scholarly journals A Brief Analysis of The Influence of Chinese Culture Ceramic on Rococo Art of The West

Humaniora ◽  
2014 ◽  
Vol 5 (1) ◽  
pp. 281
Author(s):  
Temmy Temmy
Keyword(s):  
Song Dynasty ◽  
Chinese Culture ◽  
Art Appreciation ◽  
The West ◽  
Western Countries ◽  
The Song Dynasty ◽  
Ceramic Art ◽  
Aesthetic Style ◽  
The Impact ◽  
First Time

Chinese culture elements accepted for the first time by the Western countries was ceramic and silk. China's silk was found in ancient Greece during the Roman era and since then China has become the “Country of Silk”. Chinese ceramics came to the West a bit later. It was during the Song Dynasty that Western countries started accepting Chinese ceramics, and soon after that Chinese Ceramics had became a new surprise to the Western Countries and had China known as the “Country of Porcelain”. Porcelain as a cultural element is considered not only as material but also as a spirit. When the Europeans came to know the porcelain material, they had gradually been influenced by its spiritual content. Delicateness of ceramic slowly became a widely accepted aesthetic style, added with other factors that shaped the formation of the Rococo style that became very popular in Europe. This article used desk study to analyze and summarize the following three aspects: first, the impact of Chinese ceramic art on Western Rococo art, second, the art appreciation of Rococo art and third, to elaborate the influence of Chinese Ceramic and aesthetic in Western Countries.

Neo-Confucian Hermeneutics at Work:Cheng Yi's Philosophical Interpretation of Analects 8.9 and 17.3

2008 ◽  
Vol 101 (2) ◽  
pp. 169-201 ◽  
Author(s):  
Yong Huang
Keyword(s):  
Song Dynasty ◽  
Traditional View ◽  
Philosophical Concept ◽  
The Real ◽  
The Song Dynasty ◽  
Philosophical Interpretation ◽  
Chinese Scholars ◽  
First Time ◽  
The Relationship

In this article, I discuss the Song 宋 Neo-Confucian Cheng Yi's 程頤 (1033–1107) interpretation of two related controversial passages in the Analects, the recorded sayings of Confucius. The term “neo-Confucianism” was coined by Western scholars to refer to the Confucianism of the period from the Song dynasty to the Ming 明 dynasty (and sometimes through the Qing 清 dynasty). Among Chinese scholars, neo-Confucianism is most commonly referred to as the Learning of Principle (li xue 理學). Although before Cheng Yi and his brother Cheng Hao 程顥 (1032–1085) there were three other philosophers who are normally also regarded as neo-Confucians— Shao Yong 邵雍 (1011–1077), Zhou Dunyi 周敦頤 (1017–1073), and Zhang Zai 張載 (1020–1077)—we can justifiably regard the Cheng brothers as the real founders of neo-Confucianism in the sense that principle becomes the essential philosophical concept for the first time in their works. There is no consensus among scholars as to the relationship between the philosophies of these two brothers. The traditional view regards them as substantially different due to the two different schools of neo-Confucianism that developed from their teachings, the realistic school synthesized by Zhu Xi 朱熹 (1130–1200) from the teachings of Cheng Yi and the idealist school culminating in Wang Yangming 王陽明 (1472–1529) from the teachings of ChengHao. I, however, tend to think that the philosophical positions of the two brothers are largely similar. Unfortunately, since Cheng Hao did not live as long as Cheng Yi, there is insufficient material to create a systematic picture of his view of the Analects passages with which this article will deal.

Core Texts of the Sŏn Approach

2020 ◽  
Author(s):  
Jeffrey Broughton
Keyword(s):  
Twentieth Century ◽  
Song Dynasty ◽  
East Asian ◽  
Zen Buddhism ◽  
The West ◽  
Mental Operation ◽  
The Song Dynasty ◽  
Asian History ◽  
Partial Translation

The book is a study and partial translation of Core Texts of the Sŏn Approach (Sŏnmun ch’waryo), a Korean anthology of key texts foundational to Korean Sŏn (Chan/Zen) Buddhism. This anthology provides a convenient entrée to two fundamental themes of Korean Sŏn: Sŏn vis-à-vis the doctrinal teachings (in which Sŏn is shown to be superior); and the huatou (Korean hwadu) method of practice-work popularized by the Song dynasty Chan master Dahui Zonggao (1089–1163). This method consists of “lifting to awareness” or “keeping an eye on” the huatou or phrase, usually the word wu無‎/No (Korean mu). No mental operation whatsoever is to be performed upon the huatou. The practitioner simply lifts the huatou to awareness constantly, twenty-four hours a day. Core Texts of the Sŏn Approach, which was published in Korea during the first decade of the twentieth century, attempts to encapsulate the entire Korean Sŏn tradition in one convenient volume (and thus functions as a sort of vade mecum). It contains eight Chan texts by Chinese authors and seven Sŏn texts by Korean authors, showing the organic relationship between the parent Chinese Chan tradition and its heir Korean Sŏn. Due to the circumstances of modern East Asian history, Korean Sŏn is much less well-known in the West than Japanese Zen. This book will give readers access to a broad sweep of texts of the Korean branch of this school of East Asian Buddhism.

