scholarly journals Integration of Chinese Traditional Virtues and Chinese Teaching

2020 ◽  
Vol 4 (9) ◽  
Author(s):  
Jianli Xue
Keyword(s):  
College Students ◽  
Chinese Culture ◽  
New Era ◽  
Innovative Strategies ◽  
Chinese Nation ◽  
Cultural Connotation ◽  
Traditional Chinese Culture ◽  
History Of ◽  
History Of Culture ◽  
Chinese Teaching

The Chinese nation has a long history and a long history of culture. Traditional Chinese virtues are an important cultural connotation of the Chinese nation and an important spiritual asset of the Chinese nation. In colleges and universities, "Chinese" as an important subject, not only focuses on the teaching of Chinese-related knowledge, but also emphasizes the inheritance and development of traditional Chinese culture and traditional virtues. From this perspective, it is of great significance to study the modern integration of traditional Chinese virtues and Chinese teaching. This article starts with an analysis of the current situation of the integration of traditional Chinese virtues and Chinese teaching and explores innovative strategies for the integration of traditional Chinese virtues and Chinese teaching. It is hoped that contemporary college students can better learn the spiritual connotation of traditional Chinese virtues and promote social development and progress in the new era.

TANG JIANPING'S OPERA "THE DAWNS HERE ARE QUIET": HISTORY OF CREATION AND SPECIFICS OF MUSICAL DRAMATURGY

2020 ◽  
Vol 1 (3) ◽  
pp. 161-167
Author(s):  
Wang Kaidi ◽  
Keyword(s):  
Human Nature ◽  
Chinese Culture ◽  
Gender Disparity ◽  
Psychological State ◽  
Chinese Opera ◽  
Traditional Chinese Culture ◽  
Great Patriotic War ◽  
History Of ◽  
First Time ◽  
Russian Identity

The article is devoted to the Opera "The Dawns Here Are Quiet" by the Chinese composer Tang Jianping based on the same-named novel by Boris Vasilyev. The theme of the Great Patriotic War, which for the first time became the plot of the Chinese Opera, was in tune with the theme of the Chinese Resistance to the Japanese Invasion. The composition synthesizes the characteristics of the European opera type in its Russified version, which was reflected in the heroic and epic dramaturgy and multi-part musical text. Russian folklore allusions, quasi- quotes from Russian operas, military-patriotic and Soviet mass songs reflect the author's method. The integrity of musical dramaturgy was given by the leitmotif, which became the main marker of Russian identity in the Opera. The Opera lacks a naturalistic embodiment of the War, and depicts the enemy in a conventional, symbolic way, in the form of unnamed but recognizable figures. The creators of the play sought to reveal the barbaric essence of the War, its anti-human character, to present the psychological state of the heroes and the manifestation of their human nature. The theme of the death of young girls gave a special perspective to the Opera, which is particularly acute in China due to gender disparity. The concept of the composer, director and screenwriter reflects the ideological constants of traditional Chinese culture, which gave the Opera an internal subtext.

scholarly journals The Belt and Road Policy and Traditional Chinese Culture

2019 ◽  
Vol 11 (2) ◽  
pp. 87
Author(s):  
Wei Zheng ◽  
Qing-Xiang Feng
Keyword(s):  
Chinese Culture ◽  
Policy Initiative ◽  
Xi Jinping ◽  
New Era ◽  
Chinese Characteristics ◽  
Traditional Chinese Culture ◽  
Belt And Road ◽  
National Congress ◽  
The Belt And Road ◽  
Major Decision

Since the 18th CPC national congress, the development of socialism with Chinese characteristics has entered into a new era. In the new context of development, Chinese President Xi Jinping has put forward the Belt and Road Policy. The Belt and Road Policy is not only a major decision for China to promote regional economic integration and international economic and trade exchanges, but also a project to spread traditional Chinese culture. The Belt and Road Policy initiative bears the mission of spreading the Chinese civilization and building a community with a shared future for humanity. It attempts to provide a set of Chinese solutions to the bottleneck of global development and demonstrates the cultural confidence of the CPC.

