scholarly journals Met het hoofd in de Cloud. Het digitale sublieme in de Vlaamse en Nederlandse roman

2019 ◽  
Vol 73 ◽  
pp. 155-172
Author(s):  
Ruben Vanden Berghe
Keyword(s):  
Narrative Analysis ◽  
Literary Form ◽  
Media Theory ◽  
Literary Fiction ◽  
The Internet ◽  
The Novel ◽  
The Sublime ◽  
Key Concepts ◽  
Sublime Aesthetic ◽  
The Way

The ever-increasing availability of information, made possible by the Internet today, transforms the way people perceive and acquire knowledge. The following contribution maps the effects of this epistemological shift in the literary form of the novel, hypothesizing that the notion of the sublime helps us understand how literary fiction dramatizes this shift. The sublime aesthetic, which attempts to present the unpresentable, reflects the way the unfathomable scope of the Internet challenges the imagination. My narrative analysis draws on key concepts from cyberculture and media theory, such as virtuality, and links them to narrative categories such as setting, character and narration. In that way, my research will improve our understanding of how Dutch and Flemish literary fiction reflects upon the Internet and how the genre of the novel may change because of it.

Branding on the Internet

2011 ◽  
pp. 57-63
Author(s):  
Mary Lou Roberts ◽  
Eric Schwaab
Keyword(s):  
Online Marketing ◽  
The Internet ◽  
Brand Experience ◽  
Consumer Experience ◽  
Direct Response ◽  
Brand Development ◽  
Key Concepts ◽  
Marketing Activities ◽  
The Web ◽  
The Way

Marketers have regarded the Internet as the consummate direct-response medium. The ability to interact one-on-one with customers and the ability to track their every move allowed precision targeting never before possible. More recently it has become clear that the Internet can also be used in branding efforts. The ability to blend direct-response and branding efforts is the Internet’s greatest benefit and its ultimate challenge to marketers. This article reviews evidence for the branding impact of online marketing activities. It also looks at the key concepts of interactivity and consumer experience online. It then presents a construct we call interactive brand experience and describes the Internet-specific techniques that can be used to orchestrate brand experience on the Web. It concludes by summarizing the implications of using the Internet for brand development and discussing the way in which branding on the Internet is evolving.

scholarly journals Robinson Crusoe på romanens tærskel

2007 ◽  
Vol 35 (103) ◽  
pp. 154-173
Author(s):  
Tue Andersen Nexø
Keyword(s):  
Print Culture ◽  
18Th Century ◽  
Literary Form ◽  
Historical Background ◽  
Literary Fiction ◽  
The Novel ◽  
Robinson Crusoe ◽  
Fundamental Factor ◽  
Early 18Th Century

Robinson Crusoe on the threshold of the novelJust as Ian Watt did in his classic reading of Robinson Crusoe in The Rise of the Novel, this article argues that Defoe’s well known book stands in a liminal relation to the novel as an emergent literary form. Watt argues that the liminality of Robinson Crusoe is caused by the book’s excessive thematic focus on an entrepeneurial individualism. Through an examination of the text’s discursive status at the time of publication (1719), this study argues that a more fundamental factor is the book’s relation to an emergent, but not yet established concept of fictionality. Originally, Robinson Crusoe was not read as a literary fiction, but as a book whose claim to facticity was contested. The study examines both the historical background for this difference, which is to be found in the print culture of early 18th-century London, and its hermeneutical ramifications. 

