scholarly journals Convergence Trends in the Television Media Industry - A Case Study on the Implementation of Media Convergence in Metro TV Jakarta

2017 ◽  
Vol 2 (4) ◽  
pp. 83
Author(s):  
Suwandi Sumartias ◽  
Moh. Hafizni
Keyword(s):  
Media Convergence ◽  
Media Industry ◽  
Broadcast Media ◽  
Tv Media ◽  
Effective System ◽  
Digital Broadcasting ◽  
The Media ◽  
Television Media ◽  
Streaming Technology

This study aims to determine the trend of convergence in the television media industry, specifically the implementation of media convergence in Metro TV.   Data for the case study were gathered from observations and interviews with journalists. The results showed that the media industry in Indonesia, especially Metro TV has expandedits coverage broadcast, characterized by the use of streaming technology and distributed through online sites. But until now in the Indonesian media industry, especially Metro TV, media convergence has notimplemented an effective system. Media industries affiliated with a group (Media Group) operate independentlyof each other with little coordination.  Broadcast media industry in Indonesia is still reluctant to switch to digital broadcasting due to the high costs of replacing the analog broadcasting. 

scholarly journals Forms of Media Convergence and Multimedia Content – A Romanian Perspective

Comunicar ◽  
2015 ◽  
Vol 22 (44) ◽  
pp. 131-140 ◽  
Author(s):  
Georgeta Drula
Keyword(s):  
Mobile Technology ◽  
Hierarchical Cluster ◽  
Multimedia Content ◽  
Online Media ◽  
Media Convergence ◽  
Media Industry ◽  
Methodological Framework ◽  
On Line ◽  
The Media ◽  
The Relationship

This paper addresses two types of technological media convergence: media convergence based on mobile technology, and also convergence based on the unification between IT and media industry. These forms are influenced by the multimedia aspects of the content. The research interest in this study is related to media landscape in Romania and its state. Even if many academics and practitioners consider media convergence only at the content level from journalistic perspective, this topic has many more detail aspects and trends. Thus, media convergence in terms of content can be now interpreted together with the user’s content and takes into consideration the unification between paid, owned, shared and earned content. This paper proposes a theoretical and practical perspective for the relationship between convergence and multimedia for online media products. This perspective belongs both to media producers and to online consumers of information. The paper is interesting in that it reveals the challenges facing the media industries, and shows approaches of convergence that are related to multimedia for media products. The methodological framework uses the content analysis and the hierarchical cluster analysis to discover different forms of convergence in online media. The main conclusion of this study shows that due to various technologies and their partnerships, convergence can be directed both from the users to the media industry, and conversely. Este artículo se centra en dos tipos de convergencia tecnológica de medios: la basada en tecnología móvil, y la convergencia basada en la unificación de las tecnologías de la información y la industria mediática. Estas formas están influidas por los aspectos multimedia del contenido. El interés de la investigación de este estudio se centra en el panorama mediático en Rumanía y en su estado actual. Aunque muchos académicos y profesionales evalúan la convergencia de medios por el contenido desde una perspectiva periodística, existen otros muchos aspectos y tendencias a tener en cuenta. Así, la convergencia de medios en términos de contenido puede ser interpretada junto al contenido del usuario y considera la unificación del contenido pagado, poseído, compartido y adquirido. Este artículo propone una perspectiva teórica y práctica para la relación entre convergencia y multimedia en cuanto a los productos mediáticos on-line. Esta perspectiva se refiere a los productores y a los consumidores de la información. El interés del artículo reside en tanto que identifica los retos de la industria mediática y establece enfoques acerca de la convergencia multimedia para los productos mediáticos. La metodología consiste en el análisis de contenido y en el agrupamiento jerárquico con el objetivo de descubrir diferentes formas de convergencia de medios on-line. La conclusión establece que, gracias a varias tecnologías y sus asociaciones, la convergencia puede dirigirse desde el usuario a la industria y viceversa.

scholarly journals Globalization and media imperialism : a case study of the Slovak Republic's television media structure and content

2021 ◽  
Author(s):  
Katarina Kuruc
Keyword(s):  
Content Analysis ◽  
Mass Media ◽  
Cultural Theory ◽  
Current Form ◽  
Global Circulation ◽  
Articulation Theory ◽  
The Media ◽  
Television Media ◽  
Media Imperialism

An increase in the global circulation of symbolic commodities allows for both new and older forms of mass media to re-construct the ways in which individuals identify with themselves and with their own cultures. The goal of this project was to employ former communist Slovakia as a case study in order to examine the global circulation of symbolic commodities, specifically television programmes. This paper outlines Slovakia's television media structure and its development from the communist era to its current form. Secondly, it employs content analysis and articulation theory as methodologies in order to place Slovakia's television into context with two cultural theory theses; the media imperialism thesis and the globalization thesis. It was found that the [sic] as a result of several historical and political changes, the current conjuncture of Slovakia's television media includes a large number of American entertainment programmes, some domestic productions and a European structure of broadcasting

scholarly journals Why are Cultural Adaptations such a Prevalent Strategy in the Media Business?

