scholarly journals Russian Painters at the Academy de la Grande Chaumière, Paris, in the Beginning of the 20th Century

2020 ◽  
Vol 10 ◽  
pp. 423-435
Author(s):  
Elena A. Borovskaya ◽  
Maria A. Drozdova
Keyword(s):  
20Th Century ◽  
In The Beginning

The Great Reform and the Fate of Capitalism in Russia (On the 150th Anniversary of the Emancipation Reform)

2011 ◽  
pp. 119-136
Author(s):  
M. Voeikov
Keyword(s):  
20Th Century ◽  
Historical Research ◽  
150Th Anniversary ◽  
In The Beginning

The paper deals with the problem of the establishment of capitalism in Russia in the late 19 - early 20th centuries. Using a wide array of historical research and documents the author argues that the thesis on the advanced state of capitalism in Russia in the beginning of the 20th century does not stand up to historical scrutiny, and the role of the famous Emancipation reform of 1861 appears to be of limited importance.

Main Forms of Propagandistic Activities of the Right-Wing Parties (1904–1914)

2020 ◽  
Vol 102 ◽  
pp. 656-676
Author(s):  
Igor V. Omeliyanchuk
Keyword(s):  
20Th Century ◽  
Social Groups ◽  
Right Wing ◽  
Periodical Press ◽  
Political Movement ◽  
The People ◽  
The Social ◽  
The Right ◽  
In The Beginning ◽  
The 19Th Century

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.

From Circles to Parties. Genesis of Party System in Russia in the Beginning of 20th Century

2020 ◽  
Vol 102 ◽  
pp. 464-470
Author(s):  
Kirill A. Solovyov
Keyword(s):  
Political Parties ◽  
20Th Century ◽  
Party System ◽  
Revolutionary Era ◽  
The Public ◽  
Party Organizations ◽  
Political Forces ◽  
In The Beginning

The article is devoted to the general patterns of political parties formation in Russia at the beginning of the 20th century. They were preceded by proto-party organizations that were far from being ideologically monolithic. Under the conditions of rapid differentiation of political forces, the existing alliances were often accidental and situational. They hung on to the legacy of the pre-revolutionary era, when the public was just “learning” to talk about politics, and the boundaries between different ideological structures were quite rather relative.

TRADITION AND INNOVATION IN MODERN KAZAKH POETRY (XX century and independence)

2021 ◽  
Vol 76 (2) ◽  
pp. 118-128
Author(s):  
Sh. Kuttybaev ◽  
◽  
Е. Abdimomynov ◽  
Keyword(s):  
20Th Century ◽  
Large Scale ◽  
Point Of View ◽  
Soviet Period ◽  
Evolutionary Development ◽  
Spiritual Values ◽  
Literary Traditions ◽  
New Perspective ◽  
National Poetry ◽  
In The Beginning

The article analyzes views on innovation in the literary science of the early twentieth century and the work of Alash representatives in an era that is a period filled with profound changes and large-scale innovations in Kazakh society. In addition, works related to freedom, enlightenment, politics, spiritual values, the position of the people as a whole and social changes are considered the idea of independence and continuity. On the way of evolutionary development of the Kazakh literature, artistic power, thematic and ideological character, substantial and stylistic features of poetry of poets in the beginning of the XX century and during the Great Patriotic War, in subsequent years and years of independence are discussed in detail. In addition, on the basis of literary traditions and novelty, the works of prominent poets of Kazakh poetry of the 20th century and Independence are considered and comprehensively characterized, i.e. internal motives, the content of life phenomena in national poetry are analyzed in close connection with the works of poets. The original vision of the traditional and differentiated in the literature of the Soviet period in the works of poets from a new perspective, from the point of view of today. In addition, the works of outstanding poets of Kazakh poetry in the period of the 20th century and independence are considered on the basis of classical tradition and novelty in literature.