The Novel after Film

2017 ◽  
Author(s):  
Jonathan Foltz
Keyword(s):  
Twentieth Century ◽  
Virginia Woolf ◽  
Public Culture ◽  
Visual Language ◽  
Literary Fiction ◽  
The Novel ◽  
Aldous Huxley ◽  
Moral Purpose ◽  
Modern Novel ◽  
The Way

The Novel After Film examines how literary fiction has been redefined in response to the emergence of narrative film. It charts the institutional, stylistic, and conceptual relays that linked literary and cinematic cultures, and that fundamentally changed the nature and status of storytelling in the early twentieth century. In the cinema, a generation of modernist writers found a medium whose bad form was also laced with the glamour of the popular, and whose unfamiliar visual language seemed to harbor a future for innovative writing after modernism. As The Novel After Film demonstrates, this fascination with film was played out against the backdrop of a growing discourse about the novel’s respectability. As the modern novel was increasingly venerated as a genre of aesthetic refinement and high moral purpose, a range of authors, from Virginia Woolf and H. D. to Henry Green and Aldous Huxley, turned their attention to the cinema in search of alternative aesthetic histories. For authors working in modernism’s atmosphere of heightened formal sophistication, film’s violations of style took on a perverse attraction. In this way, film played a key role in changing the way that novelists addressed a transforming public culture which could seem at moments to be leaving the novel behind.

scholarly journals Robinson Crusoe på romanens tærskel

2007 ◽  
Vol 35 (103) ◽  
pp. 154-173
Author(s):  
Tue Andersen Nexø
Keyword(s):  
Print Culture ◽  
18Th Century ◽  
Literary Form ◽  
Historical Background ◽  
Literary Fiction ◽  
The Novel ◽  
Robinson Crusoe ◽  
Fundamental Factor ◽  
Early 18Th Century

Robinson Crusoe on the threshold of the novelJust as Ian Watt did in his classic reading of Robinson Crusoe in The Rise of the Novel, this article argues that Defoe’s well known book stands in a liminal relation to the novel as an emergent literary form. Watt argues that the liminality of Robinson Crusoe is caused by the book’s excessive thematic focus on an entrepeneurial individualism. Through an examination of the text’s discursive status at the time of publication (1719), this study argues that a more fundamental factor is the book’s relation to an emergent, but not yet established concept of fictionality. Originally, Robinson Crusoe was not read as a literary fiction, but as a book whose claim to facticity was contested. The study examines both the historical background for this difference, which is to be found in the print culture of early 18th-century London, and its hermeneutical ramifications. 

Branding on the Internet

2011 ◽  
pp. 38-46
Author(s):  
Mary Lou Roberts ◽  
Eric Schwaab
Keyword(s):  
Online Marketing ◽  
The Internet ◽  
Brand Experience ◽  
Consumer Experience ◽  
Direct Response ◽  
Brand Development ◽  
Key Concepts ◽  
Marketing Activities ◽  
The Web ◽  
The Way

Marketers have regarded the Internet as the consummate direct-response medium. The ability to interact one-on-one with customers and the ability to track their every move allowed precision targeting never before possible. More recently it has become clear that the Internet can also be used in branding efforts. The ability to blend direct-response and branding efforts is the Internet’s greatest benefit and its ultimate challenge to marketers. This article reviews evidence for the branding impact of online marketing activities. It also looks at the key concepts of interactivity and consumer experience online. It then presents a construct we call interactive brand experience and describes the Internet-specific techniques that can be used to orchestrate brand experience on the Web. It concludes by summarizing the implications of using the Internet for brand development and discussing the way in which branding on the Internet is evolving.

scholarly journals Murakami on the Shore: beyond the dialogue between Japan and the West

2020 ◽  
Vol 42 (1) ◽  
pp. e51791
Author(s):  
Michele Eduarda Brasil de Sá
Keyword(s):  
Cultural Identity ◽  
The Novel ◽  
The West ◽  
Final Draft ◽  
Key Concepts ◽  
Postdoctoral Research ◽  
East And West ◽  
East West ◽  
The Way

 The novel Kafka on the Shore is one of the most enigmatic works of contemporary writer Haruki Murakami. Since its very release, critics and scholars have been sharing their impressions and interpretations on various aspects of the book, one of them being the abundant references to Western elements (myths, songs, writers, icons and so forth). The present paper is the final draft of the postdoctoral research ‘Murakami on the shore: the dialogue with the West in the construction of the novel’, developed from July 2015 to June 2016. It aims at rethinking (as well as questioning) the way the study of the relation between Japan and the West can be addressed in the novel. The research, conducted as a bibliographical investigation, used key concepts like cultural identity (Hall, 2006) and border-blurring (Auestad, 2008). It defies the tendency of studying cosmopolitan authors like Haruki Murakami from the perspective of East-West duality, and defends that such analysis ought to consider East and West as complementary, almost inextricable, not regarding them as opposite or impermeable, and never as a limitation to the author himself.