WOMEN OF PROPERTY IN CHINA, 960–1368: A SURVEY OF THE SCHOLARSHIP

2004 ◽  
Vol 1 (2) ◽  
pp. 201-222 ◽  
Author(s):  
Joseph P. McDermott
Keyword(s):  
Property Rights ◽  
Fourteenth Century ◽  
Song Dynasty ◽  
Turning Point ◽  
Recent Book ◽  
Social Dimensions ◽  
The West ◽  
The Song Dynasty ◽  
Length Analysis ◽  
And Control

The issue of women's property rights during the Song dynasty has been heatedly debated for over half a century. First in Japan, and then in China, Taiwan and the West, scholars have developed strikingly divergent views of the legal and social dimensions of Song women's claims to property and control over their remarriage as widows. This article discusses and assesses the different views, particularly those of Bettine Birge in her recent book-length analysis of the topic. In siding largely with earlier studies that stressed Song women's legally backed rights to property as daughters, wives and widows, Birge's work provides the most comprehensive and persuasive treatment of this debate in any language. In addition, she discusses the fate of Chinese widows, accustomed to remarrying under favourable terms in the Song, and then suffering during the Yuan serious restrictions on their options for remarriage as well as on their property rights. The turning point, according to this book, was the merger of Mongol government and neo-Confucian court interests in the late thirteenth and early fourteenth century, thereby depriving women of many powers they had acquired in the Song.

scholarly journals Translation of Classics by JX Native Literati of Song Dynasty from the Perspective of Translation Aesthetics

2018 ◽  
Vol 8 (7) ◽  
pp. 860
Author(s):  
Yuying Li ◽  
Yuming Zhang
Keyword(s):  
Song Dynasty ◽  
Chinese Culture ◽  
Classical Literature ◽  
Aesthetic Value ◽  
The Song Dynasty ◽  
Large Numbers ◽  
Tang And Song Dynasties ◽  
National Power ◽  
Ancient Times ◽  
The Aesthetic

With the significant growth of China's comprehensive national power, Chinese culture should not only "bring in" but also "go out". Chinese culture is extensive and profound, and classical literature has reached its peak in the Tang and Song dynasties. Jiangxi has been full of natural resources and outstanding people since ancient times, especially in the Song dynasty, when people of talent came forth in large numbers and created brilliant heritage of classic literary works for their offspring. Therefore, study on the translation of classics by JX native literati of Song Dynasty has very important academic value, application value and popularization meaning. Based on the modern translation aesthetics theory, this paper discusses how English translation of Chinese classics represents the beauty and the aesthetic value of the original from the perspective of rhetorical devices, form, images, and emotion respectively, in the hope to carry forward Chinese classics and Chinese culture.

Communicating Civilization Through Rituals: Mount Tai Pilgrimages in Song China, 960-1279

2015 ◽  
Vol 1 (2) ◽  
pp. 335-362
Author(s):  
Lifeng Han
Keyword(s):  
Cultural Identity ◽  
Song Dynasty ◽  
Chinese Culture ◽  
Eleventh Century ◽  
Historical Context ◽  
Symbolic Capital ◽  
Hegemonic Discourse ◽  
The Song Dynasty ◽  
Imperial State ◽  
Mass Identification

This paper examines the imperialfeng封 andshan禪 ritual at Mount Tai in 1008 and its connection with popular pilgrimages among the Mount Tai cult. It aims to demonstrate how ritual can be used as a tool of the imperial state in communicating its political and cultural agenda.Placing the imperial pilgrimage within its historical context at the turn of the eleventh century, it can be understood as an effort to secure mass identification with the state and its authority. More importantly, it could be used to establish ownership of Chinese civilization by the Song dynasty (960-1279) in its competition with the Khitan, who had long adopted Chinese institutions and ideology. Various strategies were deployed by the throne to communicate the imperial symbolism of the mountain. The mountain, therefore, had become valuable symbolic capital. Through the composition of temple inscriptions, the literati were able to redefine the popular ritual practices of the Mount Tai cult and brought them into a hegemonic discourse on the mountain. This facilitated the construction of an imperial cultural identity accessible to all social groups and allowed an abstract concept of Chinese culture to be communicated through the fabric of society.

scholarly journals On the Norm Memes in English Translation of Classics—A Case Study of the Translation of the Works by Jiangxi Native Literati in the Song Dynasty

2018 ◽  
Vol 8 (6) ◽  
pp. 629
Author(s):  
Yuying Li ◽  
Wandi Hu
Keyword(s):  
English Translation ◽  
Song Dynasty ◽  
Chinese Culture ◽  
Jiangxi Province ◽  
Translation Strategies ◽  
The Song Dynasty ◽  
Professional Norms ◽  
Tang And Song Dynasties ◽  
Chinese Classic

