Conclusion

Author(s):  
Ahmed El Shamsy

This concluding chapter tracks the developments in Arabo-Islamic print culture beginning in the mid-twentieth century. It remarks on some features of postclassical thought which were common enough to mark the era's scholarship in distinct and recognizable ways. It is likely that they contributed, together with the decline of educational institutions and libraries, to the decreasing availability of classical works in the Arabic-speaking world, which further constrained intellectual production by reducing the resources at scholars' disposal. In their righteous zeal, the reformists may well have exaggerated the intellectual weaknesses of their age, but the sincerity of the feeling of liberation and optimism with which they reached into the classical tradition for tonics for present maladies should not be doubted. From there, the chapter turns to more contemporary times and the major technological strides which herald a new renaissance for classical literature.

Author(s):  
J. Gerald Kennedy ◽  
Scott Peeples

Edgar Allan Poe has long occupied a problematic place in discussions of American literature. Over the course of the twentieth century, however, an intensive reexamination of his relationship to nineteenth-century print culture and the controversies of Jacksonian America reframed our understanding of his work. Whereas scholars once regarded his dark fantasies as extraneous to American experience, we now recognize the complex and nuanced ways in which Poe’s work responded to and questioned core assumptions of American culture. The Oxford Handbook of Edgar Allan Poe offers a wide-ranging exploration of Poe, rereading his works through a variety of critical approaches and illuminating his ultimate impact on global literature, art, and culture. The introduction to the volume traces the development of scholarship on Poe from the time of his death in 1849 to the beginning of the twenty-first century, exploring the future possibilities for the study of Poe in the digital era.


Author(s):  
Laura U. Marks

In the twentieth-century Arabic-speaking world, communism animated anticolonial revolutions, workers’ organizations, guerrilla movements, and international solidarity. The communist dream was cut short by Arab governments, deals with global superpowers, the rise of religious fundamentalism, and historical bad luck. But recently a remarkable number of Arab filmmakers have turned their attention to the history of the radical Left. Filmmakers from Iraq, Syria, Lebanon, Palestine, Egypt, Algeria, Tunisia, and Morocco have been urgently seeking models for grassroots politics in the labor movements, communist parties, and secular armed resistance of earlier generations. This coda explores two strata of communist audiovisual praxis: the radical cinema that supported labor movements and guerrilla actions from the 1950s to the 1980s, and recent films that draw on that earlier movement. The coda argues that the Arab audiovisual archive holds flashes of communism that have been neither fulfilled nor entirely extinguished. The new films release their unspent energy into the present, diagnosing earlier failures of Arab communism and making plans for new forms of solidarity.


2021 ◽  

This book is devoted to a symbolic event that defined the life and values of several generations. Half a century ago, Czech communists tried to give a new impetus to their country’s system of government by combining socialist values with a rational market economy and the mechanisms of a developed democracy. This effort failed, and the state was occupied by the military. This book is the result of joint efforts by Russian, Czech, and Romanian historians, archivists, and cultural and literary scholars, who—exploring new documents and materials—have reinterpreted these events and their lessons from a present-day perspective. Objectively, the “Prague Spring” is from a bygone era, but it is still a milestone, and many of the problems encountered during the Prague Spring are still relevant today. The authors hope that they have contributed to the historiography of the now-distant events of 1968 and that their contributions will help in analysing the experiences of the past in order to be prepared for the events of the future. This book is aimed at specialists in the history and culture of Central and Eastern Europe, students of higher educational institutions, and the general reader interested in twentieth-century history.


2011 ◽  
pp. 287-306
Author(s):  
Nenad Ristovic

The reception of the classical book heritage in the Biography of Despot Stefan Lazarevic of Constantine the Philosopher (of Kostenec) is noticed through the conspicuous reminiscences on classical antiquity, but it is also manifested through the use of artistic procedures of classical literature and the author?s high estimate of the accomplishment of pre-Christian Greek thought. In the first two types of classicism Constantine surpasses other medieval Serbian writers, while in the third he is unique among them, so his relying on classical tradition in this work is the result both of literary conventions caused by the choice of the genre of secular biography and of his belonging to the most liberal section of medieval Christian intellectuals.


