scholarly journals Faust/yna. „W promieniach” Artura Pałygi

2017 ◽  
pp. 265-292
Author(s):  
Jacek Kopciński

In this essay, author deals with the interpretation of a very original, new monodrama by Artur Pałyga, entitled In Radiance (2016), whose heroine is Maria Skłodowska-Curie. The author is interested in a poetic and performative dimension of Maria’s dozen monologues, which the author described as − completely unknown letters’ of the scientist. These monologues reveal the process of Maria’s spiritual development from the moment of attaining maturity, until her death due to excessive irradiation. Kopciński focuses on the aspects of Maria’s consciousness, which Pałyga has brought forth from the myth of Faust, which comprises the foundation of the scientific worldview. In this monodrama, Skłodowska-Curie is the Polish Faust, who is ready to break the moral rules and pay the price of her and others’ life for sheer possibility of revealing the mystery of the universe. Kopciński confronts this original literary image of a scientist with the history of her life and highlights the moments in her biography that can be read as an execution of the ‘Faustian bargain’. At the end of his work he compares the character of Skłodowska-Curie, who calls herself Faustina, with the figure of another, extraordinary woman who has also adopted this name − Maria Faustina Kowalska. The comparison of the scientist and the mystic woman allows us to see many similarities in the characters of both, their way of life and their relationships with other people, but also describe fundamental differences in the worldviews they represent. Finally, two Faustinas are two different symbols. The figure of a scientist symbolizes desire for intellectual control over the world, which is constantly changing like elements discovered by Maria Skłodowska. On the other hand, the figure of the mystic symbolizes desire for an inner union with loving God, which involves the sacrifice of one’s ‘self’ to gain eternal life of the immortal soul.

2019 ◽  
Vol ENGLISH EDITION (1) ◽  
pp. 257-283
Author(s):  
Jacek Kopciński

In his essay, author deals with the interpretation of a very original, new monodrama by Artur Pałyga, entitled In Radiance (2016), whose heroine is Maria Skłodowska-Curie. The author is interested in a poetic and performative dimension of Maria’s dozen monologues, which the author described as completely unknown letters’ of the scientist. These monologues reveal the process of Maria’s spiritual development from the moment Faust/ina of attaining maturity, until her death due to excessive irradiation. Author focuses on the aspects of Maria’s consciousness that Pałyga has brought forth from the myth of Faust, which comprises the foundation of the scientific world-view. In this monodrama, Skłodowska-Curie is the Polish Faust who is ready to break the moral rules and pay the price of her and others’ life for sheer possibility of revealing the mystery of the universe. Kopciński confronts this original literary image of a scientist with the history of her life and highlights the moments in her biography that can be read as the execution of the ‘Faustian arrangement’. At the end of his work, he compares the character of Skłodowska-Curie, who calls herself Faustina, with the figure of another extraordinary woman who has also adopted this name − Maria Faustina Kowalska. The comparison of the scientist and the mystic woman allows us to see many similarities in the characters of both, their way of life and their relationships with other people, but it also describes fundamental differences in the world-views they represent. Finally, two Faustinas are two different symbols. The figure of the scientist symbolises desire for the intellectual control of the world, which constantly changes like elements discovered by Maria Skłodowska. On the other hand, the figure of the mysticist symbolises desire for an inner union with loving God, which involves the sacrifice of one’s ‘self’ to gain the eternal life of the immortal soul.


Author(s):  
F.C.T. Moore

In his youth, Bonnet made a meticulous and creative study of insects, which won him international fame for his discoveries, as well as his methods. He turned to psychology and offered a detailed, but speculative, account of the physiology of mental states. His empirical work was overtaken by speculative ambition. In later life, he developed (from elements already present in his early studies) a comprehensive view of the universe, of its history and its natural history, of theology and of moral philosophy. Christianity was proved, the great chain of being was mapped over time towards an ultimate perfection, and human morality, based on self-love, formed part of the Creator’s scheme. The Creator, at the moment of creation, brought into being all the elements from which this vast unfolding would occur, without further intervention.


