scholarly journals Jardines renacentistas de la Villa Ducal de Benavente. El sueño de una utopía

Imafronte ◽  
2021 ◽  
pp. 1-18
Author(s):  
Jose Miguel Morales Folguera

Construidos por tres generaciones de los condes-duques de Benavente, entre 1499 y 1621, como instrumento de disfrute y de prestigio familiar de la villa ducal, los jardines de Benavente se convirtieron en uno de los jardines renacentistas más importantes de España. Desgraciadamente, los cambios en los gustos estéticos de los herederos, el paso de los ejércitos franceses de Napoleón y el abandono de una naturaleza necesitada de su continuo cuidado, hicieron que los jardines desaparecieran en los primeros años del siglo XIX. En este artículo nos proponemos hacer su reconstrucción ideal, con la utilización de los numerosos textos y de la documentación existente. Built for three generations of the count-dukes of Benavente, between 1499 and 1621, as an instrument of enjoyment and family prestige of the ducal town, the Benavente gardens became one of the most important Renaissance gardens in Spain. Unfortunately, the changes in the aesthetic tastes of the heirs, the destruction wrought by Napoleon's army and the abandonment of a nature in need of their continuous care, caused the gardens to disappear in the early years of the 19th century. In this article we propose to make its ideal reconstruction, with the use of the numerous texts and existing documentation.

2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.


2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.


Author(s):  
José Ignacio Royo Guillén ◽  
Francisco José Navarro Cabeza ◽  
Serafín Benedí Monge

Los estudios sobre grabados rupestres al aire libre de cronología postpaleolítica, adolecen de importantes carencias que, en el valle medio del Ebro, se han visto superadas con la llegada del tercer milenio. Con la presentación de este trabajo se pretende dar a conocer un nuevo núcleo de grabados rupestres, localizado en el extremo suroeste de la provincia de Zaragoza, en las gargantas calcáreas del río Mesa. Entre los nuevos enclaves rupestres, destacan los abrigos con grabados protohistóricos, pero muy especialmente los de cronología medieval andalusí y los de iconografía cristiana entre los siglos XIV y XVIII, con perduraciones hasta mediados del siglo XIX y algunas escenas relacionadas con la primera Guerra Carlista en Aragón. La distribución de los hallazgos, su tipología e iconografía y los restos arqueológicos asociados, permiten documentar una importante ocupación del territorio desde la Iª Edad del Hierro y la sacralización del paisaje a través del arte rupestre, con pervivencias que se perpetúan a lo largo de la Edad Media y Moderna, destacando como novedad la presencia de un importante conjunto de inscripciones epigráficas islámicas que deben situarse entre los siglos XI y XII. AbstractThe studies on open-air rock engravings in post-Paleolithic chronology suffer from important deficiencies, which in the middle valley of the Ebro, have been overcome with the arrival of the third millennium.With the presentation of this work, the aim is to make known a new nucleus of rock engravings, located in the extreme southwest of the province of Zaragoza, in the limestone gorges of the River Mesa. Among the new rock engravings, the shelters with protohistoric engravings stand out, but especially those with a medieval Andalusian chronology and those with Christian iconography between the 14th and 18th centuries, which lasted until the middle of the 19th century and some scenes related to the first Carlist War in Aragon. The distribution of the findings, their typology and iconography and the associated archaeological remains, allow us to document an important occupation of the territory since the First Iron Age and the sacralization of the landscape through rock art, with survivals that are perpetuated throughout the Middle and Modern Ages, highlighting as a novelty the presence of an important set of Islamic epigraphic inscriptions that must be located between the 11th and 12th centuries.


Author(s):  
Ángel Ruiz Pérez ◽  

Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon


Author(s):  
David Castro Liñares

Este trabajo tiene como finalidad analizar el tratamiento penal que durante el siglo XIX se dispensó a los actos indebidos para con el cuerpo y memoria de las personas fallecidas. Para ello, este texto se inicia con un recorrido normativo por los Códigos Penales españoles del siglo XIX (1822-1848-1850-1870) con el propósito de analizar la forma en que el Legislador penal fue incorporando esta cuestión en los distintos textos normativos. A continuación, y como forma de continuar este análisis, se estima adecuado detenerse en las razones político criminales subyacentes a la tipificación de estas conductas. De esta forma, se intenta realizar una aproximación a las lógicas punitivas decimonónicas inherentes a una esfera tan particular como el castigo penal a los actos irrespetuosos para con los difuntos. Por último, se incorpora un apartado conclusivo en el que abordar algunas ideas que, por razón de estructura narrativa no encontraban un acomodo idóneo en otras partes del texto pero que igualmente resultan de importancia para esta propuesta de análisis político-criminal histórico.This work aims to analyse the criminal law treatment that during the 19th century is dispensed to wrongdoing with the body and memory of deceased people. For that purpose, this text begins with a normative view of the Spanish Criminal Codes of the 19th century (1822-1848-1850-1870) in order to investigate how the Criminal Legislator incorporated this issue into the various normative texts. Hereunder, as a way to continue this analysis, it is considered appropriate to dwell on the criminal political reasons typification of these conducts. In this way, an attempt is made to approximate the decimonic punitive logics inherent in an area as particular as criminal punishment to disrespectful acts with the deceased. Finally, a concluding section is incorporated in order to address some ideas that, by reasons of narrative structure, did not find an appropriate accommodation in other parts of the text but which are also relevant for this proposal of historical political-criminal analysis. 


