Bowie on Elegy: A footnote

1987 ◽  
Vol 107 ◽  
pp. 188-188 ◽  
Author(s):  
D. M. Lewis
Keyword(s):  
Literary Genres ◽  
History Of

It may be desirable to draw attention to an item of some interest for the history of literary genres which has just appeared in a Greek periodical which is not, as yet, widely accessible.Angelos Matthaiou (ΗΟΡΟΣ iv [1986] 31–4) publishes two grave stelai from Nikaia, between Athens and Piraeus. The script is unusual, in that the texts are written retrograde and from the bottom to the top of the stele. The obvious parallel for this is a funerary text discussed by Missjeffery in BSA lvii (1962) 136 no. 42 and dated by her around 540; one of her last scholarly observations was to confirm that the new texts appeared to be in the same hand.

Wang Guowei and the Establishment of Chinese Drama in the Modern Canon of Classical Literature

T oung Pao ◽  
2010 ◽  
Vol 96 (1) ◽  
pp. 165-201
Author(s):  
Regina Llamas
Keyword(s):  
Yuan Dynasty ◽  
Literary Genre ◽  
Classical Literature ◽  
Literary Value ◽  
Literary Genres ◽  
Critical History ◽  
History Of ◽  
The Right ◽  
The Yuan Dynasty ◽  
Universal Standard

AbstractThis essay examines the process by which Wang Guowei placed Chinese dramatic history into the modern Chinese literary canon. It explores how Wang formed his ideas on literature, drawing on Western aesthetics to explain, through the notions of leisure and play, the impetus for art creation, and on the Chinese notions of the genesis of literature to explain the psychology of literary creation. In order to establish the literary value of Chinese drama, Wang applied these ideas to the first playwrights of the Yuan dynasty, arguing that theirs was a literature created under the right aesthetic and creative circumstances, and that it embodied the value of "naturalness" which he considered a universal standard for good literature. By producing a scholarly critical history of the origins and nature of Chinese drama, Wang placed drama on a par with other literary genres of past dynasties, thus giving it a renewed status and creating at the same time a new discipline of research. Drama had now become an established literary genre.

The Form of Man

Human Forms ◽  
2019 ◽  
pp. 31-54
Author(s):  
Ian Duncan
Keyword(s):  
Natural History ◽  
Immanuel Kant ◽  
Analogical Reasoning ◽  
Probabilistic Reasoning ◽  
Thought Experiment ◽  
The Novel ◽  
Literary Genres ◽  
History Of ◽  
Scientific Project ◽  
The One

This chapter examines how the science of man became the natural history of man, a history not of individuals or nations but of the human species. A new biological conception of species “as an entity distributed in time and space,” released from the synchronic grid of Linnaean taxonomy as well as from a providential cosmology, comprised what Philip Sloan has called the “Buffonian revolution.” That revolution would be as consequential for literary genres, especially the novel, as it was for the natural and human sciences, in part due to Buffon's recourse to a literary style and techniques of “speculative thought experiment,” probabilistic reasoning, “analogical reasoning, and divination” in his scientific method. The chapter then looks at the debate over the history of man that broke out in the mid-1780s between Immanuel Kant and Gottfried Herder. One of the great intellectual quarrels of the late Enlightenment, it signposted the forking paths of Kant's critical philosophy, on the one hand, and the scientific project of natural history on the other.

Offenses Against Human Beings in Private and Public Law

2019 ◽  
pp. 34-44
Author(s):  
Eckart Otto
Keyword(s):  
Historical Development ◽  
Legal History ◽  
Public Law ◽  
Comparative Approach ◽  
Human Beings ◽  
Biblical Law ◽  
Literary Genres ◽  
Near Eastern ◽  
Private And Public ◽  
History Of

This chapter deals with the legal functions of law of different literary genres in the Hebrew Bible and their legal historical development within their societal “settings in life. It concentrates on laws of bodily injuries and homicide in a comparative approach with ancient Near Eastern law and asks for the influence of religion on the legal history of the biblical law of offenses against human beings and for trends of correlating law and narrative in the Pentateuch. Special attention is given to the origins of talionic retaliation in cuneiform law and to the efforts in biblical law already in the Covenant Code to check and repeal the talio.

