The Rise of Middle Class and Middle Management in Brazil

1962 ◽  
Vol 4 (3) ◽  
pp. 313-326 ◽  
Author(s):  
L. C. Bresser Pereira

Brazil, during the past thirty years, has undergone extensive social and economic change, amounting to a Brazilian “Industrial Revolution”. It is always somewhat arbitrary to assign dates to broad historical events, but, if establishment of a starting point for the Industrial Revolution would aid in its understanding, the best date is probably 1930. In the economic field, it is true, World War One represented a first step; in the cultural field, the Week of Modern Art (1922 in Sao Paulo) was the first significant manifestation of a really Brazilian culture. But in both cultural and economic fields, and especially in the political field, the Revolution of 1930 (when Getúlio Vargas came to power), and the world depression beginning in 1929, are the most important events. The phase that many sociologists, economists, and historians call either the National Revolution or the Industrial Revolution, the stage that W. W. Rostow prefers to call the take-off period, began at that time in Brazil.


2020 ◽  
Vol 14 (4) ◽  
Author(s):  
Senka Kovač

Nataliе’s Ramonda, a symbol of Armistice Day – November 11 in Serbia, is a new memorial symbol constructed and promoted by politicians in 2012. The Armistice Day was celebrated then as a national holiday in Serbia. The reception of this symbol has been explored over a five-year period, both in a public discourse and on a representative sample of first year students at the Faculty of Philosophy in Belgrade. In public discourse, as well as among students of the Faculty of Philosophy, Natalie’s Ramonda is perceived as an emblem, a badge, and most often as a symbol. It was seen as an emblem on the lapel of public and media figures, inaccessible to broad commercial promotion and sales. In public discourse and among students at the Faculty of Philosophy, Natalie’s Ramonda was perceived in several answers as a medal, and is also recognized as a flower that symbolizes the suffering of the Serbian people in World War One; symbol of the nation’s rebirth – the flower phoenix, as a mark of peace and freedom. As a newly constructed symbol of the Armistice Day in Serbia, for the past seven years, Natalie’s Ramonda has been a mediator in the public culture of remembrance and in the ongoing process, by becoming a part of cultural memory.



2021 ◽  
Author(s):  
◽  
Eleanor Toland

<p>A surprisingly high number of the novels, short stories and plays produced in Britain during the Edwardian era (defined in the terms of this thesis as the period of time between 1900 and the beginning of World War One) use the Grecian deity Pan, god of shepherds, as a literary motif. Writers as diverse as Somerset Maugham, E.M. Forster, Frances Hodgson Burnett and G.K. Chesterton made Pan a fictional character or alluded to the god of shepherds in more subtle ways. The mystery of why the Edwardians used an ancient Greek god as a symbol requires a profound interrogation of the early twentieth century British soul. The Edwardian era was a narrow corridor of time between the Victorian age and the birth of modernism with the First World War, a period characterised by vast social and political transition, as a generation began to comprehend change they equally feared and desired. Pan was an equivocal figure: easily portrayed as satanic due to his horns and goatish nature, but as the kindly god of shepherds, also a Christ-like figure. Such ambiguity made Pan an ideal symbol for an age unsure of itself and its future. Writers like Maugham and Machen, afraid of social and sexual revolution, portrayed Pan as diabolical, a tempter and a rapist. E.M. Forster, a homosexual man hopeful about the possibility of change, made Pan a terrifying but ultimately liberating figure for those ready to accept the freedom he represented. Kenneth Grahame, desiring the return of a Luddite, Arcadian past that had never truly existed, wrote of Pan as Jesus on the riverbank, sheltering the lost and giving mystic visions to the worthy. Pan represented a simultaneous craving in the Edwardians to flee to the past and to embrace the future, an idealism of the primitive coupled with hope for the future. What he also symbolized was anxiety about the future and the desire to not return to the horrors of the past, fears of the primitive suggested in the nightmarish atavism of Saki’s “The Music on the Hill” and the fears of what society might become expressed in Forster’s “The Machine Stops”. The Edwardian Pan eventually reached its culmination in J.M. Barrie’s twentieth-century fairy tale Peter Pan, in which the eponymous character, seeming at first so different from the ancient Greek mythological figure, became an embodiment of everything the Edwardian Pan phenomenon represented. With the nightmarish yet fascinating figure of Peter Pan, the Edwardians had created a new Pan, reborn for their age. With the beginning of World War One, the Pan figure would begin to fade into insignificance, with only one major work later published which could justifiably be called part of the phenomenon; Lord Dunsany’s The Blessing of Pan, a fitting elegy for the Edwardian Age.</p>