2020 ◽  
Vol 13 ◽  
pp. 97-108
Author(s):  
Narciso M. Contreras Izquierdo

The lexicographical treatment of the specialized lexicon of a language is one of the most serious problems lexicographers and specialists in the discipline must face; the author also affirms that it is one of the great pending tasks of Spanish lexicography. The paper proposes to examine the evolution and characteristics of the Spanish lexicographic tradition in general, and to present the different tendencies in the treatment of the lexicon specialized in the 19th century.


2020 ◽  
pp. 33
Author(s):  
Gonzalo Passos Correia da Cruz ◽  
José Luís Ferreira Antunes

<p>Las excavaciones arqueológicas del año 2014 en el castro de la Citânia de Briteiros se desarrollaron en torno a un complejo habitacional familiar descubierto durante los trabajos desarrollados en el siglo XIX. Los sondeos arqueológicos abarcaron un patio y espacios interiores de esta casa familiar, así como también una calle pública. El registro estratigráfico y los datos cronológicos y funcionales obtenidos en esta campaña permiten plantear un interesante debate en relación con el urbanismo de los grandes castros, conocidos como oppida, así como también acerca de los conceptos asociados a la arquitectura doméstica en torno al cambio de Era, cuando dio comienzo el proceso de Romanización</p><p>The 2014 archaeological campaign in the hillfort of Citânia de Briteiros was developed around a family compound discovered during the 19th century fieldworks. The archaeological trenches included a courtyard and indoor spaces of this family house, as well as a public road. The stratigraphic sample and the chronological and functional data obtained in these fieldworks enable an interesting discussion around the urbanism of the large hillforts, known as oppida, as well as the concepts regarding domestic architecture by the transition of Era, when the Romanization process begun</p>


Author(s):  
Francesc Morales

Abstract: The palates of the nationalist authors of the 19th century found the common past exemplified by the Roman Empire to be too homogeneous a taste. Although this premise may be valid for all European nationalist movements of the 19th and early 20th centuries, the discussion here is limited to Spain’s problematic national construction during the 19th century and the group formed by Belgium, the Netherlands, and Luxembourg. Spain and ‘Benelux’ were chosen because they represent complex problems in the construction of a key dynamic of European nationalism: a political contemporary diversity linked to pre-Roman and post-Roman pasts. Despite these political and historical connections, the paths taken by these nationalisms are significantly different.Key words: Rome, Netherlands, Spain, nationalism, EuropeResumen: Un pasado común ejemplificado por el Imperio Romano pasa por ser demasiado homogéneo para el gusto de los autores nacionalistas en el siglo XIX. Esta premisa puede ser válida para todos los movimientos nacionalistas europeos, pero voy a limitarme a la problemática de la construcción nacional en España durante el siglo XIX y al grupo formado por Bélgica, los Países Bajos y Luxemburgo. Ambas regiones representan similares complejidades en la construcción de un nacionalismo europeo: una diversidad política contemporánea enlazada con un pasado prerromano y post-romano. A pesar de tener conexiones políticas e históricas, el camino de estos dos nacionalismos es significativamente diferente.Palabras clave: Roma, Países Bajos, España, nacionalismo, Europa  


Ritið ◽  
2019 ◽  
Vol 19 (2) ◽  
pp. 43-68
Author(s):  
Gunnar Tómas Kristófersson

The article addresses the early years of film in iceland, where the goal is to deepen our knowledge of the main participants in introducing and promoting cinema in iceland at the turn of the 19th century. Two years spanning a three-year period mark the beginnings of the age of film in iceland. The former is 1901 when the Dutch filmmaker F. A. Nöggerath came to film iceland and icelanders for an English film company. The latter year is 1903, when the Norwegian, Rasmus Hallseth and the Swede David Fernander, traveled around the country to screen films for the first time in iceland. These two visits mark the emergence of cinema in iceland. iceland-ers had little prior knowledge of the new medium, which was getting to be widely known around the world, apart from the coverage of newspapers and stories of lucky icelanders who had experienced film screenings abroad. Shows using a predecessor of film, the magic lantern, were held by Sigfús Eymundsson and Þorlákur ó. Jo-hnson in the 19th century. After the introduction of films in 1903, several people put together funds to buy Hallseth’s and Fernanders’ equipment and began to exhibit films on their own. However, daily performances did not happen until Reykjavik Biograftheater (later ,,Gamla Bíó”) was established in 1906. After several attempts by various parties to hold regular screenings in Reykjavik, one could say that cinema did not properly settle in iceland until the establishment of Nýja Bíó in 1913.


2019 ◽  
pp. 219-246
Author(s):  
Pablo Martínez Riquelme

Los procesos de producción de espacios turísticos se expresan en sendas espacio-temporales, asociadas a una producción material, como las infraestructuras, equipamiento y conectividad, pero también en una producción inmaterial, basada en la difusión de imaginarios territoriales vinculados a la experiencia turística. Se busca analizar dicho proceso, en la Araucanía andino-lacustre chilena, entre 1900-1940, a partir de los relatos de los primeros viajeros con motivaciones turísticas a finales del siglo XIX y el rol de Estado como actor promotor de la turistificación del territorio en el sur de Chile. The processes of production of tourist spaces are expressed in space-time paths, associated with a material production, such as infrastructures, equipment and connectivity, but also in an immaterial production, based on the diffusion of territorial imaginaries linked to the tourist experience. It is sought to analyze this process, in the Chilean Andean-lacustrine Araucanía, between 1900-1940, based on the account of the first travelers with tourist motivations at the end of the 19th century and the role of the State as a promoter of the touristification of the territory in the South of Chile.


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