National idea and call for mutual understanding: later creative work of Vladimir Odoyevsky in disputes between Russia and the West

2020 ◽  
pp. 417-435
Author(s):  
Ekaterina E. Dmitrieva ◽  
Keyword(s):  
Western Europe ◽  
Analytical Study ◽  
Central Problem ◽  
Mutual Understanding ◽  
Creative Work ◽  
Cultural Interaction ◽  
The West ◽  
Artistic Work

The work is devoted to two subjects of letters of Vladimir Odoyevsky, which globally can be seen as an attempt by the writer to build a dialogue with the Europeans, to encourage them to understand Russia and the Russians, to bridge the gap in the cultural interaction of the countries. The author of the article refers to the pamphlet “About Russian stoves” in the correspondence of Vladimir Odoyevsky with the aunt of Emperor Alexander II, notes Vladimir Odoyevsky’s increased attention to the theme of stove heating and, in general, to the image of the furnace, which repeatedly appears in his artistic work. The work demonstrates the writer’s return to the plot about the interaction of the Russian and the German peoples and the whimsically beaten uptake of the experience of one another in the furnace business. Of great interest is Vladimir Odoyevsky’s controversy with Jean Baptiste Alphonse Karr, which was described in detail in the article and unfolded on the pages of the journal “L’Avenir de Nice”. An analytical study of an acute journalistic dispute allows the author of the article to highlight the central problem of misunderstanding by foreigners of Russia, which permeates not only the artistic and journalistic works of Vladimir Odoyevsky, but also his correspondence with the Grand Duchess Maria Pavlovna, who was constantly between Petersburg and Weimar, and who knew firsthand about the difficulties of Russian interaction and Western Europe.

Searching for new Sources of growth. Are the Developing Countries Catching up with the Developed ones?

2015 ◽  
pp. 30-53
Author(s):  
V. Popov
Keyword(s):  
Developing Countries ◽  
Western Europe ◽  
Gdp Per Capita ◽  
The West ◽  
Catching Up ◽  
The Us ◽  
The World ◽  
Economic Divergence ◽  
Per Capita ◽  
Relative Standing

This paper examines the trajectory of growth in the Global South. Before the 1500s all countries were roughly at the same level of development, but from the 1500s Western countries started to grow faster than the rest of the world and PPP GDP per capita by 1950 in the US, the richest Western nation, was nearly 5 times higher than the world average and 2 times higher than in Western Europe. Since 1950 this ratio stabilized - not only Western Europe and Japan improved their relative standing in per capita income versus the US, but also East Asia, South Asia and some developing countries in other regions started to bridge the gap with the West. After nearly half of the millennium of growing economic divergence, the world seems to have entered the era of convergence. The factors behind these trends are analyzed; implications for the future and possible scenarios are considered.

Family Structure and Proto-industrialization in Russia

1980 ◽  
Vol 40 (1) ◽  
pp. 111-118 ◽  
Author(s):  
Richard L. Rudolph
Keyword(s):  
Industrial Development ◽  
Western Europe ◽  
Good Deal ◽  
Household Structure ◽  
Marriage Pattern ◽  
The West ◽  
Unfree Labor ◽  
Family And Household ◽  
Major Factors ◽  
Previous Existence

The experience of Russia is examined to establish whether the area underwent a process of proto-industrialization comparable to that found in Western Europe. It is argued that the process did take place in this region, even with unfree labor, and served as the basis for much later industrial development. It is also argued that the Russian case differed a good deal from that found in the West. The major factors operating to make the pattern different include the previous existence of the “non- European” marriage pattern, marked differences in family and household structure, the relative immobility of labor, and the degree to which there were half-peasant, half-manufacturing households that dominated much of manufacture.

Unveiling the subject behind diversity: Exploring the micro-politics of representation in ethnic minority creatives’ identity work

Organization ◽  
2017 ◽  
Vol 24 (3) ◽  
pp. 330-354 ◽  
Author(s):  
Patrizia Zanoni ◽  
Annelies Thoelen ◽  
Sierk Ybema
Keyword(s):  
Ethnic Minority ◽  
Identity Work ◽  
Creative Industries ◽  
The Other ◽  
Politics Of Representation ◽  
Cultural Industries ◽  
Creative Work ◽  
The West ◽  
The Subject ◽  
Creative Subject

