scholarly journals The deviant body in neo-Victorian literature: a somatechnical reading of the freak in Rosie Garland’s "The palace of curiosities" (2013)

2016 ◽  
Vol 14 ◽  
pp. 183
Author(s):  
Lin Elinor Pettersson
Keyword(s):  
Victorian Literature ◽  
The Body ◽  
Biological Entity ◽  
Literary Representations ◽  
Freak Show ◽  
The Social ◽  
Mind And Body ◽  
External Forces ◽  
A Site ◽  
The Mind

The contemporary fascination with historical, social and literary representations of the deviant body calls for new understandings of corporeality that question the body as a purely biological entity, and invites readings of corporeality as culturally inflected. The present article explores neo-Victorian enfreakment through the lens of “somatechnics” reading “[e]mbodiment as the incarnation or materialisation of historically and culturally specific discourses and practises” (Sullivan and Murray 2014: 3). I will apply the concept of somatechnics to (neo-)Victorian enfreakment practises drawing on scholars as Bordo (1993), Grosz (1994), Sullivan and Murray (2014) who, among others, have challenged the binary split between the mind and body, and argued for the social construction of embodied subjectivities. Although the body’s physical materiality is irreducible, the body is always invested, shaped and transformed by external forces, or “technologies of power” as denominated by Foucault (2003a). I seek to address the human exhibit in Rosie Garland’s The Palace of Curiosities (2013) to examine neo-Victorian reinventions of the divergent body. With this objective in mind, I will analyse how the neo-Victorian mode interlocks the Victorian freak-show discourse with the reader perspective to bring subjective responses to corporeality, humanity and normativity to the forefront, and in doing so, turns an exploitative space as the freak show into a site of self-reliance, self-expression and even fulfilment.

scholarly journals Exile and the Disabled Body in Randa Jarrar’s “The Life, Loves, and Adventures of Zelwa the Halfie”

2021 ◽  
Vol 8 (1) ◽  
pp. 63-71
Author(s):  
Shahd Alshammari
Keyword(s):  
Collective Identity ◽  
Coming Of Age ◽  
Sense Of Self ◽  
The Body ◽  
Edward Said ◽  
Transgenerational Trauma ◽  
Mind And Body ◽  
The Disabled ◽  
A Site ◽  
The Mind

This paper seeks to analyse the notion of exile as one of paradox, of being both within and without, as a disconnect between the mind and body. Edward Said has noted that exile is “strangely compelling to think about but terrible to experience”. Said’s suggestion of a mind/body split gives us room to consider the sense of self as already in-between, as the exiled ‘I’ attempts to find a home within a new land and a new body. Exile from one’s own homeland is also exile from one’s body in Arab-American author’s Randa Jarrar’s latest novel Him, Me, and Muhamad Ali (2016). The collection of stories moves away from reclamatory approaches to ethnic identity and examines the characters’ trajectories of selfhood through a gendered, racialized, and embodied image. Disability features as a site of tension, a site of interrogation of Zelwa’s (the protagonist) sense of self. It is a peculiar coming-of-age narrative in the sense that it is an anti-Bildungsroman, a probe into bodies that fail to be integrated, assimilated, or acclimated to American culture, while also failing to maintain their association with an Arab collective identity. Jarrar’s text underscores and redefines the “I” of the Arab immigrant exploring transgenerational trauma and reclaiming her identity through celebrating the body.

Variations of the Mixed Discourse

2018 ◽  
Author(s):  
Chantal Jaquet
Keyword(s):  
The Body ◽  
States Of Mind ◽  
Mind And Body ◽  
The Mind ◽  
Shed Light

Lastly, on the basis of this definition, the author shows how affects shed light on the body-mind relationship and provide an opportunity to produce a mixed discourse that focuses, by turns, on the mental, physical, or psychophysical aspect of affect. The final chapter has two parts: – An analysis of the three categories of affects: mental, physical, and psychophysical – An examination of the variations of Spinoza’s discourse Some affects, such as satisfaction of the mind, are presented as mental, even though they are correlated with the body. Others, such as pain or pleasure, cheerfulness (hilaritas) or melancholy are mainly rooted in the body, even though the mind forms an idea of them. Still others are psychophysical, such as humility or pride, which are expressed at once as bodily postures and states of mind. These affects thus show us how the mind and body are united, all the while expressing themselves differently and specifically, according to their own modalities.

