scholarly journals Еротизація дискурсу смерті у романі Олеся Ульяненка «Софія»

Author(s):  
Feliks Shteinbuk

This article presents an alternative to the traditional methodologies of studying a literary work, a variant of theoretical-literary analysis, based on a body-mimetic interpretation of the novel by Sofia Oleś Ulyanenko, one of the most talented and controversial contemporary Ukrainian writers. The proposed innovative research method made it possible to find in the analyzed novel not only the dominant feeling of fear of life and death, but also facilitated the observation of attempts to obviously overcome this fear in a deviant way, which in turn mean the affirmation of life and overcoming death. 

2020 ◽  
Vol 5 (1) ◽  
pp. 39-56
Author(s):  
Malikhatul Farida ◽  
Aang Ridwan ◽  
Tata Sukayat

ABSTRAK Penelitian ini bertujuan untuk mengetahui pesan tabligh yang terdapat dalam novel I AM Sarahza karangan Hanum Salsabiela Rais dan Rangga Almahendra. Pesan tabligh yang dimaksudkan adalah berdasarkan pada Organisasi Pesan, Kategorisasi Pesan dan Karakteristik Pesan. Metode penelitian menggunakan metode analisis isi deskriptif, yaitu mencaritahu dan mengkaji lebih dalam mengenai pesan tabligh dalam karya sastra novel I AM Sarahza sebagai sarana sekaligus sumber penyampaian pesan tabligh melalui tulisan yang tujuan untuk menggambarkan isi novel secara mendetail, logis, sistematis dan menyeluruh baik melalui makna, isi maupun ungkapan pesan tabligh dalam novel. Hasil Penelitian menunjukan bahwa dalam bentuk organisasi pesan tabligh terdapat pesan yang paling mendominasi yaitu Induktif atau kalimat yang memiliki ide pokok di awal kalimat dan kesimpulan di akhir kalimat, lalu dalam bentuk kategorisasi pesan lebih mendominasi terhadap bentuk kategori Ibadah yakni jenis prilaku atau ketaatan manusia dengan Allah SWT yang dibuktikan dengan karakter manusia yang amar ma’ruf nahi munkar dan terakhir adalah bentuk karakteristik pesan yang memiliki hasil yang seimbang antara verbal (pesan langsung) dan Nonverbal (pesan tidak langsung).   ABSTRACT The study aims to determine the tabligh messages contained in the novel of I AM Sarahza by Hanum Salsabiela Rais and Rangga Almahendra. The intended tabligh message based on Message Organization, Message Categorization and Message Characteristics. The research method uses descriptive content analysis method, which is to find out and examine more deeply about the message of tabligh in the literary work of the novel I AM Sarahza as a means as well as a source of delivering tabligh messages through writing to describe the contents of the novel in detail, logically, systematically and thoroughly both through meaning, content and expression of Tabligh messages in the novel. The results showed that in the form of tabligh message organization there is the most dominant message that is Inductive or a sentence that has the main idea at the beginning of the sentence and the conclusion at the end of the sentence. In the form of message categorization is more dominant towards the form of worship categories namely the type of human behaviour or obedience with God SWT as evidenced by the human character that is amar ma'ruf nahi munkar and finally is a characteristic form of message that has a balanced outcome between verbal (direct messages) and Nonverbal (indirect messages).


2016 ◽  
Vol 16 (2) ◽  
pp. 188
Author(s):  
Endang Wiyanti

Abstract There are several factors that influence a literary work, especially the novel became a best seller beside the content of the story. One of them is the technique of writing. The purpose of this study is to describe and analyze the aspects of cohesion grammatical substitution and ellipsis in the novel of Laskar Pelangi. The research method is qualitative analysis technique to characterize descriptive presentation of data obtained by the research. The results showed the use of language elements such as words, phrases, clauses, and sentences as part of the referrer two sentences in pairs to determine the cohesive relationship has not been evenly distributed. The percentage of grammatical cohesion in the aspect of substitution which includes (1) the substitution of the noun (replacing objects) as many as 31 pairs of sentences or 24,03%; (2) substitution of verbal (replacement verb) in 1 pairs of sentences of 0,78%; (3) substitution clause (clause replacement), the substitution clause consists of a nominal clause as many as 16 pairs of sentences, or 12,4%, verbal clause as much as 4 pairs of sentences, or 3,1%, adjective clause as much as 8 pairs of sentences, or 6,2%, adverbial substitution as many as 17 pairs of sentences, or 13,2%, as many as 1 pair preposional clause sentences or 0.78%, clause numeral as many as 11 pairs of sentences or 8,53%, and aspects of the ellipsis which include nominal ellipsis (deletion of objects) as many as 25 pairs of sentences or 11,38%, verbal ellipsis as much as 2 pairs of sentences, or 1,55%, and ellipsis clause by as much as 4 pairs of sentences or 3,10%. There are 10 pairs of sentences or 7,75% there is no cohesion and declared zero (0).Keywords: grammatical cohesion, substitution and ellipsis, Laskar Pelangi’s novel


