scholarly journals THE TERROR OF THE PERIOD OF THE FIRST RUSSIAN REVOLUTION IN THE ASSESSMENT OF BRITISH DIPLOMATS (ON THE MATERIALS OF THE BRITISH NATIONAL ARCHIVE)

2019 ◽  
Vol 7 (5) ◽  
pp. 888-895
Author(s):  
Natalia Aleksandrovna Portnyagina ◽  
Dmitry Igorevich Portnyagin

Purpose of the study: To explore in detail the terror of the period of the first Russian revolution in the assessment of British diplomats during the revolution of 1905-1907. Methodology: The research is based on archival documents, most of which are introduced into scientific discourse for the first time, as well as periodical press materials of that time. The research draws from the documents of the British National Archive and the Russian State Historical Archive (fund: 1276 - Office of the Council of Ministers). The article employs chronological, historical-typological, historical-genetic, comparative and illustrative research methods, as well as systematic analysis and synthesis. Main Findings: The research suggests that in 1905-1907 terror affected not only Russian but also British citizens. British reaction to terror in Russia slowed down the signing of a foreign policy agreement between the countries. Applications of this study: The study may be used by historians and everyone interested in the questions of the First Russian Revolution as well as the history of diplomatic relations with Britain. The results of the study can be used in universities to study the history of Russia and the history of international relations at the beginning of the 20th century. Novelty/Originality of this study: Many historians focus on terror in Russia during the revolution of 1905-1907. However, the reflections on revolutionary terror by British diplomats did not become a subject of research in Russian or foreign historiography.

2021 ◽  
pp. 12-21
Author(s):  
Alexandra Yu. Bakhturina ◽  

The history of the movement for a national Polish school in 1905–1907 was for a long time a part of research on the history of the first Russian revolution; the “school strike” in the Kingdom of Poland was studied separately, but the position of the top Russian bureaucracy on that issue was not considered in detail. The article considers an evolution in the positions of the top Russian bureaucracy on the issue of teaching in Polish in the schools of the Kingdom of Poland during the first Russian revolution. For the first time, the differences between the positions of official Petersburg and the provincial administration of the Kingdom of Poland are shown. The provincial administration was more interested in achieving stability in the province by liberal methods and was ready to make concessions when the members of the Council of Ministers and Nicholas II initially held an ambiguous stance. Based on the analysis of the interdepartmental correspondence, part of which is introduced in the scientific circulation for the first time, it is concluded that hesitation of the tsarist government in resolving the issue of the national Polish school did not contribute to the stabilization of the situation in the region during the revolution, and the winning liberal course did not have the anticipated effect.


2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.


2020 ◽  
pp. 405-419
Author(s):  
Yu. S. Nikiforov

The question of the crisis of the USSR economy on the eve of “perestroika” is considered. Attention is paid to archival documents, which are introduced into active scientific circulation for the first time. The question of political and ideological support for the transformation of society and economy in the late USSR is raised. The results of a comparative analysis of documents of the official authorities and the expert community are presented. The research focuses on declassified archival materials deposited in the fund of the former chairman of the USSR Council of Ministers N. I. Ryzhkov (F. 653 — Nikolai Ivanovich Ryzhkov) of the Russian State Archive of Social and Political History (RGA SPI). The novelty of the study is seen in the fact that the analyzed documents allow shedding light on unknown crisis phenomena in the economic life of the USSR. In the course of the work, a circle of institutions was identified that monitored the socio-economic situation in the USSR in the first half of the 1980s. The relevance of the study is due to the problems of building a welfare state in modern Russia, improving the relationship between the center and regions in the Russian Federation. Analytical letters of representatives of the academic community and government agencies are studied. The theoretical basis of the work is connected with the ideas of M. A. Beznin and T. M. Dimoni about protobuzhuisia and state capitalism in the USSR, G. G. Popov about the latent conflict in the USSR between the power of experts and political functionaries.


