, cultural and political representation which signifies the facts in society. It is no wonder that the production as well as the analysis of the film genre and its development around the world have created such debate, including in the academic realm. The film The Act of Killing is one of them. Directed by an American filmmaker, Joshua Oppenheimer, the film tries to reveal the other facts of Indonesian history which have been covered and never imagined before, especially, the implications of Indonesian Communist Party (PKI) massacre in 1965. Taking the testimony of the actors, the film is quite controversial because it tells and descibes kind of sadism and human rights violations on PKI elements and other ethnicity. Thus it changes the world opinion about the Indonesian history in 1965. However, as a construction, film is a film. Sometimes, there is always a bias. What depicted in a film is a result of the cineast interpretation of historical events that may be different from other point of view. For instance, a contradictory between humanity and ideology has created a discourse among the viewers. While the director focus on a violation of human rights and set everything based on this perspectives, the actors or the perpetrators feel that what they did was a form of struggle to defense the country.

scholarly journals LANGUAGE OF COLORS

2014 ◽  
Vol 2 (3SE) ◽  
pp. 1-2
Author(s):  
Sandhya Jain
Keyword(s):  
Human Life ◽  
The Other ◽  
The Sun ◽  
Religious Activities ◽  
The World ◽  
Black Color

Colors have their own language. Color is our life. These colors spread their color in different walks of life. Food, food, living, worship, religious activities are all associated with different colors. Every person in this theater of the world is painted in some or the other color. The feeling of colors comes from seeing and touching. Our life without colors is the same as that of a body without life. In nature beauty, where these colors apply four moons, while human life also makes it succulent, pleasant and colorful. Aabal recognizes objects with old colors. The hue of rainbow colors made of seven colors attracts our mind a lot. Whether it is the redness of the sun, the blue of the space, the black color of the clouds or the series of mountains covered with snowy white sheets - the amazing beauty of all fascinates us. रंगों की अपनी भाषा है। रंग ही हमारा जीवन हैं। जीवन के विविध क्षेत्रों में ये रंग अपनी छटा बिखेरते हैं। खान-पान, रहन-सहन, पूजा-पाठ, धर्म-कर्म सभी तो विविध रंगों से जुडे हुए हैं।दुनिया के इस रंगमंच पर हर इंसान किसी-न-किसी रंग में रंगा हुआ है। रंगों की अनुभूति देखने व स्पर्ष करने से होती है।रंगों के बिना हमारा जीवन ठीक वैसा ही है, जैसे प्राण बिना शरीर । प्रकृति सौंदर्य में जहाँ ये रंग चार चाँद लगाते हैं वहीं मानव जीवन को भी सरस, सुखद व रंगीन बना देते हैं ।आबाल वृद्ध रंगों से वस्तुओं को पहचान लेता है। सात रंगों से निर्मित इन्द्रधनुष के रंगों की छटा हमारे मन को बहुत आकर्षित करती है। सूर्य की लालिमा हो, अंतरिक्ष की नीलाभा हो, मेघों का श्याम रंग हो या पर्वतों की श्रृंखला बर्फीली सफेद चादर ओढ़े हुए हो - सभी का अद्भुत सौंदर्य हमें मोहित कर लेता है।

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Experiment role in the world music (based on the «The Road» album of the Ukrainian «Dakha Brakha» band)

2018 ◽  
pp. 215-227
Author(s):  
Iia Fedorova
Keyword(s):  
Folk Music ◽  
World Music ◽  
The Other ◽  
Modern Music ◽  
Musical Practice ◽  
The Road ◽  
Music Practice ◽  
The World ◽  
Binary Oppositions ◽  
Musical Practices

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.

Does Literature Matter Today? Thoughts of the Outside

CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie
Keyword(s):  
Aesthetic Education ◽  
The Other ◽  
Human Values ◽  
Literary Texts ◽  
Lost Cause ◽  
Western Tradition ◽  
The World

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.

Simone de Beauvoir's Philosophy of Individuation

2017 ◽  
Author(s):  
Laura Hengehold
Keyword(s):  
Lived Experience ◽  
20Th Century ◽  
Sexual Difference ◽  
Gilles Deleuze ◽  
The Other ◽  
Simone De Beauvoir ◽  
Second Sex ◽  
Other Hand ◽  
The World

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

The World after the End of the World

2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi
Keyword(s):  
The Other ◽  
The World ◽  
History Of ◽  
The Absolute ◽  
End Of The World

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.

Considering Territorial Agendas of the EU in context of Rising of Territorial Dimension of Cohesion Policy

2019 ◽  
Vol 10 (3) ◽  
pp. 244-257
Author(s):  
İclal Kaya Altay ◽  
◽  
Shqiprim Ahmeti ◽  
Keyword(s):  
Social Cohesion ◽  
Sustainable Growth ◽  
The Other ◽  
Lisbon Strategy ◽  
Cohesion Policy ◽  
Setting Process ◽  
The World ◽  
Territorial Cohesion ◽  
Descriptive Language ◽  
The Eu

The Treaty establishing a Constitution for Europe ads territorial cohesion as Union’s third goal, beside economic and social cohesion and lists it as a shared competence. In the other hand, the Lisbon Strategy aims to turn Europe into the most competitive area of sustainable growth in the world and it is considered that the Territorial cohesion policy should contribute to it. This paper is structured by a descriptive language while deduction method is used. It refers to official documents, strategies, agendas and reports, as well as books, articles and assessments related to topic. This paper covers all of two Territorial Agendas as well as the background of territorial cohesion thinking and setting process of territorial cohesion policy.

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