scholarly journals Urban development and influential factors on urban form of towns in Bosnia and Herzegovina in the period of socialism and transition: Case study of Banjaluka and Trebinje

2013 ◽  
Vol 11 (3) ◽  
pp. 237-249 ◽  
Author(s):  
Brankica Milojevic

Throughout the history, the urban development of towns in Bosnia and Herzegovina has been strongly influenced by different social systems that were transponed into the urban space giving it general characteristics common for the most cities. The character of the urban form of cities also pointed to the influence of various individual factors which can be generally classified into three groups: the natural characteristics of the urban space, created physical structure and the socio-economic factors. They are permanently shaping the urban space acting interactively with different intensity and impact giving each city the specifics that underlie its urban identity. The most intensive development occurred during the last two periods, the period of socialism (1945 - 1992) and the period of social transition into the liberal democratic system, where the factors in the socio-economic sphere have achieved an especially large impact on the urban form. This paper presents the general characteristics of urban development and influential factors on the urban form of Banjaluka and Trebinje from 1945 until today.

2021 ◽  
Vol 778 (1) ◽  
pp. 012038
Author(s):  
N A Jordan ◽  
Sherlia ◽  
E D Syafitri

Abstract As one of Indonesian city that emerged from the industrial sector, Balikpapan grew and was inhabited by transmigrates from various cultures. The development and growth patterns of the Balikpapan urban area was influenced by the culture of the residents, due to the absence of empire influence or colonialism. This research was conducted to identify the oldest area as a starting point of the urban development patterns of Balikpapan. The building-age profile method was used to identify the oldest building groups or blocks, which belong to the city’s heritage zone. In this analysis, a series of figure-ground images in several periods were collected to indicate the building age. Through the process of overlaying solid-void maps, the pattern of space-built interaction was generated as the patterns of urban development. Results shown that urban development, which was determined through overlay technique, was organic pattern, which was formed by several connected irregular shapes. The conservation of the urban pattern indicates the effort to achieve urban identity, as one of the sustainable urban form indicator.


Author(s):  
Lian Tang ◽  
Wowo Ding

As the most important part of urban space, street space is often regarded as the urban design object which would be made to reach certain spatial configuration expected by urban designer. As we all know that street space is shaped by the buildings along it, and that the buildings not only belong to different owners but also would be changed through the time. If it is true one might ask how does the street space change and what does this change mean to the urban development? Based upon urban morphological theory this paper investigates the relationships between street spatial configuration and urban development policies, building coding as well as urban activities. Three streets located in the center of Nanjing City with different functions and various land uses along them are selected as the research cases. Though the research this paper will demonstrate that by reading the changes of the street spatial configurations we can understand the social development stages and times, and by evaluating the street spatial configurations through the time we can see how the land policies changed the spaces. The paper suggests that confronting the dynamic phenomenon of the urban street space, urban designer should see urban form as urban morph, which will help designers to make decision more proper and better.


Author(s):  
Yu. Stebletska

The factors influencing the change of urban space were considered. Key stages of urban geohistory were emphasized and in accordance with that the main historical types of cities were grouped. Each evolution stage of the spatial urban development was in detail analyzed. The main features, processes, and superior system of settlement for all historical types of cities were defined. Outstanding characteristics of all historical types of cities of all ages were determined and described. A table for features of historical types of cities on key indicators was designed. A decisive influence of economic systems on urban form and its social geography was defined. The influence of the transition of settlements from the early preindustrial economy to the classical industrial city through a capitalist economy, and later to modern approaches and trends in the so-called theory of “post-industrial” city through research of urban geohistory was traced. The way of decay of urban planning of preindustrial age from the rigidly regulated by the state, however well-ordered and well-thought-out planning on the basis of an orthogonal grid in ancient cities, to the spontaneous and disordered development in the Middle Ages, when the core of the city was the fortress and monastery, was studied. Typicality of the cities of the industrial age of the return from the uncontrolled growth, when the decisive role was played by differentiated rents for land in the early models of the industrial city, to the functional zoning in the age of modernism was defined. Urban planning in the post-industrial age in terms of the traditional city through the global processes of urbanization, which create new socio-spatial forms of settlements (metropolitan region, multicentered metropolitan regions) were described. The impact of globalization on the urban space and on creation of new forms of urban settlements was considered. Social and economic features that indicate the development of postmodern metropolis were considered.