scholarly journals On The Verge of the Hybrid Mind

2021 ◽  
Vol 1 (1) ◽  
pp. 30-43
Author(s):  
Surjo Soekadar ◽  
Jennifer Chandler ◽  
Marcello Ienca ◽  
Christoph Bublitz
Keyword(s):  
Human Brain ◽  
Natural Environment ◽  
The Body ◽  
The Self ◽  
Cognitive Systems ◽  
Privacy And Security ◽  
Technological Artifacts ◽  
Mind And Body ◽  
The Mind ◽  
The Brain

Recent advances in neurotechnology allow for an increasingly tight integration of the human brain and mind with artificial cognitive systems, blending persons with technologies and creating an assemblage that we call a hybrid mind. In some ways the mind has always been a hybrid, emerging from the interaction of biology, culture (including technological artifacts) and the natural environment. However, with the emergence of neurotechnologies enabling bidirectional flows of information between the brain and AI-enabled devices, integrated into mutually adaptive assemblages, we have arrived at a point where the specific examination of this new instantiation of the hybrid mind is essential. Among the critical questions raised by this development are the effects of these devices on the user’s perception of the self, and on the user’s experience of their own mental contents. Questions arise related to the boundaries of the mind and body and whether the hardware and software that are functionally integrated with the body and mind are to be viewed as parts of the person or separate artifacts subject to different legal treatment. Other questions relate to how to attribute responsibility for actions taken as a result of the operations of a hybrid mind, as well as how to settle questions of the privacy and security of information generated and retained within a hybrid mind.

Birth of the body, birth of the mind, birth of the social

2018 ◽  
pp. 29-51
Author(s):  
Richard Morgan-Jones ◽  
Nuno Torres ◽  
Kevin Dixon
Keyword(s):  
The Body ◽  
The Social ◽  
The Mind

Clinical Neuropsychologist, 20 years’ experience, UK

2020 ◽  
pp. 229-232
Author(s):  
Markus Reuber ◽  
Gregg H. Rawlings ◽  
Steven C. Schachter
Keyword(s):  
Epileptic Seizures ◽  
Body Part ◽  
Body Awareness ◽  
Physical Symptoms ◽  
The Body ◽  
Mind And Body ◽  
Epileptic Attack ◽  
The Individual ◽  
The Mind ◽  
Experience Of Illness

This chapter explores how dissociation of awareness of either the mind or the body can be experienced by everyone to some degree. It has been suggested that in Non-Epileptic Attack Disorder (NEAD), a protective mechanism of enabling individuals to detach from the difficult emotions they have not yet been able to make sense of has led to a detachment from the awareness of the body, thus resulting in physical symptoms that resemble epileptic seizures. Treatment therefore lies in improving both mind and body awareness. Working with individuals with NEAD or Dissociative Seizures introduces one to the multifaceted nature of humanity. Although there are common themes that emerge through psychological assessment—such as prior experience of illness, neurological insult or physical injury to a specific body part, difficulty recognizing stress in the body or mind, or a tendency to use unhelpful coping strategies during prolonged periods of stress,—no two persons with NEAD have the same seizures because each individual’s experience is unique, making the nature and clinical presentation of the seizure-like experiences idiosyncratic. Despite this, it is always possible to discover the reason that individuals with NEAD experience the symptoms they do, even if it is sometimes initially hard for the individual to accept or believe this.

