scholarly journals Interpretation of the Silence of the Lambs from the Perspective of Horizon of Expectation

2020 ◽  
Vol 7 (3) ◽  
pp. p81
Author(s):  
Pei GAO

The silence of the lambs is one of the most influential crime novels of its time. The author Thomas Harris vividly depicts the characters and their psychological activities. He created the atmosphere of tension and horror through unique methods, breaking through people’s horizon of expectation, and generating unprecedented experience to readers in the creation process of the novel. At the same time, he created characters that broke people’s prescribed interpretation of the protagonist of crime novels and exceeded readers’ expectations. The aim of this paper is to gain more insight into this great work from the perspective of Horizon of Expectation.

2011 ◽  
Author(s):  
Giuseppe Dessì

This book is the fifth and last volume of the Diari of Giuseppe Dessí, a publication made possible by Franca Linari's transcription combined with the attentive editorship of Francesca Nencioni. The series began with the account of Dessí's early years (1926-1931) and continued with precious details of the period of his development (1931-1948) and the literary production of his maturity (1949-1951; 1952-1962). This time the author's experience and his own notes enable what is almost an 'autobiography of the artistic process' that offers eloquent insight into the creation of Paese d'ombre: not only a reconstruction of the genesis of the novel that won Dessí the Premio Strega, but also the sketching out of events and characters and the gradual definition of the plot. The literary evidence does not stop here, since significant texts of his theatrical production (Eleonora d'Arborea) can also be placed in this last fifteen years, along with narrative (for example Lei era l'acqua). All is set against the backdrop of family, friends (who also suddenly disappear), political passion and a courageous struggle against disease.


Author(s):  
Marie-Laetitia Garric

Homo Zapiens, le roman de Pelevine, se présente comme une anti-utopie dans la Russie postsoviétique. À travers un héros naïf qui tente de s’adapter au capitalisme, on découvre la nouvelle réalité sociale de la Russie en même temps que sa virtualisation par les médias. Le héros devenu rédacteur publicitaire invite à suivre un deuxième parcours, celui de la conception des slogans qu’il ne cesse d’inventer. La truculence et l’imbrication des signifiants se font de plus en plus vives dans le roman jusqu’à provoquer un emballement du signe. Le récit invite donc à deux lectures parallèles : une anti-quête de la réalité par un personnage naïf dans lequel on reconnaît la société russe prenant progressivement conscience de sa nouvelle situation dans les années 90; et un étiolement de la langue dans les différents slogans publicitaires. Le roman pose ainsi la question du réel de la Russie postsoviétique comme un vide sur lequel le pays doit reconstruire son identité.AbstractPelevin’s novel Homo Zapiens is a dystopia set in post-soviet Russia. Through the eyes of a credulous hero who tries to adapt to capitalism, the reader discovers the social reality of Russia and its virtualisation by the mass media at the same time. The story then follows the hero through his life as an advertising writer, in particular the creation process of the slogans which he constantly invents. The vividness and the interweaving of the signifiers are gradually increasing in the novel until reaching the point where the signs are almost spinning out of control. The narrative offers two parallel readings: an anti-quest of reality by a naive character which embodies the Russian society becoming gradually aware of its new situation in the 90’s; and the decline of language in the different advertising slogans. The novel thereby portrays the reality of postsoviet Russia as a void on which the country must re-build its identity.


2019 ◽  
Vol 7 (4) ◽  
pp. 43-49
Author(s):  
Katyaa Nakova-Tahchieva

The present work is part of a research paper for which I extend my heartfelt thanks to Assoc. Prof. Dr. Valko Kanev. It examines some specifics of the artistic creation process that lead to the creation of one of the types of written student texts - the narration. Its variations - "narration by imagination" and "narration by set supports" are regulated in the new fifth grade curriculum. The requirements for writing a narration and the exemplary thematic curriculum of optional literature classes in the 7-tgrade have proven to be applicable in the literature education process.


Author(s):  
Hannah Cornwell

This book examines the two generations that spanned the collapse of the Republic and the Augustan period to understand how the concept of pax Romana, as a central ideology of Roman imperialism, evolved. The author argues for the integral nature of pax in understanding the changing dynamics of the Roman state through civil war to the creation of a new political system and world-rule. The period of the late Republic to the early Principate involved changes in the notion of imperialism. This is the story of how peace acquired a central role within imperial discourse over the course of the collapse of the Republican framework to become deployed in the legitimization of the Augustan regime. It is an examination of the movement from the debates over the content of the concept, in the dying Republic, to the creation of an authorized version controlled by the princeps, through an examination of a series of conceptions about peace, culminating with the pax augusta as the first crystallization of an imperial concept of peace. Just as there existed not one but a series of ideas concerning Roman imperialism, so too were there numerous different meanings, applications, and contexts within which Romans talked about ‘peace’. Examining these different nuances allows us insight into the ways they understood power dynamics, and how these were contingent on the political structures of the day. Roman discourses on peace were part of the wider discussion on the way in which Rome conceptualized her Empire and ideas of imperialism.


Author(s):  
Matthew Lewis

‘He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.’ The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis’s extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation’s history.


2021 ◽  
Vol 51 (1) ◽  
pp. 4-14
Author(s):  
Robert Gnuse

Psalm 104 is a majestic hymn to creation, a dynamic corollary to the more formal presentation of the creation of the world in Genesis 1. Reflection upon some of the passages provides us with insight into the biblical author’s appreciation for nature, an attitude that needs to inspire us in this age of ecological crisis. Though the biblical text is unaware of such an ecological crisis; nonetheless, passages shine forth that can speak to us in our modern age of global warming and environmental collapse.


2021 ◽  
Vol 8 (2) ◽  
pp. 158-176
Author(s):  
Jeanne-Marie Jackson

This article theorizes the Zimbabwean writer Stanlake Samkange’s turn from the novel to philosophy as an effort to circumvent the representational pressure exerted by African cultural traumatization. In breaking with the novel form to coauthor a philosophical treatise called Hunhuism or Ubuntuism in the same year as Zimbabwe achieves independence (1980), Samkange advances a comportment-based, deontological alternative to the psychic or subjective model of personhood that anchors trauma theory. Revisiting the progression from his most achieved novel, The Mourned One, to Hunhuism or Ubuntuism thus offers fresh insight into the range of options available to independence-era writers for representing the relationship between African individuality and collectivity. At the same time, it suggests a complementary and overlooked relationship between novelistic and philosophical forms in an African context.


PLoS ONE ◽  
2016 ◽  
Vol 11 (12) ◽  
pp. e0167763 ◽  
Author(s):  
Michele D. Kattke ◽  
Albert H. Chan ◽  
Andrew Duong ◽  
Danielle L. Sexton ◽  
Michael R. Sawaya ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document