2020 ◽  
Author(s):  
Balázs Ablonczy ◽  

The signing of the peace treaty between the winners of World War One and the defeated Austria-Hungary in the Grand Trianon Chateau in the suburbs of Paris in 1920 was one of the most dramatic events in twentieth-century Hungarian history. It left traces in the mass consciousness and political culture of Hungary, and is still a controversial historical topic. According to recent opinion polls, the vast majority of the population believes that the treaty signed in Versailles was unjust. This book explores the mythical nature of this popular conviction, legends born around the signing of this document, and conspiracy theories that are still used to plausibly explain the past. The book is intended for the reader who wants to go beyond a mere reconstruction of the formal sequence of events, who searches for deeper explanations of the non-evident interdependences of the present day with the past, and who does not take “hot” news, journalistic speculations, and gossip at face value.



Author(s):  
Donald Worster

The driving force behind the North American frontier were waves of economic migrants from Europe and their offspring, competing against the indigenous people and eventually replacing them. But those waves were backed up by the power of the American and Canadian nation states, with their well-armed military, their well funded railroads, and other technology and capital. Science too was initially on the side of the invaders. But after World War One that frontier began to run out of free, abundant land. Then began what I will call a “post-frontier” science, especially ecological in content, that represented a very different attitude toward the white man’s conquest. Scientists like Frederick Clements, John C. Weaver, Paul Sears, and Stan Rowe, all natives to the Great Plains, laid the foundations for what is now a powerful critique of frontier agriculture. This article aims to summarize that critique briefly but focus mainly on the more recent work of Wes Jackson, founder and longtime president of the Land Institute. He has strongly criticized the frontier ethos for its the lack of understanding of the native ecology of the grasslands. In its place he has offered a vision of “perennial polyculture,” using nature as a model for agriculture in an era of limits. That model has not only been making a growing impact on American thinking but has now spread to other continents. Will the end of this frontier cycle and scientific reappraisal turn out to be what Jackson calls a “new agriculture,” one based on learning from the past and one that can change farming all over the world?