Much literature on the cultural industries celebrates ethnicity as a source of creativity. Despite its positive connotation, this discourse reduces ethnic minority creatives to manifestations of a collective ethnic identity automatically leading to creativity, creating a paradox of creativity without a creative subject. Approaching creatives with an ethnic minority background as agents, this article investigates how they self-reflectively and purposely discursively construct ethnicity as a source of creativity in their identity work. Empirically, we analyze interviews with well-established creatives with an ethnic minority background active in Belgium. Most respondents construct their ethnic background as ‘hybrid’, ‘exotic’, or ‘liminal’ to craft an identity as creatives and claim creativity for their work. Only few refuse to discursively deploy ethnicity as a source of creativity, crafting more individualized identities as creatives. Our study contributes to the literature on power and ethnicity in the creative industries by documenting ethnic minority creatives’ discursive micro-struggle over what is creative work and who qualifies as a creative. Specifically, we show their counterpolitics of representation of ethnicity in the creative industries through the re-signification of the relation between the ‘west’ and the ‘other’ in less disadvantageous terms. Despite such re-signification, the continued relevance of the discourse of ethnicity as a key marker of difference suggests that ethnicity remains a principle of unequal organization of the creative industries.

scholarly journals On the Question of Medieval Artillery in the Muslim Regions of Contemporary Russia

Islamovedenie ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 30-40
Author(s):  
Nabiev Rustam Fanisovich ◽  
Keyword(s):  
Western Europe ◽  
New Technologies ◽  
Northern Eurasia ◽  
Sources Of Information ◽  
Islamic Culture ◽  
The West ◽  
Muslim Countries ◽  
History Of ◽  
The Russian Federation ◽  
Relationship Of

The article deals with the problem of the spread of artillery weapons from the East to the West through the territory of the Eurasian steppes. Among the regions important for the devel-opment of firearms were countries with Islamic culture, which are currently part of the Russian Federation and the CIS. They were one of the most important links in the movement of new technologies from the East to Europe. Evidence of the development of artillery in the northern Muslim countries is not only written sources, but also finds of genuine medieval weapons. The author shows that the Muslim peoples of northern Eurasia have contributed to the world process of the development and spread of firearms. The article substantiates the view that in the territory of Russia powder technologies, the newest at that time, began to be used much earlier than in Western Europe. The author also identifies a number of areas of research into the history of powder technologies in the medieval Muslim world, such as sources of information, regions, landscapes, the main ways of spreading technologies, as well as terminology from the standpoint of cultural relationship of languages

scholarly journals Theology and culture in dialogue towards harmonious multi-religious and multi-cultural South Africa

2021 ◽  
Vol 55 (1) ◽  
Author(s):  
Kelebogile T. Resane
Keyword(s):  
South Africa ◽  
South African ◽  
Mutual Understanding ◽  
Cultural Interaction ◽  
Historical Legacy ◽  
Religious Context ◽  
Social Divisions ◽  
Current Events ◽  
Diverse Society ◽  
Different Cultures

South Africa is the country of many cultures and many religions. This diversity had not created or led to significant internal strife, especially after 1994 when South Africa entered the era of democracy from the shackles of colonialism and apartheid. The previous regimes marginalised cultures as tools of unity, but preferred to use them as tools of separation, segregation, and isolation. This context calls for some dialogue between theology and cultures within South African multi-cultural and multi-religious context. Social divisions perpetuate discrimination based on culture and religion. The scope of this article is to demonstrate that when theology and culture have a dialogue with each other, an understanding of each other is heightened and harmony becomes inevitable. Through literature on history, sociology, theology, and current events, the hypothesis was made that there is a gap between culture and theology. This has created divisions in societies. Conclusions are based on theological findings that when dialogue is used, people of different cultures and religions come to understand each other. Dialogue is a biblical and theological tool to unite diverse people. It brings mutual understanding and promote cooperation and coexistence. South Africa can be a united diversified society living in peace if dialogue is given a chance. As much as there can be understanding and acceptance of people of other cultures and religions, there can be some resistance due to the historical legacy of separateness and societal isolation. Openness to others and dialoguing with them, however, breaks down walls of hostility.Contribution: This article demonstrates the importance of theo-cultural interaction within a multi-cultural and multi-religious society. It points out the importance of the theology of dialogue engaging culture and theology to build a harmonious coexistence in a diverse society such as South Africa.

scholarly journals Activity of Albanian emigration in the West towards the issue of Kosovo and Metohija (1945-1969)

2021 ◽  
Vol 51 (2) ◽  
pp. 237-255
Author(s):  
Igor Vukadinović
Keyword(s):  
United States ◽  
Western Europe ◽  
The United States ◽  
Second World War ◽  
Communist Regime ◽  
National Committee ◽  
The West ◽  
Health Institutions ◽  
The 1960S ◽  
Second World

