scholarly journals THE ISLAMIC CULTURE OF “WETU TELU ISLAM” AFFECTING SOCIAL RELIGION IN LOMBOK

2020 ◽  
Vol 22 (1) ◽  
pp. 97-115
Author(s):  
Muliadi Muliadi ◽  
Didin Komarudin
Keyword(s):  
Religious Culture ◽  
Cultural Patterns ◽  
Islamic Culture ◽  
Religious Rituals ◽  
Religious System ◽  
The People ◽  
Historical Figures ◽  
History Of

This writing is motivated by a very abundant religious culture in Indonesia, including the phenomenon found in Lombok, West Nusa Tenggara which is famous for “Wetu Telu Islam”. It contains the religious system filled with ceremonies and rituals which are accompanied by special symbols that have certain meanings. The method used in this paper is historical descriptive, by systematically explaining the history of the people of Lombok, the cultural patterns of “Wetu Telu Islam”, including its historical figures, doctrine, development, and existence. Then the writer uses structural semiology in analyzing the meaning of symbol elements found in the religious rituals of “Wetu Telu Islam” in Lombok. “Wetu Telu Islam” according to the people of Lombok is a very perfect Islam as it is built from two solid dimensions, namely dzohir and ihsan. For that reason, “Wetu Telu Islam” for them is the teachings of Sufism which emphasize the spirit, and soul. It is the spirit of holistic Islamic teachings, namely: shari’a, thoriqot, haqiqot, and ma‘rifat. Everything is building up, mutually reinforcing, and inseparable.Tulisan ini bermuara dari budaya agama yang sangat berlimpah di Indonesia, termasuk fenomena yang ditemukan di Lombok, Nusa Tenggara Barat yang terkenal dengan “Islam Wetu Telu”. Sistem keagamaan yang terkandung di dalamnya sarat upacara dan ritual yang disertai simbol-simbol khusus bermakna tertentu. Metode yang digunakan dalam makalah ini adalah deskriptif historis, yaitu secara sistematis menjelaskan sejarah masyarakat Lombok, pola-pola budaya “Islam Wetu Telu”, termasuk tokoh sejarah, doktrin, perkembangan dan keberadaannya. Kemudian penulis menggunakan semiologi struktural dalam menganalisis makna elemen simbol yang ditemukan dalam ritual keagamaan “Islam Wetu Telu”di Lombok. “Islam Wetu Telu” menurut masyarakat Lombok adalah Islam yang sangat sempurna karena dibangun dari dua dimensi yang kuat, yaitu dzohir dan ihsan. Karena itu, “Islam Wetu Telu” bagi mereka adalah ajaran tasawuf yang menekankan hati dan jiwa. Ini adalah semangat ajaran Islam holistik, yaitu: syariah, thoriqot, haqiqot, dan ma’rifat. Semuanya membangun, saling menguatkan, dan tak terpisahkan.

scholarly journals Evaluasi terhadap Tata Ibadah Kontekstual Gereja Kristen Jawa

Kurios ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 74
Author(s):  
Ayub Widhi Rumekso
Keyword(s):  
Christian Faith ◽  
Christian Church ◽  
Critical Step ◽  
Religious Rituals ◽  
Cultural Life ◽  
The People ◽  
History Of