2018 ◽  
Vol 2 (5) ◽  
pp. 27
Author(s):  
Thaís De Melo

Este artigo apresenta alguns resultados da trajetória de pesquisa sobre a presença do Instituto Histórico e Geográfico Brasileiro (IHGB) na Educação . Dentre os aspectos abordados estão as contribuições do instituto para a construção de conhecimentos sobre a História da Educação no Brasil; as relações dos sócios do instituto com instituições de ensino e órgãos administrativos da educação; e os projetos de criação de cursos da Academia de Altos Estudos.  Nesse sentido, propomos considerar o IHGB como um lugar de poder atuante nos conflitos políticos relativos ao campo educacional e como instância produtora de políticas e projetos educacionais no início do século XX. Como fontes para essas questões foram utilizadas publicações e atas da Revista do IHGB, bem como documentos de arquivos de instituições relacionadas e periódicos existentes durante o recorte.* * *This article presents some results of the research trajectory on the teaching of the Brazilian Historical and Geographical Institute (IHGB) in education. Among the addressed projects are the Institute's contributions to the construction of knowledge about the history of education in Brazil; the relations of the members of the Institute with educational institutions and administrative organs of education and the projects of creation of courses and the Academy of High Studies. In this sense, we propose to consider the IHGB as a place of power that is active in political conflicts related to the educational field, and as a producer of policies and educational projects in the early twentieth century. As sources for these issues, publications and minutes of the IHGB Review were used as well as archives of related and periodical institutions existing during the period. 


2021 ◽  
Author(s):  
Aurelia Cojocaru ◽  

Among the revolutions that took place in the twentieth century, one of the most important was the managerial revolution. It was during this period that management became a separate field, developing intensely even today. Currently, in all developed countries, more attention is paid to the training of professional managers, because "the task of the leader is to be more and more efficient". The need to professionalize managerial activity in the field of education was realized in the West in the 60s and 70s of the twentieth century [1]. In the Republic of Moldova, this problem began to be addressed only in the 90s. Almost a hundred years ago, the author who founded the scientific management, Frederick Taylor, postulated the principle "Strict record of time and standardization of work" making a huge step towards increasing efficiency in the organization. Management means efficient and effective management of an activity. From this perspective, the manager cannot ensure the efficiency for the institution for which he is responsible if he does not know how to manage the resources efficiently. In addition, time is a precious, pretentious and irreversible economic resource: time is the rarest resource being irreplaceable but at the same time "unlimited", it is expensive, but it cannot be bought, stored, multiplied, and its loss cannot be assured either. By the largest insurance company in the world, so it cannot be "compensated", a source that can increase efficiency and profit, so that its good management is an essential skill [2].


Author(s):  
Admink Admink

Досліджується роль митрополита Андрея Шептицького у розвитку музичної культури української діаспори ХХ століття. Акцентована увага на таких аспектах діяльності Митрополита: розбудова української греко-католицької церкви у світі, його візити у різні країни, розвиток системи духовних навчальних закладів, підтримка світських навчальних закладів, встановлення стипендій для музикантів, які здобували освіту за кордоном, участь у процесах розвитку церковного співу. Виокремлюються святкування на честь Митрополита та вшанування його пам’яті за участю музикантів у різних країнах світу. Питання втілення художнього образу митрополита Андрея Шептицького в музичній творчості композиторів діаспори розглянуто на прикладі аналізу хорових творах одного із його стипендіатів – А. Гнатишина з Австрії.Ключові слова: музична культура, українська діаспора, українська греко -католицька церква, художній образ, митрополит Андрей Шептицький. The author studied role of Metropolitan Archbishop Andrei Sheptytskyi in the development of musical culture of the Ukrainian Diaspora during the twentieth century Emphasis is made on the following aspects of the Metropolitan Archbishop’s activity: development of the Ukrainian Greek Catholic Church in the world, his visits to different countries, development of the system of spiritual educational institutions, support of religious educational institutions, establishment of scholarships for musicians who have received education abroad, participation in processes of church singing development. The article highlights the celebration in honor of the Metropolitan Archbishop and honoring his memory with the participation of musicians from around the world. The author reveals embodiment of the image of Metropolitan Archbishop Andrei Sheptytskyi in the musical creativity of the Diaspora composers at the example of the choral works of one of his fellows, Andrei Hnatyshyn from Austria.Key words: musical culture, Ukrainian diaspora, Ukrainian Greek Catholic Church, image, Metropolitan Archbishop Andrei Sheptytskyi.


