scholarly journals La oss sammen le! Om bruk av humor i presters forkynnelse ved gravferd

Ingen spøk ◽  
2019 ◽  
pp. 203-220
Author(s):  
Bjarte Leer-Helgesen

Is it appropriate for a priest to use humor in funeral services? And if so, how can they use humor in their sermons to comfort mourners and preach the Christian gospel? In this chapter I analyze 110 funeral sermons delivered by priests from the Church of Norway. The main finding is that priests use humor only minimally in their preaching, and those who do tend to employ humor when addressing difficult topics in their sermons, such as disease, life crises and conflicts. I claim that this is an example of tension-relief: humor makes it easier to address these difficult themes. The priests do not use sarcasm or irony in their preaching, but they do to tell humorous stories about the deceased and their relatives. These stories are interpreted as a harmless form of humor, and have most likely been conveyed by relatives in conversations with the priest prior to the funeral. As a theological argument I claim that humor can be interpreted as hope’s last defense in the face of death and grieving, and that humorous preaching can produce hopeful and relation-oriented images of God.

Author(s):  
Sólveig Anna Bóasdóttir

Í þessari grein er rýnt í texta eftir fjóra kvennaguðfræðinga sem allar hafa lagt fyrir sig nýsmíði guðsmynda í ljósi gagnrýni á vald Guðs. Fyrsti textinn um það efni kemur frá Mary Daly en hún er ein af mikilvægustu formæðrum kvennaguðfræðinnar og hóf guðsmynda-gagnrýni sína skömmu fyrir 1970. Daly sem aðhylltist róttækan femínisma beindi skrifum sínum að kaþólsku kirkjunni og kenningum hennar. Hún komst fljótlega að þeirri niður-stöðu að henni væri ekki vært innan kirkjunnar, kirkjan væri handan endurskoðunar og endurnýjunar. Þrátt fyrir það eru áhrif hennar á síðari tíma kvennaguðfræðinga óumdeild. Það sýna textar eftir Sallie McFague, Ivone Gebara og Wendy Farley, sem allar hafa ástundað guðsmyndargagnrýni og guðsmyndarnýsköpun og lagt sérstaka áherslu á vald Guðs í þeim efnum. McFague leggur áherslu á að allt tal um Guð sé líkingamál og réttir fram guðslíkingar eins og t.d. Guð sem vinkonuna, elskandann og móðurina en þannig vildi hún leggja áherslu á vægi hins líkamlega og nálæga Guðs. Svipað má segja um texta Ivone Gebara en reynsla og líf hinna fátæku er forsenda guðslíkinga hennar. Aðalatriði hjá henni er að allt líf sé samtengt og hvað öðru háð. Guð finnum við í tengslum og skyldleika alls sem lifir. Framlag Wendy Farley til endursköpunar guðsmynda felst í endurtúlkun á hugtakinu vald. Hún vill halda áfram að tala um vald Guðs en endurtúlkar hugtakið. Valdi Guðs verður, að hennar mati, best lýst sem líknsemi en það er eiginleiki sem aðeins Guð býr yfir. Líknsemi Guðs megnar að leysa manneskjunnar úr greipum ofbeldis og illsku. Vald Guðs umbreytir og frelsar á hátt sem enginn mannlegur máttur getur gert. Changing God. Reconstructing the image of God in the light of women’s experiences of violence and oppression This article examines texts by four women theologians who have all set out to reconstruct images of God in the face of criticism of God’s power. The first text comes from Mary Daly, one of the most important forerunners of women’s theology. She began her criticism of theology shortly before 1970. Daly, who embraced radical feminism, first focused her critique on the Catholic Church and its doctrines. However, she soon concluded that she was not valued within the Church, and indeed, that the Church was beyond re-evaluation and restoration. Nevertheless, her influence on later women theologians is undisputed. This is evidenced in texts by Sallie McFague, Ivone Gebara, and Wendy Farley, who have all engaged in critical and groundbreaking work regarding images of God, with particular emphasis on the meaning of the power of God. McFague highlights that all talk about God is metaphorical, presenting parables that depict God as friend, lover, and mother, which is how she emphasizes the importance of the physicality and immanence of God. Similar themes can be found within Ivone Gebara’s text, but the experiences of the poor are a prerequisite for her writings of God images. She writes that all life is interconnected and interdependent. According to her, we find God in the relatedness and kinship of all living creatures. Wendy Farley’s contribution to the critical discussion on the images of God is a reinterpretation of the concept of power. She wishes to keep talking about God’s power but reinterprets the concept. In her view, the power of God is best described as compassion, a quality, however, that only God can have. God’s compassion liberates human beings from violence and evil. God’s power transforms and liberates in a way that no human power ever can.