2019 ◽  
Vol 1 (2) ◽  
pp. 131-139
Author(s):  
Adernarsy Avereus Rahman

Literary work is the result of creative writing containing aesthetic values and the values of life conveyed through the meanings of the story. Narrating a story of literary works involves the roles’ of the characters as the main figures that is consistent with the story and a psychological analysis of literary. The method used in this research was descriptive qualitative method. The data sources used were documents such as the review of the Novel amba. Data collection was done by using documentation and interviews. The results of this research are as follows: (1) dispositive key figures were illustrated by using the method of standpoint. (2) id aspect of the characters in the novel of Amba comes from life and death instincts as the form of survival or fulfilling the needs. (3) aspects of ego that exists in figures Novel amba are served as a means of meeting the needs and as a determinant in deciding any actions to take in response to the problems that occur within the characters. (4) aspects of the superego is depicted through the picture of them obeying the rules that exist in the society.


2021 ◽  
Vol 9 (3) ◽  
pp. 337-343
Author(s):  
Biman Mondal ◽  
Aju Aravind

Purpose of the study: The study aims at analysing Never Let Me Go in terms of the language used in his novel by Nobel prize winner, Kazuo Ishiguro, a Japanese writer. The language used in the novel which is a science fiction novel, with the futuristic vision which is quite difficult to understand in one reading, and hence this paper can create interest and inquisitiveness in the reader. Methodology: For the literary analysis of the words in the study, Motifs and Symbolism are used as a technique to analyse the words and language used in Never Let Me Go. Literary analysis of chosen words and language is used as a research method in the novel. Main Findings: It is indicated in this study that the novel is narrated in first person singular form. Kathy’s voice in Never Let Me Go seems consistent. A reader feels a clear sense of Kathy`s character through her discipline of speaking. Applications of this study: It is shown in this study of Never Let Me Go in terms of the language used, can be useful to the students studying in graduates/post graduates of Literature studies. The in-depth analysis of the language, words, etc used in the novel makes it interesting to the students. Novelty/Originality of this study: The language using style in Never Let Me Go is realistic and reflects on the period of the novel set i.e., the 1990s and colloquial language used by the author. Certain words like a euphemism, possible, donor, carer, unzipping, gifted, othering used by the narrator has an inner meaning which is being analysed in this paper. This could help the reader to understand the narration and take pleasure in reading the novel.


1970 ◽  
Author(s):  
Tetiana Grebeniuk

The article examines the specifics of the reader’s reception of Stanisław Lem’s novel Solaris in the context of indeterminacy, and the openness of the work to interpretation. The paper examines literary approaches to the formation of meaning in the process of reading this novel, in particular those implemented in Manfred Geier and Istvan Jr. Csicsery-Ronay works. Marie-Laure Ryan’s adaptation of the theory of possible worlds to literary analysis is employed as the methodological basis of my research. On the one hand, the effect of indeterminacy corresponds to the fantastic nature of the conditionality of Lem’s novel. Indeed, the key issue of the work – the encounter of humans with the unknown – requires the author to apply the potential of secrecy. On the other hand, this highly literary work (as well as Andrei Tarkovsky’s film adaptation) is endowed with multiple and ambiguous semantic codes that appeal to the depths of human consciousness and the unconscious. These codes cannot be interpreted unambiguously and, therefore, also provoke a state of uncertainty in the reader. In the textual actual world, semantic codes produce indeterminacy. They are linked to the essence of the single inhabitant of the Solaris, the Ocean, and phantoms created by it who visit the Station. In the novel protagonist’s Kris Kelvin personal world, the state of indeterminacy is associated with the existential essence of his relationship with his beloved Rheya and the problem of making contact with extraterrestrial intelligence. The surreal imagery of Kris’s dreams and visions provide for possible interpretations of the semantic codes of his world.


