scholarly journals Viajeros ocultistas en el México del siglo XIX

2011 ◽  
Vol 19 (1) ◽  
Author(s):  
José Ricardo Chaves
Keyword(s):  
19Th Century ◽  
European Tradition ◽  
Aleister Crowley ◽  
Siglo Xix ◽  
The 19Th Century

Resumen: En este ensayo se revisa el lugar de México en el imaginario ocultista, su vinculación con la tradición europea desde tiempos coloniales por medio del sincretismo hermético de figuras como Carlos de Sigüenza y Góngora y Atanasio Kircher, así como su atractivo para ocultistas notables del siglo xix como H. P. Blavatsky y Aleister Crowley, quienes real o imaginariamente viajaron a México en la segunda mitad de aquella centuria.Abstract: This essay reviews the place Mexico holds in occultist imagination, its link with European tradition since colonial times by way of the hermetic syncretism of persons such as Carlos de Sigüenza y Góngora and Atanasio Kircher, as well as its attraction for notable occultists in the 19th century like H. P. Blavatsky and Aleister Crowley, who in reality or imagination traveled to Mexico during the second half of that century.

scholarly journals Un paisaje sacralizado por grabados rupestres protohistóricos e históricos en las hoces del río Mesa (Calmarza, Zaragoza) = A Sacralized Landscape by Protohistoric and Historical Rock Engravings in the Gorges of the River Mesa (Calmarza, Zaragoza)

2020 ◽  
pp. 105
Author(s):  
José Ignacio Royo Guillén ◽  
Francisco José Navarro Cabeza ◽  
Serafín Benedí Monge
Keyword(s):  
19Th Century ◽  
Iron Age ◽  
Rock Art ◽  
Archaeological Remains ◽  
The Third ◽  
Christian Iconography ◽  
Siglo Xix ◽  
Del Rio ◽  
The 19Th Century

Los estudios sobre grabados rupestres al aire libre de cronología postpaleolítica, adolecen de importantes carencias que, en el valle medio del Ebro, se han visto superadas con la llegada del tercer milenio. Con la presentación de este trabajo se pretende dar a conocer un nuevo núcleo de grabados rupestres, localizado en el extremo suroeste de la provincia de Zaragoza, en las gargantas calcáreas del río Mesa. Entre los nuevos enclaves rupestres, destacan los abrigos con grabados protohistóricos, pero muy especialmente los de cronología medieval andalusí y los de iconografía cristiana entre los siglos XIV y XVIII, con perduraciones hasta mediados del siglo XIX y algunas escenas relacionadas con la primera Guerra Carlista en Aragón. La distribución de los hallazgos, su tipología e iconografía y los restos arqueológicos asociados, permiten documentar una importante ocupación del territorio desde la Iª Edad del Hierro y la sacralización del paisaje a través del arte rupestre, con pervivencias que se perpetúan a lo largo de la Edad Media y Moderna, destacando como novedad la presencia de un importante conjunto de inscripciones epigráficas islámicas que deben situarse entre los siglos XI y XII. AbstractThe studies on open-air rock engravings in post-Paleolithic chronology suffer from important deficiencies, which in the middle valley of the Ebro, have been overcome with the arrival of the third millennium.With the presentation of this work, the aim is to make known a new nucleus of rock engravings, located in the extreme southwest of the province of Zaragoza, in the limestone gorges of the River Mesa. Among the new rock engravings, the shelters with protohistoric engravings stand out, but especially those with a medieval Andalusian chronology and those with Christian iconography between the 14th and 18th centuries, which lasted until the middle of the 19th century and some scenes related to the first Carlist War in Aragon. The distribution of the findings, their typology and iconography and the associated archaeological remains, allow us to document an important occupation of the territory since the First Iron Age and the sacralization of the landscape through rock art, with survivals that are perpetuated throughout the Middle and Modern Ages, highlighting as a novelty the presence of an important set of Islamic epigraphic inscriptions that must be located between the 11th and 12th centuries.

scholarly journals Tradición clásica y mitos en la poesía cubana del siglo XIX

2020 ◽  
pp. 683-694
Author(s):  
Ángel Ruiz Pérez ◽  
Keyword(s):  
19Th Century ◽  
Ancient World ◽  
Classical Antiquity ◽  
Jose Marti ◽  
Political Issues ◽  
Julian Del Casal ◽  
Siglo Xix ◽  
Key Aspects ◽  
The 19Th Century ◽  
Poesia Cubana

Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon

scholarly journals Profanación, exhumación y violación de los enterramientos: arqueología penal de su regulación en el siglo XIX

2021 ◽  
pp. 13
Author(s):  
David Castro Liñares
Keyword(s):  
19Th Century ◽  
Criminal Law ◽  
Narrative Structure ◽  
The Body ◽  
Criminal Punishment ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Deceased People

Este trabajo tiene como finalidad analizar el tratamiento penal que durante el siglo XIX se dispensó a los actos indebidos para con el cuerpo y memoria de las personas fallecidas. Para ello, este texto se inicia con un recorrido normativo por los Códigos Penales españoles del siglo XIX (1822-1848-1850-1870) con el propósito de analizar la forma en que el Legislador penal fue incorporando esta cuestión en los distintos textos normativos. A continuación, y como forma de continuar este análisis, se estima adecuado detenerse en las razones político criminales subyacentes a la tipificación de estas conductas. De esta forma, se intenta realizar una aproximación a las lógicas punitivas decimonónicas inherentes a una esfera tan particular como el castigo penal a los actos irrespetuosos para con los difuntos. Por último, se incorpora un apartado conclusivo en el que abordar algunas ideas que, por razón de estructura narrativa no encontraban un acomodo idóneo en otras partes del texto pero que igualmente resultan de importancia para esta propuesta de análisis político-criminal histórico.This work aims to analyse the criminal law treatment that during the 19th century is dispensed to wrongdoing with the body and memory of deceased people. For that purpose, this text begins with a normative view of the Spanish Criminal Codes of the 19th century (1822-1848-1850-1870) in order to investigate how the Criminal Legislator incorporated this issue into the various normative texts. Hereunder, as a way to continue this analysis, it is considered appropriate to dwell on the criminal political reasons typification of these conducts. In this way, an attempt is made to approximate the decimonic punitive logics inherent in an area as particular as criminal punishment to disrespectful acts with the deceased. Finally, a concluding section is incorporated in order to address some ideas that, by reasons of narrative structure, did not find an appropriate accommodation in other parts of the text but which are also relevant for this proposal of historical political-criminal analysis. 

scholarly journals El tratamiento del léxico especializado en la lexicografía española del siglo XIX

2020 ◽  
Vol 13 ◽  
pp. 97-108
Author(s):  
Narciso M. Contreras Izquierdo
Keyword(s):  
19Th Century ◽  
Siglo Xix ◽  
The 19Th Century

The lexicographical treatment of the specialized lexicon of a language is one of the most serious problems lexicographers and specialists in the discipline must face; the author also affirms that it is one of the great pending tasks of Spanish lexicography. The paper proposes to examine the evolution and characteristics of the Spanish lexicographic tradition in general, and to present the different tendencies in the treatment of the lexicon specialized in the 19th century.

scholarly journals Intervenção arqueológica de 2014 na Citânia de Briteiros (Guimarães). Alguns dados e problemáticas sobre o urbanismo dos oppida = Archaeological excavations at Citânia de Briteiros (Guimarães), 2014. Some data and problems about the urban planning of the oppida

2020 ◽  
pp. 33
Author(s):  
Gonzalo Passos Correia da Cruz ◽  
José Luís Ferreira Antunes
Keyword(s):  
19Th Century ◽  
Functional Data ◽  
Domestic Architecture ◽  
Public Road ◽  
Interesting Discussion ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Indoor Spaces ◽  
Family House ◽  
Archaeological Excavations

<p>Las excavaciones arqueológicas del año 2014 en el castro de la Citânia de Briteiros se desarrollaron en torno a un complejo habitacional familiar descubierto durante los trabajos desarrollados en el siglo XIX. Los sondeos arqueológicos abarcaron un patio y espacios interiores de esta casa familiar, así como también una calle pública. El registro estratigráfico y los datos cronológicos y funcionales obtenidos en esta campaña permiten plantear un interesante debate en relación con el urbanismo de los grandes castros, conocidos como oppida, así como también acerca de los conceptos asociados a la arquitectura doméstica en torno al cambio de Era, cuando dio comienzo el proceso de Romanización</p><p>The 2014 archaeological campaign in the hillfort of Citânia de Briteiros was developed around a family compound discovered during the 19th century fieldworks. The archaeological trenches included a courtyard and indoor spaces of this family house, as well as a public road. The stratigraphic sample and the chronological and functional data obtained in these fieldworks enable an interesting discussion around the urbanism of the large hillforts, known as oppida, as well as the concepts regarding domestic architecture by the transition of Era, when the Romanization process begun</p>

scholarly journals The Middle Ages are not enough: the fourth paradox and the marginalization of the Roman Empire