THE ANCIENT AND MEDIEVAL SOURCES FOR THE EMPEROR JULIAN'S ATTEMPT TO REBUILD THE JERUSALEM TEMPLE

2004 ◽  
Vol 35 (4) ◽  
pp. 409-460 ◽  
Author(s):  
David Levenson
Keyword(s):  
Fourteenth Century ◽  
Literary Genres ◽  
Cultural Contexts ◽  
Jerusalem Temple ◽  
Factors Influencing ◽  
History Of ◽  
Complex Relationships ◽  
The Individual

AbstractThis article attempts to provide a complete inventory and brief sourcecritical analysis of the more than fifty sources from the fourth through the fourteenth century, representing a wide variety of literary genres and cultural contexts, that report the Emperor Julian's attempt to rebuild the Jerusalem Temple. By identifying the immediate sources of most of the accounts and discussing the complex relationships among others, the analysis is able to clarify specific historical and historiographical issues, as well, to establish afirmer basis for further research on the event itself, the sources, methods and Tendenzen of the individual works in which it is found, and the literary and ideological factors influencing the history of a tradition which has played an important role in Jewish-Christian relations.

scholarly journals А. М. REMIZOV AND FOLKLORE: ON THE ISSUE OF RESEARCH METHODOLOGY

2021 ◽  
Vol 26 (2) ◽  
pp. 155-166
Author(s):  
Yana V. Nagornaya ◽  
Keyword(s):  
Literary Criticism ◽  
Fairy Tale ◽  
Point Of View ◽  
Creative Activity ◽  
Literary Genres ◽  
Folk Drama ◽  
Folklore Studies ◽  
History Of ◽  
State Of Research ◽  
And Function

The article presents a critical review of research works on the topic “Folklore-literary interaction in the creative activity of A.M. Remizov” published in Russian. The study of the topic has been conducted mainly within the framework of literary criticism. Meanwhile, for a writer known for his commitment to preservation and innovative approach to traditional literary genres, folklore is one of the dominant sources of creativity. Currently, Remizov studies cannot boast of generalizing works on folklorism in the writer’s creative activity and on the influence of oral folk art genres on his artistic system, so one of the aims of the article is to attract scholarly interest to the issue and stimulate further research in this area. The publication gives a brief description of the current state of research on the problem, identifies the main vectors of its consideration and reveals the academic lacunae. The author analyzes the works, which deal with the creative heritage from the point of view of folklore studies and address the problems of the typology of folklorism and mythologism of the writer, clarify the range of folklore sources and the specificity of working with them, as well as the role and function of the author’s comments on the miniatures of Posoloni. These notes to the texts were created under the influence of a literary scandal related to the accusation of the writer of plagiarism. The assessment of the events around this incident by specialists in Remisov studies and folklorists does not coincide, the article outlines prospects for further research. The author undertakes a detailed description of the influence of the texts of calendar rite, spiritual verses, fairy tale, conspiracy-spell tradition, folk drama, children’s folklore and Russian folk pictures on the writer’s creative activity. For the first time, the author poses a hypothesis about the possible influence of the aesthetics of rayok (“World Cosmorama”) on the work of A. M. Remizov by the example of the fairy-tale novella “What is Tobacco”, which which depicts the reformatting of the apocryphal model by artistic means of lubok and rayok. The analysis of numerous studies made it possible for the author of the article to conclude that the writer’s creative activity does not only reflect the real diversity of folklore genres but also such specific features of them as oral format and variability. The results of the study can be used in the design of the course of the history of Russian literature and folklore studies of the beginning of the early 20th century, in the studies dealing with folklore-literary interaction, and in popularization and publication of folklore texts.

scholarly journals Breaking the Rules: Innovation and Narrative Strategies in Sandra Cisneros' The House on Mango Street and Ana Castillo's The Mixquiahuala Letters

2003 ◽  
Vol 26 (1) ◽  
pp. 108-120
Author(s):  
Carmen Haydée Rivera
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Sandra Cisneros ◽  
Narrative Strategies ◽  
Stream Of Consciousness ◽  
Story Line ◽  
Literary Genres ◽  
Stage Direction ◽  
History Of ◽  
Considerable Length

Conventional approaches to literary genres conspicuously imply definition and classification. From the very beginning of our incursions into the literary world we learn to identify and differentiate a poem from a play, a short story from a novel. As readers we classify each written work into one of these neatly defined literary genres by following basic guidelines. Either we classify according to the structure of the work (stanza; stage direction/dialogue; narrative) or the length (short story; novelette; novel). What happens though when a reader encounters a work of considerable length made up of individual short pieces or vignettes that include rhythm and rhyme and is framed by an underlying, unifying story line linking the vignettes together? Is it a novel or a collection of short stories? Why does it sound and, at times, look like a poem? To further complicate classifications, what happens when a reader comes across an epistolary format with instructions on which letters to read first: letters made up of one-word lines, poetic stanzas, or italicized stream of consciousness; letters that narrate the history of two women's friendship? Is this a novel or a mere collection of letters?

scholarly journals Chapter 2. The Texts: Writing and Literature in Kievan Rus’ and Muscovy