Invázna ekológia

2021 ◽  
Vol 25 (4) ◽  
pp. 1-9
Author(s):  
Pavol Eliáš
Keyword(s):  
Introduced Species ◽  
20Th Century ◽  
Science Policy ◽  
21St Century ◽  
Rapid Development ◽  
Invasion Biology ◽  
Current Development ◽  
New Science ◽  
Invasion Species ◽  
In The Beginning

Invasion ecology was established as a science of invasion of animals and plants in the beginning of the second half of the 20th century by English ecologist Charles Sutherland Elton (1900-1991). Rapid development of the field of ecology is evident since the end of last century and following decades of 21st century. The paper deals with current development, diversity of concepts and hypotheses, including critiques of invasion terminology, invasion species concepts, introduced species as bad species and xenophobe appeared related to aliens as invaders. Invasion biology was an attempt to integrate alien animals and plants research into one science. In last decade new science of invasions is developed, characterised by multi- and interdisicplinarity, supported by social and economy sciences. To facilitate generalisations, and to improve the link between science, policy, and management, numerous frameworks have been developed in an attempt to unify different concepts and definitions.

scholarly journals VISUALISASI PEREMPUAN PADA LUKISAN TRADISIONAL TIONGHOA DI INDONESIA (Analisis karya-karya seni lukis Lee Man Fong dan Chiang Yu Tie)

Panggung ◽  
2017 ◽  
Vol 27 (2) ◽  
Author(s):  
Ariesa Pandanwangi ◽  
Nuning Damayanti
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
Social Life ◽  
Research Method ◽  
Qualitative Method ◽  
The Social ◽  
In The Beginning ◽  
Social Area

ABSTRACT Both Lee Man Fong - a male painter - and Chiang Yu Tie - a female painter - are Chinese who migrated to Indonesia. In the beginning of the 20th century, Lee Man Fong lived in Bali while Chiang Yu Tie lived in Java. Many of their artworks were collected by the National Palace and many government officers. The questions of this research are visualization of the women as the object of paintings of both artists and gesture of the women in the paintings of both artists. The purpose of the research is to enrich the documentary infrastructure about women as object in the social area of visual arts which has not been studied much. The research method that will be used is qualitative method with purpose sampling. The result of the research will show that both artists are very familiar with a particular social life during their stay in a certain place, so that their perceptions are focused in excavating the women object in their artworks.Keywords: Chiang Yu Tie, Chinese, Lee Man Fong, Painting, Woman.ABSTRAK Lee Man Fong adalah pelukis laki-laki dan Chiang Yu Tie adalah pelukis perempuan. Keduanya adalah orang Tionghoa yang merantau ke Indonesia. Pada tahun 1900 an Lee Man Fong tinggal di Bali sedangkan Chiang Yu Tie tinggal di Jawa Barat. Karya keduanya banyak dikoleksi oleh Istana Negara juga oleh pejabat pemerintahan. Penelitian ini untuk mengetahui visualisasi perempuan yang dijadikan objek pada lukisan tradisional tionghoa dan gestur perempuan pada objek karya seni lukis kedua seniman tersebut. Tujuan penelitian ini adalah untuk melengkapi infrastruktur pendokumentasian tentang objek perempuan dalam medan sosial seni rupa yang belum banyak dibahas. Metode penelitian ini adalah metode kualitatif dengan purpose sampling. Hasil penelitian ini memperlihatkan bahwa kedua seniman tersebut sangat akrab dengan lingkungan sosial ketika mereka tinggal disuatu daerah, sehingga pengamatannya banyak di fokuskan pada penggalian objek perempuan dalam karya seni lukisnya.Kata kunci: Chiang Yu Tie, Lee Man Fong, Perempuan, Seni lukis, Tionghoa. 

scholarly journals Sadayakko és Hanako Budapesten

2020 ◽  
Vol 11 (2019/1) ◽  
Author(s):  
Petra Doma
Keyword(s):  
20Th Century ◽  
Theatre History ◽  
Death Scene ◽  
The Press ◽  
The Times ◽  
In The Beginning