2020 ◽  
Vol 26 (3) ◽  
pp. 261-280
Author(s):  
Rhoderick John Suarez Abellanosa

The declaration of enhanced community quarantine (ECQ) in various provinces and cities in the Philippines did not impede the Catholic Church from celebrating its sacraments and popular devotions. Mired with poverty and various forms of economic and social limitations, the presence of God for Filipinos is an essential element in moving forward and surviving in a time of pandemic. Predominantly Roman Catholic in religious affiliation, seeking the face of God has been part of Filipinos' lives whenever a serious disaster would strike. This essay presents how the clergy, religious and lay communities in the Philippines have innovatively and creatively sustained treasured religious celebrations as a sign of communion and an expression of faith. In addition to online Eucharistic celebrations that are more of a privilege for some, culturally contextualised efforts were made during the Lenten Season and even on Sundays after Easter. This endeavour ends with a reflection on the Church as the sacrament of God in a time of pandemic. Pushed back to their homes, deprived of life's basic necessities and facing threats of social instability, unemployment and hunger, Filipinos through their innovative celebrations find in their communion with their Church the very presence of God acting significantly in their lives.


Holiness ◽  
2020 ◽  
Vol 1 (2) ◽  
pp. 161-176
Author(s):  
Stephen Bevans

AbstractWhile ‘Mission in Britain today’ includes many aspects, this article focuses on the witness of the Church within Britain’s contemporary highly secularized culture. Rather than ‘technical change’, the Church is called to work at ‘adaptive change’, and so to concentrate less on strategies and more on internal renewal. Such adaptive change involves freeing people’s imagination from simplistic and abusive images of God, offering a positive image of God that is inspiring and truly challenging, recognizing the kenotic nature of the Church, and realizing that mission is carried out in a world of grace where God is already present and working


2018 ◽  
Vol 15 (2) ◽  
Author(s):  
Lufuluvhi Maria Mudimeli

This article is a reflection on the role and contribution of the church in a democratic South Africa. The involvement of the church in the struggle against apartheid is revisited briefly. The church has played a pivotal and prominent role in bringing about democracy by being a prophetic voice that could not be silenced even in the face of death. It is in this time of democracy when real transformation is needed to take its course in a realistic way, where the presence of the church has probably been latent and where it has assumed an observer status. A look is taken at the dilemmas facing the church. The church should not be bound and taken captive by any form of loyalty to any political organisation at the expense of the poor and the voiceless. A need for cooperation and partnership between the church and the state is crucial at this time. This paper strives to address the role of the church as a prophetic voice in a democratic South Africa. Radical economic transformation, inequality, corruption, and moral decadence—all these challenges hold the potential to thwart our young democracy and its ideals. Black liberation theology concepts are employed to explore how the church can become prophetically relevant in democracy. Suggestions are made about how the church and the state can best form partnerships. In avoiding taking only a critical stance, the church could fulfil its mandate “in season and out of season” and continue to be a prophetic voice on behalf of ordinary South Africans.


Author(s):  
Samuel K. Cohn, Jr.

This chapter investigates changes in mentalities after the Black Death, comparing practices never before analysed in this context—funerary and labour laws and processions to calm God’s anger. While processions were rare or conflictual as in Catania and Messina in 1348, these rituals during later plagues bound communities together in the face of disaster. The chapter then turns to another trend yet to be noticed by historians. Among the multitude of saints and blessed ones canonized from 1348 to the eighteenth century, the Church was deeply reluctant to honour, even name, any of the thousands who sacrificed their lives to succour plague victims, physically or spiritually, especially in 1348: the Church recognized no Black Death martyrs. By the sixteenth century, however, city-wide processions and other communal rituals bound communities together with charity for the poor, works of art, and charitable displays of thanksgiving to long-dead holy men and women.


2017 ◽  
Vol 114 (4) ◽  
pp. 542-557
Author(s):  
Kenneth L. Waters
Keyword(s):  
The Face ◽  

In what ways are the Johannine Epistles a response to empire ideology and propaganda? These Epistles proclaim a more complete and correct cosmology, a greater Savior and soteriology, a better pedagogy, a truer doctrine, a sounder koinōnia, and a more nurturing paterfamilias; moreover, they do so while indicting schismatics, who, in the view of the elder, represent the face of the empire. Although the resurrection and ascension of Jesus Christ drive the elder’s witness and ministry, he must still shape his message to counter the encroachment of empire in the church and on the mission field.