With the convening of the 19th NCCPC and at the call of “Building stronger cultural confidence and helping socialist culture to flourish.” the going global of Chinese cultural classics has gained increasing importance. Jiangxi Province is the birthplace of literati and scholars throughout the ages, especially in the Song Dynasty. Among the Eight Great Literati of the Tang and Song Dynasties three were JX natives. Therefore, the study on the English translation of the classic works by them would be of great academic and practical values as well as significance for popularization. Taking Chesterman’s Translation Memetics as the guidance and from the aspects of Expectancy Norms and Professional Norms, the study analyses and explores the translation strategies and skills of Chinese classic, in the hope to contribute the author’s pygmy to the translation and spread of traditional Chinese culture.

The Shield-Shaped Jade Pendant

2018 ◽  
Vol 68 (2) ◽  
pp. 157-190 ◽  
Author(s):  
Susan N. Erickson
Keyword(s):  
Song Dynasty ◽  
Han Dynasty ◽  
High Rank ◽  
Chinese Art ◽  
The West ◽  
The Song Dynasty ◽  
Surface Decoration ◽  
Eastern Han

Abstract Objects carved of jade often were placed in Han-dynasty burials of people of high rank. This article focuses on a small, shield-shaped (or “heart-shaped”) pendant frequently found near the deceased. The development of the type is examined through its appearance in tombs dating to the early Western Han through the end of the Eastern Han and extending into the immediate post-Han period. The typology of the pendant and its surface decoration are analyzed. This type of jade pendant resurfaced in the Song dynasty, but its most significant resurgence is during the Ming and early Qing dynasties, although by then its decorative features, as recorded in illustrations in books, appear to be more important than its use in burials. The article also explores the foundational years of collecting Chinese art in the West by individuals such as the sinologist Berthold Laufer, as well as other scholars of Chinese art, as they began to understand the shield-shaped pendant's origin as a Han-dynasty artifact and to explore its significance.

scholarly journals L’icona miracolosa del principe Ašot II Bagratuni

2018 ◽  
Author(s):  
Marco Ruffilli
Keyword(s):  
Historical Sources ◽  
The West ◽  
The Impact ◽  
First Time ◽  
The Village ◽  
Byzantine Icon ◽  
The Church

The Armenian prince Ašot II Bagratuni (685/686-688/689 d.C.) placed in the church he himself founded in the village of Daroynkʽ a Byzantine icon mentioned in the Armenian historical sources as an image of the «Incarnation of Christ», coming from «the West». The years of the principate of Ašot partly coincide with those of the first of the two reigns of Justinian II, the emperor who for the first time issued monetary coins with the image of Christ impressed, and presided in 692 d.C. the Quinisext Council ‘in Trullo’, whose canon no. LXXXII dealt with the representation of the Saviour’s body. The case of Ašot is an example of the worship of icons in the late 7th century Armenia, and contributes to witnes both the circulation of this kind of artifacts in the armenian territories, and the the impact of the contemporary reflections about the Incarnation of Christ and the sacred images; in agreement, moreover, with the condemnation of the iconoclastic theses expressed in the Armenian treatise attributed to Vrtʽanēs Kʽertʽoł.

scholarly journals Human dignity - Our supreme constitutional value

2017 ◽  
Vol 4 (1) ◽  
pp. 42
Author(s):  
Nazeem MI Goolam
Keyword(s):  
South Africa ◽  
Human Dignity ◽  
Modern Technology ◽  
First Year ◽  
Constitutional Court ◽  
The West ◽  
Plural Society ◽  
The Impact ◽  
First Time

As far as constitutional interpretation and statutory interpretation in general is concerned, South Africa is undergoing a transformation from a formal, positivistic vision of law to a substantive, natural law vision of law. And the single most significant factor in this transformation is the existence of constitutional values. For the first time in South Africa, courts (in particular the Constitutional Court) must decide cases on the basis of these values. It is therefore simply erroneous and naive to say that 'the Constitutional Court has been so fixated with the role of 'values' in the first year of its existence' and that the court is 'obsessed' with the role of 'values'. Of these values, the three most fundamental in any open and democratic society are human dignity, equality and freedom. Amongst this trinity of values human dignity finds pride of place. Some of the pertinent questions briefly addressed in this article are: (1) What does human dignity entail?; (2) Is human dignity a right or a duty?; (3) How should it be understood in a plural society such as ours?; (4) What about the impact of modern technology on human dignity?; (5) Is our understanding of the concept/value/idea of human dignity not too European/Western in nature? For example, the issue of gays and lesbians is a human rights and human dignity question in the West, while other cultures find homosexuality abhorrent and uncivilized; and (6) Should we explore a religious and spiritual philosophy of human dignity?

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