Author(s):  
Novi Andari ◽  
Sudarwati Sudarwati

Banyak pendidik mulai percaya bahwa proses belajar yang berpusat pada peserta didik akan membawa hasil yang lebih baik dan menghasilkan kesuksesan pada peserta didik tersebut. Inspirasi seorang pendidik dalam menentukan dan menciptakan metode dan model pembelajaran dapat diperoleh dari berbagai sumber. Novel adalah salah satu karya sastra yang berfungsi sebagai alat untuk mewakili kehidupan manusia sebagaimana dinyatakan dalam karya fiksi. Karena pesan yang disampaikan oleh penulis melalui novel bersumber dari permasalahan yang ada di masyarakat, salah satu masalahnya adalah pendidikan. Penjelasannya menjelaskan bahwa ada hubungan khusus antara novel dan pendidikan. Untuk membuktikan pernyataan di atas, dilakukan sebuah penelitian yang bertujuan untuk memperoleh data atau informasi bentuk pembelajaran dalam karya sastra. Ditemukan dalam novel Madogiwa no Totto-chan dan novel Nijuushi no Hitomi tentang bentuk pembelajaran untuk anak-anak sekolah dasar. Dalam tulisan ini dipaparkan temuan metode pembelajaran kontekstual pada dua novel tersebut. Metode penelitian yang digunakan adalah metode deskriptif kualitatif.  Many educators are beginning to believe that the learning process centered on learners will bring better results and result in success in those learners. Inspiration of an educator in determining and creating methods and models of learning can be obtained from various sources. Novel is one of the literary works that serve as a tool to represent human life as stated in the work of fiction. Because the message conveyed by the author through the novel sourced from the problems that exist in the community, one of the problems is education. The explanation explains that there is a special connection between novel and education. To prove the above statement, conducted a study that aims to obtain data or information of the forms of learning in a literary work. Found in the novel Madogiwa no Totto-chan and novel Nijuushi no Hitomi about the forms of learning for elementary school children. In this paper that presented the findings of a method of contextual learning in the two novels. Research method used is descriptive qualitative method.   


Author(s):  
Anton Wahyudi

The novel Sepertiga Malam di Manhattan by Arumi E is very interesting to study. This novel is a novel about the struggle of a family to get happiness. This novel is the Arumi E's 27th newest novel. The struggle in this novel is to make the family happy, expecting for the baby. Before writing the novel, Arumi E did a research in the places written in the novel to achieve a very interesting fictional story and most of this story was taken from the traveling results so it was so interesting. The objective of this research is to describe (1) the Autopoetic System in the novel Sepertiga MalamdiManhattan by Arumi E. (2) The differentiation system in the Novel Sepertiga Malamdi Manhattan by Arumi E.The research method used is in the form of a descriptive qualitative method that uses a social system approach. The method used by the researcher is the dialectical method. The data source used in this research is the novel Sepertiga Malamdi Manhattan by Arumi E, published by Gramedia publisher in 2018. The data collection in this study uses the steps of reading the novel. To collect data, the researcher use any instrument.There are two results of the study: (1) The autopoetic system in the novel Sepertiga MalamdiManhattan by Arumi E. is concerning to some characters who have their own beliefs or rules in their lives who do not want to follow the rules of others, they are more confident in their own way to success and purpose of life. (2) The system of differentiation in the novel Sepertiga Malamdi Manhattan by Arumi E. is covering the handling of changes in the environment, the characters are able to adapt to the new environment, which has a different culture from the original culture. This shows evidence of the system autopoetic and differentiation in the novel Sepertiga MalamdiManhattan by Arumi E.