With this thematic issue the editorial board wishes to commemorate this important anniversary. Our objective was not to discuss military history, for we, as the name says, deal with Contemporary military challenges. However, we cannot avoid mentioning certain military topics and facts, as it is rather difficult to assess what we have learnt from the conflicts in the past one hundred years without examining and presenting the framework of certain events. It has been a long and dynamic century. A lot has been written about this period, especially from the security as well as military and defence aspects. World War One and Two were unexpectedly extensive in political, security, defence, economic, societal, geographical and geopolitical sense. The twentieth century was also marked by two other wars: the Cold War and the fight against terrorism. The latter was gradually renamed into combat against terrorism. In Slovenia, however, we came to an agreement that this area in fact refers to counter terrorism. The aforementioned wars were strongly influenced by developments in various fields, such as technology, informatics, civil engineering, logistics, engineering, aviation, armament, transport and so on. A lot of interesting individuals influenced the course of events in this period. It all started with Gavrilo Princip who fired at the heir to the throne Franz Ferdinand on that fatal Sunday, 28 June 1914. This eventually resulted in Austria-Hungary's decision to attack Serbia. A lot of names found their place on the historical timeline; some of them with a positive and others with a negative connotation. For Slovenians, the best symbol of that time is undoubtedly the first Slovenian General Rudolf Maister, even though some generations never even heard of him in school. The times are changing, and so are our views on certain historical memories and the facts related to them. It is therefore appropriate to remember certain things, persons and events, and it is also appropriate to analyse and to assess them in order to learn from them. Especially with the intent of not repeating that which is seen throughout the eyes of the history as wrongful, bad or harmful to an individual, nations, nature, states and the world. As the answer to our question whether we have learnt anything in the past one hundred years, Uroš Tovornik prepared a paper titled The time of the formation of a new world order, in which he claims that modern security issues originate, in particular, from the decisions adopted at the Versailles Peace Conference and the events that followed. In the conclusion, the author sums up that modern geopolitical situation differs substantially from the one a hundred years ago or, on the other hand, resembles it very much. In her paper Chemical weapons – particularity of World War I or a still imminent danger, Valerija Bernik takes us through the history of the use of different types of chemical weapons. The latter were first tested by the Austro-Hungarian soldiers on the Isonzo Front in combat with their Italian opponents. Further on she presents all efforts the international community invests in the prevention and limitation of the use of chemical weapons as well as in protection against them. It is nowadays difficult to imagine that a Slovenian would voluntarily engage in a war far from their homeland and fight in the region that lies on the border between Romania and Bulgaria. Jože Rozman writes about this particularity in his paper titled Military geographical dimension of Dobrogea and (Slovenian) volunteers in this battlefield in World War I. What was once a territory where severe combats took place, is now an area important for the allied forces combating the crisis in Ukraine. In the paper titled Market Garden – the epic and the tragedy of allied paratrooper units in the Netherlands, Mircea Tănase presents and analyses the mentioned allied operation in World War One in detail, assessing what went according to plans and what went wrong. Tănase concludes the paper by stressing the importance of intelligence both in the present and in the future. Viktor Potočnik writes about Slovenian Armed Forces size and character. A lot has already been written, in general, about how many members and which types of units the Slovenian Armed Forces should have. In this paper, the author confronts us with facts. His overview and the calculations are very simple and transparent. Is there anyone among the readers who does not share his opinion and would be willing to write an article about it? In her paper titled Military medical intelligence with limited resources in the case of small countries, Tanja Kremžar Kovač states that essential to this sub-type of intelligence and security activities is the acquisition of data on medical and environmental hazards and the medical capabilities in the international area in which members of the armed forces are engaged. Integrating her experience in the paper, the author also explains why this is an important topic and how this activity takes place. Maja Garb read the book of Thomas R. Mockaitis Soldiers of Misfortune? and wrote a peer review titled The challenges of military and security contracting in Iraq and Afghanistan. With this issue, we conclude the year of important anniversaries, as we have named the year 2014 at the very beginning. We invite you to write on and read about the topics for which we have prepared an open invitation for articles for 2015, which is published on our website http://www.slovenskavojska.si/en/publications/.



Transilvania ◽  
2020 ◽  
pp. 22-32 ◽  
Author(s):  
Radu Vancu ◽  
Alex Goldiș ◽  
Ovio Olaru ◽  
Vlad Pojoga ◽  
Teodora Susarenco ◽  
...  

The present article follows the relationship of the Romanian novelistic output between 1901 and 1932 with time and temporal distribution. Its emphasis falls on the degree of correlation between the time of publication and the time during which the events unfold for each corresponding novel, expressed through a variable coined “distance”. By making use of this variable, the temporal distribution of the novelistic corpus in the article clearly shows that the novelists’ focus gradually shifts towards contemporary events; while during the period between 1900 up until the outbreak of World War One, novelists were inclined to place the events of their works in the past, the War seems to have triggered an acute preoccupation with the immediate present. Lastly, the text touches upon two distinct subgenres of the novel, arisen out of their relationship to time, namely the historical novel and the so-called ‘contemporary novel’.



2010 ◽  
Vol 18 (4) ◽  
pp. 85-134
Author(s):  
Domenico Losurdo

AbstractGreat historical crises oblige us to choose not between violence and nonviolence, but between two different forms of violence. Nonviolent movements are no exception to this rule. In the US, with the outbreak of the War of Secession, the Christian-nonviolent movement was obliged to choose between the violence of the Union-army (which ultimately imposed on the South an abolitionist revolution from above) and the violence of slavery. With the outbreak of World-War One, Lenin chose revolution, while, in India, Gandhi became the ‘recruiting agent-in-chief’ for the British army. At that moment, he struggled not for the general emancipation of colonial peoples, but only for the co-optation of the Indian people under the ruling races, and this co-optation was to be gained on the battlefield. While in the past, in spite of their mistakes and oscillations, the protagonists of nonviolence (Gandhi, Tolstoy, Martin Luther King, etc.) were an integral part of the anticolonialist movement, today nonviolence is the watchword of imperialism, which tries to discredit as violent its enemies and challengers.



