scholarly journals NEVER LET ME GO: UNDERSTANDING THE LANGUAGE USED

2021 ◽  
Vol 9 (3) ◽  
pp. 337-343
Author(s):  
Biman Mondal ◽  
Aju Aravind
Keyword(s):  
Science Fiction ◽  
Research Method ◽  
Nobel Prize Winner ◽  
Literary Analysis ◽  
The Novel ◽  
Kazuo Ishiguro ◽  
Colloquial Language ◽  
Singular Form ◽  
Depth Analysis ◽  
Japanese Writer

Purpose of the study: The study aims at analysing Never Let Me Go in terms of the language used in his novel by Nobel prize winner, Kazuo Ishiguro, a Japanese writer. The language used in the novel which is a science fiction novel, with the futuristic vision which is quite difficult to understand in one reading, and hence this paper can create interest and inquisitiveness in the reader. Methodology: For the literary analysis of the words in the study, Motifs and Symbolism are used as a technique to analyse the words and language used in Never Let Me Go. Literary analysis of chosen words and language is used as a research method in the novel. Main Findings: It is indicated in this study that the novel is narrated in first person singular form. Kathy’s voice in Never Let Me Go seems consistent. A reader feels a clear sense of Kathy`s character through her discipline of speaking. Applications of this study: It is shown in this study of Never Let Me Go in terms of the language used, can be useful to the students studying in graduates/post graduates of Literature studies. The in-depth analysis of the language, words, etc used in the novel makes it interesting to the students. Novelty/Originality of this study: The language using style in Never Let Me Go is realistic and reflects on the period of the novel set i.e., the 1990s and colloquial language used by the author. Certain words like a euphemism, possible, donor, carer, unzipping, gifted, othering used by the narrator has an inner meaning which is being analysed in this paper. This could help the reader to understand the narration and take pleasure in reading the novel.

scholarly journals The Concept of “Thrownness” in Algis Budrys's Short Story “Wall of Crystal, Eye of Night”

2021 ◽  
Vol 40 (45) ◽  
pp. 111-121
Author(s):  
Svetozar Poštič
Keyword(s):  
Science Fiction ◽  
Short Story ◽  
Meaning Of Life ◽  
Literary Analysis ◽  
Being And Time ◽  
The Novel ◽  
Main Character ◽  
Physical Frailty ◽  
New Horizons ◽  
German Philosopher

This paper analyses the concept of thrownness and the related notions of immediacy and actuality in a 1961 short science fiction story “Wall of Crystal, Eye of Night” by Algis Budrys. It first defines the concept of thrownness (Geworfenheit), created and coined by the German philosopher Martin Heidegger in his classic book Being and Time, and it explains how this notion can be employed in literary analysis in general and applied to this work in particular. The article then analyses how certain stylistic devices in the short story, namely similes, change of pace and the presentation of an inner conflict in the main character, contribute to the feeling of authenticity. In other words, it attempts to exhibit the means used in a prose work to make it seem more realistic and immediate. Finally, the work also argues that science fiction is in many ways more real than other fictional works. Although it belongs to the genre that has traditionally been denied serious literary merit, the novel view and interpretation of this story aims to disclose new horizons of artistic expression that illuminate human mental and physical frailty and stimulate a valuable inquiry into the meaning of life.

scholarly journals KAZUO ISHIGURO. THE WRITER IN THE ‘FLOATING WORLD’

2018 ◽  
pp. 301-318 ◽  
Author(s):  
O. Sidorova
Keyword(s):  
Science Fiction ◽  
British Literature ◽  
Nobel Prize Winner ◽  
Special Role ◽  
Kazuo Ishiguro ◽  
Cultural Traditions ◽  
Literary Forms ◽  
Contemporary British Literature ◽  
Before And After