2021 ◽  
Vol 3 (5) ◽  
pp. 189-193
Author(s):  
Yanxue Guo
Keyword(s):  
Video Games ◽  
Cultural Adaptation ◽  
Adaptation Strategy ◽  
Adaptation Strategies ◽  
Media Convergence ◽  
Media Industry ◽  
Cultural Adaptations ◽  
Industry Convergence ◽  
The Media

With the technological background of media convergence, industry convergence has gradually become closer, and cultural adaptation strategies have progressively prospered. Phenomenon can be embodied as best-selling novels being adapted for the “big screen,” films being turned into video games and international TV formats for national audiences. For example, of the top ten movies in 2016, seven of the movies are prequels or sequels related to existing movies, and/or are based on novels and comics [1]. This situation is not limited to movies and dramas, other forms (such as drama) have also begun to undergo cultural adaptation [2]. This essay will first define the cultural adaptation strategy based on various perspectives, analyze the characteristics of the media industry, and finally explain why cultural adaptations are such a prevalent strategy in the media business. Cultural adaptations

scholarly journals Convergent landscape. 39 and a half as (multi) promotional intertext

2020 ◽  
Vol 1 (2) ◽  
pp. 139-155
Author(s):  
Katarzyna Kopecka-Piech
Keyword(s):  
Virtual Reality ◽  
Media Convergence ◽  
Commercial Television ◽  
Television Station ◽  
Media Usage ◽  
Production Distribution ◽  
The Media ◽  
Integrated Media

The purpose of this article is to provide a broader characterisation of the media convergence strategy applied by producers of the Polish commercial television station (TVN) series 39 and a half (39 i pół). In order to examine the convergence strategies of production, distribution, promotion and media usage, this paper analyzes metaphors of landscape, terrain, map and simulacrum. Moreover the concept of convergent (inter)text is proposed. In the case study of 39 and a half the author examines three main strategies implemented by the creators: the promotional virtualisation of reality, making virtual reality more real, and multiplied fiction. Transmedial and synergetic brands illustrate the hybridisation of the convergent and integrated media landscape.

MAPPING THE CONVERGENCE TRENDS OF TELEVISION BROADCASTING MEDIA IN INDONESIA

2020 ◽  
Vol 6 (02) ◽  
pp. 147
Author(s):  
Rizki Briandana ◽  
Edi Pribadi ◽  
Sarata Balaya
Keyword(s):  
Rapid Development ◽  
Case Study Research ◽  
Media Convergence ◽  
Observation Data ◽  
New Paradigm ◽  
Television Broadcasting ◽  
Broadcasting System ◽  
The Media ◽  
Digital Channels

This research will analyze the media convergence with the rapid development of the existing equipment in the broadcasting system of the television station in Indonesia. The digitalisation and advancement of communication and information technology have a tremendous impact on the emergence of a new paradigm and therefore, will also change the overall perspective of humans about various problems that occur around them. With the emergence of digital channels, the analogue media cannot support the existing system independently and require the integration of technologies in the discovery of new platforms. To analyze the paradigm shift of the television stations in Indonesia, this research uses the case study research method through interviews and observation data collection techniques. The research results show that technological and information changes in the broadcasting system in some technical parts of television media, i.e. the library system, post-production and broadcasting systems in the control room of the research. In responding to media convergence, the diversity of technologies involved in the processes of convergence, it makes the work more practical and efficient. Efficiency is very visible in the decent decrease of the production finance (cost) where works become competent with the integration of related units in the processes of convergence.

Strategi dan Praktik Konvergensi Media Pada Segmen Makarena dalam Program Sore Bara Harsya Sebagai Upaya Survival Radio Delta FM di Tengan Persaingan Industri Penyiaran

2018 ◽  
Vol 1 (2) ◽  
pp. 233-247
Author(s):  
Laksmi Rachmaria ◽  
Yunita Rafika Dewi
Keyword(s):  
Digital Media ◽  
Vertical Integration ◽  
Target Market ◽  
Media Convergence ◽  
Media Industry ◽  
Digital Radio ◽  
Broadcast Network ◽  
Fm Radio ◽  
Convergence Process ◽  
The Media