2018 ◽  
Vol 23 (3) ◽  
pp. 328-343 ◽  
Author(s):  
Shanti Sumartojo ◽  
Matthew Graves

In this article, the authors explore the potential of state-sponsored memory sites to engender multi-chronological and sensorial accounts of the past, and create new meanings for visitors in doing so. They do this by recounting first-hand experiences of the Camp des Milles, a Second World War internment and deportation camp in the south of France, near Aix-en-Provence. Inaugurated in 2012, in addition to being an official lieu de mémoire, Camp des Milles also has an explicit pedagogical function in seeking to raise awareness of racism and anti-Semitism, and how to combat it. The article hinges on accounts of a visit to the site and accompanying photographs, which together provide an empirical starting point for a series of linked concepts that frame their arguments. Beginning with Manning’s notion of the ‘minor gesture’ ( The Minor Gesture, 2016), the authors build on recent work on more-than-representational approaches to memory and place, and draw in explorations of materiality and industrial ruins. Overall, they call for a more subtle and atmospheric understanding of state-sponsored memory sites, an understanding that attends to the emergent experiences people have in them, which allow us to understand their affective impact more clearly, and thus their potential to promulgate and intensify their messages.



2021 ◽  
Author(s):  
◽  
Eleanor Toland

<p>A surprisingly high number of the novels, short stories and plays produced in Britain during the Edwardian era (defined in the terms of this thesis as the period of time between 1900 and the beginning of World War One) use the Grecian deity Pan, god of shepherds, as a literary motif. Writers as diverse as Somerset Maugham, E.M. Forster, Frances Hodgson Burnett and G.K. Chesterton made Pan a fictional character or alluded to the god of shepherds in more subtle ways. The mystery of why the Edwardians used an ancient Greek god as a symbol requires a profound interrogation of the early twentieth century British soul. The Edwardian era was a narrow corridor of time between the Victorian age and the birth of modernism with the First World War, a period characterised by vast social and political transition, as a generation began to comprehend change they equally feared and desired. Pan was an equivocal figure: easily portrayed as satanic due to his horns and goatish nature, but as the kindly god of shepherds, also a Christ-like figure. Such ambiguity made Pan an ideal symbol for an age unsure of itself and its future. Writers like Maugham and Machen, afraid of social and sexual revolution, portrayed Pan as diabolical, a tempter and a rapist. E.M. Forster, a homosexual man hopeful about the possibility of change, made Pan a terrifying but ultimately liberating figure for those ready to accept the freedom he represented. Kenneth Grahame, desiring the return of a Luddite, Arcadian past that had never truly existed, wrote of Pan as Jesus on the riverbank, sheltering the lost and giving mystic visions to the worthy. Pan represented a simultaneous craving in the Edwardians to flee to the past and to embrace the future, an idealism of the primitive coupled with hope for the future. What he also symbolized was anxiety about the future and the desire to not return to the horrors of the past, fears of the primitive suggested in the nightmarish atavism of Saki’s “The Music on the Hill” and the fears of what society might become expressed in Forster’s “The Machine Stops”. The Edwardian Pan eventually reached its culmination in J.M. Barrie’s twentieth-century fairy tale Peter Pan, in which the eponymous character, seeming at first so different from the ancient Greek mythological figure, became an embodiment of everything the Edwardian Pan phenomenon represented. With the nightmarish yet fascinating figure of Peter Pan, the Edwardians had created a new Pan, reborn for their age. With the beginning of World War One, the Pan figure would begin to fade into insignificance, with only one major work later published which could justifiably be called part of the phenomenon; Lord Dunsany’s The Blessing of Pan, a fitting elegy for the Edwardian Age.</p>



HISTOREIN ◽  
2017 ◽  
Vol 16 (1-2) ◽  
pp. 8
Author(s):  
Manos Avgeridis

The article examines aspects of the long history of a major field of public debate in the second half of the twentieth century, that of the Greek 1940s, taking as its starting point the recent “history war” in Greece. It attempts to trace histories and memories from the immediate postwar years and to place them within a broader process: the historisation of the Second World War in Europe. In that context, the article begins by exploring one part of the initial efforts to form a European history of the resistance, from the perspective of the Greek case. Then, the focus is transferred to Greece, and to the mapping of a constellation of different memory and history communities, and the practices of history of the same period: the activities of veteran partisans and eye-witnesses with regard to their contribution to the formation of the first narratives on the war is a core issue at this level. Last, by following the developments in the academy and the politics of history during the Metapolitefsi, the focus returns to the current discussion, attempting a first approach to the subject through the strings that connect it with the past and, at the same time, as a debate of the twenty-first century. 



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