2017 ◽  
pp. 335
Author(s):  
Francesc Morales
Keyword(s):  
Roman Empire ◽  
The Netherlands ◽  
19Th Century ◽  
Middle Ages ◽  
Nationalist Movements ◽  
Complex Problems ◽  
The Common ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The Middle Ages

Abstract: The palates of the nationalist authors of the 19th century found the common past exemplified by the Roman Empire to be too homogeneous a taste. Although this premise may be valid for all European nationalist movements of the 19th and early 20th centuries, the discussion here is limited to Spain’s problematic national construction during the 19th century and the group formed by Belgium, the Netherlands, and Luxembourg. Spain and ‘Benelux’ were chosen because they represent complex problems in the construction of a key dynamic of European nationalism: a political contemporary diversity linked to pre-Roman and post-Roman pasts. Despite these political and historical connections, the paths taken by these nationalisms are significantly different.Key words: Rome, Netherlands, Spain, nationalism, EuropeResumen: Un pasado común ejemplificado por el Imperio Romano pasa por ser demasiado homogéneo para el gusto de los autores nacionalistas en el siglo XIX. Esta premisa puede ser válida para todos los movimientos nacionalistas europeos, pero voy a limitarme a la problemática de la construcción nacional en España durante el siglo XIX y al grupo formado por Bélgica, los Países Bajos y Luxemburgo. Ambas regiones representan similares complejidades en la construcción de un nacionalismo europeo: una diversidad política contemporánea enlazada con un pasado prerromano y post-romano. A pesar de tener conexiones políticas e históricas, el camino de estos dos nacionalismos es significativamente diferente.Palabras clave: Roma, Países Bajos, España, nacionalismo, Europa  

scholarly journals Jardines renacentistas de la Villa Ducal de Benavente. El sueño de una utopía

Imafronte ◽  
2021 ◽  
pp. 1-18
Author(s):  
Jose Miguel Morales Folguera
Keyword(s):  
19Th Century ◽  
El Paso ◽  
Early Years ◽  
Three Generations ◽  
Continuous Care ◽  
Siglo Xix ◽  
The Aesthetic ◽  
The 19Th Century

Construidos por tres generaciones de los condes-duques de Benavente, entre 1499 y 1621, como instrumento de disfrute y de prestigio familiar de la villa ducal, los jardines de Benavente se convirtieron en uno de los jardines renacentistas más importantes de España. Desgraciadamente, los cambios en los gustos estéticos de los herederos, el paso de los ejércitos franceses de Napoleón y el abandono de una naturaleza necesitada de su continuo cuidado, hicieron que los jardines desaparecieran en los primeros años del siglo XIX. En este artículo nos proponemos hacer su reconstrucción ideal, con la utilización de los numerosos textos y de la documentación existente. Built for three generations of the count-dukes of Benavente, between 1499 and 1621, as an instrument of enjoyment and family prestige of the ducal town, the Benavente gardens became one of the most important Renaissance gardens in Spain. Unfortunately, the changes in the aesthetic tastes of the heirs, the destruction wrought by Napoleon's army and the abandonment of a nature in need of their continuous care, caused the gardens to disappear in the early years of the 19th century. In this article we propose to make its ideal reconstruction, with the use of the numerous texts and existing documentation.

scholarly journals Los espacios turísticos: producción, experiencias e imaginarios. El caso de la Araucanía andino-lacustre chilena, 1900-1940

2019 ◽  
pp. 219-246
Author(s):  
Pablo Martínez Riquelme
Keyword(s):  
19Th Century ◽  
Space Time ◽  
The State ◽  
The South ◽  
Material Production ◽  
Role Of The State ◽  
Tourist Experience ◽  
Siglo Xix ◽  
The 19Th Century