Author(s):  
Juan Carlos Torchia Estrada

Philosophy has been present throughout Argentine cultural life since the beginning of Spanish colonization. Despite institutional ups and downs, the teaching of philosophy was a practically constant component of higher and even secondary education. The principal currents that shaped that teaching for more than three centuries were Scholasticism, French ideology, eclectic spiritualism, positivism and in the twentieth century, all of the contemporary manifestations, such as, Husserlian phenomenology, existentialism, analytical philosophy and structuralism. A permanent characteristic, nevertheless, has been that the political vicissitudes of the country affected educational institutions. In the nineteenth century, during the period of national independence and organization, public figures used philosophical ideas to analyse the problems of society and to make the political and institutional contributions that a country in formation required. Juan Bautista Alberdi and Domingo Sarmiento are, in this respect, two representative examples. In the twentieth century, the figure of the professional philosopher, one who is interested in philosophical research for itself, emerged and expanded. However, thought that reflected direct interest in the problems of the community and in the ethical demands of praxis did not disappear during this era. This can be seen in such thinkers as José Ingenieros and Alejandro Korn and more recently in what has been called liberation philosophy. Academic philosophy has made considerable progress. In the second half of the twentieth century, it has attained a high level of professional quality. In some cases, even original contributions have been made which go beyond assimilation or commentary about external philosophical influences. In Argentina, as in the rest of Latin America, philosophy began as a pure transplant brought by those who conquered the continent. Upon creating centres of higher education (either as part of the religious orders or with the character of universities), the philosophical teaching being practised in the Spanish universities of Salamanca and Alcalá was reproduced in the Spanish colonies. Argentine philosophy shares the same general characteristics and historical periods with the philosophies developed in other Latin American countries. In general terms, philosophy can be divided into three periods: the colonial period, the nineteenth century, or national period and the twentieth century.


2018 ◽  
Vol 60 (4) ◽  
pp. 758-785 ◽  
Author(s):  
Webb Keane

AbstractThe entry of a universal revelation into the mundane world of language threatens to be paradoxical: it must take a specific and local form. As such, it becomes implicated in nationalist, ethnic, linguistic, and other sources of community. This article centers on a small melodrama in late twentieth-century Indonesia, home to the largest number of Muslims of any country. After undergoing a mid-life spiritual awakening, H. B. Jassin, a modernist literary critic, editor, and ardent defender of freedom of expression, undertook two projects intended to convey the aesthetic power of the Qur'an to a non-Arabic speaking public. But if Qur'anic Arabic summons a transnational community of the faithful, standardized Indonesian was developed to address a nation of citizens. If scripture speaks in a divine, uncreated idiom, the national language is shaped by human efforts. Jassin's career had served a vision of literature and its public whose values and semiotic ideologies were dramatically at odds with Qur'anic traditions. Although this may appear at first glance to be a familiar story of progress and its opponents, this article asks whether Jassin's critics grasped something about signs and communities that his defenders did not. Examining the furor that resulted from his Qur'ans, it explores an array of conflicting assumptions about language, freedom, truth, and people's lives together in the late twentieth century.


PMLA ◽  
1974 ◽  
Vol 89 (5) ◽  
pp. 960-966 ◽  
Author(s):  
Patricia Merivale

Classical artifacts, particularly busts and statues, play an important part as image, symbol, plot element, or even character, in a large number of “Gothic” (i.e., romantic horror) contexts. Eighteenth-century neoclassicism provides “classically” serene artifacts to contrast with “Gothic” ones in, for instance, Poe and Hawthorne. But medieval tradition provides the Venus statue story, where the statue itself is the focus of Gothic horror, in Eichendorff, James, Merimee, Gautier, and others; this, especially in the subtler artist parables, is the key nineteenth-century usage. For the twentieth century, statues become “Dionysian,” classical yet fearful, as in Forster and Lagerkvist. More recently, statues represent a frivolous, melodramatic terror, or else mere emblematic pageantry. In contemporary poetry, however (Rilke, Plath, Seferis), the wheel has in a sense come full circle; classical statues are serious emblems of art and of the artist's obligation to put together the maimed and shattered fragments of a personal and “classical” tradition.


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