scholarly journals Las mujeres-ganso de Crossbones Graveyard

2017 ◽  
pp. 307
Author(s):  
Estíbaliz Pérez Asperilla
Keyword(s):  
Urban Spaces ◽  
Option Value ◽  
Starting Point ◽  
Cultural Districts ◽  
Five Senses ◽  
Las Mujeres ◽  
Cultural District

<p><strong>Resumen</strong></p><p>Este artículo se enmarca dentro de la investigación <em>Los cinco sentidos del Distrito Cultural en Londres</em>, la cual forma parte del Proyecto de Excelencia 2016-2018 <em>Distritos Culturales: imágenes e imaginarios en los procesos de revitalización de espacios urbanos</em>. Escogiendo Bankside como punto de partida, para dicha investigación se han analizado diferentes emplazamientos como Crossbones Graveyard –antiguo cementerio donde se encuentran enterradas muchas de las mujeres que ejercieron la prostitución en el Distrito entre los siglos XII y XVII–. Desde su descubrimiento en la década de los 90 se han llevado a cabo numerosas acciones gracias a las cuales se ha conseguido no sólo su conservación, sino difundir la verdadera historia de las “Winchester Geese”.</p><p> </p><p><strong>Abstract</strong></p><p>This paper is part of the research <em>Five senses of London Cultural District</em>, which is part of the Excellence Project 2016-2018 <em>Cultural Districts: images and imaginaries in </em><em>the processes of revitalization of urban spaces</em>. Choosing Bankside as a starting point, for this research different sites have been analysed such as Crossbones Graveyard –which is an old graveyard where many of the women who practiced prostitution in the District between the twelfth and seventeenth centuries were buried. Since its discovery in the 90’s, many actions have been carried out, which have not only achieved the goal of preserving the place, but also spread the truth of “Winchester Geese’s” story.</p><p> </p><div id="SLG_balloon_obj" style="display: block;"><div id="SLG_button" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png'); display: none; opacity: 1;"> </div><div id="SLG_shadow_translation_result2" style="display: none;"> </div><div id="SLG_shadow_translator" style="display: none;"><div id="SLG_planshet" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg2.png') #f4f5f5;"><div id="SLG_arrow_up" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/up.png');"> </div><div id="SLG_providers" style="visibility: hidden;"><div id="SLG_P0" class="SLG_BL_LABLE_ON" title="Google">G</div><div id="SLG_P1" class="SLG_BL_LABLE_ON" title="Microsoft">M</div><div id="SLG_P2" class="SLG_BL_LABLE_ON" title="Translator">T</div></div><div id="SLG_alert_bbl"> </div><div id="SLG_TB"><div id="SLG_bubblelogo" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png');"> </div><table id="SLG_tables" cellspacing="1"><tr><td class="SLG_td" align="right" width="10%"><input id="SLG_locer" title="Fijar idioma" type="checkbox" /></td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_from"><option value="auto">Detectar idioma</option><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="3"> </td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_to"><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="21%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" width="10%"> </td><td class="SLG_td" align="right" width="8%"> </td></tr></table></div></div><div id="SLG_shadow_translation_result" style="visibility: visible;"> </div><div id="SLG_loading" class="SLG_loading" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/loading.gif');"> </div><div id="SLG_player2"> </div><div id="SLG_alert100">La función de sonido está limitada a 200 caracteres</div><div id="SLG_Balloon_options" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg3.png') #ffffff;"><div id="SLG_arrow_down" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/down.png');"> </div><table width="100%"><tr><td align="left" width="18%" height="16"> </td><td align="center" width="68%"><a class="SLG_options" title="Mostrar opciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?bbl" target="_blank">Opciones</a> : <a class="SLG_options" title="Historial de traducciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?hist" target="_blank">Historia</a> : <a class="SLG_options" title="ImTranslator Ayuda" href="http://about.imtranslator.net/tutorials/presentations/google-translate-for-opera/opera-popup-bubble/" target="_blank">Ayuda</a> : <a class="SLG_options" title="ImTranslator Feedback" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?feed" target="_blank">Feedback</a></td><td align="right" width="15%"><span id="SLG_Balloon_Close" title="Cerrar">Cerrar</span></td></tr></table></div></div></div>

Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life

2020 ◽  
pp. 123-150
Author(s):  
Julia Saviello
Keyword(s):  
Still Life ◽  
Sense Data ◽  
Complex Image ◽  
Starting Point ◽  
Depth Analysis ◽  
Tobacco Pipes ◽  
Five Senses ◽  
The Senses ◽  
Cut Tobacco ◽  
Selection Of

Smell and taste – of the five senses these are the two most strongly stimulated by smoking tobacco. The article presents an in-depth analysis of the reflection of both these forms of sensory perception in textual and visual sources concerning the early consumption of the herb. In a first step, tobacco’s changing reception, first as medicine and then as stimulant, is traced through the years of its increasing distribution in Europe, starting in the middle of the 16th century. As this overview reveals, at that time the still little known substance gave rise to new forms of sense perception. Following recent studies on smell and gustation, which have stressed the need to take into account the interactions between these senses, the article probes the manifold stimulation of the senses by tobacco with reference to allegorical representations and genre scenes addressing the five senses. The smoking of tobacco was thematized in both of these art forms as a means of visualizing either smell or taste. Yet, these depictions show no indication of any deliberate engagement with the exchange of sense data between mouth and nose. The question posed at the end of this paper is whether this holds true also for early smoker’s still lifes. In the so-called toebakjes or rookertjes, a subgenre of stilllife painting that, like tobacco, was still a novelty at the beginning of the 17th century, various smoking paraphernalia – such as rolled or cut tobacco, pipes and tins – are arrayed with various kinds of foods and drinks. Finally, the article addresses a selection of such smoker’s still lifes, using the toebakje by Pieter Claesz., probably the first of its kind, as a starting point and the work by Georg Flegel as a comparative example. Through their selection of objects, both offer a complex image of how tobacco engages different senses.

scholarly journals La muerte de mujeres desde la ideología patriarcal en el discurso periodístico

2017 ◽  
pp. 385
Author(s):  
Aleida Leticia Tello Divicino ◽  
Santiago De Jesús Torres Sánchez ◽  
Miguel Ángel Carrada Vega
Keyword(s):  
Gender Roles ◽  
Cognitive Processes ◽  
Gender Violence ◽  
Option Value ◽  
Local Circulation ◽  
Las Mujeres

<p><strong>Resumen</strong></p><p>El artículo presenta los resultados de una investigación que tuvo como objetivo analizar los procesos socio-cognitivos del lenguaje ideológicamente patriarcal en la representación de la muerte de mujeres, a través del uso de los recursos micro y macro discursivos e icónicos del periódico. Para lo cual se analizó un diario de circulación local de Chilpancingo, Guerrero, México, con el método de la hermenéutica profunda y el análisis del discurso periodístico. Los resultados nos permiten concluir que en la elaboración de la información operan mecanismos lingüísticos que refuerzan y jerarquizan los roles de género, re-victimizan a las mujeres, normalizan la violencia de género por lo que no contribuyen a contextualizarla en su justa dimensión.</p><p> </p><p><strong>Abstrac</strong></p><p>The article presents the results of an investigation that had as objective to analyze the socio-cognitive processes of the ideologically patriarchal language in the representation of the death of women, using micro and macro discursive and iconic resources of the newspaper. For that, a local circulation newspaper from Chilpancingo, Guerrero, Mexico, was analyzed using the method of deep hermeneutics and the analysis of journalistic discourse. The results allow us to conclude that in the elaboration of the information there are linguistic mechanisms that reinforce and hierarchize gender roles, re-victimize women, normalize gender violence and therefore do not contribute to contextualizing it in its fair dimension.</p><p> </p><div id="SLG_balloon_obj" style="display: block;"><div id="SLG_button" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png'); display: none; opacity: 1;"> </div><div id="SLG_shadow_translation_result2" style="display: none;"> </div><div id="SLG_shadow_translator" style="display: none;"><div id="SLG_planshet" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg2.png') #f4f5f5;"><div id="SLG_arrow_up" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/up.png');"> </div><div id="SLG_providers" style="visibility: hidden;"><div id="SLG_P0" class="SLG_BL_LABLE_ON" title="Google">G</div><div id="SLG_P1" class="SLG_BL_LABLE_ON" title="Microsoft">M</div><div id="SLG_P2" class="SLG_BL_LABLE_ON" title="Translator">T</div></div><div id="SLG_alert_bbl"> </div><div id="SLG_TB"><div id="SLG_bubblelogo" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png');"> </div><table id="SLG_tables" cellspacing="1"><tr><td class="SLG_td" align="right" width="10%"><input id="SLG_locer" title="Fijar idioma" type="checkbox" /></td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_from"><option value="auto">Detectar idioma</option><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="3"> </td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_to"><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="21%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" width="10%"> </td><td class="SLG_td" align="right" width="8%"> </td></tr></table></div></div><div id="SLG_shadow_translation_result" style="visibility: visible;"> </div><div id="SLG_loading" class="SLG_loading" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/loading.gif');"> </div><div id="SLG_player2"> </div><div id="SLG_alert100">La función de sonido está limitada a 200 caracteres</div><div id="SLG_Balloon_options" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg3.png') #ffffff;"><div id="SLG_arrow_down" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/down.png');"> </div><table width="100%"><tr><td align="left" width="18%" height="16"> </td><td align="center" width="68%"><a class="SLG_options" title="Mostrar opciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?bbl" target="_blank">Opciones</a> : <a class="SLG_options" title="Historial de traducciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?hist" target="_blank">Historia</a> : <a class="SLG_options" title="ImTranslator Ayuda" href="http://about.imtranslator.net/tutorials/presentations/google-translate-for-opera/opera-popup-bubble/" target="_blank">Ayuda</a> : <a class="SLG_options" title="ImTranslator Feedback" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?feed" target="_blank">Feedback</a></td><td align="right" width="15%"><span id="SLG_Balloon_Close" title="Cerrar">Cerrar</span></td></tr></table></div></div></div>