In the beginning of the 20th century, two celebrated Japanese actresses, Kawakami Sadayakko (1871–1946) and Hanako (1868–1945), visited Budapest. Sadayakko, accompanied by the Kawakami troupe, arrived in February 1902 and performed at the Uránia Theatre. Hanako visited the Hungarian capital twice: in 1908 and 1913. Both of them played in ‘Japanese-style’ performances, which at first seemed traditional and authentic to the Hungarian audience. The most important and spectacular element of these plays was the death scene and the supernatural way the actresses performed this on stage. In the present paper I analyse various kinds of contemporary articles and examine how the two actresses appeared in and influenced Hungarian theatre history. Additionally, through the analysis of the press of the times, I will argue that Hanako’s second visit was less successful than her first or than Sadayakko’s, and show that the audience’s opinion about the authenticity of the performance changed completely.

scholarly journals A. P. Platonov and children’s reading in the beginning of the 20th century: Sources, genres, names, themes

2021 ◽  
Vol 21 (3) ◽  
pp. 313-319
Author(s):  
Aleksey O. Kostylev ◽  
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early Reading ◽  
The World ◽  
In The Beginning ◽  
Children's Reading ◽  
Children’S Reading

The article examines the reading of a child at the beginning of the twentieth century in connection with the question of its influence on the world of childhood in the work of A. Platonov. The study of the pre-revolutionary reading of children is of historical and literary interest, it can help in identifying specific texts from the early reading of the writer, in defining traditions that influenced the world of childhood in Platonov’s prose and shaped it, the genesis of children’s images, and the search for allusions.

Chinese Language and Literature Reform in The Beginning of The 20th Century

2019 ◽  
Author(s):  
Chanh Nguyen Thi Mai ◽  
Keyword(s):  
20Th Century ◽  
Social Transformation ◽  
World Literature ◽  
Chinese Literature ◽  
Critical Role ◽  
Modern Literature ◽  
Language Reform ◽  
Language And Literature ◽  
In The Beginning ◽  
The 19Th Century

It is difficult not to mention language reform when referring to Chinese literature modernization between the end of the 19th century and the beginning of the 20th century. Language played a critical role in facilitating the escape of Chinese literature from Chinese medieval literary works in order to integrate into world literature. The language reform not only laid a foundation for modern literature but also contributed considerably to the grand social transformation of China in the early days of the 20th century. Chinese new-born literature was a literature created by spoken language; in Chinese terms, it was considered as a literature focusing on “dialectal speech” instead of “classical Chinese” used in the past. In international terms, it can be named as living language literature which was used to replace classic literary language in ancient books – a kind of dead language. This article will analyze how language reform impacted Chinese modern literature at the beginning of the 20th century.

A Note on Tree Worship in the Zaza Folk Beliefs

2020 ◽  
Vol 24 (4) ◽  
pp. 404-407
Author(s):  
Victoria Arakelova
Keyword(s):  
20Th Century ◽  
The Elderly ◽  
Historical Evidence ◽  
Folk Beliefs ◽  
The Past ◽  
Turkish Government ◽  
Oak Trees ◽  
Individual Trees ◽  
In The Beginning ◽  
Mountain Villages

The article presents some historical evidence about the veneration of individual trees, primarily the juniper and the oak-trees, traditionally considered to be sacred in the Zaza culture, as well as generally groves and forests. Unfortunately, the once vast and rich forestal covering of the Zazas’ main habitat in Dersim (Tunceli), which was a proverbial phenomenon still in the beginning of the 20th century, has been almost totally exterminated as a result of the mistreatment by the Turkish government. The folk beliefs related to tree worship have also been considerably erased from the people’s memory, lingering on only among the elderly in the remote mountain villages as a dwindling echo of the past.

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