“The Fabric of our Lives”

2010 ◽  
Vol 4 (2) ◽  
pp. 150-167
Author(s):  
Jim McDonnell
Keyword(s):  
Information Society ◽  
Information Ethics ◽  
Media Ecology ◽  
The Internet ◽  
Active Engagement ◽  
Policy Debates ◽  
Problematic Area ◽  
The Way

This paper is a first attempt to explore how a theology of communication might best integrate and develop reflection on the Internet and the problematic area of the so-called “information society.” It examines the way in which official Church documents on communications have attempted to deal with these issues and proposes elements for a broader framework including “media ecology,” information ethics and more active engagement with the broader social and policy debates.

Tanggapan dan Horizon Harapan Pembaca terhadap Le Petit Prince Karya A. De Saint-Exupery: Tinjauan Resepsi Sastra

Metahumaniora ◽  
2018 ◽  
Vol 8 (3) ◽  
pp. 300
Author(s):  
Tania Intan ◽  
Trisna Gumilar
Keyword(s):  
Research Data ◽  
Point Of View ◽  
Data Sources ◽  
The Internet ◽  
The Novel ◽  
Literary Reading ◽  
Reading Experience ◽  
Reader Responses ◽  
Qualitative Descriptive ◽  
Research Type

AbstrakPenelitian ini bertujuan untuk (1) mendekripsikan tanggapan pembaca terhadap novel Le Petit Prince (2) mendeskripsikan horizon harapan pembaca terhadap novel Le Petit Prince, dan (3) mendeskripsikan faktor-faktor penyebab perbedaan tanggapan dan horizon harapan pembaca. Penelitian ini termasuk jenis penelitian deskriptif kualitatif. Data penelitian berupa teks yang memuat tanggapan pembaca novel Le Petit Princeyang terdiri dari 20 orang, sedangkan sumber datanya berupa artikel dan makalah yang dimuat di media massa cetak dan elektronik termasuk internet. Instrumen penelitian berupa seperangkat konsep tentang pembaca, tanggapan pembaca, dan horizon harapan. Teknik pengumpulan data dengan cara observasi dan data dianalisis dengan menggunakan teknik deskriptif kualitatif. Hasil penelitian yang didapat sebagai berikut. (1) Seluruh pembaca menanggapi atau menilai positif unsur tema, alur, tokoh, latar, sudut pandang, gaya bahasa, teknik penceritaan, bahasa, dan isi novel Le Petit Prince. (2) Harapan sebagian besar pembaca sebelum membaca novel Le Petit Prince sesuai dengan kenyataan ke sembilan unsur di dalam novel Le Petit Prince, sehingga pembaca dapat dengan mudah menerima dan memberikan pujian pada novel Le Petit Prince. (3) Faktor penyebab perbedaan tanggapan dan horizon harapan pembaca selain perbedaan stressing unsur yang ditanggapi juga karena perbedaan pengetahuan tentang sastra, pengetahuan tentang kehidupan, dan pengalaman membaca karya sastra.Kata kunci: tanggapan pembaca, horizon harapan, Le Petit PrinceAbstractThis study aims to (1) describe reader’s responses to the novel Le Petit Prince (2) to describe the reader's expectations horizon of Le Petit Prince's novel, and (3) to describe the factors causing differences in responses and the horizon of readers' expectations. This research is a descriptive qualitative research type. The research data consist of a set of paragraphs that contains readers' responses to Le Petit Prince's novel, while the data sources are articles and papers published in print and electronic mass media including the internet. The research instruments are a set of reader concepts, reader responses, and expectations horizon. The technique of collecting data is observation and data are analyzed by using qualitative descriptive technique. The results obtained are as follow: (1) All readers respond and valuethe theme elements,plots, characters, background, point of view, language, titles, storytelling techniques, language, and extrinsic novel Le Petit Prince positively. (2) The expectations of most readers before reading Le Petit Prince's novels are in accordance with the nine facts in Le Petit Prince's novel, so readers can easily accept and give prise to Le Petit Prince's novel. (3) Factors causing differences in responses and horizon of readers' expectations other than the stressing differences of the elements being addressed also due to the differences in knowledge of literature, knowledge of life and literary reading experience. Keywords: readers responses, expectations horizon, Le Petit Prince