scholarly journals Confluencias entre la tesis posmoderna de “la muerte del sujeto” y el pensamiento de Luce Irigaray = Convergences between Postmodern Thesis on 'The Death of the Subject' and the Thought of Luce Irigaray

2019 ◽  
Vol 4 (3) ◽  
pp. 203
Author(s):  
Alba Ara Anel
Keyword(s):  
Symbolic Order ◽  
Luce Irigaray ◽  
Starting Point ◽  
The Subject ◽  
Postmodern Thought ◽  
The Difference ◽  
Las Mujeres ◽  
A Current

Resumen. El pensamiento posmoderno es uno de los movimientos filosóficos con más repercusión en la época actual. El feminismo de la diferencia, corriente que surge en los años 60 y 70, confluye en muchos de sus puntos con los generalmente atribuidos a la posmoder­nidad. En el presente artículo se ponen en diálogo ambas corrientes a partir de la revisión de algunos de los planteamientos de la teórica feminista Luce Irigaray que remiten a la posterior­mente teorizada “muerte del sujeto”, uno de los ejes del pensamiento posmoderno. Esta tesis se traduce en Irigaray como la crítica a la construcción del “Hombre” como sujeto universal y central en el orden patriarcal, que define a las mujeres como su opuesto, y por lo tanto, privadas de subjetividad propia. Irigaray desafía la existencia de este sujeto universal con el llamamiento a descubrir la propia subjetividad de las mujeres como punto de partida desde el que fundar un orden simbólico alternativo. No obstante, también pueden identificarse algunas contradicciones entre ambas teorías.Palabras clave: posmodernidad, feminismo, diferencia, subjetividad, falocentrismo, len­guaje.Abstract. The Postmodern thought stands as one of the philosophical movements that have achieved a greater repercussion in present times. The Difference Feminism, a current arising in the 60s and 70s, converges in many of its premises with those generally attributed to Postmodernity. In this article both trends are put in dialogue, starting from the revision of some of feminist theorist Luce Irigaray’s approaches that refer to the later theorized ‘Death of the Subject’ - one of the axes of Postmodern thought. This thesis translates into Irigaray as critic of the construction of the ‘Man’ as an universal and central subject in patriarchal order, which defines women as men’s opposite and subsequently renders them deprived of their own subjectivity. Irigaray challenges the existence of this universal subject through her call to discover women’s own subjectivity as a starting point from which an alternative symbolic order can be established. However, it is also possible to identify some contradictions between both theories.Keywords: posmodernism, feminism, difference, subjectivity, phallocentrism, language.

scholarly journals Research on Sustainable Development of Historical and Cultural District in Tunxi Old Street of Huangshan with Micro-Regeneration Concept