10.34690/125 ◽  
2021 ◽  
pp. 6-36
Author(s):  
Роман Александрович Насонов

Статья представляет собой исследование религиозной символики и интерпретацию духовного смысла «Военного реквиема» Бриттена. Воспользовавшись Реквиемом Верди как моделью жанра, композитор отдал ключевую роль в драматургии сочинения эпизодам, созданным на основе военных стихов Оуэна; в результате произведение воспринимается подобно циклу песен в обрамлении частей заупокойной мессы. Военная реальность предстает у Бриттена амбивалентно. Совершая надругательство над древней верой и разбивая чаяния современных людей, война дает шанс возрождению религиозных чувств и символов. Опыт веры, порожденный войной, переживается остро, но при всей своей подлинности зыбок и эфемерен. Церковная традиция хранит веру прочно, однако эта вера в значительной мере утрачивает чистоту и непосредственность, которыми она обладает в момент своего возникновения. Бриттен целенаправленно выстраивает диалог между двумя пластами человеческого опыта (церковным и военным), находит те точки, в которых между ними можно установить контакт. Но это не отменяет их глубокого противоречия. Вера, рождаемая войной, представляет собой в произведении Бриттена «отредактированный» вариант традиционной христианской религии: в ее центре находится не триумфальная победа Христа над злом, а пассивная, добровольно отказавшаяся защищать себя перед лицом зла жертва - не Бог Сын, а «Исаак». Смысл этой жертвы - не в преображении мира, а в защите гуманности человека от присущего ему же стремления к агрессивному самоутверждению. The study of religious symbolism and the interpretation of the spiritual meaning of “War Requiem” by Britten have presentation in this article. Using Verdi's Requiem as a model of the genre, the composer gave a key role in the drama to the episodes based on the war poems by Wilfred Owen; as a result, the work is perceived as a song cycle framed by parts of the funeral mass. The military reality appears ambivalent. While committing a blasphemy against the ancient belief and shattering the aspirations of modern people, the war offers a chance to revive religious feelings and symbols. This experience of war-born faith is felt keenly, but for all its authenticity, it is shaky and ephemeral. The church tradition keeps faith firmly, but this faith largely loses the original purity and immediacy. Britten purposefully builds a dialogue between the two layers of human experience (church and military), finds those points where contact can be established between them. But this does not change their profound antagonism. In Britten's work, faith born of war is an “edited” version of the traditional Christian religion: in its center is not the triumphant victory of Christ over evil, but a passive sacrifice that voluntarily refused to defend itself in the face of evil-not God the Son, but “Isaac.” The meaning of this sacrifice is not in transforming the world, but in protecting the humanity of a person from his inherent desire for aggressive self-assertion.


2021 ◽  
Vol 3 (2) ◽  
pp. 185-200
Author(s):  
Gerardus Rahmat Subekti

The article deals with pastoral care for family according to Amoris Laetitia. The author’s concern is to discuss the pastoral steps for the families in the face of crisis situations: What kind of pastoral steps can be organized to assist families in crisis situations? This article is based on the study of ecclesial document Amoris Laetitia, a post-synodal apostolic exhortation by Pope Francis addressing the pastoral care of families. First of all, the article describes the basic thoughts of this document, especially those related to the reality and ideals of family life. Then, it shows some practical pastoral thoughts for assisting families in special situations. The results can be a significant contribution for the Church in terms of its important duties and responsibilities in assisting the families today, but also for family pastoral activists. This description concludes that the crisis situation faced by families is not a fact to be constantly regretted, but an opportunity for the Church to show God's mercy to those who are struggling in difficult situations.


2016 ◽  
Vol 85 (2) ◽  
pp. 219-245 ◽  
Author(s):  
Kathryn Rose Sawyer

The Church of Ireland in the later seventeenth century faced many challenges. After two decades of war and effective suppression, the church in 1660 had to reestablish itself as the national church of the kingdom of Ireland in the face of opposition from both Catholics and Dissenters, who together made up nearly ninety percent of the island's population. While recent scholarship has illuminated Irish protestantism as a social group during this period, the theology of the established church remains unexamined in its historical context. This article considers the theological arguments used by members of the church hierarchy in sermons and tracts written between 1660 and 1689 as they argued that the Church of Ireland was both a true apostolic church and best suited for the security and salvation of the people of Ireland. Attention to these concerns shows that the social and political realities of being a minority church compelled Irish churchmen to focus on basic arguments for an episcopal national establishment. It suggests that this focus on first principles allowed the church a certain amount of ecclesiological flexibility that helped it survive later turbulence such as the non-jurors controversy of 1689–1690 fairly intact.


Sign in / Sign up

Export Citation Format

Share Document