The worship of the people of the Javanese Christian Church cannot be separated from the liturgy. The liturgy gives an introduction, views, and attitudes of the Christian faith to the Javanese Christian Church amid its existence. Throughout the history of the MPD liturgies, the I, II, III, and lectionary variations of the I and II liturgical models have been developed. The process of birth and development of the GKJ liturgy are important elements of research to find an explanation, why GKJ people still have a distance from the realities of life that exist in society. The results found in this study indicate that the GKJ liturgy that has been built has not been placed on the reality of the struggle and hopes of the people amid community and cultural life. The current GKJ's view of the liturgy has a similar meaning to the religious rituals of the people that shape the identity of the people, but there is no critical step capability to build up their worship with praxis so that it can be lived in and have an impact on the lives of the people and the community. Abstrak Peribadahan umat Gereja Kristen Jawa tidak bisa dilepaskan dari liturgi. Liturgi memberikan pengenalan, pandangan, serta sikap iman Kristen kepada umat Gereja Kristen Jawa di tengah keberadaannya. Sepanjang sejarah liturgi GKJ telah dikembangkan model liturgi GKJ formula I, II, III, dan leksionari variasi I dan II. Proses kelahiran dan pengembangan liturgi GKJ merupakan unsur-unsur penting penelitian dalam rangka mencari penjelasan, mengapa umat GKJ masih memiliki jarak dengan kenyataan kehidupan yang ada di tengah masyarakat. Hasil yang ditemukan dalam penelitian ini memperlihatkan bahwa liturgi GKJ yang telah dibangun belum diletakkan pada kenyataan pergumulan dan harapan umat di tengah kehidupan masyarakat dan budayanya. Pandangan GKJ masa kini tentang liturgi memiliki persamaan makna dengan ritual keagamaan masyarakat yang membentuk jatidiri umat, tetapi belum ada kemampuan langkah kritis konkrit untuk membangun tata peribadahannya dengan praksis sehigga dapat dihayati dan memberikan dampak bagi kehidupan umat maupun masyarakatnya.

Psychosis among the Mayan people of Mexico

1996 ◽  
Vol 13 (3) ◽  
pp. 119-120 ◽  
Author(s):  
Pat Gibbons
Keyword(s):  
Cultural Differences ◽  
Psychiatric Service ◽  
Herbal Medicines ◽  
Traditional Healers ◽  
Psychotic Illness ◽  
Profound Impact ◽  
Religious Rituals ◽  
The People ◽  
History Of ◽  
Concept Of Illness

AbstractThe Mayan people of Mexico have a radically different concept of illness than that of western countries. In the absence of any formal psychiatric service in their area, the people continue to rely on the interventions of the traditional healers, which include the use of herbal medicines, prayers and magico-religious rituals. A case history of a Mayan patient with a chronic psychotic illness is described, which illustrates the gulf in concepts of mental illness that exists between Western and folk cultures. These cultural differences may have a profound impact on the application of modern psychiatric interventions in developing countries.

scholarly journals Dmytro Kremin`s Poetical Admonition

2019 ◽  
Vol 66 (3) ◽  
pp. 66-70
Author(s):  
Volodymyr Hladyshev ◽  
Nataliia Daskal
Keyword(s):  
Contemporary History ◽  
School Teachers ◽  
Philosophical Approach ◽  
The Past ◽  
The People ◽  
Historical Figures ◽  
Wide Range ◽  
History Of ◽  
The Aesthetic ◽  
Special Meaning

The creativity of the award winner of the Taras Shevchenko National Prize in the domain of literature Dmytro Kremin (1953-2019) is a vivid phenomenon of modern Ukrainian literature and culture. His poetic heritage has a special meaning after the poet passed away in May of this year. Now it is worth to be considered and conceived as a kind of his testament left to descendants by the outstanding master of the imaginative word. Dmytro Kremin`s legacy has always been in the centre of attention of critical literary practice, his poems evoked a contradictory attitude towards himself, thanks to it the critics` reviewers were so brilliant and emotional. But after the poet`s death, there is a need for a literary study of his heritage and a conclusion to the study of the work of an outstanding poet on a qualitatively new level. Among the poet’s many works, the poem holds a special place. It was created before long after Ukraine gained independence. Appeal to the people and the country`s history, Dmytro Kremin comprehends the origins of their heavy fate. The philosophical approach to understanding concrete historical phenomena allows the poet to look profoundly into the past, to define the influence on the present, and the origins of our young state`s problems. A wide range of historical figures, to which the author refers, characterizes the history of Ukraine in its most noticeable facts. The analysis of the poem is philological. The figurative system of the work is perceived in the unity of form and content. Thus it is possible to identify the aesthetic singularity of the work and its patriotic directivity. The study proves that the appeal of the patriotic poet to history should be received as a kind of poetic admonition, an attempt to draw attention to the tragic mistakes for the people`s fate to avoid them in the contemporary history of Ukraine. The poet’s call to live for the sake of the Motherland, to conscientious service to the country and people reflects his moral and aesthetic position and becomes his contribution to the development of the country. We consider that the article can be useful for researchers, lecturers, school teachers, students, and everyone interested in the creativity of the outstanding Ukrainian poet.