2021 ◽  
Vol 236 ◽  
pp. 03020
Author(s):  
Wensheng Li ◽  
Xiaoxiao Zhang
Keyword(s):  
Sustainable Development ◽  
Three Dimensions ◽  
Historical Evolution ◽  
Regional Culture ◽  
Spatial Form ◽  
The Sustainable Development ◽  
Important Material ◽  
Cultural Districts ◽  
Building Characteristics ◽  
Cultural District

As the most influential commercial port center of ancient Huizhou, Tunxi Old Street is an important material carrier of Hui culture. In the current optimization of urban stock, it is faced with problems such as the decline of regional culture and the homogeneity of spatial form. By combing the historical evolution and value characteristics of Tunxi Old Street, introducing the concept of microregeneration, exploring the strategy of micro-regeneration of historical and cultural districts, this paper realizes the sustainable development of district from three dimensions of urban venation restoration, node space activation and building characteristics shaping, which can provide reference for the regeneration of other historical and cultural districts.

scholarly journals La estrategia del Estado Chileno a la problemática de las violencias contra las mujeres (2005-2014)

2017 ◽  
pp. 123
Author(s):  
Angélica María Gómez Medina ◽  
Fabiola Miranda Perez
Keyword(s):  
The State ◽  
Main Issue ◽  
Option Value ◽  
Domestic Sphere ◽  
The People ◽  
The Law ◽  
Las Mujeres ◽  
Domination Relation ◽  
Local Levels

<p><strong>Resumen</strong></p><p>Este artículo busca mostrar los efectos de la incursión del Estado chileno en la lucha contra las violencias hacia las mujeres en el ámbito doméstico. Para esto acudimos a dispositivos legales y políticos. Se mostrará el rol de las instituciones de justicia y del Servicio Nacional de la Mujer (SERNAM) en tanto que instrumentos de atención y protección a las personas afectadas por la problemática, durante los gobiernos de Michelle Bachelet (2006-2010) y de Sebastián Piñera (2010-2014). Durante el desarrollo del análisis, se caracterizará cómo entra en tensión el enfoque familiarista de la ley con los dispositivos propuestos por el Estado. Avanzando que el género como categoría crítica si bien es invisibilizado, de igual modo aparece como ordenador de relaciones de poder y dominación. Lo anterior ocurre tanto en la construcción de la legislación, como en la intervención de la problemática en niveles locales.</p><p> </p><p><strong>Abstract</strong></p><p>This article seeks to show the effects of the incursion of Chilean State in the struggle against violence towards women in the domestic sphere. For this, we focus on political and legal devices. We will show the role of the Courts of Justice and National Women’s Service (SERNAM) as instruments of attention and protection for the people affected by the issue, during the latest governments of Michelle Bachelet (2006 – 2010) and Sebastian Piñera (2010-2014). During the development of the analysis, it will be characterized how the familiarist approach of the law comes into tension with the devices proposed by the State. Stating that gender as a critical category, while being invisible, likewise appears as a power and domination relation ordering. This occurs both in the construction of legislation and in the intervention of the main issue at local levels.</p><div id="SLG_balloon_obj" style="display: block;"><div id="SLG_button" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png'); display: none; opacity: 1;"> </div><div id="SLG_shadow_translation_result2" style="display: none;"> </div><div id="SLG_shadow_translator" style="display: none;"><div id="SLG_planshet" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg2.png') #f4f5f5;"><div id="SLG_arrow_up" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/up.png');"> </div><div id="SLG_providers" style="visibility: hidden;"><div id="SLG_P0" class="SLG_BL_LABLE_ON" title="Google">G</div><div id="SLG_P1" class="SLG_BL_LABLE_ON" title="Microsoft">M</div><div id="SLG_P2" class="SLG_BL_LABLE_ON" title="Translator">T</div></div><div id="SLG_alert_bbl"> </div><div id="SLG_TB"><div id="SLG_bubblelogo" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png');"> </div><table id="SLG_tables" cellspacing="1"><tr><td class="SLG_td" align="right" width="10%"><input id="SLG_locer" title="Fijar idioma" type="checkbox" /></td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_from"><option value="auto">Detectar idioma</option><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="3"> </td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_to"><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="21%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" width="10%"> </td><td class="SLG_td" align="right" width="8%"> </td></tr></table></div></div><div id="SLG_shadow_translation_result" style="visibility: visible;"> </div><div id="SLG_loading" class="SLG_loading" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/loading.gif');"> </div><div id="SLG_player2"> </div><div id="SLG_alert100">La función de sonido está limitada a 200 caracteres</div><div id="SLG_Balloon_options" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg3.png') #ffffff;"><div id="SLG_arrow_down" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/down.png');"> </div><table width="100%"><tr><td align="left" width="18%" height="16"> </td><td align="center" width="68%"><a class="SLG_options" title="Mostrar opciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?bbl" target="_blank">Opciones</a> : <a class="SLG_options" title="Historial de traducciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?hist" target="_blank">Historia</a> : <a class="SLG_options" title="ImTranslator Ayuda" href="http://about.imtranslator.net/tutorials/presentations/google-translate-for-opera/opera-popup-bubble/" target="_blank">Ayuda</a> : <a class="SLG_options" title="ImTranslator Feedback" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?feed" target="_blank">Feedback</a></td><td align="right" width="15%"><span id="SLG_Balloon_Close" title="Cerrar">Cerrar</span></td></tr></table></div></div></div>

