scholarly journals The Digital Local Wisdom History : Piil Pesenggiri As a Source of Learning of Historical Islamic Culture

2020 ◽  
pp. 120-125
Author(s):  
Deni Eko Setiawan ◽  
Hermanu Joebagio ◽  
Prof Susanto
Keyword(s):  
Social Life ◽  
Research Method ◽  
Islamic Culture ◽  
Digital Devices ◽  
The People ◽  
History Learning ◽  
The Social ◽  
Islamic Religion ◽  
History Of ◽  
Over Time

The purpose of this study is to explore the possibility of designing digital devices for history learning, with local wisdom content. In this study, the piil pesenggiri is a culture that belongs to the people of Lampung in Indonesia, over time it becomes a custom of the community, in daily life the social life of Lampung people always upholds the values contained in the Piil Pesenggiri. The meaning or value contained in the pesenggiri piil emphasizes the sense and attitude of tolerance between religions and between tribes. Based on history in the 16th century AD, the culture was born after the kingdom of Lampung, the people of Lampung, were conquered by the Islamic kingdom of Minangkabau. The spread of Islam affects the life of the people and the culture that exists, the majority of Lampung people adhere to the Islamic religion and even the meanings contained in the culture as well. To increase understanding of the local values of pesenggiri piil culture, it can be included in Islamic religious subjects, especially "the history of Islamic culture" so that it does not fade with the development of increasingly advanced times. The research method used is literature and archives or documents from the school where the research is.

The historical development of the language - the basis of human history

2019 ◽  
Vol 2 (4) ◽  
pp. 119-121
Author(s):  
Murodova Nigora
Keyword(s):  
Social Life ◽  
Historical Development ◽  
National Language ◽  
Way Of Life ◽  
Linguistic Features ◽  
The People ◽  
History Of ◽  
Source Of Information ◽  
Over Time ◽  
Culture And Language

The study of the national language is largely dependent on the study of the history of the people who speak the language. The people are the creators of their own culture and language as well as the creators of their own history. We study the history and culture of the people by learning the language. It is directly related to the study of the linguistic features of the dialects that exist in the language. As is known, everything that occurs in social life is reflected first and foremost in the vocabulary of the language. But over time, some words become consumed and gradually forgotten. Such words are mainly related to the material way of life of the people, but are also a rich source of information about the ethnos' history. This article discusses such words that are preserved in Uzbek dialects of Navoi region.

scholarly journals TARI GUEL SEBAGAI IDENTITAS MASYARAKAT GAYO

JOGED ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 30-41
Author(s):  
Gustira Monita
Keyword(s):  
Social Life ◽  
Daily Life ◽  
Dynamic Interaction ◽  
Cultural Activities ◽  
The Past ◽  
The People ◽  
The Social ◽  
History Of

ABSTRAKTari Guel dipahami sebagai sebuah simbolis gerak yang memberikan interaksi dinamis pada penontonnya, yaitu tentang pembentukan makna dalam realitas kehidupan sehari-hari oleh-orang-orang Gayo. Dalam memahami bentuk keseluruhan ataupun makna yang terkandug di dalamnya Tari Guel lebih mengutamakan rasa. Tari Guel juga dipandang sebagai museum gerak tak benda yang menyimpan banyak sejarah masyarakat Gayo. Guel adalah identitas penting suku Gayo, menyimpan banyak simbol sejarah yang sudah sepatutnya dipecahkan dan diungkapkan. Agar suku Gayo dan keberadaannya tidak hilang terbawa arus modernisasi. Penelitian ini menggunakan pendekatan Antropologi, yang memandang seni sebagai bagian dari aktivitas budaya manusia. Pendekatan Antropologi digunakan untuk melihat konteks, yang akan membedah kehidupan sosial masyarakat dan adat istiadat Gayo, yang berkaitan dengan Tari Guel dan keberadaannya yang masih dijaga serta dilestarikan oleh masyarakat Gayo. Selain itu penelitian ini juga menggunakan pendekatan Koreografis. Pendekatan ini adalah sebagai teks yang digunakan untuk membedah bagaimana bentuk penyajian dan keseluruhan struktur yang terdapat pada Tari Guel.ABSTRACT Guel dance is understood as a symbolic movement that provides dynamic interaction to the audience, namely about the formation of meaning in the reality of daily life by the Gayo people. In understanding the overall form or meaning contained in it, Guel Dance prioritizes taste. The Guel dance is also seen as a museum of intangible objects that holds much of the history of the Gayo people. Guel is an important identity of the Gayo tribe, holding many historical symbols that should be solved and revealed. So that the Gayo tribe and its existence will not be lost in the current of modernization. This research uses the Anthropology approach, which views art as part of human cultural activities. Anthropology is defined as the science of humans, specifically about their origin, race, customs, beliefs in the past, society and culture. Anthropology used as a context, which will dissect the social life of the people and the customs of Gayo, relating to the Guel Dance and its existence which is still preserved and preserved by the Gayo people. Besides this research also uses a choreographic approach. This approach is a text used to dissect the form of presentation and overall structure contained in the Guel Dance.