Author(s):  
Elena A. Yemelyanova

The article is devoted to the creation of the collection “Books of the Imperial House of Romanovs” in the National Electronic Library (NEB) within the framework of the project “Book Monuments”. The general approach to the designation of imperial and grand ducal collections is based on the analysis of presence of the books in the collections of the Russian State Library (RSL). To justify the decision, the author considers the history of private book collections that belonged to the Romanovs before 1917 and their fate after the revolution. The book collections of representatives of the family in historical and scientific literature are divided into imperial and grand ducal collections. After the revolution, the significant part of the libraries located in the residences of St. Petersburg and its suburbs were moved to the Winter Palace. Some collections remained in the owners’ palaces and were distributed and moved to different organizations. After the decision was made to allocate the books to different organizations, the significant part of them was sent first to the Rumyantsev Museum, and then to the V.I. Lenin State Library of the USSR (now the Russian State Library). After registration, the books were distributed between different parts of the holdings without taking into account the ownership of the previous owners; and at present, it is not possible to restore them as a single complex. Based on the study and analysis of the archival documents of the Russian State Library, which had covered the receipt and allocation of the books in quite a detail, it was decided to combine all the books into a single electronic collection, since only this decision will allow getting together the copies of imperial and grand ducal books on a single resource and making them available for general access and study. The NEB’s capabilities allow providing information to specialists in the humanities and a wide range of users.


Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


Author(s):  
Semen M. Iakerson

Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.


Author(s):  
Valeriy Ljubin ◽  

The review analyzes the approaches of the well-known Russian historian A.V. Shubin to the coverage of the typology of revolutions and the features and chronology of the Great Russian Revolution of 1917 and the Civil War of 1918-1922. Alexander Vladlenovich Shubin is Doctor of Historical Sciences, Chief Researcher at the Institute of World History, Russian Academy of Sciences, Professor at Russian State University for the Humanities, author of more than 20 monographs and about 200 scientific publications on the problems of Soviet history and history of leftist ideas and movements.


2021 ◽  
pp. 82-99
Author(s):  
Nina I. Khimina ◽  

The article examines the history of collecting documentary and cultural heritage since 1917 and the participation of archives, museums and libraries in the creation of the Archival Fund of the country. In the 1920s and 1930s, archival institutions were established through the efforts of outstanding representatives of Russian culture. At the same period, the structure and activities of the museums created earlier in the Russian state in the 18th – 19th centuries were improved. The new museums that had been opened in various regions of Russia received rescued archival funds, collections and occasional papers. It is shown that during this period there was a discussion about the differentiation of the concepts of an “archive”, “library” and a “museum”. The present work reveals the difficulties in the interaction between museums, libraries and archives in the process of saving the cultural heritage of the state and arranging archival documents; the article also discusses the problems and complications in the formation of the State Archival Fund of the USSR. During this period, the development of normative and methodological documents regulating the main areas of work on the description and registration of records received by state repositories contributed to a more efficient use and publication of the documents stored in the state archives. It is noted that museums and libraries had problems connected with the description of the archival documents accepted for storage, with record keeping and the creation of the finding aids for them, as well as with the possibilities of effective use of the papers. The documents of the manuscript departments of museums and libraries have become part of the unified archival heritage of Russia and, together with the state archives, they now provide information resources for conducting various kinds of historical research.


Author(s):  
Alexander Nikulin

The Russian Revolution is the central theme of both A. Chayanov’s novel The Journey of My Brother Alexei to the Land of Peasant Utopia and A. Platonov’s novel Chevengur. The author of this article compares the chronicles and images of the Revolution in the biographies of Chayanov and Platonov as well as the main characters, genres, plots, and structures of the two utopian novels, and questions the very understanding of the history of the Russian Revolution and the possible alternatives of its development. The article focuses not only on the social-economic structure of utopian Moscow and Chevengur but also on the ethical-aesthetic foundations of both utopias. The author argues that the two utopias reconstruct, describe, and criticize the Revolution from different perspectives and positions. In general, Chayanov adheres to a relativistic and pluralistic perception of the Revolution and history, while Platonov, on the contrary, absolutizes the end of humankind history with the eschatological advent of Communism. In Chayanov‘s utopia, the Russian Revolution is presented as a viable alternative to the humanistic-progressive ideals of the metropolitan elites with the moderate populist-socialist ideas of the February Revolution. In Platonov’s utopia, the Revolution is presented as an alternative to the eschatological-ecological transformation of the world by provincial rebels inspired by the October Revolution. Thus, Chayanov’s liberal-cooperative utopia and Platonov’s anarchist-communist utopia contain both an apologia and a criticism of the Russian Revolution in the insights of its past and future victories and defeats, and opens new horizons for alternative interpretations of the Russian Revolution.


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