scholarly journals Musulmanas y feministas: ¿una ecuación imposible?

2017 ◽  
pp. 101
Author(s):  
Carmen Vidal Valiña
Keyword(s):  
Women's Rights ◽  
Muslim Women ◽  
Women’S Rights ◽  
Option Value ◽  
Sacred Text ◽  
Las Mujeres ◽  
Siglo Xx ◽  
Direct Attack

<p><strong>Resumen</strong></p><p>Los feminismos islámicos nacieron en los años noventa del siglo XX y desde entonces han sido objeto de severas críticas por parte de quienes consideran que no es posible luchar por los derechos de las mujeres desde las propias creencias. Frente a sus opositores, académicas y activistas abogan por la hermenéutica coránica como herramienta para desvelar las potencialidades que el texto sagrado ofrece para la igualdad. Su discurso es, además, un ataque directo a las concepciones más tradicionales del feminismo occidental y sus representaciones a menudo estereotipadas de las musulmanas.</p><p> </p><p><strong>Abstract</strong></p><p>Islamic feminisms were born in the 90’s and since then they have been subject to criticism by those who believe that it is not possible to fight for women's rights in the framework of a religion. However, the scholars and activists of the Islamic feminisms advocate for the Koranic hermeneutics as a tool to unveil the potential that the sacred text offers for equality. Their discourse is also a direct attack to the most traditional conceptions of Western feminism and its often-stereotyped representations of Muslim women.</p><p> </p><div id="SLG_balloon_obj" style="display: block;"><div id="SLG_button" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png'); display: none; opacity: 1;"> </div><div id="SLG_shadow_translation_result2" style="display: none;"> </div><div id="SLG_shadow_translator" style="display: none;"><div id="SLG_planshet" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg2.png') #f4f5f5;"><div id="SLG_arrow_up" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/up.png');"> </div><div id="SLG_providers" style="visibility: hidden;"><div id="SLG_P0" class="SLG_BL_LABLE_ON" title="Google">G</div><div id="SLG_P1" class="SLG_BL_LABLE_ON" title="Microsoft">M</div><div id="SLG_P2" class="SLG_BL_LABLE_ON" title="Translator">T</div></div><div id="SLG_alert_bbl"> </div><div id="SLG_TB"><div id="SLG_bubblelogo" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png');"> </div><table id="SLG_tables" cellspacing="1"><tbody><tr><td class="SLG_td" align="right" width="10%"><input id="SLG_locer" title="Fijar idioma" type="checkbox" /></td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_from"><option value="auto">Detectar idioma</option><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="3"> </td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_to"><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="21%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" width="10%"> </td><td class="SLG_td" align="right" width="8%"> </td></tr></tbody></table></div></div><div id="SLG_shadow_translation_result" style="visibility: visible;"> </div><div id="SLG_loading" class="SLG_loading" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/loading.gif');"> </div><div id="SLG_player2"> </div><div id="SLG_alert100">La función de sonido está limitada a 200 caracteres</div><div id="SLG_Balloon_options" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg3.png') #ffffff;"><div id="SLG_arrow_down" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/down.png');"> </div><table width="100%"><tbody><tr><td align="left" width="18%" height="16"> </td><td align="center" width="68%"><a class="SLG_options" title="Mostrar opciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?bbl" target="_blank">Opciones</a> : <a class="SLG_options" title="Historial de traducciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?hist" target="_blank">Historia</a> : <a class="SLG_options" title="ImTranslator Ayuda" href="http://about.imtranslator.net/tutorials/presentations/google-translate-for-opera/opera-popup-bubble/" target="_blank">Ayuda</a> : <a class="SLG_options" title="ImTranslator Feedback" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?feed" target="_blank">Feedback</a></td><td align="right" width="15%"><span id="SLG_Balloon_Close" title="Cerrar">Cerrar</span></td></tr></tbody></table></div></div></div>