scholarly journals Oedipus Sang Raja dan Bujang Munang: Mitos Peletak Dasar Larangan Incest dalam Masyarakat

2018 ◽  
Vol 13 (1) ◽  
pp. 36
Author(s):  
Laura Andri Retno Martini
Keyword(s):  
Social Life ◽  
Basic Structure ◽  
West Kalimantan ◽  
The Past ◽  
The People ◽  
The Social ◽  
History Of ◽  
The Rich ◽  
Almost All ◽  
Diverse Cultures

Folklore is a story of the past that characterizes every nation with its diverse cultures, including the rich culture and history of each nation. The folklore that tells incest is found all over the world. In almost all ethnic groups there is an incest first mythology. Versions are submitted vary, depending on the social life of the community. Bujang Munang and Oedipus are cultural myth stories that have the theme of the origin of the incest ban. Oedipus is a myth that developed in Greece while Bujang Munang is a myth that developed in Nanga Serawai Santang district of West Kalimantan. There is a linkage of the basic structure of the narrative in the story of Oedipus and Bujang Munang. Incest behavior is also not allowed to occur in the norms of life of Greek society and the people of West Kalimantan. There will be unfavorable consequences for incest and surrounding people if the rule is violated.

scholarly journals The Religious, Social and Moral Life of the Patriarchal Days as Depicted in the Book of Job

2019 ◽  
Vol 8 (12) ◽  
pp. 1175-1178
Keyword(s):  
Old Testament ◽  
Social Life ◽  
Moral Life ◽  
Clear Understanding ◽  
Book Of Job ◽  
Arts And Sciences ◽  
Commercial Practice ◽  
The People ◽  
The Social ◽  
History Of

The book of Job, one of the earliest books of the Old Testament, gives us a glimpse of the social life and history of the people of Uz and its neighbouring places during the days of the patriarchs. It has sporadic mention to the religious, social and moral life of the people of that time. Their abundant knowledge of diverse arts and sciences is astonishing. The religious beliefs like offering sacrifices, praying for each other and possessing a clear understanding about God are depicted in this book. The social evil of the time namely plundering of pastoral wealth and ostracizing people with certain ailments are evident. The unique way of mourning by rending the garments is one of their common practices. Besides these, the moral and ethical values of the people are also echoed throughout this book. The book is a sure proof of the knowledge of these people in the commercial practice of barter system, science of astronomy, mining, hunting, writing and so on. Above all it bears testimony to the righteous life of one of the richest men of that time Job, and his unwavering faith even amidst the traumatic and triumphant phases of his life

scholarly journals The Representation of Social Reality in Saraiki Dramas Roshan Zameer and Qatil e Hamsheer

2021 ◽  
Vol VI (I) ◽  
pp. 186-196
Author(s):  
Muhammad Saeed Nasir ◽  
Muhammad Riaz ◽  
Barirah Nazir
Keyword(s):  
Social Life ◽  
Qualitative Content Analysis ◽  
Local Area ◽  
Analysis Model ◽  
Cultural Traditions ◽  
The People ◽  
The Social ◽  
Literary Landscapes ◽  
History Of ◽  
The Rich