Spatium ◽  
2013 ◽  
pp. 28-32
Author(s):  
Dijana Simonovic

This paper points to the possibility of codification of urban planning and application of physical regulation standards in urban form design to establish such instruments of guidance as will ensure the recognition, appreciation and development of local urban identity. The purpose of establishing general principles and making quality recommendations that would aim at urban form design regulation and be implemented as qualitative criteria and regulation standards is to propose a methodology for the rehabilitation of the City of Banja Luka?s identity applicable to similar cities in the region, with due adjustments to allow for contextual specificity, with the possibility of coordinated regional city development. The discontinuity in the urban development of Banja Luka and other cities in the region has jeopardised the inherent characteristics of their identities, resulting in reduced recognisability and impaired integrity. This study covers the period since the beginning of Banja Luka?s guided urban development (Austro-Hungarian administration, 1878), which should allow a review of its urban morphogenesis and an understanding of its key elements, as well as identification of the general principles and rules of urban form regulation as laid down in the local ordinance and planning legacy.


2019 ◽  
Vol 18 (4) ◽  
pp. 1142-1161 ◽  
Author(s):  
Shira Zilberstein

Standard narratives on the relationship between art and urban development detail art networks as connected to sources of dominant economic, social, and cultural capital and complicit in gentrification trends. This research challenges the conventional model by investigating the relationship between grassroots art spaces, tied to marginal and local groups, and the political economy of development in the Chicago neighborhood of Pilsen. Using mixed methods, I investigate Do–It–Yourself and Latinx artists to understand the construction and goals of grassroots art organizations. Through their engagements with cultural representations, space and time, grassroots artists represent and amplify the interests of marginal actors. By allying with residents, community organizations and other art spaces, grassroots artists form a social movement to redefine the goals and usages of urban space. My findings indicate that heterogeneous art networks exist and grassroots art networks can influence urban space in opposition to top–down development.


2018 ◽  
Vol 18 (2-3) ◽  
pp. 326-356 ◽  
Author(s):  
Azra Hromadžić

Building on more than ten years of ethnographic research in post-war Bosnia-Herzegovina, this article documents discourses and practices of civility as mutuality with limits. This mode of civility operates to regulate the field of socio-political inclusion in Bosnia-Herzegovina; it stretches to include self-described “urbanites” while, at the same time, it excludes “rural others” and “rural others within.” In order to illustrate the workings of civility as mutuality with limits, the focus is on interconnections and messy relationships between different aspects of civility: moral, political/civil, and socio-cultural. Furthermore, by using ethnography in the manner of theory, three assumptions present in theories of civility are challenged. First, there is an overwhelming association of civility with bourgeois urban space where civility is located in the city. However, the focus here is on how civility works in the context of Balkan and Bosnian semi-periphery, suspended between urbanity and rurality. Second, much literature on civility implies that people enter public spaces in ways that are unmarked. As is shown here, however, people’s bodies always carry traces of histories of inequality. Third, scholarship on civility mainly takes the materiality of urban space for granted. By paying careful attention to what crumbling urban space looks and feels like, it is demonstrated how civility is often entangled with, experienced through and articulated via material things, such as ruins. These converging, historically shaped logics, geographies and materialities of (in)civility illustrate how civility works as an “incomplete horizon” of political entanglement, recognition and mutuality, thus producing layers of distinction and hierarchies of value, which place a limit on the prospects of democratic politics in Bosnia-Herzegovina and beyond.


Author(s):  
Alessandro Araldi ◽  
Giovanni Fusco

The Nine Forms of the French Riviera: Classifying Urban Fabrics from the Pedestrian Perspective. Giovanni Fusco, Alessandro Araldi ¹Université Côte-Azur, CNRS, ESPACE - Bd. Eduard Herriot 98. 06200 Nice E-mail: [email protected], [email protected] Keywords: French Riviera, Urban Fabrics, Urban Form Recognition, Geoprocessing Conference topics and scale: Tools of analysis in urban morphology     Recent metropolitan growth produces new kinds of urban fabric, revealing different logics in the organization of urban space, but coexisting with more traditional urban fabrics in central cities and older suburbs. Having an overall view of the spatial patterns of urban fabrics in a vast metropolitan area is paramount for understanding the emerging spatial organization of the contemporary metropolis. The French Riviera is a polycentric metropolitan area of more than 1200 km2 structured around the old coastal cities of Nice, Cannes, Antibes and Monaco. XIX century and early XX century urban growth is now complemented by modern developments and more recent suburban areas. A large-scale analysis of urban fabrics can only be carried out through a new geoprocessing protocol, combining indicators of spatial relations within urban fabrics, geo-statistical analysis and Bayesian data-mining. Applied to the French Riviera, nine families of urban fabrics are identified and correlated to the historical periods of their production. Central cities are thus characterized by the combination of different families of pre-modern, dense, continuous built-up fabrics, as well as by modern discontinuous forms. More interestingly, fringe-belts in Nice and Cannes, as well as the techno-park of Sophia-Antipolis, combine a spinal cord of connective artificial fabrics having sparse specialized buildings, with the already mentioned discontinuous fabrics of modern urbanism. Further forms are identified in the suburban and “rurban” spaces around central cities. The proposed geoprocessing procedure is not intended to supersede traditional expert-base analysis of urban fabric. Rather, it should be considered as a complementary tool for large urban space analysis and as an input for studying urban form relation to socioeconomic phenomena. References   Conzen, M.R.G (1960) Alnwick, Northumberland : A Study in Town-Planning Analysis. (London, George Philip). Conzen, M.P. (2009) “How cities internalize their former urban fringe. A cross-cultural comparison”. Urban Morphology, 13, 29-54. Graff, P. (2014) Une ville d’exception. Nice, dans l'effervescence du 20° siècle. (Serre, Nice). Yamada I., Thill J.C. (2010) “Local indicators of network-constrained clusters in spatial patterns represented by a link attribute.” Annals of the Association of American Geographers, 100(2), 269-285. Levy, A. (1999) “Urban morphology and the problem of modern urban fabric : some questions for research”, Urban Morphology, 3(2), 79-85. Okabe, A. Sugihara, K. (2012) Spatial Analysis along Networks: Statistical and Computational Methods. (John Wiley and sons, UK).