Abstract Limitations possessed by conventional media in serving the needs of media users such as radio, newspapers, magazines or television to adapt to the advancement of communication technology, if there is no concern from competition in the media industry. This study aims to determine the process of media convergence conducted by producer Sore Bara Harsya on the segment in the segment of Makarena. This study uses a qualitative approach and the Concept of Media Convergence Shierly Biagy. The subject of this research is the program of Bara Harsya Event Producer on Radio 99.1 Delta FM Jakarta. Data collection was obtained using non-participants and interviews with program producer Bore Harsya Sore to support interview data with Program Director and Digital Radio Content 99.1 Delta FM Jakarta. Other data about library creation, documentation, and internet. The results showed that in conducting the convergence process on the content of Makarena, the manufacturer has performed four stages which became the basis of consistent convergent media formation. Where the producers have done the stages (chain) applied in the form of maintenance or how to manage, the broadcast network is applied in the form of segmentation of Delta FM radio listener audience, then the conglomerate (conglomerate) used as a form of profit program for the company, and vertical integration (vertical integration ) is applied in the form of combining conventional media (radio) with digital media (youtube) as a form of target market openness. Amongst these stages, in managing content, Makarena Producer is more dominant than conglomerate and vertical as it can support its show program. Keywords: Radio, Content Program, Convergence Media

The Tiger Woods Scandal in the Media: Measuring Attribute Effects on the Public

2013 ◽  
Vol 6 (2) ◽  
pp. 214-233 ◽  
Author(s):  
Claudia Kozman
Keyword(s):  
Online Search ◽  
Broadcast Media ◽  
The Public ◽  
Media Agenda ◽  
Public Agenda ◽  
The Media ◽  
Nationally Representative ◽  
Tiger Woods ◽  
Attribute Priming

This case study examines the Tiger Woods sex scandal using second-level agenda setting and attribute priming as its theoretical structures. It approaches the case through the compelling-arguments hypothesis to explain the transfer of salience from the media agenda to the public agenda. A content analysis of print and broadcast media is employed to determine the dominance of scandal stories in general, and the “sex/adultery” attribute in particular, on the media agenda. This study also uses attribute priming to measure the presence of opinion and its direction in the public, after exposure to the scandal stories. The data that form the public agenda come from a nationally representative survey of the American public, as well as online search queries on Google.

scholarly journals Era Baru Televisi dalam Pandangan Konvergensi Media

2020 ◽  
Vol 16 (1) ◽  
pp. 15-20
Author(s):  
Rizca Haqqu
Keyword(s):  
New Media ◽  
Digital Media ◽  
Logical Consequence ◽  
Internet Technology ◽  
Media Convergence ◽  
The Public ◽  
Library Research ◽  
The Media ◽  
Television Media ◽  
The Government

New Era of Television in the Perspective of Media Convergence. The development of internet technology has led to changes and developments in the world of mass communication. Because of the internet, new media emerges. The emergence of new media is changing the way people get information through the media. Initially, people got information and news through conventional media, such as newspapers, radio, or television. To be able to continue competing as a source of information demanded by the public, television media also innovates by converging. Convergence is a combination of several types of media and is present in the form of a digital platform. This research is a library research that aims to find out media convergence conducted by television media, especially in changing platforms from conventional television to digital media. Media convergence enables professionals in the mass media field to deliver news and present information and entertainment using a variety of media. The government as the regulator is fully responsible for creating regulations that can protect all elements of society from the bad influence of the media. Regulation becomes a logical consequence of the game of cultural symbols displayed by convergent media. The goal is clear, which is to avoid a conflict of interests that makes one party harmed, especially the users or the public, for they usually become the victim of the implementation of a convergence. ABSTRAKPerkembangan teknologi internet telah menimbulkan perubahan dan perkembangan dalam dunia komunikasi massa. Karena internet, muncullah media baru atau new media. Kemunculan media baru tersebut mengubah cara masyarakat mendapatkan informasi melalui media. Awalnya, masyarakat mendapatkan informasi dan berita melalui media konvensional, seperti surat kabar, radio, atau televisi. Untuk dapat terus berkompetisi sebagai sumber informasi yang diminati masyarakat, media televisi pun melakukan inovasi dengan cara berkonvergensi. Konvergensi adalah penggabungan dari beberapa jenis media dan hadir dalam bentuk platform digital. Penelitian ini adalah penelitian library research yang bertujuan untuk mengetahui konvergensi media yang dilakukan oleh media televisi khususnya dalam mengubah platform dari konvensional ke media digital. Konvergensi media memungkinkan para profesional di bidang media massa untuk menyampaikan berita dan menghadirkan informasi dan hiburan, dengan menggunakan berbagai macam media. Pemerintah selaku regulator bertanggung jawab penuh menciptakan regulasi yang dapat melindungi segenap elemen masyarakat dari pengaruh buruk media. Regulasi menjadi konsekuensi logis dari permainan simbol budaya yang ditampilkan oleh media konvergen. Tujuannya jelas, yakni agar tidak terjadi tabrakan kepentingan yang menjadikan salah satu pihak menjadi dirugikan. Terutama bagi kalangan pengguna atau publik, pihak ini biasanya menjadi pihak yang paling sering menjadi korban dari implementasi konvergensi.