Islamic Art and Architecture in The Encyclopaedia of Islam, 2nd ed.

1994 ◽  
Vol 28 (2) ◽  
pp. 158-162
Author(s):  
Sheila S. Blair ◽  
Jonathan M. Bloom
Keyword(s):  
Visual Arts ◽  
Late Summer ◽  
Islamic Art ◽  
Islamic Culture ◽  
Islamic History ◽  
The People ◽  
History Of ◽  
Islamic Civilization ◽  
Art And Architecture ◽  
Reference Tool

The second edition of The Encyclopaedia of Islam (EI/2), published since 1954 by E.J. Brill in Leiden, is well known as an unparalleled scholarly reference for the history and culture of the Islamic lands. By late summer 1994, the Encyclopaedia had reached the entry Riḍā Shāh in the middle of the eighth volume. The volumes, each approximately 1000 pages long, are lodes of information about the people, places, events and ideas of Islamic history and thought; but simply by handling the volumes, a reader would never realize that the visual arts were an important component of Islamic culture. There are very few illustrations, none of them in color. Even to the most unsophisticated eye, EI/2 is a dense, ponderous, and user-antagonistic reference tool. Nevertheless, it is a useful resource for the history of art and architecture in the Islamic lands, particularly to those who already know something about Islamic civilization, although the reader must be an experienced miner to discover the ore-bearing strata.

scholarly journals Memorial Tombs – special cultural heritage in the context of compound burials of Nguyen Dynasty aristocracy in Southern parts of Vietnam in Medieval and Post-Medieval Times  Pham Duc Manh

2015 ◽  
Vol 18 (1) ◽  
pp. 47-63
Author(s):  
Manh Duc Pham ◽  
Chien Ngoc Do
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
Way Of Life ◽  
Heritage Sites ◽  
Southern Vietnam ◽  
The People ◽  
Historical Figures ◽  
Expansion Time ◽  
History Of ◽  
Artistic Heritage

This paper introduces Memorial Tombs in the context of memorial compound tomb types for the aristocrat of the Nguyen Dynasty (1802- 1945) in Southern Vietnam in The Medieval and Post-Medieval Time. This type was of rare tangible and intangible cultural heritage at the time (1.5%). These heritage assets are very valuable because they are associated with historical figures – “state founders, meritorious officials” in country expansion time “The Great South Unification (Dai Nam Nhat thong)”. In addition to the typical complex of mausoleums in Southern Vietnam (Nguyen Huu Canh, 1650-1700; Le Van Duyet, 1763-1832; Le Van Phong, Truong Tan Buu, 1752-1827 or Tran Van Hoc, Phan Tan Huynh, Huynh Van Tu, and "Sir Nhieu Loc"), the authors studied Vo Tanh mausoleum at both Hoang De (emperor) and Gia Dinh (emperor) citadels, and the mausoleum of his warmates related to the last and biggest-scaled sea fight between the Nguyen dynasty’s army and the Tay Son insurgent army on Thi Nai lagoon in 1801 (Vo Di Nguy, 1745-1801; Ngo Tung Chau; Thu Ngoc Hau, etc.). In our opinion, the presence of memorial tomb types of Vo Tanh and his warmates – historic-cultural-artistic heritage sites of national/provincial levels in Southern Vietnam relating the honoring of heroes who “wholeheartedly served the King, defended the country, saved the people” in the history of country expansion “Towards the South” in medieval and post-medieval times. They contribute to the moulding of prominent features of the comtemporary Southerners’ personality. Those historical stories of the Southern heroes are preserved and worshipped by their descendants bearing in mind the Vietnamese way of life “praising the bridge carrying one over” and pay homage to ancestors for their nation-building service.