scholarly journals Reseña Exposición Temporal: Las Edades de las Mujeres Iberas, la ritualidad femenina en las colecciones del Museo de Jaén

2017 ◽  
pp. 437
Author(s):  
Laura Bécares Rodríguez
Keyword(s):  
Option Value ◽  
Las Mujeres

<p>Autoras: Carmen Rueda Galán, Carmen Rísquez Cuenca, Ana B. Herranz Sánchez, Francisca Hornos Mata y Antonia García Luque.</p><p> </p><p>Las Edades de las Mujeres Iberas, la ritualidad femenina en las colecciones del Museo de Jaén” es una exposición temporal e itinerante realizada por cinco reconocidas investigadoras españolas. Carmen Rueda Galán, Carmen Rísquez Cuenca, Ana B. Herranz Sánchez, Francisca Hornos Mata y Antonia García Luque. El objetivo es llenar un vacío informativo de las instituciones museísticas y centra la atención en el papel de las mujeres en la formación y desarrollo de la identidad y la sociedad ibera.</p><div id="SLG_balloon_obj" style="display: block;"><div id="SLG_button" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png'); display: none;"> </div><div id="SLG_shadow_translation_result2" style="display: none;"> </div><div id="SLG_shadow_translator" style="display: none;"><div id="SLG_planshet" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg2.png') #f4f5f5;"><div id="SLG_arrow_up" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/up.png');"> </div><div id="SLG_providers" style="visibility: hidden;"><div id="SLG_P0" class="SLG_BL_LABLE_ON" title="Google">G</div><div id="SLG_P1" class="SLG_BL_LABLE_ON" title="Microsoft">M</div><div id="SLG_P2" class="SLG_BL_LABLE_ON" title="Translator">T</div></div><div id="SLG_alert_bbl"> </div><div id="SLG_TB"><div id="SLG_bubblelogo" class="SLG_ImTranslatorLogo" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/imtranslator-s.png');"> </div><table id="SLG_tables" cellspacing="1"><tbody><tr><td class="SLG_td" align="right" width="10%"><input id="SLG_locer" title="Fijar idioma" type="checkbox" /></td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_from"><option value="auto">Detectar idioma</option><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="3"> </td><td class="SLG_td" align="left" width="20%"><select id="SLG_lng_to"><option value="">undefined</option></select></td><td class="SLG_td" align="center" width="21%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" align="center" width="6%"> </td><td class="SLG_td" width="10%"> </td><td class="SLG_td" align="right" width="8%"> </td></tr></tbody></table></div></div><div id="SLG_shadow_translation_result" style="visibility: visible;"> </div><div id="SLG_loading" class="SLG_loading" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/loading.gif');"> </div><div id="SLG_player2"> </div><div id="SLG_alert100">La función de sonido está limitada a 200 caracteres</div><div id="SLG_Balloon_options" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/bg3.png') #ffffff;"><div id="SLG_arrow_down" style="background: url('chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/img/util/down.png');"> </div><table width="100%"><tbody><tr><td align="left" width="18%" height="16"> </td><td align="center" width="68%"><a class="SLG_options" title="Mostrar opciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?bbl" target="_blank">Opciones</a> : <a class="SLG_options" title="Historial de traducciones" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?hist" target="_blank">Historia</a> : <a class="SLG_options" title="ImTranslator Ayuda" href="http://about.imtranslator.net/tutorials/presentations/google-translate-for-opera/opera-popup-bubble/" target="_blank">Ayuda</a> : <a class="SLG_options" title="ImTranslator Feedback" href="chrome-extension://mchdgimobfnilobnllpdnompfjkkfdmi/content/html/options/options.html?feed" target="_blank">Feedback</a></td><td align="right" width="15%"><span id="SLG_Balloon_Close" title="Cerrar">Cerrar</span></td></tr></tbody></table></div></div></div>