After the Second World War, a large number of members of the fascist regime of the Kingdom of Albania found refuge in Italy, Turkey and the countries of Western Europe, where they continued to politically act. The leading political options in exile - Balli Kombetar, Zogists and pro-Italian National Independent Bloc, decided to cooperate with each other, so they have formed the Albanian National Committee in 1946. The turning point for the Albanian extreme emigration in the West is Operation Valuable, by which the United States and Great Britain sought to overthrow the Communist regime of Enver Hoxha in Albania. Although the operation failed, strong ties were forged between US and British intelligence and Albanian nacionalist emigration, which were further intensified in the 1960s. Xhafer Deva, who was dedicated to act on the annexation of Kosovo and Metohija to Albania, immigrated to the United States in 1956 and established cooperation with the CIA. Albanian emigration in the West applied different methods in politics towards Kosovo and Metohija. Some organizations, such as Xhafer Deva's Third Prizren League, have focused on lobbying Western intelligence. The Bali Kombetar Independent, headquatered in Rome, paid particular attention to working with Albanian high school and student youth in Kosovo and Metohija. The Alliance of Kosovo, formed in 1949, was engaged in subtle methods of involving Albanian nationalists in Yugoslav state structures, the League of Communists of Yugoslavia, the Yugoslav People's Army, and educational and health institutions in Kosovo and Metohija. Albanian emigration was also involved in violent demonstrations in Kosovo and Metohija in 1968, and cooperated on this issue with the Communist regime of Enver Hoxha in Albania.

scholarly journals The personality and the creative work of A. Pasculli in the context of the West European music art of the 19th century

2021 ◽  
pp. 1-10
Author(s):  
Liliya Orlanovna Norbu ◽  
Mariya Vladimirovna Kholodova
Keyword(s):  
19Th Century ◽  
Early 20Th Century ◽  
Creative Work ◽  
Music Culture ◽  
Research Focus ◽  
The West ◽  
Russian Scientific ◽  
The 19Th Century ◽  
Creative Life

The authors of the research focus on Antonio Pasculli, a famous Italian virtuoso oboe player and composer of the late 19th - the early 20th century, whose name had long and undeservingly been in the wilderness. In the last two-three decades, his legacy has been getting a new lease on life. Pasculli’s compositions are on the concert list of oboe players all over the world. Despite the performance popularity, the personality and creative work of the outstanding Italian musician are still on the periphery of the research focus of Russian musicologists. All valuable information is contained in rare foreign researches. Therefore, the purpose of the article is to reconstruct the artistic portrait of Antonio Pasculli in the context of time. This research is the first in Russian musicology to introduce into Russian scientific discourse the data from foreign sources revealing the peculiarities of Pasculli’s creative life. Based on the analysis of the collected data, the authors conclude about the necessity to revise the role of Pasculli’s work and legacy in the context of European music culture of the 19th century. It is believed that familiarization with the information about the Italian musician, unknown to the Russian audience, will help to not only dive deeper into the specificity of Pasculli’s compositions, but also to reinterpret his place and role in the evolution of playing woodwind instruments.

scholarly journals The framing of the Jewish pogroms upon the Ukrainian terrains via a prism of the Ukrainian foreign-language press in Europe (1919―1920s)

2019 ◽  
pp. 87-112 ◽  
Author(s):  
Serhiy Blavatskyy
Keyword(s):  
Foreign Language ◽  
Western Europe ◽  
Jewish Question ◽  
Attribution Of Responsibility ◽  
The West ◽  
European Languages ◽  
The Usa ◽  
First Time ◽  
West European

It has been attempted to make an empirical study of the framing of the Jewish pogroms upon the Ukrainian terrains in 1919 in the Ukrainian press in the West European languages in Europe (1919―1920s). For the first time, in the communication and media studies discourses, there have been elicited new, previously unknown, findings of specificity of the framing of the Jewish pogroms in the Ukrainian foreignlanguage periodicals. Those were: «Bulletiner fra det Ukrainske Pressburo» (Copenhagen, 1919—1920s), «La Voce dell “Ucraina”» (Roma, 1919—1920s), «The Ukraine» (London, 1919—1920s), «Bureau Ukrai nien de Presse: Bulletin d’Informations» (Paris, 1919—1920s), «France et Ukraine» (Paris, 1920), «L’Europe Orientale» (Paris, 1919—1920s), «Die Ukraine» (Berlin, 1918—1926s). First, it has been elucidated that the «attribution of responsibility» frame was dominant in the content of the Ukrainian foreign-language press in Western Europe. Second, the conclusion about dialectic of the frames of «attribution of responsibility» and «morality» in the coverage of the Jewish pogroms upon the Ukrainian terrains has been made. In this regard, we conclude that the «morality» frame was connected with the internationalization of this problematic in the geopolitical discourse of international relations of the postwar period. On the contrary, the frame of «attribution of responsibility» was linked to localization of the Jewish question in the multilateral conflict on the Ukrainian territories in 1919. The main conclusion of this paper is that the coverage of the Jewish pogroms in the Ukrainian foreign-language press in Europe was made primarily in counterpropaganda purposes. The follow-up studies are to make a comparative study of the stereotypes about Jews’ perception in the Ukrainian-language press both in Ukraine and abroad (in Europe or the USA), as well as in the West European and American press of the Ukrainian Revolution period (1917―1921s). Thus, these future studies will either refute or confirm the validity of the findings and conclusions of this research. Keywords: framing, the Jewish pogroms, the Ukrainian terrains, the foreign-language press, Europe.