2021 ◽  
Author(s):  
Nina Ivanova ◽  

This paper examines the case of Chisinau urban milieu in the context of the ongoing process of transition. The capital city of the Republic of Moldova represents the reflection of society as a whole, being not just a political, cultural and economic center of the country, but a migration hub for the rest of the Moldovan population as well. As a post-Soviet and East-European city, it combines features of both modernization and degradation, generating such phenomena as ruralisation, gated communities in the center of the city, semi-public spaces, chaotic parking, lack of city planning, lack of heterogeneity of the urban space, etc. The urban milieu of Chisinau represents a complicated formation of coexisting social strata with different cultures, memories, aesthetics and urban identities, which can be sometimes conflicting. More uniform representations about the city need the actualization of its symbolic capital, as well as the creation and maintenance of a brand, which should unite core features of different urban identities.


2019 ◽  
Vol 8 (2) ◽  
pp. 4374-4380

Physical development plays a vital role in the urban area that consists of the needs of the physical structure and social process that challenges towards the improvement of the local's well-being. The research evaluates the relationship between urban development and crime pattern using spatial analysis. The research uses satellite imagery data and remote sensing technique to detected urban changes from 2000 until 2013 in Kedah, Malaysia. The result of the research is generated a spatial analysis that identified the hotspots and directional of criminal activities in the study area. The result indicated that they are a positive relationship between urban development and criminal activities, particularly violent crime, property crime and drug abuse case. The result from in-depth interview with the locals indicated that majority of locals in the study area felt unsafe with criminal activities occurring within their neighborhood and negatively impacting their well-being. Industrial and commercial area identified as the hotspot of the criminal activities in the study area. The research can help government and police department to curb the increasing number of criminal activities within the urban setting and achieved their aim to reduce criminal activities index annually


2019 ◽  
Vol 8 (2) ◽  
pp. 1
Author(s):  
Mine Kuset Bolkaner ◽  
Selda İnançoğlu ◽  
Buket Asilsoy

Urban furniture can be defined as aesthetics and comfort elements that reflect the identity of a city and enable the urban space to become livable. Urban furniture is an important element of the city in order to improve the quality of urban life, to create a comfortable and reliable environment and to meet the needs of the users in the best way. For designing these elements, the social, economic, cultural and architectural structure of the city should be considered and evaluated. It is important to adapt the urban furniture to the urban texture and to the cultural structure achieving an urban identity, in order to ensure the survival and sustainability of the historical environments. In this study, a study was carried out in the context of urban furniture in Nicosia Walled City, which has many architectural cultures with its historical texture. In this context, firstly the concept of urban identity and urban furniture was explained and then, information about urban furniture was given in historical circles with urban furniture samples from different countries. As a field study, a main axis was determined and the streets and squares on this axis were discussed. These areas have been explored starting from Kyrenia Gate in North Nicosia; İnönü Square, Girne Street, Atatürk Square, Arasta Square, Lokmacı Barricade and on the south side Ledra Street and Eleftherias Square. In this context, the existing furniture in the North and South were determined and evaluated in terms of urban identity accordingly. As a result, it can be suggested that the existing street furniture equipments, especially on the north side, do not have any characteristic to emphasize the urban identity. According to the findings, it was determined that the urban furniture in the streets and squares on the north side is generally older and neglected, and does not provide a unity with the environment, whereas on the south side, these elements on the street and square are relatively new, functional and environmentally compatible.Key words: urban furniture, historical environment, urban identity, Nicosia Old City


Sign in / Sign up

Export Citation Format

Share Document