Discourses, bodies, and the production of space: Challenging the (re)production of more-than-human deathscapes

2019 ◽  
Vol 12 (2) ◽  
pp. 18-35 ◽  
Author(s):  
John-Henry Pitas ◽  
Mariya Shcheglovitova
Keyword(s):  
Popular Media ◽  
Urban Spaces ◽  
Production Of Space ◽  
Qualitative And Quantitative ◽  
Dead Animal ◽  
Starting Point ◽  
Personal Experiences ◽  
Discursive Representations ◽  
The City ◽  
Human Death

This paper explores the production of urban spaces as deathscapes, or spaces that are defined by death. We probe the ways in which these spaces are produced by the material content of the spaces themselves, and the discursive representations of those spaces found in popular media. We take as our empirical starting point personal encounters with dead animal bodies in Baltimore, Maryland, USA. Combining qualitative and quantitative methodologies, we juxtapose personal experiences with death in the city with popular representations of Baltimore, as well as a spatial analysis of the geographies of non-human death. Using mixed methodologies, we tease out and highlight the ways in which death, dying, bodies, and violence are used to produce urban deathscapes. Our analysis shows how the production of death and deathscapes are inherently uneven spatial processes, which work in tandem to (re)produce certain spaces as deadly. Furthermore, we illustrate how these spaces are produced in part by discourse, politics, representation, and the material presence of non-human death, challenging what we might think of as being capable of producing space, and broadening the concept of deathscapes. Ultimately we conclude that producing urban spaces as deadly is a means by which capital seeks to reproduce itself, and, through harnessing the power of the non-human dead to produce space, utilize nature to produce new forms of urban capital.

Exploring the Sacredness of Urban Spaces through Material Traces

2019 ◽  
Vol 14 (1) ◽  
pp. 85-98
Author(s):  
Mujde Bideci
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Religious Movements ◽  
New Religious Movements ◽  
Daily Lives ◽  
Multiple Modernities ◽  
Religious Buildings ◽  
Starting Point ◽  
Ancient Times ◽  
The City

From ancient times, some spaces have been understood to be more sacred than others. Even though many of these spaces have no specific religious meaning, there have been new religious movements which can easily be seen in daily life. In order to understand the current dynamics of religion, a focus on the material presence of religion (religious buildings, sites and artefacts in urban spaces) is a fruitful starting point. Thus, the objective of this study is to explore the potential meanings of the sacred in urban spaces, and the effects of these meanings or characterizations of the sacred have on places. Moreover, the focus is on analysing new manifestations of the religious and the sacred in urban space, as well as the ways in which material traces mediate diverse practices, discourses and effects in the various domains of the sacred. By investigating the alignments of these two fields, the city and the sacred, this study sheds new light on the metropolis of London, which manifests both religious diversity and multiple modernities via traces of the sacred in urban spaces. The results show that sacred traces in urban places have a prominent image that many residents and visitors fail to appreciate in their daily lives. The study concludes with a discussion of findings and implications.

scholarly journals PROGETTO DI ISTITUZIONE DI DISTRETTI CULTURALI EUROPEI. IL DISTRETTO CULTURALE GOMOSAICO DI GORIZIA

2020 ◽  
Author(s):  
Giulio M. Chiodi
Keyword(s):  
Cultural Heritage ◽  
Ethnic Groups ◽  
Meeting Point ◽  
Cultural Districts ◽  
Symbolic Value ◽  
Cultural District

It is here presented the hypothesis of establishing European cultural districts. Its purpose is to systematically valorize the cultural heritage of their territories end their people. The proposal is innovative with contribution to economic and civil life. A cultural district with Gorizia as capital is given as significant exemple. Its importance is that it originates from the tradition of ancient Aquileia and that is meeting point between three very important ethnic groups: Latin, German, Slavic. It is a district of symbolic value also for the enhancement of the strategic axis for Europa “Mitteleuropa-Mediterranean”.

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