Novels by the Nobel Prize winner in literature 2017 K. Ishiguro are analyzed chronologically, from the first novel A Pale View of Hills (1982) to the latest one The Buried Giant (2015). As the article shows, the author, who represents two cultural traditions, the Japanese and the British ones, reflects this quality in his works. The writer himself states that his works were mainly formed by the European literary tradition and, consequently, his novel The Remains of the Day has become a concentrated study of Englishness, one of the most vivid in contemporary British literature. Experimenting with traditional literary forms, Ishiguro uses the stream-of-conscience technique, elements of science fiction, fantasy, detective genres, but each of his novels is unique and is characterized by deep overtones. Some constant elements of the writer’s works are discussed: unreliable narrators, the opposition of memory and history, the special role of children and of old people in his novels, the significant role of periods before and after historic events that are omitted in his novels, and recognizable language and style – compact, reserved and precise.

scholarly journals A Journey Beyond Reality: Poetic Prose and Lush Imagery in Tanith Lee’s Night’s Master

2016 ◽  
Vol 5 (1) ◽  
pp. 71-85
Author(s):  
Barbora Vinczeová
Keyword(s):  
Short Stories ◽  
Children's Literature ◽  
Science Fiction ◽  
Fairy Tales ◽  
Children’S Literature ◽  
Literary Analysis ◽  
The Novel ◽  
Academic Interest ◽  
Detective Novels ◽  
Poetic Prose

Abstract Tanith Lee was a “highly decorated writer” (Chappell 1) whose work ranged from science-fiction, through fantasy and children’s literature to contemporary and detective novels. Although she published more than ninety novels and three hundred short stories, her audience has diminished through the years, affecting also the academic interest in her works. The aims of this article are to provide a literary analysis of one of her most famous novels, Night’s Master, and answer the question of why readers describe her prose as “lush” and “poetic”; and also interpret the recurring symbolism and themes of beauty, sexuality and metamorphosis in the work. This article also highlights the similarities between the novel and fairy tales in regard of numeric symbolism and morals.

scholarly journals The suffering of existence in Kazuo Ishiguro’s Never Let Me Go

Ars Aeterna ◽  
2018 ◽  
Vol 10 (2) ◽  
pp. 8-17
Author(s):  
Martin Šemelák
Keyword(s):  
Science Fiction ◽  
Human Life ◽  
Human Existence ◽  
The Novel ◽  
Kazuo Ishiguro ◽  
Normal People ◽  
Highly Sensitive ◽  
Alternate Reality ◽  
General Experience ◽  
Metaphorical Expression

AbstractThis paper deals with the British dystopian novel Never Let Me Go by Kazuo Ishiguro, in which human clones are forced to donate their organs in an alternate reality set in 1990s England. Through the characters of the novel, various manifestations of suffering are examined from the viewpoint of existentialism. The whole concept of donation might be understood as a metaphorical expression for human life, as well as the omnipresent consciousness of its finitude. Ishiguro has prepared the ground for disturbing discussion where two ostensibly different groups of people – clones, whose only purpose is to donate their vital organs, and “normal people” as the recipients – suddenly appear to be indistinguishable in terms of mortality and the general experience of human existence. This paper focuses on the concept of existential anguish in the context of the novel’s story. Using an unobtrusive science fiction narrative, Never Let Me Go encourages readers to contemplate the essence, meaning and purpose of human life, and it quietly points to topics that are usually treated as highly sensitive: the inevitability of death and apparent absurdity of human existence.

scholarly journals Never let me go: science fiction and legal reality

Literator ◽  
2011 ◽  
Vol 32 (3) ◽  
pp. 85-104 ◽  
Author(s):  
J.H. De Villiers ◽  
M. Slabbert
Keyword(s):  
Science Fiction ◽  
Free Choice ◽  
Personal Autonomy ◽  
Legal Framework ◽  
The Novel ◽  
Kazuo Ishiguro ◽  
Alternative Approach ◽  
Organ Donations ◽  
The Right ◽  
Medicolegal Issues

This article offers a law and literary perspective on Kazuo Ishiguro‟s novel „never let me go‟. The article engages with the existentialist themes of the novel and examines various medicolegal issues pertaining to cloning and organ transplants. By examining the contemporary social and legal framework, the article exposes the inadequacies of the current (legal) approach to organ donations, and advances an alternative approach that balances personal autonomy, free choice and the right to self determination.

scholarly journals Еротизація дискурсу смерті у романі Олеся Ульяненка «Софія»