2018 ◽  
Vol 47 (1) ◽  
pp. 123-135 ◽  
Author(s):  
Nancy Armstrong

By treating the imaginary element that is “sex,” the deployment of sexuality established one of its most essential internal operating principles; the desire for sex—the desire to have it, to have access to it, to liberate it, to articulate it in discourse, to formulate it in truth. It constituted “sex” itself as something desirable.—Michel Foucault,History of Sexuality, Vol. 1Although my critical focus has shifted in recent years onto other areas—both earlier and later—of novel studies, I find myself returning to the novels of the 1840s, which is, in my view, the pivotal moment in the history and theory of the British novel. This is the moment when novels relegated forever to the past a future that ensured domestic contentment. During the period from 1847 to 1900, as Georg Lukács tells the story, the historical novel faltered and then froze in its tracks, as the narrative of an individual caught in the winds of historical change capitulated to descriptions of demonically fetishized objects that obscured the engines of change. What Lukács doesn't mention is that, halfway through that same period, novels abruptly ceased to formulate a country house providing what Hannah Arendt has called “a model of national housekeeping.” From the ashes of that bourgeois appropriation of certain aspects of the genteel way of life, the novels of the 1840s assembled a single-family household as a kinship system uniquely capable of operating at every level of English society. To go by these novels, one would think that belonging to such a household was not only the same as belonging to English society itself but was also necessary to one's biological survival. In returning to that moment, I want to consider, more pointedly, what these two observations concerning the form of the Victorian novel have to do with one another, a question that was very much in the air in 1977, when I received my doctorate and took up my first university post.


Author(s):  
Konstantin A. Barsht ◽  

The article analyzes the life path and tragic death of the philosopher Grigory Borisovich Itelson (1852–1926) emigrated from Russia. According to the as­sumption put forward in the article, he became the prototype of Albert Lichten­berg, the hero in the story of Andrey Platonov Garbage Wind (1933), which de­scribes the fate of a lonely German scientist, “the physicist of outer space”, who was killed by the Nazis for protesting against fascism. The article analyzes a number of coincidences between the fate of G.B. Itelson and the philosopher Lichtenberg described in the story Garbage Wind, in particular, the way of life and the circumstances of death. The author of the article finds in the text of Platonov’s story some allusions to G.B. Itelson – features of the worldview, pub­lication by the hero of the story of the book The Universe as a desolate space, burned in the square by the fascists, which is seen as a hint of the book by Felix Eberti Stars and World History. Thoughts about space, published by G.B. Itelson in 1923. The author analyzes the reason for Platonov’s appeal to the personality of Itelson, who was a personal friend of A. Einstein and the main translator of his books into Russian. Through these publications in the 1920s, A. Platonov got acquainted with the General and Special Theory of Relativity, which had a strong influence on the writer’s worldview and largely shaped the poetics of his works. The article argues for the possibility of Platonov’s acquaintance with the obitu­ary of G.B. Itelson, written by A.A. Goldenweiser and published in the Berlin Russian newspaper Ruhl, which describes in detail the life and tragic death of the philosopher at the hands of the Nazis


Author(s):  
Dalia Marx

This chapter analyses the existential crisis that illuminates contemporary Israeli poetry about the binding of Isaac or the akedah. It investigates a series of poems that portray Isaac's mother Sarah and argues that these texts strive to embody and construct the history of the State of Israel. It also reviews earlier poems that entwine Sarah with collective questions of post-Holocaust faith and Jewish national fate, recent texts that turn to individual destiny. The chapter cites Sarah as a mother-figure in the Jewish poetic imagination who struggles with the tensions between an instinctual maternal impulse to preserve life and an ideology rooted in the sacrifice of sons for the sake of the creation and preservation of the State of Israel. It looks at poems that reconstruct the biblical story of Sarah, giving mothers the voice that Sarah lacked at the moment of the akedah.


2017 ◽  
Vol 2 (1) ◽  
pp. 238
Author(s):  
Dini Nur Islamiyati

Human Right is an important issue to be discussed, moreover in the West countries. This is because Human Right is talking about human being.� Eventhough� this� concept� was� born� and� developed� in� the West, but East countries, which Islam becomes the majority, adapt this concept slowly to be included in the state law. Islamic concept is believed as the way of life by its adherents. Islam according to its adherents is a complete concept that rule every aspects in the human�s life, no exception in the regulation of Human Right. Islam as a religion means rahmatan lil �alamin, which means mercy for the universe, even in the social injustice Islam regulates about the concept of Human Right. This article purposes to know about the history of Human Right and how Islam views the concept of it.


1987 ◽  
Vol 12 ◽  
pp. 124-149 ◽  
Author(s):  
Juha Pentikäinen

What is the history of the drum, which once arrived from the Saami area in northernmost Europe to the collections of an Italian museum, L. Pigorini museum? At the moment, it is the only Saami drum the existence of which is certain in Italy. Saami drums were probably popular objects of export in the 17th and 18th centuries. Missionaries and explorers brought dozens of drums from various parts of Lappmark to be sold and shipped to the private collections of noblemen and other interested people all over Continental Europe. Some of these drums later on found their way to the museums, many became lost or are still somewhere, to be traced by future investigations of local museums and private collections. There clearly has been a special interest towards the most northern corner of the European continent in the Mediterranean countries, particularly in Italy. The correspondence and other descriptions bear evidence about shamanism as the most illuminating and appealing manifestation of the ancient culture and religion of the exotic people living behind the circumpolar zone at the edge of the universe.