2015 ◽  
Author(s):  
Tore Nesset
Keyword(s):  
Medieval Literature ◽  
Background Knowledge ◽  
Font Size ◽  
Standard Language ◽  
Literary Genres ◽  
Detailed History ◽  
Cursive Script ◽  
History Of

<p style="margin: 0cm 0cm 0pt;"><span lang="EN-US"><span style="font-family: Cambria; font-size: medium;">In the previous chapter, we explored the history of medieval Russia. We now turn to an important characteristic of this society – the emergence of writing and literature. Needless to say, medieval texts are interesting in and of themselves, but the texts are of particular interest to us as historical linguists, since they represent a major source of data. This chapter provides you with important background knowledge about writing, alphabets, texts and literature. Questions we will consider include: How did writing come to Kievan Rus’? Which alphabets were used? In what language were the texts written? What was the standard language in Kievan Rus’? What kinds of texts have come down to us? Although this chapter is by no means a detailed history of medieval literature, you will learn about some important literary genres and key texts. Finally, this chapter gives you an opportunity to reflect on the differences between the medieval and modern concepts of literature.</span></span></p><p style="margin: 0cm 0cm 0pt;"><span lang="EN-US"><span style="font-family: Cambria; font-size: medium;"> </span></span></p><p><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US">Click on the links below to learn more!</span></p><p><a href="/index.php/SapEdu/article/downloadSuppFile/3492/154"><span style="font-family: 'Cambria',serif; font-size: 12pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN-US">2.2 Alphabet: uncial, semi-uncial and cursive script</span></a></p>

Martin Luther and the Holy Spirit

2017 ◽  
Author(s):  
Lois Malcolm
Keyword(s):  
Holy Spirit ◽  
Martin Luther ◽  
Biblical Theology ◽  
Biblical Exegesis ◽  
Literary Genres ◽  
The Holy Spirit ◽  
History Of ◽  
History Of Theology ◽  
The One ◽  
The Trinity

Although often neglected in historical and theological studies of Martin Luther’s work, an understanding of the Holy Spirit undergirds his signal contributions to the history of theology and is essential to any case for his ongoing relevance to contemporary theology and practice. Drawing on biblical exegesis, Luther would reinvigorate the doctrine of the Holy Spirit he inherited from the Western theological tradition and from the Ancient Church. Nonetheless, he wrote in a variety of literary genres and in response to a range of issues. To address this linguistic and historical complexity, this article examines the role the concept of the Holy Spirit plays in his theology by providing readings of texts that have been influential on later appropriations of his work. In doing so, it focuses on two intertwined themes in his theology. First, it examines his understanding of the Holy Spirit in relation to justification—that is, the righteousness of God we receive as a gift by faith—looking at his early biblical theology and two especially influential texts, “The Freedom of a Christian” (1520) and his “Lectures on Galatians” (1535). Second, it discusses his portrayal of the Holy Spirit as sanctifier—that is, as the one who creates holiness or sanctification in us—in his most well-known catechisms, in the “Confession of 1528,” and in his “Lectures on Genesis” (1535) and “Sermons on John” (1537). Throughout, attention will also be given to his understanding of the Trinity, Word and sacraments, faith, hope, and love, and the themes of promise and gift. The article concludes with a sketch of historical work and a discussion of the influence of Luther’s pneumatology on later theology and current areas of research.

The Genres of the Pentateuch and Their Social Settings

2021 ◽  
pp. 361-378
Author(s):  
Angela Roskop Erisman
Keyword(s):  
Literary History ◽  
Social Contexts ◽  
Genre Theory ◽  
Critical Study ◽  
Literary Genres ◽  
Social Settings ◽  
History Of ◽  
Classic Form ◽  
Stable Forms ◽  
Generic Complexity

The ability to recognize genres has been central to modern critical study of the Pentateuch since the work of Hermann Gunkel at the turn of the twentieth century. This essay surveys the legal, administrative, and literary genres used in the Pentateuch, offering a sense of its generic complexity. Genres are defined not as the fixed and stable forms used to classify texts, as understood by classic form-critical method, but as idealized cognitive models employed as tools for writing and interpreting texts, an understanding drawn from modern genre theory. Because genres are situated in social contexts, Gunkel saw genre as central to writing a history of Israel’s literature. This essay surveys the limitations of Gunkel’s vision yet identifies a way to reconnect with it and write a more organic literary history, one that may intersect with but also at times challenge the results of source- and redaction-critical methods.

A History of African American Autobiography

2021 ◽  
Keyword(s):  
African American ◽  
Civil Rights ◽  
Cultural History ◽  
Civil Rights Movement ◽  
White Supremacy ◽  
Life Writing ◽  
Personal Essays ◽  
Literary Genres ◽  
History Of ◽  
Definition Of

This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.

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