Los procesos de producción de espacios turísticos se expresan en sendas espacio-temporales, asociadas a una producción material, como las infraestructuras, equipamiento y conectividad, pero también en una producción inmaterial, basada en la difusión de imaginarios territoriales vinculados a la experiencia turística. Se busca analizar dicho proceso, en la Araucanía andino-lacustre chilena, entre 1900-1940, a partir de los relatos de los primeros viajeros con motivaciones turísticas a finales del siglo XIX y el rol de Estado como actor promotor de la turistificación del territorio en el sur de Chile. The processes of production of tourist spaces are expressed in space-time paths, associated with a material production, such as infrastructures, equipment and connectivity, but also in an immaterial production, based on the diffusion of territorial imaginaries linked to the tourist experience. It is sought to analyze this process, in the Chilean Andean-lacustrine Araucanía, between 1900-1940, based on the account of the first travelers with tourist motivations at the end of the 19th century and the role of the State as a promoter of the touristification of the territory in the South of Chile.

Comunicación epistolar y colaboración científica entre especialistas alemanes en Sudamérica a fines del siglo XIX. Un estudio de la correspondencia entre Rodolfo Lenz y Robert Lehmann-Nitsche

2021 ◽  
Vol 72 (1) ◽  
pp. 311-338
Author(s):  
Juan Antonio Ennis ◽  
Claudio Soltmann
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Initial Section ◽  
Romance Languages ◽  
La Plata ◽  
Santiago De Chile ◽  
German Science ◽  
Letter Exchange ◽  
Siglo Xix ◽  
The 19Th Century

Abstract The following paper undertakes the presentation and subsequent analysis of the initial section of an extended, although only partially preserved letter exchange between two salient German scholars settled in Argentina and Chile from the end of the 19th century on, and during the first decades of the 20th century: Rudolf Lenz, trained in linguistics and Romance languages at the renowned Romanistik School of Bonn, who worked at the Instituto Pedagógico in Santiago de Chile, and Robert Lehmann-Nitsche, a Prussian physician and anthropologist who was in charge of the Anthropological Section of a brand new modern Museum in Argentina’s recently founded city of La Plata. The letter exchange between them lasted from 1897 until 1928 and the analysis of its initial pieces (1897–1898) allows us to see how personal and scientific networks were constructed, and how German science and sociability managed to settle down in such distant locations and still remain connected with its system of origin.

De la escena a la viñeta:

Neuróptica ◽  
2021 ◽  
pp. 227-240
Author(s):  
Alejandro Silvela Calvo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Oscar Wilde ◽  
Musical Work ◽  
Visual Medium ◽  
Richard Strauss ◽  
The World ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Siglo Xx

Resumen: P. Craig Russell ha destacado, entre otras aportaciones, por su labor a la hora de realizar una larga serie de adaptaciones del mundo de la ópera a la viñeta. El estilo de Russell se caracteriza por partir de la idea de adaptar una obra musical a un medio plástico y visual haciendo que no solo se convierta en la simple narración de una ópera musical, sino que crea una obra en sí misma en la que intenta recoger diferentes sensaciones estilísticas, estructurales y estéticas de la obra y generar una representación de las mismas. En este artículo nos valdremos de su adaptación de Salomé, ópera de Richard Strauss de 1905 basada en la obra teatral homónima de Oscar Wilde. Se tratará la idea de musicalización del cómic y la forma en la que Russell plasma diferentes ideas musicales referentes no solo a timbres, leitmotiv u orquestación, sino atendiendo a diferentes parámetros que engloba la obra de Strauss, en torno a la idea de maximalización y decadencia del arte de finales del siglo XIX y principios del siglo XX. Abstract: P. Craig Russell has stood out, among other contributions, for his work in making a long series of adaptations from the world of opera to comic. Russell's style is characterized by starting from the idea of adapting a musical work to a plastic and visual medium, making it not only become the simple narration of a musical opera, but also creates a work in itself in which he tries to collect different stylistic, structural and aesthetic sensations of the work and generate a representation of them. In this article we will use his adaptation of Salomé, an opera by Richard Strauss from 1905 based on the play of the same name by Oscar Wilde. The idea of musicalization of the comic will be discussed and the way in which Russell expresses different musical ideas referring not only to timbres, leitmotivs or orchestration, but also taking into account different parameters that encompass Strauss's work around the idea of maximalization and decadence of art from the end of the 19th century and the beginning of the 20th century.  

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