Re-Membering Herstory and the Transephemeral Performative
This chapter examines how the relatively new phenomenon of graffiti subculture’s online activity affects graffiti grrlz’ “herstorical” presence in the production of the subcultural archive. Through the example of Brazil’s first all-grrl crew Transgressão Para Mulheres (TPM), the chapter interrogates the social and political potential of a digital existence for those who have literally been written out of history at the same time that it offers “transephemerality” as a conceptual tool describing the ontological condition of an ephemeral art form that remains present in the digital world. TPM’s “real life” inactivity is countered by their activity online, a digital presence that reaches across time and space. Without their graffiti images existing online as transephemeral objects the historical impact of TPM to graffiti history might be forgotten, whereas now it is made available to a wider public capable of re-membering TPM’s herstory despite their “disappearance.”