scholarly journals The Digital Local Wisdom History : Piil Pesenggiri As a Source of Learning of Historical Islamic Culture

2020 ◽  
pp. 120-125
Author(s):  
Deni Eko Setiawan ◽  
Hermanu Joebagio ◽  
Prof Susanto
Keyword(s):  
Social Life ◽  
Research Method ◽  
Islamic Culture ◽  
Digital Devices ◽  
The People ◽  
History Learning ◽  
The Social ◽  
Islamic Religion ◽  
History Of ◽  
Over Time

The purpose of this study is to explore the possibility of designing digital devices for history learning, with local wisdom content. In this study, the piil pesenggiri is a culture that belongs to the people of Lampung in Indonesia, over time it becomes a custom of the community, in daily life the social life of Lampung people always upholds the values contained in the Piil Pesenggiri. The meaning or value contained in the pesenggiri piil emphasizes the sense and attitude of tolerance between religions and between tribes. Based on history in the 16th century AD, the culture was born after the kingdom of Lampung, the people of Lampung, were conquered by the Islamic kingdom of Minangkabau. The spread of Islam affects the life of the people and the culture that exists, the majority of Lampung people adhere to the Islamic religion and even the meanings contained in the culture as well. To increase understanding of the local values of pesenggiri piil culture, it can be included in Islamic religious subjects, especially "the history of Islamic culture" so that it does not fade with the development of increasingly advanced times. The research method used is literature and archives or documents from the school where the research is.

Wie Kulturtransformation in Organisationen gestaltet werden kann

2019 ◽  
Vol 8 (3) ◽  
pp. 223-228
Author(s):  
Rudi Ballreich
Keyword(s):  
Organizational Culture ◽  
Change Agents ◽  
Cultural Transformation ◽  
Change Processes ◽  
Cultural Patterns ◽  
Work Processes ◽  
Profound Change ◽  
The People ◽  
History Of ◽  
Transformation Processes

Many change processes in organizations fail or have only limited success because leaders and staff are unable to develop the necessary new attitudes and values. Therefore, a central question in many organizations is how a transformation of organizational culture can be successful. This article describes proven approaches and methods that can effect a profound change in organizational culture. Edgar Schein’s model of cultural transformation plays an important role. He directs the focus to the unconsciously acting basic assumptions and hidden rules of the organization. This deep layer of culture has evolved throughout the history of the organization. Over time it has become self-evident and unconscious. The processes of cultural transformation is about unlearning negative old cultural patterns and learning new ones. Releasing old patterns creates uncertainty and anxiety. Learning new things is only possible when save spaces emerge in which people can engage in new experiences. Very special about the described approach is to work on these unconsciously acting cultural patterns and linking them to all levels of the organization, e.g. structures, roles, and work processes. Still, the focus remains on the people. Only if they are constantly able to behave and act within the patterns of the new culture, a cultural transformation is successful. This article aims to give change agents, leaders, and consultants ideas on how to understand and shape profound cultural transformation processes.

scholarly journals History of Islamic Law on Earth Melayu Lancang Kuning Riau-Kepri

PALAPA ◽  
2019 ◽  
Vol 7 (1) ◽  
pp. 181-201
Author(s):  
Nurhadi Nurhadi
Keyword(s):  
Cultural Diversity ◽  
Islamic Law ◽  
Cultural Transformation ◽  
Islamic Culture ◽  
Religious Reform ◽  
Regional Diversity ◽  
Local Religion ◽  
Religious System ◽  
History Of ◽  
Islamic Values