scholarly journals The Paradoxical Use of the Term Sulh: An Analytical Study from Quranic Perspective

2020 ◽  
Vol 16 (1) ◽  
pp. 1-14
Author(s):  
Muhammad Rafiqul Hoque ◽  
Muhammad Mustaqim Mohd Zarif
Keyword(s):  
Qualitative Study ◽  
Dispute Resolution ◽  
Alternative Dispute Resolution ◽  
Analytical Study ◽  
Judicial System ◽  
The West ◽  
The World ◽  
History Of ◽  
Two Sides

Dispute resolution systems are broadly divided into two sides namely Judicial Dispute Resolution (JDRS) and Non-Judicial Dispute Resolution Systems (NJDRS). The first one is more formal, and the latter is informal which is known as Alternative Dispute Resolution (ADR) all over the world. Though ADR is claimed to be a great innovation of the West, it is found to be practiced in the Islamic Judicial System from its very inception. ADR was practiced throughout the history of Islamic Judiciary as sulh. However, the use of the word sulh in the meaning of ADR needs to be explained in the present judicial context. Scholars sometimes discussed sulh as a system parallel to ADR and sometimes as a process, which creates confusion in its multiuse. Hence, this study aims at eliminating this confusion on the paradoxical use of the term sulh as a system for dispute resolution as well as a process of that system. At present, hardly any study has precisely differentiated between them. Thus, this qualitative study focuses on discussing it primarily from the perspectives of the Quran, documented sources as well as interviews. The major finding of this study is that sulh, comparing with present day ADR, does not need to be used paradoxically. The main contribution of the study is to propose a clarification of sulh in the line of ADR fruitfully. The findings of this study are not only useful in clarifying the exact meanings of the term as used in different contexts but also applicable to solve problems faced by arbitrators involved in various indigenous traditional dispute resolution systems such as shalish in Bangladesh and elsewhere.

Latviešu komponistu adaptācijas varianti pēckara Eiropā

Letonica ◽  
2021 ◽  
Author(s):  
Arnolds Klotiņš
Keyword(s):  
Western Europe ◽  
Classical Music ◽  
Creative Work ◽  
Paris Conservatory ◽  
Avant Garde ◽  
Compositional Technique ◽  
Traditional Language ◽  
Language Of Music ◽  
National Romanticism ◽  
Second World

Keywords: classical music, style, national romanticism, transformation of creative works, modernism, avant-garde This article discusses the stylistic and aesthetic transformation of the work of the most prominent Latvian composers, who, as refugees of the Second World War, arrived in Western Europe in 1944 and encountered a different, innovative musical environment there. For those whose creative work in Latvia had been focused on traditional national romanticism, the encounter with musical expressionism and the avant-garde caused a certain shock. The stark differences in style were not only a matter of compositional technique; they also revealed the contradiction between a positivistic worldview and a more adequate musical reflection of the common man during the era. Longīns Apkalns learned from the ideas and style of expressionism most radically, but Alberts Jērums was much more moderate in this respect—he had already approached expressionism during his studies at the Latvian Conservatory. In his studies at the Paris Conservatory (1945-1950), Tālivaldis Ķeniņš studied the traditions of French neoclassicism and constructivism. Volfgangs Dārziņš adapted neoclassical trends in combination with Béla Bartók’s interpretation of folklore. Jānis Mediņš radicalized his traditional language of music, but did not abandon the paradigm of the music of romanticism. Similarly, Jānis Kalniņš’ music, even in the pre-war period, was not unfamiliar with the border between romanticism and expressionism. The composers who, with their creative work, chose to serve only Latvian society in exile continued in the romantic style.

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