P. Herennius Dexippus: The Greek World and the Third-Century Invasions

1969 ◽  
Vol 59 ◽  
pp. 12-29 ◽  
Author(s):  
Fergus Millar

The legend of the Scythians and the books of Athens, with Petrus Patricius' comments on it, raises precisely the most crucial question about the culture and society of later Antiquity: what was the relationship between the all-pervasive literary culture of the time, with its obsessive and apparently sterile fascination with the classical past, and men's conduct in the world ? The question cannot of course be answered. If we wished to stress the positive and vital aspects of Imperial Greek culture, we could partly avoid answering it by concentrating on a few figures of real intellectual stature in the second to early fourth centuries, and thereby pointing to a number of fields in which the Greek Renaissance saw significant, sometimes revolutionary, progress. Ptolemy, Galen, Diophantus, Origen, Plotinus, Porphyry and Eusebius all in their different ways marked an epoch in the intellectual history of Europe. Even a man of much lesser originality, Cassius Dio, provided the Byzantine world with its definitive account of the history of Rome. But we can also try, if not to answer the question properly, at least to raise some themes directly relevant to it.

1886 ◽  
Vol 7 ◽  
pp. 286-290 ◽  
Author(s):  
Gustav Hirschfeld

‘Es ist das schoene Vorrecht der historischen Forschung, die Verstorbenen in der Erinnerung der Nachwelt wieder aufleben zu lassen. Erscheint es billig, dass die Namen derer, welche sich hohe Verdienste um ihr Volk erworben, der Vergessenheit nicht anheimfallen, so ist es menschlich, denen überhaupt nachzuforschen, welche einst in weiten Kreisen von der Mit- und Nachwelt genannt und gefeiert worden sind.’With these words, used by Dr. Koehler in regard to the once famous ‘condottiere,’ Diogenes, in the third century B.C., I beg to introduce to the reader a personage who, although perhaps of limited interest, was once celebrated and powerful and had the honour of calling himself the friend of Julius Caesar. His son moreover did his best to prevent a deed, the failure of which would probably have changed the direction of the history of the world,—the murder of Caesar.The passages in ancient writers which relate to the man of whom I speak are well known, but they have not hitherto been rightly connected with one another, or thoroughly understood.


2017 ◽  
Vol 9 (1) ◽  
pp. 254
Author(s):  
Hamed Purrostami

The British Qurʾānic researcher, John Burton, believes that the extant Qurʾān was organised and approved by the Prophet of Islam himself. The role of the Prophet of Islam in collection and promulgation of the Qurʾān was negated in favour of the concept of abrogation. Abrogation of both wording and ruling and abrogation of wording, but not of ruling are ideas fabricated by Muslim jurists attempting to base their juristic decrees on the Qurʾān even though the Qurʾānic text lacked any reference to such decrees. If the Prophet of Islam had, in fact, edited, checked, and promulgated the Qurʾānic document, jurists could no longer speak of such omissions or abrogations of texts in the extant Qurʾān. Their solution was to falsify traditions in order to exclude the Prophet of Islam from the history of collection of the Qurʾānic text, suspending such collection until after his death. John Burton’s treatment of the relationship between abrogation and collection of the Qurʾān demonstrates the rigour of his research in Qurʾānic and Islamic sources. On the basis of his book, traditions dealing with collection of the Qurʾān developed in the third century AH. One thing he did not consider was whether historical evidence confirms his depiction of the development of these traditions.


This book asks why, from some moment onwards, ‘Europe’ and ‘the rest of the world’ entered into a particular relationship. This relationship was not merely one of domination but one that was conceived as a kind of superiority; more specifically, as an ‘advance’ in historical time. Toward this end, the book first analyses the emergence of this Atlantic modernity, then proceeds to compare aspects of contemporary Southern modernity, focusing on Brazil, Chile and South Africa. Finally, it explores the dynamics of contemporary modernity worldwide, looking at the relationship between past oppression and injustice and expectations for future freedom and justice. The book firmly links the history of Europe to world history, situating European modernity in its global context.