Governing Homelessness through Running

2019 ◽  
Vol 25 (2) ◽  
pp. 88-118 ◽  
Author(s):  
Bryan C Clift
Keyword(s):  
Social Life ◽  
The United States ◽  
The Body ◽  
Self In Relation ◽  
For Profit ◽  
Not For Profit ◽  
Development Organizations ◽  
Self Sufficiency ◽  
The Social ◽  
A Site

In the context of social welfare austerity and non-state actors’ interventions into social life, an urban not-for-profit organization in the United States, Back on My Feet, uses the practice of running to engage those recovering from homelessness. Promoting messages of self-sufficiency, the organization centralizes the body as a site of investment and transformation. Doing so calls to the fore the social construction of ‘the homeless body’ and ‘the running body’. Within this ethnographic inquiry, participants in recovery who ran with the organization constructed moralized senses of self in relation to volunteers, organizers, and those who do not run, while in recovery. Their experiences compel consideration of how bodily constructions and practices reproduce morally underpinned, self-oriented associations with homeless and neoliberal discourses that obfuscate systemic causes of homelessness, pose challenges for well-intentioned voluntary or development organizations, and service the relief of the state from social responsibility.

scholarly journals The Relationship between Mind-Body Dualism and Personal Values

2016 ◽  
Vol 8 (2) ◽  
pp. 126
Author(s):  
Gunne Grankvist ◽  
Petri Kajonius ◽  
Bjorn Persson
Keyword(s):  
Personal Values ◽  
Mental States ◽  
The Body ◽  
The Other ◽  
Self Report ◽  
Beliefs And Values ◽  
Mind And Body ◽  
The Mind ◽  
And Control ◽  
The Relationship

<p>Dualists view the mind and the body as two fundamental different “things”, equally real and independent of each other. Cartesian thought, or substance dualism, maintains that the mind and body are two different substances, the non-physical and the physical, and a causal relationship is assumed to exist between them. Physicalism, on the other hand, is the idea that everything that exists is either physical or totally dependent of and determined by physical items. Hence, all mental states are fundamentally physical states. In the current study we investigated to what degree Swedish university students’ beliefs in mind-body dualism is explained by the importance they attach to personal values. A self-report inventory was used to measure their beliefs and values. Students who held stronger dualistic beliefs attach less importance to the power value (i.e., the effort to achieve social status, prestige, and control or dominance over people and resources). This finding shows that the strength in laypeople’s beliefs in dualism is partially explained by the importance they attach to personal values.</p>

scholarly journals The Sonic Intra-Face of a Noisy Feminist Social Kitchen

2019 ◽  
Vol 8 (9) ◽  
pp. 245 ◽  
Author(s):  
Juliana España Keller
Keyword(s):  
Public Space ◽  
Social History ◽  
Social Practice ◽  
Social Space ◽  
Local Politics ◽  
Social Geography ◽  
The Body ◽  
Ethical Practices ◽  
The Social ◽  
A Site

This paper asks what is the value of transforming the kitchen into a sonic performative work and public site for art and social practice. A Public Kitchen is formed by recreating the private and domestic space of a kitchen into a public space through a sonic performance artwork. The kitchen table is a platform for exploring, repositioning and amplifying kitchen tools as material phenomena through electronic and manual manipulation into an immersive sonic performance installation. This platform becomes a collaborative social space, where somatic movement and sensory, sonic power of the repositioned kitchen tools are built on a relational architecture of iterative sound performances that position the art historical and the sociopolitical, transforming disciplinary interpretations of the body and technology as something that is not specifically exclusively human but post-human. A Public Kitchen represents a pedagogical strategy for organizing and responding collectively to the local, operating as an independent nomadic event that speaks through a creative practice that is an unfolding process. (Re)imagining the social in a Public Kitchen produces noisy affects in a sonic intra-face that can contribute to transforming our social imaginations, forming daring dissonant narratives that feed post-human ethical practices and feminist genealogies. This paper reveals what matters—a feminist struggle invaluable in channeling the intra-personal; through the entanglement of the self, where language, meaning and subjectivity are relational to human difference and to what is felt from the social, what informs from a multi-cultural nomadic existence and diffractive perspective. The labored body is entangled with post-human contingencies of food preparation, family and social history, ritual, tradition, social geography, local politics, and women’s oppression; and is resonant and communicates as a site where new sonic techniques of existence are created and experiences shared.