Improving the Chinese Medicine Culture Self-Confidence of Students in Chinese Medicine Universities

2020 ◽  
Vol 9 (4) ◽  
pp. 156
Author(s):  
Yu Wang ◽  
Xue Yu ◽  
Afei Tang ◽  
Jin Zhu ◽  
Ce Cao
Keyword(s):  
College Students ◽  
Chinese Medicine ◽  
The Self ◽  
Quality Development ◽  
New Era ◽  
Chinese Nation ◽  
Self Confidence ◽  
The World ◽  
Challenges And Opportunities ◽  
High Degree

As one of the most important creations of Chinese civilization, Chinese medicine culture is a treasure of our country and even the world, and it is also a precious treasure passed down from generation to generation of the Chinese nation. "Pharmaceutical business" reflects the importance of Chinese medicine culture in the new era. The self-confidence of Chinese medicine culture is the cornerstone of the revitalization of Chinese medicine culture. Facing the challenges and opportunities of the development of Chinese medicine culture in the future, college students of TCM schools can only advance the Chinese medicine industry to a higher level if they have a high degree of self-confidence in Chinese medicine culture. Higher quality development.

scholarly journals Research on the Problems and Countermeasures in Cultivation of College Students' Cultural Confidence in the New Era

2020 ◽  
Vol 4 (9) ◽  
Author(s):  
Kangjun Guo
Keyword(s):  
College Students ◽  
Human Society ◽  
Human Beings ◽  
Xi Jinping ◽  
New Era ◽  
Chinese Nation ◽  
Chinese Characteristics ◽  
Foreign Exchanges ◽  
Reform And Opening Up ◽  
Opening Up

Culture is a unique phenomenon in human society, which reflects the wisdom of human beings. It is not only the core of a country's cohesion, but also the spiritual driving force for a country to be prosperous and developed. Cultural confidence is an important theoretical content and component of Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era, and an essential source of strength for the great rejuvenation of the Chinese nation. Under the influence of foreign cultures, college students in the new era have problems such as loss of value and lack of confidence in terms of cultural confidence. Therefore, in the course of expanding foreign exchanges and carrying out reform and opening up, it has become an important mission that cannot be delayed for the ideological and political theory teaching in colleges and universities to strengthen the cultural confidence of college students and reinforce their cultural confidence education.

scholarly journals The Development Strategy of Pechoin in the New Era

2021 ◽  
Vol 12 (5) ◽  
pp. 435-441
Author(s):  
Yuan-Zhao Song, Myeong-Cheol Choi, Zhuo-Cuo Kan
Keyword(s):  
Marketing Strategy ◽  
Development Strategy ◽  
Chinese Culture ◽  
Market Competition ◽  
Daily Lives ◽  
New Era ◽  
Old Chinese ◽  
The Development Strategy ◽  
Traditional Chinese Culture ◽  
Foreign Brands

With a long history inherited through centuries of business competition, Chinese time-honored brands are a symbol of traditional Chinese culture. As a witness of history, every old Chinese brand is a brand legend, but they arenow gradually declining. According to the latest statistics from the Ministry of Commerce of China, only 160 out ofover 1,600 “Chinese time-honored brands”have beenprofitable since 1993. Many time-honored brands are facing the scourge of brand decline or even extinction, with the remaining brands dying at a rate of 5% per year. In recent years, cosmetics have gradually become an inseparable part of people's daily lives with the increasing income of Chinese residents. China's broad market prospects have attracted many well-known international brands, while many well-known old Chinese brands have been eclipsed in this increasingly fierce market competition. As the saying goes, “An outsider, however strong, should always respects the locals,” foreign brands have overcome the inherent competitive disadvantages of systems, cultural regions, and the like. In contrast, domestic brands have continued to decline under local advantages,the reasons of which are worth discussing. This article uses Pechoin as an example to explore the development strategies of traditional old brands in the new era and explores the causes of the brand’s resurgence in terms of brand innovation and marketing strategy. Its current problems are discussed to provide a way for other traditional brands to rejuvenate.