Codification and cultural transformation in the Riau Malay region from a local religion to the Islamic religious system, complete with various forms of embodiment of all forms of culture. Revolution and religious reform in Riau Malay society which gave rise to cultural transformation were due to several inherent factors or other factors which were later strongly associated with Islam. Islam when it has to be actualized in culture has presented its face in harmony with the culture of culture in an area, and in the regional diversity of Islamic culture there is still a place for local Islamic culture. However, all cultural diversity is united by spirit and a sacred form of tradition that comes from tawhid. Riau Malay Culture is one of the forms of Islamic culture that has many supporters. Islamic values ​​are clearly seen in various aspects of Riau Malay culture. Malays make Islam the spirit or core of their culture. The history of the entry of Islam, Islamic law, codification and compilation of Islamic law on the yellow Malay land of Riau Kepri tend to be modest, without any resistance mentally, socially, culturally and faithfully. This has led to the Trem that Malays are synonymous with Islam, especially Malay Riau.

scholarly journals З. СӘНІКТІҢ ОБРАЗ ЖАСАУ ЕРЕКШЕЛІГІ (“СЕРГЕЛДЕҢ” ТАРИХИ РОМАНЫНДАҒЫ ТӨЛЕБАЙ ОБРАЗЫ)

2020 ◽  
Vol 52 (1) ◽  
pp. 116
Author(s):  
Б. Жұмақаева ◽  
Ж. Әділбек
Keyword(s):  
Historical Novel ◽  
Historical Data ◽  
Special Place ◽  
The People ◽  
Historical Figure ◽  
Historical Figures ◽  
History Of ◽  
Curriculum Vitae ◽  
The Creation

З.Сәніктің образ жасау ерекшелігі( “Сергелдең” тарихи романындағы Төлебай образы)Түйіндеме: Мақалада жазушы Зейнолла Сәніктің “Сергелдең ”тарихи романындағы Төлебай төренің образын талдап көрсетуге тырыстық. Төлебай Қытай қазақтарының тарихында ерекше орын алған тарихи тұлғалардың бірі. Сол себептен де автор тарихи деректерге сүйене отырып, Төлебай төренің образын жан-жақты суреттеп көрсете білген. Автор образ жасаудың барлық түрлерін шебер қолданған және тарихи тұлға образын жасай білген. Бұл шығарма арқылы Төлебай бейнесі халықпен қайта қауышып, ел есінде мәңгі сақталары анық.Кілт сөздер: образ, тарихи тұлға, тарихи роман, градация(дамыту), параллельиз, мінездеу, суреттеу, кейіпкер сөзі. Особенности создания образа Саника (образ Толебая в историческом романе "Сергельден")Реферат: В статье мы попытались проанализировать образ господина Толебая в историческом романе Зейноллы Саника «Сергельден». Толебай - один из исторических личностей, занимающий особое место в истории китайских казахов. Поэтому автор, основываясь на исторических данных, смог подробно описать образ господина Толебая. Автор умело использовал все формы создания образа и смог создать образ исторической фигуры. Благодоря этому произведению, образ Толебая будет воссоединен с народом и навсегда запомнится людям.Ключевые слова: образ, историческая фигура, исторический роман, градация (развитие), параллелизм, характеристика, описание, характер речи.Features of the creation the image of Sanik (the image of Tolebai in the historical novel «Sergelden»)Curriculum vitae: In the article we tried to analyze the image of Mr. Tolebay in the historical novel of Zeynolla Sanik «Sergelden». Tolebay is one of the historical figures that occupies a special place in the history of Chinese Kazakhs. Therefore, the author, based on historical data, was able to describe in detail the image of Mr. Tolebay. The author skillfully used all forms of creation of the image and was able to create an image of the historical figure. Thanks to this work, the image of Tolebay will be reunited with the people and will be remembered forever.Keywords: image, historical figure, historical novel, gradation (development), parallelism, characterization, description, character word.

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