Metaphors of Inscription: Discipline, Plasticity and the Rhetoric of Choice

1998 ◽  
Vol 58 (1) ◽  
pp. 22-43 ◽  
Author(s):  
Pippa Brush
Keyword(s):  
Cosmetic Surgery ◽  
Social Contexts ◽  
The Body ◽  
Recent Theory ◽  
Male Body ◽  
Cultural Meanings ◽  
The Social ◽  
Cultural Standards ◽  
The Mind ◽  
Economic Constraints

The metaphor of inscription on the body and the constitution of the body through those inscriptions have been widely used in recent attempts to theorize the body. Michel Foucault calls the body the ‘inscribed surface of events’ (Foucault, 1984: 83) and Elizabeth Grosz argues that the ‘female (or male) body can no longer be regarded as a fixed, concrete substance, a pre-cultural given. It has a determinate form only by being socially inscribed’ (Grosz, 1987: 2). The body becomes plastic, inscribed with gender and cultural standards. While Foucault assumes the existence of a pre-inscriptive body, many theorists reject that idea and argue that ‘there is no recourse to a body that has not always already been interpreted by cultural meanings’ (Butler, 1990: 8). The constitution of the body rests in its inscription; the body becomes the text which is written upon it and from which it is indistinguishable. Starting from Catherine Belsey's suggestion that to ‘give the metaphor literal significance … is to … isolate it for contemplation’ (Belsey, 1988: 100), I discuss this metaphor of inscription, using cosmetic surgery as one literal example. While some theorists reject the pre-inscriptive body, the popular discourses advocating changing one's body assume unproblematically the existence of a body prior to these ‘elective’ procedures and reinforce the mind/body dualism which recent theory has sought so insistently to reject. I examine how popular discourses of body modification enforce a disciplinary regime (in Foucault's sense) and impose degrees of both literal and figurative inscription. Juxtaposing these two perspectives, I explore how both discourses efface the materiality of the body and the social contexts within which bodies are experienced and constructed. While the rhetoric surrounding cosmetic surgery denies the physical process and the economic constraints, so theories of the body which stress the body's plasticity also deny the materiality of that process and the cultural and social contexts within which the body is always placed.

scholarly journals Líkami drengsins sem aldrei var til

Ritið ◽  
2018 ◽  
Vol 18 (2) ◽  
pp. 105-126
Author(s):  
Kristín María Kristinsdóttir
Keyword(s):  
Social Hierarchy ◽  
The Body ◽  
Direct Link ◽  
The Social ◽  
Short Period ◽  
Spanish Flu ◽  
Cultural Construct ◽  
The Stability ◽  
Definition Of ◽  
A Site

Moonstone: The Boy Who Never Was (Mánasteinn: Drengurinn sem aldrei var til, 2013) by Sjón tells of three eventful months in the life of Máni Steinn in the fall of 1918. In this short period the volcano Katla erupts, the Spanish flu rages and Iceland regains its sovereignty from Denmark. Building on Judith Butler’s, Mary Douglas’s and Michel Foucault’s theories regarding the body as a cultural construct, this article focuses on body discourse as presented in Moonstone. According to Douglas there is a direct link between boundaries of the body and boundaries of society. Everything that endangers the stability of society’s boundaries is considered social pollution. Foucault’s theory on panopticism likewise identifies surveillance and discipline of citizens’ bodies as means of maintaining society’s social structure. Because Máni Steinn is queer, his body is considered abnormal according to the period’s definitions on what constitutes a healthy and stable body. Aberrations from the „healthy“, heterosexual body creates divergence within society's fabric. To regain the appearance of a „pure“ society Máni needs to be hidden or banished from it. Yet the arrival of the Spanish flu to Reykjavík deconstructs conventional definition of the body and unravels the social hierarchy. The distinction between the healthy and the infected is obliterated, as the body becomes a site where irreconcilable opposites merge. During the turmoil of the Spanish flu boundaries of the body become as unstable as society's boundaries become fluent.

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