1994 ◽  
Vol 19 (03) ◽  
pp. 605-608
Author(s):  
Frank Munger

Marianne Constable's essay, “Genealogy and Jurisprudence,” brings the intellectual history of the law and society field within the framework of Nietzsche's six-stage history of metaphysics. Reorganized within that framework, the work of particular law and society scholars is seen to represent stages of thought about the relationship between the world of appearances described in empirical research and the possibilities for human action. Successive movements among law and society scholars pass, like Nietzsche's history of metaphysics, through stages of “error” (positivism, empiricism, critical legal studies, interpretive studies, constitutive theory), moving closer to complete acceptance of the view that action need not follow either legal rules or empirically described patterns and, thus, can be free.


2016 ◽  
Vol 57 (5) ◽  
pp. 547-564
Author(s):  
Małgorzata Sokalska

Summary Poland in the 18th century is generally associated with a period of cultural decline, yet in the history of Europe it is the golden age of the opera. In his cycle of historical novels set in Poland under the Saxon kings Józef Ignacy Kraszewski did not omit the opera, an important cultural feature of the period, and made it a significant factor in the lives of the main characters of Gräfin von Cosel, Brühl, Seven Years’ War, Saxon Remains, The Starosta of Warsaw, and The Virago (Herod-Baba). The first part of the article deals with the documentary aspect of Kraszewski’s fiction, ie. his use of opera references to fill in the picture of the period. It is followed by analyses of his typification techniques, ie. the way he invests his characters, events and narrative interpretations with some typifying or stereotyping formulas. References to the opera are often used in this way. The third part of the article focuses on Brühl, where the opera is an exceptionally rich source of images and ideas for the creation of the fictional world. Most importantly, the opera provides Kraszewski with a model of interpersonal relations – the hidden mechanism of power struggle in the world of politics which he explores in that novel.


2019 ◽  
Vol 69 (1) ◽  
pp. 202-213
Author(s):  
Sebastiana Nervegna

Active in Alexandria during the second half of the third century, Dioscorides is the author of some forty epigrams preserved in the Anthologia Palatina. Five of these epigrams are concerned with Greek playwrights: three dramatists of the archaic and classical periods, Thespis, Aeschylus and Sophocles, and two contemporary ones, Sositheus and Machon. Dioscorides conceived four epigrams as two pairs (Thespis and Aeschylus, Sophocles and Sositheus) clearly marked by verbal connections, and celebrates each playwright for his original contribution to the history of Greek drama. Thespis boasts to have discovered tragedy; Aeschylus to have elevated it. The twin epigrams devoted to Sophocles and Sositheus present Sophocles as refining the satyrs and Sositheus as making them, once again, primitive. Finally, Machon is singled out for his comedies as ‘worthy remnants of ancient art (τέχνης … ἀρχαίης)’. Dioscorides’ miniature history of Greek drama, which is interesting both for its debts to the ancient tradition surrounding classical playwrights and for the light it sheds on contemporary drama, clearly smacks of archaizing sympathies. They drive Dioscorides’ selection of authors and his treatment of contemporary dramatists: both Sositheus and Machon are praised for consciously looking back to the masters of the past. My focus is on Sositheus and his ‘new’ satyr-play. After discussing the relationship that Dioscorides establishes between Sophocles’ and Sositheus’ satyrs, and reviewing scholarly interpretations of Sositheus’ innovations, I will argue that Dioscorides speaks the language of New Music. His epigram celebrates Sositheus as rejecting New Music and its trends, and as composing satyr plays that were musically old fashioned and therefore reactionary.