2021 ◽  
Vol 49 (4) ◽  
pp. 241-256
Author(s):  
Feliks Shteinbuk
Keyword(s):  
Research Method ◽  
Literary Work ◽  
Literary Analysis ◽  
The Novel ◽  
Life And Death ◽  
Innovative Research ◽  
Affirmation Of Life

This article presents an alternative to the traditional methodologies of studying a literary work, a variant of theoretical-literary analysis, based on a body-mimetic interpretation of the novel by Sofia Oleś Ulyanenko, one of the most talented and controversial contemporary Ukrainian writers. The proposed innovative research method made it possible to find in the analyzed novel not only the dominant feeling of fear of life and death, but also facilitated the observation of attempts to obviously overcome this fear in a deviant way, which in turn mean the affirmation of life and overcoming death. 

SISTEM SOSIAL ALA NIKLASH LUHMAN DALAM NOVEL SEPERTIGA MALAM DI MANHATTAN KARYA ARUMI E

2019 ◽  
Vol 7 (2) ◽  
pp. 49
Author(s):  
Anton Wahyudi
Keyword(s):  
Social System ◽  
System Approach ◽  
Research Method ◽  
Qualitative Method ◽  
The Novel ◽  
Original Culture ◽  
The Family ◽  
Data Source ◽  
Social System Approach ◽  
Fictional Story

The novel Sepertiga Malam di Manhattan by Arumi E is very interesting to study. This novel is a novel about the struggle of a family to get happiness. This novel is the Arumi E's 27th newest novel. The struggle in this novel is to make the family happy, expecting for the baby. Before writing the novel, Arumi E did a research in the places written in the novel to achieve a very interesting fictional story and most of this story was taken from the traveling results so it was so interesting. The objective of this research is to describe (1) the Autopoetic System in the novel Sepertiga MalamdiManhattan by Arumi E. (2) The differentiation system in the Novel Sepertiga Malamdi Manhattan by Arumi E.The research method used is in the form of a descriptive qualitative method that uses a social system approach. The method used by the researcher is the dialectical method. The data source used in this research is the novel Sepertiga Malamdi Manhattan by Arumi E, published by Gramedia publisher in 2018. The data collection in this study uses the steps of reading the novel. To collect data, the researcher use any instrument.There are two results of the study: (1) The autopoetic system in the novel Sepertiga MalamdiManhattan by Arumi E. is concerning to some characters who have their own beliefs or rules in their lives who do not want to follow the rules of others, they are more confident in their own way to success and purpose of life. (2) The system of differentiation in the novel Sepertiga Malamdi Manhattan by Arumi E. is covering the handling of changes in the environment, the characters are able to adapt to the new environment, which has a different culture from the original culture. This shows evidence of the system autopoetic and differentiation in the novel Sepertiga MalamdiManhattan by Arumi E.

The Healing Magic of Joy: Understanding Magic as a Metaphor for Positive Emotion in The Secret Garden

2015 ◽  
Vol 8 (2) ◽  
pp. 127-141
Author(s):  
Margrete Lamond
Keyword(s):  
Positive Affect ◽  
Scientific Method ◽  
Positive Emotion ◽  
Literary Analysis ◽  
Data Driven ◽  
The Novel ◽  
Top Down ◽  
Affective Content ◽  
The Secret Garden ◽  
Biological Nature

Literary analysis tends to be conceptual and top-down driven. Data-driven analysis, although it belongs more to the domain of scientific method, can nevertheless sometimes reveal elements of narrative that conceptual readings may fall short of identifying. In critiques of Burnett's The Secret Garden, the children's return to health is generally understood to be the result of their interactions with nature. Some readings add the power of storytelling as a healing force in the novel. Burnett's concept of magic has tended to be treated with uneasy abstractions, and the influence of affect on health remains open for further investigation. This article bases its argument on data-driven analysis that charts how affective content in the novel occurs in conjunction with references to magic. It identifies the narrative significance of negative allusions to nature and how concepts of magic occur alongside representations of positive affect, and suggests that the magic of healing in The Secret Garden is not the transforming power of biological nature, nor the transforming power of storytelling, but the transforming power of surprise, wonder and happiness in conjunction with all these factors. Positive affect represents the essence of what Burnett means by magic.