2015 ◽  
Vol 8 (2) ◽  
pp. 127-141
Author(s):  
Margrete Lamond

Literary analysis tends to be conceptual and top-down driven. Data-driven analysis, although it belongs more to the domain of scientific method, can nevertheless sometimes reveal elements of narrative that conceptual readings may fall short of identifying. In critiques of Burnett's The Secret Garden, the children's return to health is generally understood to be the result of their interactions with nature. Some readings add the power of storytelling as a healing force in the novel. Burnett's concept of magic has tended to be treated with uneasy abstractions, and the influence of affect on health remains open for further investigation. This article bases its argument on data-driven analysis that charts how affective content in the novel occurs in conjunction with references to magic. It identifies the narrative significance of negative allusions to nature and how concepts of magic occur alongside representations of positive affect, and suggests that the magic of healing in The Secret Garden is not the transforming power of biological nature, nor the transforming power of storytelling, but the transforming power of surprise, wonder and happiness in conjunction with all these factors. Positive affect represents the essence of what Burnett means by magic.


2017 ◽  
Vol 4 (1) ◽  
pp. 70
Author(s):  
Sri Sabakti

This research is aimed to expose the narrative structure of the novel Ca Bau Kan by using semiotical theory. The source of the data is the novel Ca Bau kan written by Remy Silado and published by KPG, eight edition, 2004. The data is collected by doing the library research. The teory applied in this research is the emiotical theory, especially the literary analysis of Subur Laksono Wardoyo that the analysis of the text of prose can be applied by using three fases; the analysis of the basic scheme narrative, the analysis of mean signifier, and the analysis of syntagmatics and pragmatics. The result of this research showed that the narrative structure in the novel CBK that (1) the life of Tinung before being a ca bau kan, (2) the life of Tinung as a ca bau kan, and (3) the life of Tinung after not being a ca bau kan anymore. Based on the narrative structure, it was found that “ Love is only one. No measurement is needed” is the mean signifier and able to be clarified by the analysis of syntagmatics-paradigmatics based on the biner oposition of weak x strong.AbstrakPenelitian ini bertujuan mengungkapkan stuktur narasi dalam novel Ca Bau Kan (CBK) dengan menggunakan teori semiotika. Penelitian ini menggunakan sumber data novel CBK karya Remy Silado yang diterbitkan oleh KPG, cetakan kedelapan tahun 2004. Pengumpulan data dilaksanakan dengan teknik kepustakaan. Teori yang digunakan dalam penelitian ini adalah teori semiotika, khususnya analisis sastra menurut Subur Laksono Wardoyo bahwa analisis teks prosa dapat dilakukan melalui tiga tahap, yaitu: analisis skema naratif dasar, analisis signifier utama, dan analisis sintagmatik-paradigmatik. Hasil penelitian menggambarkan bahwa struktur narasi pada novel CBK adalah sebagai berikut: 1) kehidupan Tinung sebelum menjadi ca bau kan, 2) kehidupan Tinung sebagai ca bau kan, dan 3) kehidupan Tinung setelah tidak menjadi ca bau kan. Berdasarkan struktur narasi, maka didapatkan bahwa “Cinta cuma satu, kagak perlu takaran” merupakan penanda utama dan dapat diperjelas melalui analisis sintagmatik-paradigmatik yang didasarkan atas sebuah oposisi biner lemah x kuat.


Author(s):  
Muhtadin Muhtadin ◽  
Sugi Murniasih

The objective of this research was to describes the morality contained in the novel Affairs at the Negeri di Ujung Tanduk the works Tere Liye. The research method used content analysis. The data in this research is a sentence containing the moral values ​​contained by the novel of the State at Ujung Tanduk Karya Tere Liye. Technique of collecting data using documentation technique and record. Data analysis techniques with steps: data reduction, data tabulation and coding, interpretation, classification, and conclusion. The result of the research shows that morality in Tere Liye Negeri di Ujung Tanduk novel is: first, human relationships with other human beings in the form of self existence, self esteem, self confidence, fear, death, longing, resentment, loneliness, maintaining the sanctity of greed, developing courage, honesty, hard work, patient, resilient, cheerful, steadfast, open, visionary, independent, brave, courageous, optimistic, envy, hypocritical, reflective, responsible, principle, confident, disciplined , and voracious. Second, human relationships with other humans or social and nature in the form of cooperation, acquaintance, hypocrisy, caring, hypocrisy, caring, friendship, smile, mutual help, and betrayal. Third human relationships in the form of God's menthidising and avoiding shirk, piety and pleading with prayers, prayers performed by human beings, as an awareness that everything in this universe belongs to God. Keywords: morality, literature, novel


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