2018 ◽  
Vol 12 (2) ◽  
pp. 252-267
Author(s):  
Kuniichi Uno

For Gilles Deleuze's two essays ‘Causes and Reasons of Desert Islands’ and ‘Michel Tournier and the World Without Others’, the crucial question is what the perception is, what its fundamental conditions are. A desert island can be a place to experiment on this question. The types of perception are described in many critical works about the history of art and aesthetical reflections by artists. So I will try to retrace some types of perception especially linked to the ‘haptic’, the importance of which was rediscovered by Deleuze. The ‘haptic’ proposes a type of perception not linked to space, but to time in its aspects of genesis. And something incorporeal has to intervene in a very original stage of perception and of perception of time. Thus we will be able to capture some links between the fundamental aspects of perception and time in its ‘out of joint’ aspects (Aion).


Author(s):  
Isao Okayasu ◽  
Chi-Ok Oh ◽  
Duarte B Morais

Running is one of the most popular activities in the world. Runners’ attitudes and behaviors vary depending on their running style. This study aims to construct different measures of running specialization based on the theory of specialization. This study also tests a runner’s stage of specialization segmentation based on recreation specialization and examines the predictive relationship between a runner’s specialization and event attachment. Three groups of sampling data assess the performance of diverse specialization measures for running in three marathon events. First, two surveys were conducted with marathon participants to assess the performance of diverse specialization measures for runners. Second, the third dataset was used to examine the relationship between a runner’s recreation specialization and event attachment.The study results showed that the 15 measures of specialization showed a good fit to the data. Our research showed how runners’ recreation specialization is connected to their event attachment. In addition, this study suggested event management for subdivisions of runners. Its practical implication is that recreation specialization for running can help us understand event attachment.


2019 ◽  
Vol 29 (1) ◽  
pp. 189-202

The article advances a hypothesis about the composition of Michel de Montaigne’s Essays. Specialists in the intellectual history of the Renaissance have long considered the relationship among Montaigne’s thematically heterogeneous thoughts, which unfold unpredictably and often seen to contradict each other. The waywardness of those reflections over the years was a way for Montaigne to construct a self-portrait. Spontaneity of thought is the essence of the person depicted and an experimental literary technique that was unprecedented in its time and has still not been surpassed. Montaigne often writes about freedom of reflection and regards it as an extremely important topic. There have been many attempts to interpret the haphazardness of the Essays as the guiding principle in their composition. According to one such interpretation, the spontaneous digressions and readiness to take up very different philosophical notions is a form of of varietas and distinguo, which Montaigne understood in the context of Renaissance philosophy. Another interpretation argues that the Essays employ the rhetorical techniques of Renaissance legal commentary. A third opinion regards the Essays as an example of sprezzatura, a calculated negligence that calls attention to the aesthetic character of Montaigne’s writing. The author of the article argues for a different interpretation that is based on the concept of idleness to which Montaigne assigned great significance. He had a keen appreciation of the role of otium in the culture of ancient Rome and regarded leisure as an inner spiritual quest for self-knowledge. According to Montaigne, idleness permits self-directedness, and it is an ideal form in which to practice the freedom of thought that brings about consistency in writing, living and reality, in all of which Montaigne finds one general property - complete inconstancy. Socratic self-knowledge, a skepticism derived from Pyrrho of Elis and Sextus Empiricus, and a rejection of the conventions of traditional rhetoric that was similar to Seneca’s critique of it were all brought to bear on the concept of idleness and made Montaigne’s intellectual and literary experimentation in the Essays possible.


Author(s):  
Paul J. Bolt ◽  
Sharyl N. Cross

Chapter 1 explores perspectives on world order, including power relationships and the rules that shape state behavior and perceptions of legitimacy. After outlining a brief history of the relationship between Russia and China that ranged from cooperation to military clashes, the chapter details Chinese and Russian perspectives on the contemporary international order as shaped by their histories and current political situation. Chinese and Russian views largely coincide on security issues, the desirability of a more multipolar order, and institutions that would enhance their standing in the world. While the Chinese–Russian partnership has accelerated considerably, particularly since the crisis in Ukraine in 2014, there are still some areas of competition that limit the extent of the relationship.


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