scholarly journals FANTASI ATAU REALITI: TRANSFORMASI RTM KE ARAH PENYIARAN RADIO DIGITAL

2021 ◽  
pp. 1-15
Author(s):  
Intan Soliha Ibrahim
Keyword(s):  
National Development ◽  
Media Industry ◽  
Telecommunications Policy ◽  
Digital Radio ◽  
Digital Era ◽  
Radio Broadcasting ◽  
Clear Vision ◽  
The Media ◽  
Radio Industry

Objektif kajian ini adalah untuk meneliti perkembangan transformasi industri radio di Radio Televisyen Malaysia. Kajian yang menggunakan kaedah kualitatif menerusi analisis terhadap dokumen kajian; (1) Pembangunan dan Perkembangan Penyiaran Radio Digital di Malaysia: Satu Kajian Kes di Radio Televisyen Malaysia; dan (2) Analisis Implikasi Perkembangan Industri Radio dari Era Penyiaran Konvensional ke Era Penyiaran Digital: 1996-2016.Transformasi penyiaran radio konvensional global tidak terhasil secara sendiri. Ia terhasil daripada fenomena digitalisasi dan dibentuk oleh senario industri media. Senario industri media mempunyai hubungan yang signifikan dengan ekonomi dan politik sesebuah negara. Setiap perubahan yang berlaku terhadap penyiaran radio dibuat adalah berasaskan kepada dasar dan perancangan sesebuah negara. Perancangan pendigitalan industri radio di Malaysia telah dimulakan seawal tahun 1997 oleh Radio Televisyen Malaysia. Langkah tersebut diambil selaras dengan Dasar Telekomunikasi Negara dan Dasar Pembangunan Nasional. Bagaimanapun, terdapat jurang pendigitalan yang ketara antara badan penyiaran nasional dan swasta. Hasil analisis mendapati bahawa badan penyiaran nasional itu mempunyai visi dan misi yang jelas mengenai pendigitalan radio, namun pelaksanaan kepada perancangan tersebut berhadapan dengan pelbagai kekangan dan cabaran. Ia menjadikan usaha pendigitalan radio free-to-air di Malaysia sebagai sesuatu yang tidak pasti.   The objective of this study is to examine the development of radio industry transformation in Radio Televisyen Malaysia. This study uses qualitative methods by analysing research documents; (1) Development of Digital Radio Broadcasting in Malaysia: A Case Study in Radio Television Malaysia; and (2) Implications analysis of Radio Industry Development from the Conventional Era to Digital Era: 1996-2016. The transformation in global conventional radio broadcasting did not happen on its own. It resulted from the digitalisation phenomenon and shaped by the scenario in the media industry. The scenario in the media industry has a significant relationship with the economy and politics of a country. Every change that occurs in radio broadcasting is made based on the policies and plans of a country. In Malaysia, Radio Televisyen Malaysia has started their plan for digitalisation in radio as early as 1997. The action is taken in line with the National Telecommunications Policy and the National Development Policy. However, there is a significant digitalisation gap between national and private broadcasting bodies. The result shows that the national broadcasting body has a clear vision and mission on radio digitalisation; however, its implementation faces various constraints and challenges. It makes the digitalisation of free-to-air radio in Malaysia uncertain.

scholarly journals Analysis of Sustainability Business Media from Hyperlocal and Entrepreneurial Journalism Perspectives: a Case Study of DI'S Way Daily

2020 ◽  
Vol 1 (2) ◽  
pp. 102
Author(s):  
Freddy Mutiara ◽  
Ambang Priyonggo
Keyword(s):  
Life Cycle ◽  
Product Life Cycle ◽  
Media Industry ◽  
Case Study Method ◽  
Product Life ◽  
Content Strategy ◽  
The Media ◽  
Production Strategy ◽  
Business Media

In general, it is concurred that the print media industry is an industry category that is currently sunset with its product life cycle is decreasing. Moreover, the Covid-19 pandemic condition since March 2020 in Indonesia has forced media businesses to suffer even more. However, on Saturday, July 4, 2020, Surabaya city has a new daily media published, namely “DI's Way Daily”. The figure behind it is Dahlan Iskan, a media figure known as the pioneer of Jawa Pos Daily. DI's Way brings several differentiating attributes to its product. With a simple case study method, this paper aims to examine the resilience of this daily from the perspective of hyperlocal content production strategy (hyperlocality) and entrepreneurial journalism. A local content strategy is insufficient to make the media business sustainable as it needs to be accompanied by entrepreneurial journalism.

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