A Compact Embodiment of Pluralities and Denial of Origins: Atwood’s The Year of The Flood

2016 ◽  
Vol 1 (3) ◽  
pp. 141
Author(s):  
Rana Sağıroğlu
Keyword(s):  
Science Fiction ◽  
21St Century ◽  
Social Order ◽  
Margaret Atwood ◽  
Rapid Change ◽  
The Novel ◽  
The World ◽  
Narrative Techniques ◽  
Why Questions ◽  
Near Future

Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that science fiction plays an introductory role and gives the novel a ground explaining all ‘why’ questions of the novel. However, Atwood is not unjust while claiming that her works are not science fiction because of the inevitable rapid change of 21st century world becoming addicted to technology, especially Internet. It is easily observed by the reader that what she fictionalises throughout the novel is quite close to possibility, and the world may witness in the near future what she creates in the novel as science fiction. Additionally, postmodernism serves to the novel as the answerer of ‘how’ questions: How the world embraces pluralities, how heterogeneous social order is needed, and how impossible to run the world by dichotomies of patriarchal social order anymore. And lastly, ecocriticism gives the answers of ‘why’ questions of the novel: Why humanity is in chaos, why humanity has organized the world according to its own needs as if there were no living creatures apart from humanity. Therefore, The Year of The Flood meets the reader as a compact embodiment of science fiction, postmodernism and ecocriticism not only with its theme, but also with its narrative techniques.

STRUKTUR NARASI NOVEL CA BAU KAN, KARYA REMY SYLADO ANALISIS SEMIOTIK

2017 ◽  
Vol 4 (1) ◽  
pp. 70
Author(s):  
Sri Sabakti
Keyword(s):  
Narrative Structure ◽  
Literary Analysis ◽  
The Novel ◽  
Basic Scheme ◽  
Library Research ◽  
The Mean

This research is aimed to expose the narrative structure of the novel Ca Bau Kan by using semiotical theory. The source of the data is the novel Ca Bau kan written by Remy Silado and published by KPG, eight edition, 2004. The data is collected by doing the library research. The teory applied in this research is the emiotical theory, especially the literary analysis of Subur Laksono Wardoyo that the analysis of the text of prose can be applied by using three fases; the analysis of the basic scheme narrative, the analysis of mean signifier, and the analysis of syntagmatics and pragmatics. The result of this research showed that the narrative structure in the novel CBK that (1) the life of Tinung before being a ca bau kan, (2) the life of Tinung as a ca bau kan, and (3) the life of Tinung after not being a ca bau kan anymore. Based on the narrative structure, it was found that “ Love is only one. No measurement is needed” is the mean signifier and able to be clarified by the analysis of syntagmatics-paradigmatics based on the biner oposition of weak x strong.AbstrakPenelitian ini bertujuan mengungkapkan stuktur narasi dalam novel Ca Bau Kan (CBK) dengan menggunakan teori semiotika. Penelitian ini menggunakan sumber data novel CBK karya Remy Silado yang diterbitkan oleh KPG, cetakan kedelapan tahun 2004. Pengumpulan data dilaksanakan dengan teknik kepustakaan. Teori yang digunakan dalam penelitian ini adalah teori semiotika, khususnya analisis sastra menurut Subur Laksono Wardoyo bahwa analisis teks prosa dapat dilakukan melalui tiga tahap, yaitu: analisis skema naratif dasar, analisis signifier utama, dan analisis sintagmatik-paradigmatik. Hasil penelitian menggambarkan bahwa struktur narasi pada novel CBK adalah sebagai berikut: 1) kehidupan Tinung sebelum menjadi ca bau kan, 2) kehidupan Tinung sebagai ca bau kan, dan 3) kehidupan Tinung setelah tidak menjadi ca bau kan. Berdasarkan struktur narasi, maka didapatkan bahwa “Cinta cuma satu, kagak perlu takaran” merupakan penanda utama dan dapat diperjelas melalui analisis sintagmatik-paradigmatik yang didasarkan atas sebuah oposisi biner lemah x kuat.

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