The Genre of Drama had always been reflective of social life. The history of drama is as old as of humans on earth. Saraiki drama is believed to be developed from undeveloped but organized expressions of caricatures; such kind of organized caricature is found still in the local area. It is a tradition that people of the lower caste named Bhaands. This kind of art was established by the people who were very poor, and they used to caricature the rich and gentry to amuse them and other people. The present study is aimed to trace the social realities and their representation in Saraiki Drama. Two Saraiki dramas Roshan Zameer and Qatil e Hamsheer had been analyzed in light of the Qualitative Content Analysis model proposed by Altheide(1996). It has been found that selected Saraiki dramas speak the prevailing ideological, social realities. It is suggested that more studies should be conducted to explore tradition and social realities existing in the Saraiki region so that regional social and cultural traditions may get a voice in international literary landscapes.

scholarly journals Perkembangan Persatuan Ummat Islam (Pui) di Cianjur Tahun 1935-2014

2020 ◽  
Vol 3 (2) ◽  
pp. 183-200
Author(s):  
Asmi Afifatul ◽  
Asep Sulaiman
Keyword(s):  
Social Theory ◽  
Research Method ◽  
Transition Period ◽  
External Factors ◽  
Historical Research ◽  
Long Span ◽  
The People ◽  
The Social ◽  
Internal And External Factors ◽  
Over Time

PUI is a fusion (combined) organization of two other organizations, namely the Islamic Community Engagement of Majalengka led by KH Abdul Halim and the Indonesian Islamic Community Association (PUII) of Sukabumi led by KH Ahmad Sanusi. In this research, the writer focuses on PUI Cianjur regency because Cianjur has a fairly long history with this organization and Cianjur has also become one of the PUI branches that has the most members. To find out the problems in this study, there are several points that will be explained, namely the social and religious conditions of the people of Cianjur district and the development of PUI in Cianjur starting from 1935-2014. To be able to understand the problems in this study, the writer uses institutional social theory. The method used in this research is the historical research method, while the steps of the research are, heuristics (search and collection of sources), criticism (external and internal), interpretation (interpretation), and historiography. The results of this study can be said that over time PUI in Cianjur experienced ups and downs in running the wheels of its organization, caused by factors that influence it. Both internal and external factors. The social and religious conditions of the Cianjur community at that time were able to accept PUI well, because PUI came with good Islamic teachings and good ways. So that in a fairly long span of time PUI Cianjur experienced a vacuum, a transition period and a revival or development period. Especially in 2008 until 2014, even now. PUI is still alive and well known in the community.

scholarly journals Death over time: brief notes about death and dying in the West

2014 ◽  
Vol 31 (3) ◽  
pp. 437-449
Author(s):  
Rosangela Werlang ◽  
Jussara Maria Rosa Mendes
Keyword(s):  
Social Life ◽  
Death And Dying ◽  
Necessary Condition ◽  
The West ◽  
Daily Lives ◽  
The Past ◽  
The People ◽  
The Social ◽  
Over Time ◽  
Human Finitude

This literature review deals with death and the changes in its concept and meanings over time, aiming to relate this to the different social organizations and issues that involve individuality and human finitude. It intends to arouse the reflection about this theme respected by all of us, and related to our own contingency. In this sense, the article provides several perspectives through different authors' voices, seeking to understand how we arrived at this contemporary stage where death must be forgotten at any cost. It is a forbidden subject even inevitably being part of our daily lives, and its guardians must increasingly insure the non-participation and non-involvement of the people. Therefore, understanding the past stages of death, from its proximity to its banishment from the social life, is a necessary condition to analyzing our own end, and the end of our own individuality.

CHARACTERIZATION OF RELIGIOUS STYLE AS A FUNCTIONAL STYLE IN LINGUISTICS

2020 ◽  
Vol 1 (3) ◽  
pp. 236-242
Author(s):  
Barnokhon Kushakova ◽  
Keyword(s):  
Social Life ◽  
Religious Language ◽  
Religious Texts ◽  
World Outlook ◽  
The People ◽  
The Social ◽  
Functional Features ◽  
The Creation

This article discusses the conditions, reasons and factors of characterization of religious style as a functional style in the field of linguistics. In addition, religious style and its main peculiarities, its importance in the social life, and the functional features of religious style are highlighted in the article. As a result of our investigation, the following results were obtained: a) the increase in the need for the creation and significance of religious language, particularly religious texts has been scientifically proved; b) the possibility of religious texts to represent the thoughts of the people, culture and world outlook has been verified; c) the specificity of religious language, religious texts has been revealed; d) the development of religious style as a functional style has been grounded.

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

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