Author(s):  
Olga A. Habibrahmanova

The article considers the history of the first years in organizing and functioning of cultural institutions – Houses of Scientists – as a specific form of institutionalization of Soviet cultural traditions. The Houses of scientists from the moment of their creation were designed to cultivate the Soviet way of life. Attention is focused on creating new forms of leisure activities on weekdays and holidays. The activity of the Houses of Scientists was strictly regulated. The work of special cultural commissions, organization and holding Soviet holidays within the walls of the Houses of Scientists were supposed to contribute to the erasure of old traditions and the formation of new/Soviet ones. On the basis of archival sources and memoir literature, an attempt is made to study the reflection of the intelligentsia on the actions of the authorities. The specific position of the intelligentsia on the emergence of new cultural traditions is traced. A diverse palette of moods of the university intelligentsia is shown, which is based not only on the attitude to the new government, but on socio-psychological motivation as well. Various social practices of scientists and the degree of their influence on the formation and activity of newly created cultural institutions are considered. Using the example of the work carried out in the Houses of Scientists, the process and specifics of the “transition” of the universities intelligentsia to the Soviet norms and traditions are considered. The emphasis is placed on the peculiarities of functioning of the Houses of Scientists as a new cultural space in which the “Soviet” and pre-revolutionary traditions of the life and activities of the university intelligentsia collided and intertwined in a bizarre way. The place of the Houses of Scientists in the first post-revolutionary decades (1920s–1930s) was determined, which, as a result of the scientists’ activities, became centers not only and not so much ideological, but rather cultural and educational activities. The paper traces the direct connection between the policy of the Soviet government in the field of higher education and the transformation of the socio-cultural space of the university intelligentsia as a whole. The paper emphasizes a special influence of the socio-professional and cultural space on the formation of intelligentsia’s ideological positions in the 1920s–1930s. Ultimately, fundamental questions are raised about the place and the role of the university intelligentsia in the early Soviet period.


2020 ◽  
pp. 10-14
Author(s):  
N. V. Spiridonova ◽  
A. A. Demura ◽  
V. Yu. Schukin

According to modern literature, the frequency of preoperative diagnostic errors for tumour-like formations is 30.9–45.6%, for malignant ovarian tumors is 25.0–51.0%. The complexity of this situation is asymptomatic tumor in the ovaries and failure to identify a neoplastic process, which is especially important for young women, as well as ease the transition of tumors from one category to another (evolution of the tumor) and the source of the aggressive behavior of the tumor. The purpose of our study was to evaluate the history of concomitant gynecological pathology in a group of patients of reproductive age with ovarian tumors and tumoroid formations, as a predisposing factor for the development of neoplastic process in the ovaries. In our work, we collected and processed complaints and data of obstetric and gynecological anamnesis of 168 patients of reproductive age (18–40 years), operated on the basis of the Department of oncogynecology for tumors and ovarian tumours in the Samara Regional Clinical Oncology Dispensary from 2012 to 2015. We can conclude that since the prognosis of neoplastic process in the ovaries is generally good with timely detection and this disease occurs mainly in women of reproductive age, doctors need to know that when assessing the parity and the presence of gynecological pathology at the moment or in anamnesis, it is not possible to identify alarming risk factors for the development of cancer in the ovaries.


2018 ◽  
Vol 11 (1-2) ◽  
pp. 279-295
Author(s):  
Mohammed Aref

This review essay introduces the work of the Egyptian scientific historian and philosopher Roshdi Rashed, a pioneer in the field of the history of Arab sciences. The article is based on the five volumes he originally wrote in French and later translated into Arabic, which were published by the Centre for Arab Unity Studies and which are now widely acclaimed as a unique effort to unveil the achievements of Arab scientists. The essay reviews this major work, which seems, like Plato’s Republic to have “No Entry for Those Who Have No Knowledge of Mathematics” written on its gate. If you force your way in, even with elementary knowledge of computation, a philosophy will unfold before your eyes, described by the Italian astronomer Galileo Galilei as “written in that great book which ever lies before our eyes—I mean the universe—but we cannot understand it if we do not first learn the language and grasp the symbols, in which it is written. This book is written in the mathematical language, and the symbols are triangles, circles and other geometrical figures, without whose help it is impossible to comprehend a single word of it; without which one wanders in vain through a dark labyrinth.” The essay is a journey through this labyrinth where the history of world mathematics got lost and was chronicled by Rashed in five volumes translated from the French into Arabic. It took him fifteen years to complete.


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