Manifestations of the bias of an unreliable narrator in novel by V. Domontovich “Doctor Serafikus”

2018 ◽  
pp. 132-138
Author(s):  
М. І. Підодвірна
Keyword(s):  
Narrative Analysis ◽  
Focal Point ◽  
Comprehensive Analysis ◽  
The Novel ◽  
Personal Interest ◽  
Cognitive Approach ◽  
Personal Story ◽  
Unreliable Narrator ◽  
German Researcher ◽  
Different Levels

The results and achievements of the main schools and directions of naratology indicate the need to reread both well-known and recondite texts in order to spell out the meanings. We believe that the narrative analysis of prose by Victor Domontovich (the Ukrainian intellectual writer) is interesting and relevant. The article attempts to characterize the manifestations of the bias of an unreliable narato in the novel “Doctor Seraficus” based on the A. Nyuninga’s cognitive approach. A modern German researcher provides a set of tools that can supplemented for a multidimensional consideration of all ambiguities and contradictions in the text. An intelligent game that unfolds in the text manifests itself at different levels. V. Domontovych conducts the biggest game, the game with meaning through the pending authority of unreliable presenter. The text of the novel consists of abstract reflections, notes, dreams, illusions, fantasies, dreams and retrospective journeys. The main law of the text is the game. Irony and contradictions in the narrator’s words encourage the reader to feel dissonance, uncertainty. Therefore, in a narrative analysis, attention is focused on the speaker and who sees (the focal point). It was investigated that the artist Corvin is the narrator of the novel “Doctor Serafikus”, he tries to give as much as possible objectively the personal story. The motives for the unreliability narration based on the personal interest and bias of the character are determined. We identified the main symptoms of the unreliability of the narrator in the work, and the different levels at which the corresponding narrative is expressed, are highlighted. It is established that an unreliable narrative forces distancing itself from a narrator and takes everything that has been said with caution and detachment. Detailed narrative analysis of the work sheds light on the meanings, which for some reason masked, and allows you to establish artistic functions of an unreliable narrator. We believe that understanding this phenomenon makes it possible to make a comprehensive analysis of artistic text.

„A little Drama“ (G. M. Tucker)

2019 ◽  
Vol 63 (2) ◽  
pp. 195-219
Author(s):  
Alessandro Casagrande
Keyword(s):  
Present Article ◽  
Narrative Analysis ◽  
Literary Form ◽  
Third Party ◽  
Abrupt Shift ◽  
Mediated Discourse ◽  
Contextual Integration

Abstract The use of a narrative imperfect in Am 7:10–17 after 7:1–9 and the abrupt shift to 8:1–3 frequently compelled critics to determine its literary form. For diachronic studies defining classifications include ‘third-party report’ and ‘apophthegma’. By contrast, synchronic studies emphasize the contextual integration of Am 7:10–17 and concentrate on a narrative analysis. Within this focus it is striking, that the passage is often associated with a ‘drama’ but without assessing the methodological ramifications of such a claim. The present article takes this ‘synchronic gap’ up and relates it to approaches to view drama as a possible genre for prophetic books. In doing so, a reading of Am 7:10–17 as part of a narrator-mediated discourse using a dramatic mode shows that the passage can be deemed an entrance with three speeches integrated into the wider context of 7:1–8:3. Particularly the classification of 7:10a, 12aα, 14aα as narrator’s discourse using a dramatic mode makes this claim plausible.

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