Group-activity- and New-lesson-based Student Questioning in College Chinese Teaching

2016 ◽  
Vol 7 (5) ◽  
pp. 979
Author(s):  
Ying Zhang
Keyword(s):  
Chinese Culture ◽  
Group Activity ◽  
Mao Zedong ◽  
Teaching Objectives ◽  
Theoretical System ◽  
Chinese Characteristics ◽  
Traditional Chinese Culture ◽  
Student Questioning ◽  
Chinese Teaching ◽  
Chinese Undergraduates

Guided by the relevant classroom questioning theories, the author has practiced group-activity- and new-lesson-based student questioning-answering and self-answering model (GANL-SQuASA) in College Chinese teaching for five terms in Tianjin College, University of Science and Technology Beijing. The group activity is focused on the tough points specified in the Teaching Objectives of each lesson to be taught following the students’ PPT presentation, after which the usual student questioning and answering happens, but the questioning student has to offer answer to his/her own question and just this last stroke has brought students’ potentials into full play and added classroom attraction. At the completion of the course in each term, students found that their critical reading, appreciating, thinking and expressing abilities have obviously improved and they have developed into a habit of researching and a certain degree of academic consciousness which is relatively weak among Chinese undergraduates. The results of the questionnaire also verify that the model is a good try in College Chinese teaching, while the smooth application to other two courses, Introduction to Mao Zedong Thought and Theoretical System of Socialism with Chinese Characteristics and Traditional Chinese Culture proves that the model deserves spreading to the teaching of similar courses.

Ternary Taiji Models of the Traditional Chinese Self: Centered on Confucian, Taoist, and Buddhist Cultures

2021 ◽  
pp. 002216782110169
Author(s):  
Zhen-Dong Wang ◽  
Feng-Yan Wang
Keyword(s):  
Chinese Culture ◽  
Chinese Philosophy ◽  
The Self ◽  
Traditional Chinese Culture ◽  
Yin Yang ◽  
Book Of Changes ◽  
Construction Of Self ◽  
History Of ◽  
Similarities And Differences ◽  
Thinking Modes

Traditional Chinese culture is commonly viewed as a trinity of Confucianism, Taoism, and Buddhism. Originally emerging from the Book of Changes, the concept of Taiji has a profound interactive influence with Confucian, Taoist, and Buddhist thought in the history of Chinese philosophy. Because the construction of self-models is often closely related to thinking modes, as a root metaphor in the Chinese culture, the diagram of Taiji that best fits Chinese yin–yang thinking can be used as a prototype to explain the self-structure, the process of self-cultivation, and the realm of person making in the context of Chinese culture. This article reviews the Confucian, Taoist, and Buddhist Taiji model of the self and the theory of self-cultivation realms based on these self-models and examines the similarities and differences among them. The ternary Taiji models of the self can complement one another and contribute to a more comprehensive, profound, and accurate understanding of the pluralistic connotations of the traditional Chinese self.

scholarly journals Confucian sociology of managerial knowledge

2019 ◽  
pp. 169-172
Author(s):  
M. Yu. Zakharov ◽  
A. A. Komarova ◽  
O. V. Kryshtanovskaya
Keyword(s):  
Chinese Culture ◽  
Sociology Of Knowledge ◽  
Social Consciousness ◽  
Historical Significance ◽  
Management Knowledge ◽  
Traditional Chinese Culture ◽  
History Of ◽  
Managerial Knowledge

The article attempts to conceptualize the nature of managerial knowledge in traditional Chinese culture and the possibility of using methodological potential of current sociology of knowledge for this task. The role and significance of cognitive problematics in the history of old China have been formulated, Confucian type of knowledge has been analyzed; the placein this ancient management knowledge has been considered a statement on formation of predetermination of social consciousness of the Chinese has been substantiated. A conclusion on historical significance, productiveness and potential of Confucian sociology for formation of sociocultural mechanism of management of China has been made.

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